Delivery service by Myer Emporium to an internee at Camp 3Label for Mail Order Service from Myer Emporium Ltd., Melbourne to internee in B Section of No. 3 Internment CampLuise Hoffmanlabel, myer emporium, hoffman l, camp 3, ww2 camp 3, luise hoffman

Social history of Myer business operations and records.Myer Emporium advertising paper folding fan, made of paper and light card. Unfolded the fan reveals a floral design in white, yellow and orange. Undated production and distribution date.The Myer Emporium, Ltd.social history, adverising

Buff coloured document: invoice issued by Myer Emporium Mail Order Dept, 314 - 336 Bourke Street, Melbourne, number 3441, dated 27.12.46., '1 corset ( 4 coupons) 2/2/6d.bendigo, business, myer emporium, myer, corset, underwear, world war 2, coupons

One of the plans referred to in the application by Eastland Shopping Centre, a wholly owned subsidiary of the Myer Emporium Limited.|Upper floor plan and lower level traffic plan. Application No 3, Ringwood Planning Scheme 1960.|Architects: Tompkins, Shaw & Evans|Traffic Engineers: Len T Frazer and AssociatesTwo copies of plans for the Ringwood Shopping Centre, comprising; 1. Upper floor plan; 2. Lower level traffic level; Buff coloured heavy paper with black printing. Application No 3, Ringwood Planning Scheme. Shopping Centre at Ringwood design for developmetn submitted by EASTLAND SHOPPING CENTRE PTY.LTD a wholly owned subsidiary of THE MYER EMPORIUM LIMITED Architects: Tomkins, Shaw and Evans Taffic Engineers: Len T. Frazer & Assocs

Archie Harker and Ruby Wilson (whose sister Amy married Stan Wieland) conducted their courtship between England and Melbourne.in the early 1930s.Colection of letters from The Myer Emporium to Archie Harker and 4 receipts for goods bought. 1 receipt for pearl necklet from Ciro Pearls , Cheapside London. !

This false waistcoat was part of the formal wear worn by men c 1960 . The two breast plates extend to the shoulder with wide lapels, a small pocket and 3 buttons for fastening at the front.The Breastplates are fastened at the nape of the neck by buttons on a thin strip of cotton. This false waistcoat is typical of the type of outfit that men used c 1960 for attending formal occasions in Melbourne Man's White false waistcoat for formal wear consists of two starched breast plates with wide lapels attached by 3 buttons on a thin band that passes under shirt collar . The breastplates are fastened at the front by 3 buttons ENGLISH MADE / FOR / THE WEST END SHOP / MYER / EMPORIUMclothing, formal wear, dress shirt, tuxedo, waistcoat, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

social history of Myer business operations and records.Financial record of purchases and payments made by Mrs C. Hicks, 60 Myrtle Street, Bendigo from Myer Emporium Melbourne dated 22 January ??social history

Indicating fashions and homeware styles of the the early 1950'sPaper stapled catelogues all published in 1952. Rockman's - ladies clothing. Myer emporium - Mens, ladies, childrens clothing, beds, electrical appliances, shoes, makeup. Wakes - Ladies and men's clothing, beds, electrical appliances, wall paper, curtains, fabric, crockery, furnituresee photos

Gift parcels for Britain. Myer Emporium Ltd. Bourke St. Melbourne. No year date. One sheet. Product (food) and price list - Assorted, Meat, Dairy Produce, Jam, Fruit and Mayfair Parcels.business, retail, myer's store

Development and expansion of the Myer CompanyTen pages of single-sided typed notes detailing the development of the Myer Emporium and Associated Enterprises, dated 1962. The history details the development of the Myer empire from the first store in Bendigo and the expansion of the company. Notes are in portrait format single sided typing on foolscap pages and are stapled on upper left-hand corner.social history, myer store

Small pocket sized timetable book sponsored by The Myer Emporium, 136 pages plus cover. Titled "MTT September 1952 - Timetable", provides timetable and fare information for Adelaide tramways. Inside it covers the tram and bus services, tickets and destination numbers. Card covers - Green. Dated September 1952. Record reviewed and scanned images of cover and index page added 5/9/13.Some handwritten notes on page 7, purpose unknown.trams, tramways, adelaide, timetables

The Myer Emporium Catalogue Autumn - Winter Catalogue 1954. 100 pages. Coloured illustrated pages. Burke Street Melbourne.Myer Emporium Catalogue 1954books, magazines

The Sun from Friday, August 21, 1981. Two pages article on the Myer's emporium empire.bendigo, business, myer emporium

Black and white postcard of Myer's emporium. Myer's Bendigo's busiest drapers. Myer was first established in Bendigo in 1901. The postcard shows Sidney Myer third from the left.bendigo, business, myer emporium

Poster about Northland Shopping Centre with information and maps regarding the opening 1966. This function was attended by the Morgans.Bruce Morgan was the first Shire Secretary (1964-1983) of the Shire of Diamond Valley. This collection was compiled by his wife, Mavis Morgan, detailing the events they attended in their official capacityPoster with black text and maps and images in gold, white, grey and red, also black and white photosbruce morgan, mavis morgan, shire of diamond valley, northland

The Myer Emporium has had a history of over 100 years, and was first started by Sidney Myer trading his wares from door to door.Catalogue representing the store's latest goods to the purchaser, ranging from fashion, house furniture, garden and small farm equipment, kitchen ware, books, typewriters, childrens wear, shoes, men's wear, etc.The Myer Emporium Limited, Spring and Summer Catalogue, 1952books, catalogues

Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized checked blanket , mint, peach and cream Pure Wool/Embassy/Made Expressly for the Myer Emporium Ltd./"For Value and Friendly Service"/by Invicta Mills/Made in Australiablanket, wool, blanket fever, invicta mills, myer emporium

Myer marking material.Cardboard ticket from the Myer Emporium Ltd, Cream coloured card. Slogan "For Value and Friendly Service" on the front. Blue stamp "92". On the reverse is a horoscope for "Gemini" and a green date stamp "7 Jan".bendigo, business, myer emporium

correspondence from Myer Emporium Melbourne.10772.26a Letter from Myer Emporium Melbourne to Mr. G. Brown of Bendigo providing details of Myer "East Credit System" for the purchase of a "Valencia" cycle, dated 31st January 1936. Letter signed by the Credit Manager (not clearly legible). 10772.26b provides details of the Myer credit plan to paya off the purchase of the cycle.social history, myer business history

An aerial photograph looking along Lonsdale Street west from Swanston Street. It shows the completed 11 storey Myer Emporium (completed in 1929), numerous smoking chimneys and the high dome of the Supreme Court building in William Street. Also visible are cable tram tracks and a cable tram in Lonsdale Street between Elizabeth Street and Spencer Street. This dates the photo between 1929 and 1935 when the cables trams ceased running west of Elizabeth Street. Yields information about Lonsdale Street Black and white photograph with note on front and postcard marking on rear.Note on front reads: "Lonsdale Street, Melbourne Southern Cross Series No. 4" myer emporium, supreme court building, lonsdale st, swanston st, tramways, cable trams

Photograph shows a cable tram set in Lonsdale Street in front of numerous Myer Emporium buildings with a destination of Toorak. Numerous motor and horse-drawn vehicles are in the street and a fire hydrant is in the foreground. This short section of cable track between Swanston Street and Elizabeth Street was the last cable track to be built in Melbourne. It was to provide a new terminus for south suburban cable trams when electric tramway was extended down Swanston Street from Queensberry Street to Lonsdale Street in 1924. While this track remained in use until 1939, Toorak bound trams ceased at the end of 1925 when the rest of Swanston Street was converted to electric trams. Yields information about cable trams in Lonsdale Street Black and white photograph with note on rear.Note on rear in stamp ink and biro reads: "Myer Museum Sixth Floor, Bourke St Store, Telephone (03)6613256. The Tramway Museum Society of Victoria Limited Lonsdale St. 1924/25"myer emporium, lonsdale st, tram 148, cable trams, tramways, trams

HardcoverMyer Emporium Bookshop stickerwalsh st library

A ladies hair net made from human hair, colour grey. In original envelopeMade expressly for The Myer Emporium.costume accessories, hair accessories

Round cream and purple cardboard hat box, with stripes and pink cord handle. Contains 2 hats - #'s 932 and 1834"Mon Salon Français The Myer Emporium Ltd Melbourne"hatboxes, clothing storage containers

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Letter from Myer (Melbourne) Limited to William Blake. The letter confirms and details of a meeting held to discuss business arrangements between Kathryn Knitwear and Myer. Due to the lack of signatory, it is likely there was originally additional pages that have been lost. It is typewritten in blue ink on white paper, with smudges and pen marks evident.MYER (MELBOURNE) LIMITED. 314-336 Bourke Street, Melbourne C.1. 66 111 July 10, 1967 Mr. William Blake Kathryn Knitwear. P.O. Box 49. BROADMEADOWS Vic. Dear Mr. Blake. This is to confirm and itemize details of the discussion held in my office on Monday, July 10, at which time the following points were discussed: - 1. Action to be taken on:- (a) Regular Kathryn range. (b) Special lines to be developed under the Kathryn label confined to Myers stores. These to fit into the regular Kathryn price fields. (c) Special price lines to be developed exclusively for Myers stores, also that for these price lines the regular Kathryn quality to be maintained. With regard to Items A and B of the above, it was decided that purchases were to be taken out by departments on regular Kathryn merchandise for the financial year August 1, 1966 to July 31, 1967, and targets were to be set for each department for the same period for 1967-1968. 2. Specific items were to be nominated that are to be made under Item 1(b), eg: angoras, knits, dresses, etc. these items to be quickly collated by Mr C. Rivers.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, myer, myer emporium, myer (melbourne)

Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. King sized checked blanket, pinks and grey Myrest/Super Lambswool/Made in Australia/Expressly for the Myer Emporium Ltd.wool, blanket, blanket fever, myer

Popular style circa 1960. Material known as 'fur felt'. Felt hat, gold colour; wide ribbon band caught in half bow on carrier of felt. On inside, black elastic attached to band of ribbon. Cardboard box (.2), with cover (.3)Fisher. Cookstown, Northern Ireland = Hat Myer Emporium Ltd = Boxcostume, female headwear, costume accessories, hat accessories

Thirtyfive page booklet of the Ballarat Asian Student's Association.Handrwitten on front page "S.M.B. Library" Stamped on inside front cover "With compliments from Ballarat Asian Students' Association, P.O. Box 209, Ballarat, Victoriapoh teck shen, william cheng, paul fong, m. moissnac, c.m. chan, murray byrne, harry arblaster, m.g. ekins, f. boonsoong, e.j.barker, john costa, k.e. oui, chaitri boonsoong, richard oh, n. ratnum, liu hsiang, e. yap, tan heong ming, wilbert lau, ballarat asian students' association, chinese, international students, ballarat asian students' association constitution, g. ekins, ymca, sport, table tennis, soccer, basketball, badminton, richard oh, l.k. oh, lay loan, william siah, yok lin, chung ling old boys' association, wendouree rotary club, lion dance, begonia festival procession, immigration requirements for overseas students, mee hing chinese cafe, howard smith travel centre, myer emporium, golden star chinese cafe, j. ewins and sons, wilbert zau

Handwritten notes, undated, on A & G Bills horse trough Main Road Research. Handwritten notes, undated, "Annie and George Bills" listing locations of other Bills horse troughs. Typed notes by Dianna Basset-Smith, July 2003, her memories of the Bills trough at Research. Letter, RSPCE to Andrew Lemon, 17 December 1993, lists other horse troughs known to the RSPCA, use of money from Bills estate managed by John Crook. Newspaper article: Legacy is set in concrete, The Weekly Times, 25 June 2003, history of Bills horse troughs from 1930s, biography of George Bills and Annis Swarm [correctly Swann], quoting Barbie Roach, Gorge Bills' great-grandneice, notes locations of other Bills troughs. Newspaper article: No drought in water troughs, Weekly Times, 9 July 2003, Response to 25 June 2003 article, readers reporting Bills troughs in their area, photograph of trough at Korong Vale. Newspaper article: The horse lover, (photocopy, no publication details), Decaying Bills horse tough in Geelong council yard proposed to be moved to RSPCA, history of George Bills, Annis Bills (nee Swann), legacy, great-grandneice Judith Crook writing Bills history. Email exchange, Eltham District Historical Society and Geraldine Sanderson 2015: enquiry re Bills trough at Research for planned history of Bills trough, and provision of EDHS-held information.Annis Elizabeth Swannmain road, research (vic.), horse troughs, annis and george bills, bills trough, audrey bills, annis bills, george bills, barbie roach, royal society for the prevention of cruelty to animals, judith crook, audrey morton, kathleen wood, acclimatisation society, john lugg, ian stacey, harry bills, annis swann, james boreas crook, william buesst, myer emporium, richard bills, buesst and bills brothers, daisy bills