Showing 9 items
matching italian renaissance
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Bendigo Historical Society Inc.
Postcard - POST OFFICE
... Italian Renaissance... Bendigo, Victoria' Built in the Italian renaissance style... Bendigo, Victoria' Built in the Italian renaissance style ...Postcard: Image shows Bendigo Post Office, viewed from Pall Mall. Palm trees in foreground. On back ' Post Office Bendigo, Victoria' Built in the Italian renaissance style, and opened to the public in 1887, this fine building with its 142 foot clock tower is a local land mark.Plastichrome, Murfett Publishersbendigo, buildings, post office, post office, bendigo, italian renaissance, plastichrome, murfett publishers -
Federation University Historical Collection
Book, The Five Orders of Architecture: according to Vignola, Possibly 1931
... architects who spread the Italian Renaissance style throughout... the Italian Renaissance style throughout Western Europe. His two ...Giacomo Barozzi was born at Vignola. He was called Vignola after the name of the town where he was born. Giacomo was an Italian architect of 16th century. He was among those Italian architects who spread the Italian Renaissance style throughout Western Europe. His two masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. A blue cloth hard cover book. Title and author's name is engraved in gilt on front cover and spine. Illustrations in b/w. It includes 26 p. of text and 66 b/w plates, notes on the plates and a glossary of French and English terms. The book also includes studies of shadow projection and the orders and thier application.A bookplate inside front cover titled 'Ballarat School of Art Library No. AD/13. A library due date card with patron's name "Vignola, G.B da" date: 24/4/1968.roman architecture, greek architecture, orders of architecture, vignola, doric order, tuscan order, ionic order, corinthian order, composite order, shadow projection, arch of titus, bookplate, library plate, ballarat technical art school library -
Whitehorse Historical Society Inc.
Domestic object - Tea Pot
... to the Italian Renaissance ornament although some designed for Mintons..., with little similarity to the Italian Renaissance ornament although ...Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery -
Bendigo Historical Society Inc.
Document - LETTER DESCRIBING BENDIGO'S GRANDEST BUILDINGS
... as Italian Renaissance in Design, but have high mansard roofs which...). Like the Town Hall they were described as Italian Renaissance ...Bendigo's Grandest Buildings are the Public Offices (1883-7) and the Law Courts (1892-6). Like the Town Hall they were described as Italian Renaissance in Design, but have high mansard roofs which give them a distinctly French air. They are so pompously Bendigonian that they stand well with Vahland's work, but in fact they originated in the Public Works Department, the architect for both being W.G. Watson. The building containing the Public Offices and Post Office has a frontage of 155 feet to Pall Mall and 100 feet to Williamson Street, and it was designed to include the post and telegraph offices and the postmaster's quarters. Public access was from the porch facing Pall Mall, and on the first floor were the police, water supply and crown lands departments, reached by a stair from the porch on the short façade. It was the largest building of its type outside of Melbourne, and was built in the grandest fashion of ornately stuccoed brick on a foundation of Harcourt granite, faced above ground level with bluestone. The floors of the porches and landings of the main stair are of encaustic tiles, the interior woodwork is of French polished cedar, and the major public rooms have coffered and enriched ceilings and cornices, and ornamentally panelled walls divided by pilasters. The building is surmounted by a tower rising to 130 feet, containing a great clock made by Thomas Gaunt of Melbourne, the chimes played on five bells weighing a total of three tons.bendigo, buildings, state offices -
Federation University Historical Collection
Book, Gavin Fry, Graeme Drendel, 2016
... of the Mallee, through to the impact of Italian Renaissance artists ...This monograph of Graeme Drendel’s oeuvre draws on the artist’s sketchbooks, diaries and unpublished photographs to explore the influences on his distinctive style. It includes recollections of his childhood in Ouyen, with the featureless skies of the Mallee, through to the impact of Italian Renaissance artists Piero della Francesca and Masaccio, this publication brings together three decades of the artist’s work in a richly illustrated volume. Greame Drendel is an alumni of the Ballarat Technical Art School.Hardcover 207 page book with dustjacket and full colour illustrations.non-fictionThis monograph of Graeme Drendel’s oeuvre draws on the artist’s sketchbooks, diaries and unpublished photographs to explore the influences on his distinctive style. It includes recollections of his childhood in Ouyen, with the featureless skies of the Mallee, through to the impact of Italian Renaissance artists Piero della Francesca and Masaccio, this publication brings together three decades of the artist’s work in a richly illustrated volume. Greame Drendel is an alumni of the Ballarat Technical Art School.graeme drendel, alumni, ballarat technical art school, artist, ballarat teachers' school -
Monbulk RSL Sub Branch
Book, Lutterworth Press, European weapons and armour : from the Renaissance to the Industrial Revolution, 1980
he invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.Index, bib, ill, p.288.non-fictionhe invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.military technology - history, armour - europe - history -
St Kilda Historical Society
Photograph, Sacred Heart Church in St Kilda
... significance due to its Italian Renaissance Baroque Style, with red ...The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart -
St Kilda Historical Society
Photograph
... significance due to its Italian Renaissance Baroque Style, with red ...The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart.Black and white photograph, unmountedst kilda, sacred heart church, sacred heart catholic church, grey street, catholic churches -
Mrs Aeneas Gunn Memorial Library
Book, McMillan and Co, The life of Benvenuto Cellini, 1908
... reputation in Renaissance Italy. A renowned sculptor and goldsmith ...You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelIndex, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography