1941 Bridesmaid Nord Norbrum Groom Stephen Jack Bullen Bride Millie Bullen (nee Norbrum) Best Man Jack Bullen (Cousin of Groom) Donated with Apricot Coloured Wedding DressHand coloured Photograph with metal backing and cellophane covering.Names on Backwedding

J. Chadwick & Co Drapers Main Street from P.C. News Supplement 1888Two B/W Prints & Hand Coloured Print in FrameJ. Chadwick & Co Importers and General Drapers and Clothiers Main Streetstawell businesses

A self-portrait, hand-coloured, of 9886 Private Les Chandler in France in 1916. For many Australians the arrival of snow was initially a great novelty. The appeal quickly wore off. The European winter of 1916. The coldest in decades caused further misery for front line troops. hand coloured photoles chandler, 1916, winter, hand-coloured, ww1, aif, a.i.f, world war 1

This work was presented to The Mayor and Mayoress, Cr. and Mrs R.G. Ward, by the citizens of Brighton to commemorate the Brighton Centenary in 1959. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. The new Brighton Municipal Offices were designed by Kevin Knight of Oakley and Parkes with the engineers John Connell and Associates and were erected by Prentice Builders Pty Ltd. The foundation stone was laid on 13 February 1959 and the building was opened on 21 July 1961. The interior decoration and furniture was by Grant Featherston.brighton centenary, brighton town hall, stage decoration, mayoral ball, brighton municipal offices, civic centre, oakley and parkes, kevin knight, r.g. ward, mayor

Wooden Frame, Domed Glass, Colour Portrait of a Young Woman With Mortor Board hat and Robes, wearing a green dress Holding DiplomasMary Devery 1912 -1964 A.L.C.M. & L.L.C.M : Music Diplomas Late of Green's Creek and Stawell

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Robert Salzer Foundation, 2012.hand coloured photographSigned on verso, lower righthand-coloured, tracey moffatt, self portrait, desert, cameras

Les Chandler was always going on nature walks. If he had time off, he would go off and walk into a wood or go and look for bird's nests or chasing butterflies and insects or whatever because he was interested in the whole of nature. hand coloured photofishing, hand coloured, ww1, world war 1, aif, a.i.f

Construction of the town of Mount Beauty commenced in 1946 and continued until 1952. It was built to provide family accommodation for workers engaged in the construction of the hydro electric power scheme. As well as housing, there was an administration building, staff hostel, merchandising centre, workmen's camps, base stores and workshops and the Mount Beauty Terminal Station. The first house was occupied in November, 1946 by the then manager of the trading store, with a frontage onto Hollonds Street. The total number of houses erected was 488, 162 custom built and 326 prefabricated. The main workmen's camp can be seen just left of the centre of the photograph and accommodated 144 men at the time of the photograph. By 1950 it could accommodate 1200men. Photo No. 1 is taken in 1947/early 1948 as there is no evidence of the staff hostel under construction. This hostel was commenced in August/September 1948 and is clearly shown in photograph No. 2, dating this photo as 1948 as it is before the completion of the bypass road connecting to the main (high plains) road. This road was constructed in 1939 and in 1948 followed the route of Tawonga Crescent. This remained in use until the bypass construction was completed in early 1949 and does not appear to be finished in this photograph.. Both photographs are taken from the power line easement adjacent to the Bright road.Significant historical pictorial record of the development of a town from grazing land. The type of terrain that had to be surveyed and then to construct roads and other infrastructure, with very little machinery, is also of prime significance in the development of the Kiewa Hydro Electric Scheme.Two photographs, both hand painted to show colours, and both of Mount Beauty c 1947/48 not long after commencement of construction of homes and facilities for workers.Photo No.1 - on back of photo, left upper corner, faintly in pencil, SPIKE, underneath this is written T Pay,. Photo No. 2 - on back of photo, left upper corner, faintly in pencil, Jmount beauty, housing, accommodation

This is an image of the Rotunda Hospital in Dublin. Established as the Dublin Lying-In Hospital in 1745, it moved to its current location in 1757 and remains there to this day. This image was first published in Malton's 'A Picturesque and Descriptive view of the City of Dublin' in 1791.This print has a colour engraving of a white building with a red roof. A tower, topped by a dome, rises above the middle of the building. There are four decorative columns on the front of the building, and the entrance to the building is surrounded by a metal fence. There are various figures in the foreground of the image. On the left, there is a well-dressed family group consisting of three adults and a child. At left of centre, a figure is riding a horse, which is being preceded by a dog. At the centre, in the middle background, there is one tall and one short figure standing next to the metal fence surrounding the building and they are peering inside. At right of centre, a figure is driving a two-horse buggy. On the far right, the shadowed figure of a beggar is holding out their cap. There is a smaller building to the left-hand side of the featured building, and additional buildings are visible in the right-side background. Clouds are visible behind the buildings. Text below image reads 'Lying in Hospital'. The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.The print is mounted and framed in a black wooden frame with gold trim. A display label for this print is attached to the back of the frame. Handwritten inscriptions on the back of the frame of the artwork read 'Rotunda Lying in Hospital/Dublin // 19th British Congress RCOG 1971' and 'Original engraving/James Malton. London,/December 1795.' There is a sticker attached to the bottom right of the back of the frame featuring a printed image of a stork in read and the text 'FRIENDS OF THE ROTUNDA HOSPITAL'. There are two hooks and a wire attached to the back of the frame for hanging.