Worn by Rose Caplan who was the donor, Ida Gouttman's mother. Immigration records show that Morris and Rose (Rosa) Caplan emigrated to Australia from England in 1910 on the Orsova. Rose died from a sudden illness in 1928 while she and her husband were travelling in Europe and had just visited her father in Latvia. Rose was buried in Berlin. Rose and Morris' daughter Ida, who had kept the shawl, married Leon Gouttman in Sydney in 1938. Ida was an active member of the Brighton Historical Society when she moved back to Melbourne later in life. Large blue silk shawl with reversible woven metallic thread floral pattern and deep fringing. shawl, 1920s fashion, metallic thread, weaving, rose caplan

(1987 further information. This is a Turkish tent handing. The central motif is an indication this belonged to a sultan.) Motifs feature central roundels or cartouches containing Ottoman calligraphic emblems (tughras), flanked by floral sprays, stars and crescent moon symbols. Similar 19 th C Ottoman textiles were often created as architectural or sacred curtains (sitara) or palanquin covers (mahmal) sent to the holy cities under the authority of the Ottoman sultan.Crimson and grey satin fabric as a background for gilt figuring worked in chain stitch and other metal thread stitches. There is a Bebilla (needle lace) edge at bottom.embroidery, panels, middle east, metallic thread, turkey

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Sleeveless round knecked jumper with bands of metallic thread, cream and beige.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), knitted jumpers

From the 1960's this beret badge (in lieu of the official metal badge) was worn by officers of the Regiment as field dress. It was an individual purchase rather than official issue.Cloth Regimental beret badge. Coloured metallic thread on black stiff fabric backing.badge, 4/19 pwlh

Called "Klimt Print #2". Winning quilt in the 2017 Expressions Wool Quilt Prize Statement: "Every finger print is unique just as the art of Gustav Klimt is unique leaving an imprint for us which only he could leave." Art Quilt Australia 2017, held at the Queen Victoria Art Gallery (Royal Park location) Launceston, Tasmania, includes the 2017 winners of the prestigious Expressions Wool Quilt Prize (sponsored by the National Wool Museum) and the OZQN Award of ExcellenceWhole cloth painted quilt, hand wool embroidery, wool thread and metallic thread quilting.Klimt Print #2 Sue Reid

Used in the Port Fairy Masonic Lodge of the MUIOOF during rituals.White satin Grand Master's Lodge apron with metallic thread embroidery and black fabric backingMUIOOF symbol embroidered on frontlocal history, societies, muioof, masonic lodge

Purchased in Athens from antiques dealer (Pandrossou St, Monastirki) by donors sister in the 1970's. Guests in Turkey would be offered water to wash their hands and yagliks to wipe them. When everyone sat crossed legged at low tables, yagliks were also used to cover their laps from spills. They were also used to wrap items such as an important letter, sum of money, present, jewellery, gift of fruits or sweets, an article of clothing - all wrapped in an embroidered yaglik or bocha (square cloth). The richer the wrapping the greater the compliment. In wealthy households, as soon as a girl was old enough she would learn embroidery and start preparing for her trousseau and her home furnishings.Example of Ottoman EmbroideryYaglik (Turkish towel), embroidered both ends with geometric motifs in grey, blue, red and metallic threadflower, floral

Unofficial badge. Worn by officers on field dress berets. 1960's - 1970'sCloth beret badge of 4/19 Prince of Wales's Light Horse Regiment. Coloured metallic thread on black cloth. badge, 4/19 pwlh

Given to Donor's mother c.1910-1920 when she worked as a House Model for a garment manufacturer in Flinders Lane, Melbourne. Two thicknesses of fine gold-coloured metallic thread, in floral design with scalloped edge. Machine-made, imitation of Bobbin lace. metallic, machine made lace

Purchased in Singapore circa 1920 and believed to be old then. Never been worn. Chinese sleeve embroidery bands, or wanxiu became popular in the late 19th century during the Qing Dynasty, evolving from the traditional Han cuff embroidery and Manchu styles. These detachable, decorated bands were added to women's informal jackets and robes, often featuring symbolic motifs like landscapes, flowers, and auspicious symbols. They served both a decorative function, displaying artistic skill and personal wishes, and a practical one by covering the sleeves when hands were folded at the waist. History and evolution: Origins: The practice of embroidering cuffs on robes existed during the previous Ming Dynasty for Han women, and this was adopted by the Manchu rulers who founded the Qing Dynasty. Qing Dynasty (1644-1911): The practice was popularized and elaborated upon during this era, with detachable bands becoming a fashionable element for informal wear. Symbolism: The embroidery included a complex visual vocabulary of wishes for a long life, many offspring, and a happy marriage, derived from nature, mythology, and classical literature. Functionality: Women would fold their arms, often with their hands inside the sleeves, so the embroidered bands, which were sewn to hang down the back of the jacket, would be displayed prominently down the front. 19th century peak: The late 19th century was the peak of their popularity, with intricate designs becoming fashionable and even influenced by court tastes, such as those favoured by the Empress Dowager Cixi. Later developments: The late 19th century saw the introduction of chemical 'aniline' dyes from Europe, leading to brighter, bolder colours in embroidery. Motifs and their Meanings: Auspicious symbols: Designs often included symbols for good fortune, wealth, and longevity. Natural imagery: Birds, flowers, and landscapes were common motifs that could represent natural beauty or convey specific symbolic meanings. Figurative scenes: Bands could also feature narrative scenes from classical stories or legends. The choice of motifs allowed women to express personal desires, cultural values, and aesthetic preferences, reflecting a more personal and informal style than official court attire.A pair of sleeve bands. Embroidered in gold metallic thread on blue silk fabric in a pattern of peonies, bats and other auspicious symbols.embroidery, metal thread, embroidery, garments, japan

Black grosgrain ribbon bible marker with gold fringing and an embroidered Latin cross at each end. The crosses are detailed in gold metallic thread.

Long-sleeved ivory-coloured silk chiffon and gold metallic fabric dress decorated with silk and metallic thread emroidery and (gelatine?) beading.metallic fabric, embroidery, beading, 1920s

Indian shawl owned by Edith Brydon who made the wedding dress NA3494 for her niece, Mary (Molly) Sprunt for her wedding on 12 March 1938Cream cotton net, stamped with gold metallic thread into a Vandyke pattern.|See also NA3495 - Wedding veil & NA3494 - Wedding dresscostume, female

The kurti, a shorter version of the traditional kurta, has evolved over centuries from ancient Indian, Central Asian, and Mughal influences, originally designed for practical comfort. Historically, it served as a versatile tunic, often worn as a blouse or jacket by women. Ancient Origins: The kurti is believed to have roots in the ancient Indian subcontinent, descending from the tunics of the Shunga period (2nd century B.C.). Mughal Influence: The Mughal empire introduced variations, including the salwar kameez and Anarkali, which influenced the looser, comfortable style of the modern kurti.Kurta style top/blouse (from the Indian sub-continent) in shot purple/blue silk. Ari (Tambour) embroidery embellished with beads, rayon and metallic threads.

White satin cloak with grey satin border and pale green lining. It is embroidered in grey and ivory silk threads and silver metallic thread in a trailing floral design.surface stitchery, china, metal thread embroidery

Navy blue woman's swimsuit marketed under the Miss Jantzen label by Jantzen, Australia. The swimsuit is made of navy blue fabric with a metallic threaded tie on the bodice.Labels picturedswimwear, miss jantzen - australia

Blue cotton handmade supper cloth with an appliqued and embroidered Methodist Order of Knights symbol. The MOK symbol is outlined with gold metallic thread. The cloth has gold fringing.methodist order of knights

Ceremonial purple velvet collar with gold metallic bullion fringe to outside edge and gold metallic ribbon and ribbon lace to all edges. At each end is a five point star in gold zardozi work in sequins and metallic thread with central couched button. Above the stars on the LHS is couched zardozi work initial G and on RHS couched zardozi work initial M and above these are two identical five point stars as lower ones with the addition to each of two metallic thread tassles. At the bottom centre of the collar are two small rings. In a separate bag is a purple velvet rosette with central sequined button and braided surround with large tassle all in gold metallic thread.ceremonial collar, grand master

Originally made from herbs and leather, noble women developed theirs from silk and kimono scraps. A symbol that represents great loyalty or a valued friendship. Modern day Japan - mothers make them for their children as part of New Year celebrations.Temari ball - the mari are divided into sections with temporary pins then wrapped with silk thread, creating geometric designs. Grey base with olive green central band and pinks, bronze, cream and metallic threads.

Pink cotton (?) background, flower head embroidered in pink, white, mauve and orange wools. Orange fabric under cut outs at base of panel. A little metallic thread and a few beads. Framed.embroidery, panels, surface stitchery, 1940-60, australia

Sampler designed by 4 Guild members to celebrate the Guild's 50th Anniversary, Rosemany Tonkin, Jan Green (member), Margaret Freeman and Susan Davies.Sampler on cream evenweave linen stitched with green, blue and peach variegated stranded cotton and metallic thread. Sampler was designed by Guild members for the 50th anniversary of The Embroiderers Guild Victoria. Framed green/gold.The Embroiderers Guild Victoria Fiftieth Anniversary 1960-2010embroidery, sampler, australia

Black WWII RAAF Chaplain's stole with embroidered insignia at each end and scalloped ends. The stole has two pleats at the neck. The insignia is silk and metallic thread and is of the RAAF winged insignia with a crown above.world war 1939-1945, raaf chaplain, regalia

Brush is part of the collection of Lorna BroadYellow horse hair bristles attached to china ornament in the shape of a dog's head. Brush has been glued to head and bound with pink ribbon and gold metallic thread which was part of the ornament on the back.Made in Japan.domestic items, cleaning

June Edwards, member EGVMachine embroidered box, covered in stamped metal sheet. Stitched with silver thread. Two machine embroidered flowers on the lid. Edge stitched by machine in Madeira metallic thread, then stitched together. Lined with red felt.boxes, metal work

Purchased by donor circa 1990Fine white thread. Central row of bell-shaped flowers, within the curves of gold metallic thread trail. Edged with a row of small gimped circles. Picots on outer edge. Finished with a plait and tassel at one end. bobbin lace, buckinghamshire, bucks point, bookmark

Probably Middle Eastern. The set consists of 2 cuffs, a front and a neckband, probably for a garment like a caftan, worked on pale grey fabric. The fabric is completely covered with metallic thread in an abstract design. The pieces are mounted on a board.embroidery, garments, middle east, metal thread

Royal blue fabric UCA Minister's stole with yellow/gold fringing at each end. One end has a yellow/gold encircled cross embroidery edged in metallic thread and the other a black, white and red UCA emblem.uniting church in australia, regalia

Designed and made by Lorna Law, with inspiration from the program of the "Cats" musical, and her daughter's gymnastic exercises.Seven cats in black and golds, worked in needle-lace inside a 27" ring wrapped in black thread, the whole mounted on a soft-gold fabriic, and mounted on black, in a narrow black frame. Cats eyes are silver metallic thread.embroidery, pictures, needle lace, australia, 1980-2000

Purchased by donor circa 1990Fine white thread. Three rows of diamonds, outlined with silver metallic thread. Outer rows, Cloth Stitch with a central hole. Central row, Honeycomb filling stitch. Picots on outer edge. Finished with a plait and tassel at one end. bobbin lace, buckinghamshire, bucks point, bookmark

Louris Holly Larsen-Disney married Percy James White at Melbourne Grammar Chapel on 17 June 1948. In later years the dress was given to an opportunity shop and purchased by Mrs Landells of the Brighton Historical Society. Louris subsequently visited the Society and recognised her dress, and was able to provide BHS with information on it. Also in the Society's collection is a 1950s pink strapless silk chiffon dress worn by Louris, and a wedding photo of Louris taken at her mother and stepfather's home at 53 South Road, Brighton. The couple moved into a house just a few doors down, at 49 South Road.Wedding dress made from silver metallic thread crepe. Fastens down front with small self-covered buttons and loops. Long fitted sleeves fastened with 10 covered buttons and loops. Full bias cut skirt with train.wedding dress, 1940s fashion, louris holly white, percy james white, brighton