Showing 18 items matching " italian renaissance"
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Bendigo Historical Society Inc.Postcard - POST OFFICE
... ... Italian Renaissance...On back ' Post Office Bendigo, Victoria' Built in the Italian renaissance style, and opened to the public in 1887, this fine building with its 142 foot clock tower is a local land mark....BENDIGO Buildings post office Post Office Bendigo Italian Renaissance Plastichrome Murfett Publishers Plastichrome, Murfett Publishers Postcard: Image shows Bendigo Post Office, viewed from Pall Mall. ...Postcard: Image shows Bendigo Post Office, viewed from Pall Mall. Palm trees in foreground. On back ' Post Office Bendigo, Victoria' Built in the Italian renaissance style, and opened to the public in 1887, this fine building with its 142 foot clock tower is a local land mark.Plastichrome, Murfett Publishersbendigo, buildings, post office, post office, bendigo, italian renaissance, plastichrome, murfett publishers -
Bendigo Historical Society Inc.Photograph - ESTELLE HEWSTON COLLECTION: FRONT FAÇADE OF NATIONL BANK PALL MALL
... Built in 'Modern Italian Renaissance Style'...Built in 'Modern Italian Renaissance Style' Estelle Hewston Colour photograph of the Pall Mall façade of the National Bank. ...Former National Bank, 30 Pall Mall. Architect W.C. Vahland 1887. Contractor N. Longstaff. Built in 'Modern Italian Renaissance Style'Colour photograph of the Pall Mall façade of the National Bank. Dated August 1990. Note on back states note name on top of building 'National Bank'.Estelle Hewston -
Federation University Historical CollectionBook, The Five Orders of Architecture: according to Vignola, Possibly 1931
... He was among those Italian architects who spread the Italian Renaissance style throughout Western Europe. ...He was among those Italian architects who spread the Italian Renaissance style throughout Western Europe. ...Giacomo Barozzi was born at Vignola. He was called Vignola after the name of the town where he was born. Giacomo was an Italian architect of 16th century. He was among those Italian architects who spread the Italian Renaissance style throughout Western Europe. His two masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. A blue cloth hard cover book. Title and author's name is engraved in gilt on front cover and spine. Illustrations in b/w. It includes 26 p. of text and 66 b/w plates, notes on the plates and a glossary of French and English terms. The book also includes studies of shadow projection and the orders and thier application.A bookplate inside front cover titled 'Ballarat School of Art Library No. AD/13. A library due date card with patron's name "Vignola, G.B da" date: 24/4/1968.roman architecture, greek architecture, orders of architecture, vignola, doric order, tuscan order, ionic order, corinthian order, composite order, shadow projection, arch of titus, bookplate, library plate, ballarat technical art school library -
Whitehorse Historical Society Inc.Domestic object - Tea Pot
... Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs....Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs. domestic items crockery 'Estrucan/Majolic/E24 Unusual multi-coloured patterned tea pot and lid. ...Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery -
Bendigo Historical Society Inc.Booklet - Fortuna Article - Booklet titled Goldfield Colossus, the story of George Lansell, 1968
... The statue is situated near the old Post office building with its Italian Renaissance architecture in Bendigo's main street, Pall Mall. ...The statue is situated near the old Post office building with its Italian Renaissance architecture in Bendigo's main street, Pall Mall. ...Imagine the scene in Bendigo's Pall Mall, focus on the largely forgotten statue of George Lansell. The statue is situated near the old Post office building with its Italian Renaissance architecture in Bendigo's main street, Pall Mall. The area is busy, with people hurrying by, posting letters, waiting for transport, and taxi drivers chatting. The statue of George Lensell is mostly ignored by passersby, who rarely notice or acknowledge it. Even city records and books seldom mention George Lensell or the statue dedicated to him. The narrative highlights how public memory can fade, leaving once-significant figures and monuments overlooked amid daily urban life. The document uses the statue as a symbol of forgotten history within a bustling modern city. - quote from K. D. MolyneuxFortuna Article - Booklet titled Goldfield Colossus, the story of George Lansell by K. D. Molyneux in 1968 This item contains the following document: 11217.64a Foolscap size large booklet on George Lansell and Fortuna - many pages and photographs faded and barely recognizable. Contact BHS for further details 11217.64b First page textnon-fictionbendigo, fortuna, george lansell, edith lansell, k. d. molyneux -
Bendigo Historical Society Inc.Document - LETTER DESCRIBING BENDIGO'S GRANDEST BUILDINGS
... Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. ...Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. ...Bendigo's Grandest Buildings are the Public Offices (1883-7) and the Law Courts (1892-6). Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. They are so pompously Bendigonian that they stand well with Vahland's work, but in fact they originated in the Public Works Department, the architect for both being W.G. Watson. The building containing the Public Offices and Post Office has a frontage of 155 feet to Pall Mall and 100 feet to Williamson Street, and it was designed to include the post and telegraph offices and the postmaster's quarters. Public access was from the porch facing Pall Mall, and on the first floor were the police, water supply and crown lands departments, reached by a stair from the porch on the short façade. It was the largest building of its type outside of Melbourne, and was built in the grandest fashion of ornately stuccoed brick on a foundation of Harcourt granite, faced above ground level with bluestone. The floors of the porches and landings of the main stair are of encaustic tiles, the interior woodwork is of French polished cedar, and the major public rooms have coffered and enriched ceilings and cornices, and ornamentally panelled walls divided by pilasters. The building is surmounted by a tower rising to 130 feet, containing a great clock made by Thomas Gaunt of Melbourne, the chimes played on five bells weighing a total of three tons.bendigo, buildings, state offices -
Embroiderers Guild, VictoriaAccessory - Assisi Embroidery Handkerchief Sachet, Mid 20th century
... Assisi embroidery originated in Assisi, Umbria region in Italy, during the Renaissance. The techniques involved in Assisi embroiderywere practiced for many centuries; however, the modern form of Assisi embroidery as it is recognized today took its shape and form in Assisi in the 18th century. ...Assisi embroidery originated in Assisi, Umbria region in Italy, during the Renaissance. The techniques involved in Assisi embroiderywere practiced for many centuries; however, the modern form of Assisi embroidery as it is recognized today took its shape and form in Assisi in the 18th century. ...Assisi embroidery originated in Assisi, Umbria region in Italy, during the Renaissance. The techniques involved in Assisi embroiderywere practiced for many centuries; however, the modern form of Assisi embroidery as it is recognized today took its shape and form in Assisi in the 18th century. Early examples of Assisi embroidery often feature religious themes, pointing to its ecclesiastical beginnings. Convent nuns stitched church altar cloths, chasubles, vestments, and other religious items and materials with Assisi embroidery motifs. St. Clare of Assisi, an Italian nun who started the order of St. Clare, later became the patron saint of embroiderers. She was known for stitching altar cloths for churches in Assisi. Assisi embroidery went through several evolutionary stages, reflected in its changing motifs. In the 13th and 14th centuries, motifs included stylized birds and animals, scrollwork, and geometric designs. In the 15th and 16th centuries, Assisi work reflected Biblical and Renaissance-inspired motifs, with demons, angels, and mythological creatures.Assisi work - natural evenweave linen with double running in black round the design then filled in with blue cross stitch, leaving the design 'voided'.embroidery, assisi, 1940-60, italy, sachet, lions -
Flagstaff Hill Maritime Museum and VillageBook - Reference Book/History, Henry Smith Williams, The Historians History of the World Vol 9 set 1 - Edited by Henry Smith Williams L.L.D. Published by “The Times” 1908, 1908
... It shows us how the Western world viewed Italy just before the World Wars changing the geopolitical landscape forever. It treats the Renaissance not just as a period of art, but as the birthplace of the modern individual....It shows us how the Western world viewed Italy just before the World Wars changing the geopolitical landscape forever. It treats the Renaissance not just as a period of art, but as the birthplace of the modern individual. ...The 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. While previous volumes dealt with the Roman Empire, Volume 9 picks up the story after the "Fall of Rome" and tracks the peninsula’s evolution through the dawn of the 20th century.The Book is part of a 25 volume set with red cloth bindings and gold filigree design to ribnon-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. While previous volumes dealt with the Roman Empire, Volume 9 picks up the story after the "Fall of Rome" and tracks the peninsula’s evolution through the dawn of the 20th century. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, book, the historians history of the world vol 9 set 1, henry smith williams -
Flagstaff Hill Maritime Museum and VillageBook - Reference Book/History, Henry Smith Williams, The Historians History of the World Vol 10 set 1 - Edited by Henry Smith Williams L.L.D. Published by “The Times” 1908, 1908
... Volume 10 specifically focuses on the Late “Middle Ages” and the “Renaissance period”, particularly in Italy and Spain. Starting with the clash of civilisations, Islam vs. ...Volume 10 specifically focuses on the Late “Middle Ages” and the “Renaissance period”, particularly in Italy and Spain. Starting with the clash of civilisations, Islam vs. ...The 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. Volume 10 specifically focuses on the Late “Middle Ages” and the “Renaissance period”, particularly in Italy and Spain. Starting with the clash of civilisations, Islam vs. Christianity.The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. Volume 10 specifically focuses on the Late “Middle Ages” and the “Renaissance period”, particularly in Italy and Spain. Starting with the clash of civilisations, Islam vs. Christianity. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the historians history of the world vol 10 set 1, book -
Federation University Historical CollectionBook, Gavin Fry, Graeme Drendel, 2016
... It includes recollections of his childhood in Ouyen, with the featureless skies of the Mallee, through to the impact of Italian Renaissance artists Piero della Francesca and Masaccio, this publication brings together three decades of the artist’s work in a richly illustrated volume. ...This monograph of Graeme Drendel’s oeuvre draws on the artist’s sketchbooks, diaries and unpublished photographs to explore the influences on his distinctive style. It includes recollections of his childhood in Ouyen, with the featureless skies of the Mallee, through to the impact of Italian Renaissance artists Piero della Francesca and Masaccio, this publication brings together three decades of the artist’s work in a richly illustrated volume. Greame Drendel is an alumni of the Ballarat Technical Art School.Hardcover 207 page book with dustjacket and full colour illustrations.non-fictionThis monograph of Graeme Drendel’s oeuvre draws on the artist’s sketchbooks, diaries and unpublished photographs to explore the influences on his distinctive style. It includes recollections of his childhood in Ouyen, with the featureless skies of the Mallee, through to the impact of Italian Renaissance artists Piero della Francesca and Masaccio, this publication brings together three decades of the artist’s work in a richly illustrated volume. Greame Drendel is an alumni of the Ballarat Technical Art School.graeme drendel, alumni, ballarat technical art school, artist, ballarat teachers' school -
Flagstaff Hill Maritime Museum and VillageBook - Book of Poetry, Thomas Campbell, The Sonnets Triumphs and Other Poems of Petrarch, 1873
... His recovery of classical Latin texts and his profound Italian poetry helped spark the Renaissance. Before Petrarch, much of medieval love poetry was heavily stylized, distant, and bound by the rules of "courtly love." ...His recovery of classical Latin texts and his profound Italian poetry helped spark the Renaissance. Before Petrarch, much of medieval love poetry was heavily stylized, distant, and bound by the rules of "courtly love." ...This volume compiles the core poetic works of Petrarch. It is anchored by his Canzoniere (Songbook), which features his famous sonnets and poems dedicated to his unrequited muse, Laura. It also includes his Triumphs (Trionfi), an allegorical series of poems exploring human life, love, death, and time. Collectively, these works shaped the course of Renaissance literature and popularized the "Petrarchan sonnet" structure across Europe.The Sonnets Triumphs and Other Poems of Petrarch Author: Francesco Petrarca (Petrarch) Publisher: Bell & Daldy Date: 1873 Olive hardcover with a brown spine and lettering in gold. The spine has a label with an inscription. Further Information: First completely Translated into English Verse by various hands, with a life of the poet by Thomas CampbellfictionThis volume compiles the core poetic works of Petrarch. It is anchored by his Canzoniere (Songbook), which features his famous sonnets and poems dedicated to his unrequited muse, Laura. It also includes his Triumphs (Trionfi), an allegorical series of poems exploring human life, love, death, and time. Collectively, these works shaped the course of Renaissance literature and popularized the "Petrarchan sonnet" structure across Europe.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the sonnets triumphs and other poems of petrarch, petrarch, thomas campbell -
Eltham District Historical Society Inc
Document - Folder, Skipper, Matchem
... Renaissance sculptor", Diamond Valley News, ~1982. Biography of Matcham Skipper. Newspaper article: "A Matcham Skipper monologe", The Age Saturday Extra, 31 August 1985. Matcham Skipper's year in Italy...Renaissance sculptor", Diamond Valley News, ~1982. Biography of Matcham Skipper. Newspaper article: "A Matcham Skipper monologe", The Age Saturday Extra, 31 August 1985. Matcham Skipper's year in Italy ...Matcham Skipper was born in New Zealand in 1921 to Lena and Mervyn Skipper. The family returned to Australia. After Mervyn met Justus Jorgensen; they moved to live at Montsalvat. Matcham married Myra Gould; he became a sculptor and jewellery maker. Contents Newspaper photograph: "The artist at work - Matcham Skipper in his studio at Montsalvat", The Australian, 10 August 1966. Matcham Skipper working on a metal artwork. Photocopy of photograph: Matcham Skipper c1970. Magazine article: "Matcham Skipper - knockabout genius", POL vol.4 no.12 (~1972). Biography of Matcham Skipper. Magazine photograph: "Skipper and his home. He helped to lay the bricks", no source or date. Magazine photograph: "Matcham Skipper, of Eltham, works on his sculpture of Leda and the Swan, which will be presented to this year's winner of the David Jones fashion award", no source or date. Newspaper article: "Ageless quality before fashion", Diamond Valley News, 19 December 1883. Matcham Skipper included in exhibition of jewellers at Eltham Gallery. Newspaper photograph: "Mr Matchem Skipper puts the finishing touhes to the steel mandala yesterday", no source or date. Newspaper article: "Metallic influence of Renaissance sculptor", Diamond Valley News, ~1982. Biography of Matcham Skipper. Newspaper article: "A Matcham Skipper monologe", The Age Saturday Extra, 31 August 1985. Matcham Skipper's year in Italy. Newspaper article: "Office regalia", Diamond Valley News, 14 August 1990. Presentation of Eltham Shire mayoral chain made by Matcham Skipper. Newspaper article: "Memories of a guru", Diamond Valley News, 2 December 1998. Matcham Skipper and Montsalvat. Newspaper article: "Old flicks on big screen", no source, 2004. Exhibition of Matcham Skipper's photographs "The Arnham Land Portraits" to accompany screening of Tim Burstall films. Newspaper article: "No match for Skipper", Diamond Valley News, 3 November 2010. Matcham Skipper's sculpture of a boy "Young man awakening" for Eltham Cemetery Trust. Newspaper article: "Final salute to Skipper", Diamond Valley Leader, 2 March 2011. Death of Matcham Skipper. Newspaper death and funeral notices: Matcham Skipper, no source or date. Newspaper article: "Remembering Matcham", Diamond Valley Leader, 9 March 2011. Funeral of Matcham Skipper at Montsalvat. Letter Eltham District Historical Society to Sigmund Jorgensen, 13 March 2011, seeking copies of eulogies given by Sigmund Jorgensen and Clio Skipper at funeral of Matcham Skipper. Letter Sigmund Jorgensen to Eltham District Historical Society, 21 March 2011, enclosing edited version of the eulogy with illustrations of work of Matcham Skipper. Newspaper obituary: "Eltham art colony's knockabout genius", The Age 31 March 2011. Obituary of Matcham Skipper.Newspaper clippings, A4 photocopies, etcmatcham skipper, myra skipper nee gould, marcus skipper, adam skipper, damion skipper, montsalvat, lena skipper, mervin skipper, justus jorgensen, karel zoubek, david jones fashion awards, eltham gallery, gerd bahmann, heidi wild, gilliam hillman, sonia skipper, pietrasanta, luigitommasi fonderia d'arte, peter graham, bob mclellan, thelma mclellan, tim burstall, the prize (film), the arnham land portraits exhibitio, eltham cemetery trust, jenardiy zabenko, craig macdonald, "young man awakening" sculpture, sigmund jorgensen, sue thomas, simon skipper, helen skipper, glen tomasetti, sandy kilpatrick, clio (sarah) tomasetti, raphael kilpatrick, alan marshall, alistair knox, clifton pugh, tony raunic, rita wooley, erasmus toscano, maurice toscano, mervyn garnham skipper -
Monbulk RSL Sub BranchBook, Lutterworth Press, European weapons and armour : from the Renaissance to the Industrial Revolution, 1980
... Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance ...he invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.Index, bib, ill, p.288.non-fictionhe invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.military technology - history, armour - europe - history -
St Kilda Historical SocietyPhotograph, Sacred Heart Church in St Kilda
... The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htm The church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. ...The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart -
St Kilda Historical SocietyPhotograph
... The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htm The church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. ...The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart.Black and white photograph, unmountedst kilda, sacred heart church, sacred heart catholic church, grey street, catholic churches -
Mrs Aeneas Gunn Memorial LibraryBook, McMillan and Co, The life of Benvenuto Cellini, 1908
... Art - Italy - History Artists - Florence - Biography You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. ...You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelIndex, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography -
Flagstaff Hill Maritime Museum and VillageBook - Historical Biography, William Roscoe, The Life and Pontificate of Leo The Tenth Vol 2, 1846
... This work is significant on two counts: together with his Life of Lorenzo de' Medici, Roscoe's study of Leo X is considered an important early contribution to English-language historical literature, and a pioneering work in Italian Renaissance history for English readers. As a publishing landmark, this Bohn edition is part of the founding wave of Bohn's Standard Library from 1846, a series credited with extending the market for serious literature to a much wider Victorian readership. ...The Life and Pontificate of Leo the Tenth is William Roscoe's landmark biography of Giovanni de' Medici Pope Leo X (r. 1513–1521) second son of Lorenzo de' Medici "the Magnificent." It provides a detailed account of the life and reign of Pope Leo X, covering the political and religious climate of the period, the power struggles and controversies of his pontificate, and Leo's personal relationships with family and advisers. Roscoe drew on primary sources including papal documents, letters, and contemporary accounts, and supplied extensive footnotes and references. This second volume, the subject book, continues the narrative. Roscoe's work also traces Leo's patronage of scholarship and the arts he even had Sante Pagnini's Hebrew translation of the Bible transcribed and prepared for printing at his own expense against the backdrop of the Italian Wars, the rise of the Reformation, and Leo's controversial use of indulgences, the very practice that Martin Luther denounced in his 95 Theses.Hard cover book. The Life and Pontificate of Leo The Tenth Vol 2 Author: William Roscoe Publisher: Henry G Bohn Date: 1846 Further Information: Green Cloth hardcover with lettering and patterning to spine in gilt. The spine has a Library label with an inscription.non-fictionThe Life and Pontificate of Leo the Tenth is William Roscoe's landmark biography of Giovanni de' Medici Pope Leo X (r. 1513–1521) second son of Lorenzo de' Medici "the Magnificent." It provides a detailed account of the life and reign of Pope Leo X, covering the political and religious climate of the period, the power struggles and controversies of his pontificate, and Leo's personal relationships with family and advisers. Roscoe drew on primary sources including papal documents, letters, and contemporary accounts, and supplied extensive footnotes and references. This second volume, the subject book, continues the narrative. Roscoe's work also traces Leo's patronage of scholarship and the arts he even had Sante Pagnini's Hebrew translation of the Bible transcribed and prepared for printing at his own expense against the backdrop of the Italian Wars, the rise of the Reformation, and Leo's controversial use of indulgences, the very practice that Martin Luther denounced in his 95 Theses.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the life and pontificate of leo the tenth vol 2, william roscoe -
Embroiderers Guild, VictoriaAccessory - Perugia Italy Early 20 th C Woven Bag, Early 20th C
... Symbolism and motifs characterised medieval and Renaissance bestiary - the Griffin was the mythological symbol of Perugia. Majolica fuseruola beads (or spindle-whorl bead) originate from Deruta, Italy, mainly date from the late 19 th to mid 20 th century. ...Symbolism and motifs characterised medieval and Renaissance bestiary - the Griffin was the mythological symbol of Perugia. Majolica fuseruola beads (or spindle-whorl bead) originate from Deruta, Italy, mainly date from the late 19 th to mid 20 th century. ...Blue and white pattern bands with woven figures resembling historical Perugia towels (tovaglie perugine) or similar patterned weaves from the 16th to 17th centuries. Perugia towels were a highly specialized textile tradition from Umbria, Italy that flourished during the Late Middle Ages and the Renaissance. The aesthetic impact was so massive that Renaissance masters like Leonardo da Vinci painted Perugia tablecloths into their works - for example "The Last Supper". Symbolism and motifs characterised medieval and Renaissance bestiary - the Griffin was the mythological symbol of Perugia. Majolica fuseruola beads (or spindle-whorl bead) originate from Deruta, Italy, mainly date from the late 19 th to mid 20 th century. The Latin phrase SEMPER IDEM translates to 'Always the same' or 'Ever constant, unchanging'. Giuditta Brozzetti Museum Atelier Housed inside the deconsecrated Church of Saint Francis of the Women (built in 1212) in Perugia. Founded in 1921 by Giuditta Brozzetti to revive Umbrian hand-weaving, the workshop is now run by her great-granddaughter, master artisan Marta Cucchia (representing four consecutive generations of women weavers). Uses functional, antique 18th-century wooden pedal looms and 19th-century Jacquard looms (including 1836 Vincenzi-patented models). 23.10.2026 Thank you for contacting us and giving us the opportunity to see such a beautiful piece! In the early 20th century, there was a major revival movement for Umbrian textile art. This bag was likely created by one of the many workshops that emerged during that period. Unfortunately, as we are the last remaining atelier still in operation—and many of the others closed a very long time ago—we have no way of verifying exactly which workshop produced it. Based on certain details, it might have come from the Ceccucci workshop, though we cannot state this with certainty. The design appears to depict the Griffin—the symbol of our city. Since the Griffin was rarely portrayed from a frontal perspective during the Middle Ages, I would attribute this piece to the 20th-century revival; it seems to be an Art Nouveau interpretation of a Gothic motif. The simple, tone-on-tone weave pattern found above and below the decorated section is known as "Occhietto" ("little eye") and is characteristic of the Perugian tradition. The entire item appears to be made of 100% cotton. The Brozzetti Team Perugia Indigo and cream cotton bag, woven with Griffin motifs, from Perugia, Italy. The simple, tone-on-tone weave pattern found above and below the decorated section is known as "Occhietto" ("little eye") and is characteristic of the Perugian tradition. It features tassels which hang from lower corners, made of many knotted bobbins attached to two Majolica fuseruola beads which has SEMPER IDEM around the circumference.weaving, italy
