Made by the Guild's patchwork group in 1981.Each block has an embroidered name by the member who contributed to the making of the quilt.Made by the Guild's Patchwork Group in 1981.Each block has an embroidered name by the member who contributed to the making of the quilt. Some sashing's also have embroidered names of flowers. Multi coloured blocks, sashing's cream and calico. Hand quilted. Backing - small floral.The Embroiderers Guild Victoria Patchwork group.patchwork, embroidery

This patchwork cushion section was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century. It is believed that the note was added to the cushion at a later date and incorrectly refers to a different item.The cushion section is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Patchwork; a square and a rectangular shape of p patchwork prepared for making into a cushion. Shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.Pinned to the underside is a note on a piece of fabric.Handwriting reads "Patchwork done by my mother in 1898" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework, cushion

A large patchwork wall hanging made by women who attended patchwork classes at the Nunawading North Neighbourhood Centre was displayed at the Whitehorse Festival of Arts.A large patchwork wall hanging. nunawading north neighbourhood centre, patchwork, whitehorse festival of arts

Colour photograph of a patchwork quilt.tasmania, patchwork, quilt

Made for the donor's father by her grandmother. He was born in Adelaide in 1890. It was used on the donor's bed when she was a child.Multi coloured crazy patchwork quilt with maroon border.patchwork, quilts, crazy patchwork, late 19th century, australia

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Two typed letters held together with a staple. The first letter has a grey printed letter head which includes a logo of a person with wings holding a heart.[printed] PATCHWORK QUILT TSUSHINquilt, wagga, home, house, housing affordability, design

A modern version of an older craft which had its origin in America. Ref. American Quilts by Averil Colby, Page 38. Barbara Macey had a significant career in art quilt making. Log cabin patchwork in black and white machine stitched rectangles. Framed in black. Marked on back "The Circle"embroidery, patchwork, panel, australia, mid 20th century

Purchased by the Patchwork Group from the proceeds of the Patchwork Exhibition, April 1984Yellow cotton background and lining. Design is crossed canoes, which are made up of coloured prints.embroidery, quilts, patchwork, 1920-40, america

Hexagonal shapes done originally over papers i.e. English patchworkHexagonal patches 3 cms in size have been used in a great number and variety of cotton fabrics in muted colours and fine printed designs of the Victorian era.patchwork, quilts, 19th century

Sunshine quilterDifferent styles of Patchwork. Patchwork quilt,

Donors note: Commenced by Donor's mother 1892 and worked over some years. Marriage, business and World War I saw it laid aside. She died aged 88. In 1980 a friend procured old material and threads and completed the quilt.Crazy patchwork using a wide variety of materials and colours. Centre panel is deep red velvet with some surface stitches. Red cord edging and cream synthetic knit lining.patchwork, quilts, late 19th century, australia, crazy patchwork

Part of the " Wagga collection" donated by the Running Stitch group. Maker unknown. c.1900. Possibly English. Was being used as packing material when found.Quilt, patchwork. Made from tiny hand worked patchwork squares reminiscent of medallion style quilts.quilting history, patchwork history, running stitch group, running stitch collection, england, quilting - history, patchwork - history

Made by members of the Guild's Patchwork Group to celebrate the Guild's 21st Birthday.Made from multi-coloured triangles set into squares on paint, separated by cream sashing's embroidered with the names of past and present members of the Guild's Patchwork Group. Wide border of deep aqua and backing of pale aqua. Machine quilted.1981-2001 Patchwork Group The Embroiderers Guild, Victoria.

2 photographs from the Patchwork Gallery in Watsonia taken by Rosie Bray. Photo 1 and 2 are captioned "Quilts at quilt shop 2004".2 colour photographs, captions on back.layt family, the patchwork gallery, watsonia, quilting

3 photographs from the Patchwork Gallery in Watsonia taken by Rosie Bray. Photos are captioned: photo 1: "Hard at work. Debra Layt at Quilt shop"; photo 2: "Administration has to be done. Quilt shop - Debra Layt "; photo 3: "Workroom at Quilt shop"3 colour photographs, captions on back.layt family, the patchwork gallery, watsonia, quilting

Bought by donor on an Indian reserve where this patchwork is done as a cottage industry.Apron made by Seminole Indians. It is made of bright yellow cotton with bands of seminole patchwork in bright colours, trimmed with ricrac braid.patchwork, seminole, usa, 1980-2000

This dressing gown was made from a patchwork quilt begun around the 1880s or 1890s by the daughters of William and Polly Hodgens, owners of the Adelphi Hotel near Montague Station, South Melbourne. The quilt became a communal project, added to over many years by the Hodgens children, relatives, friends and guests. Together, they filled the colourful patchwork with images and figures from their everyday lives, giving us a unique glimpse into the world of early Melbourne.Crazy patchwork dressing gown made from a patchwork bedspread. Made from irregular pieces of silk, satin, velvet and brocades and embellished with embroidered and painted motifs. Fully lined with maroon silk. Neckline trimmed with thick silk cord. Right over left fastening with two large metal press studs. One of the pieces on the back has an inscription dated 11/7/94 (1894).dressing gown, patchwork, embroidery, hand painted

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson). It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

Event promotion and planning document for the Watsonia Quilt Wander 20046p. programme promotion document, stapledlayt family, quilting, debra layt, the patchwork gallery

117 p., illus.non-fictionA mainly pictorial history of Chatham Primary School no 4314, located in Surrey Hills.chatham primary school, surrey hills

An Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colours on a white background. Hawaiian quilt appliqué is made from a single cut on folded fabric. Quilting stitches normally follow the contours of the appliqué design. Hawaiian quilting derives from the kapa moe, an indigenous bed cover textile. Kapa was constructed from the inner bark of local trees. Traditional kapa was beaten and felted, then dyed in geometric patterns. Quilting may have begun in the Hawaiian islands with the arrival of missionaries and Western fabrics in the 1820s. The climate of Hawaii is unsuitable for cotton cultivation and kapa is unsuitable for quilting so all Hawaiian quilts are constructed from imported material. The earliest written reference comes from Isabella Bird who visited Hawaii in 1870 and wrote a travelogue Six Months in the Sandwich Islands.Worked by Mrs Brent Clark and daughter. An American design of the 19th century, worked and adapted from a photograph by the donor. Mrs Brent Clark was an early pupil of the Victorian Institute for the Advancement of Plain Needlework (Melbourne) and Foundation member of the EGV.Background of fine white cotton, quilted in running stitch. Appliqued design known as 'Friendship Plume" is in pink cotton, with a 3 cms scalloped border, also in pink.embroidery, applique, quilts, mid 20th century, australia, hawaiian

Compiled for the celebration of the 70th anniversary of the school's opening at the request of the Principal, Mrs Jan Morris. A number of oral histories were taped with early students to record their memories. Illustrated with many photos from the school's archive.A short pictorial history into the past and present of Chatham Primary School. includes a complete list of students from 1/8/1927 to 1/8/1996.chatham primary school, primary schools, educational and research establishments, (mr) pat dunne, (mr) adrian penistan-bird, (mrs) jenny holt, (mr) john butler maling, (mrs) julia ashby, (mrs) mary beno, (mrs) jane morris, (mr) william edds, (ms) maree mursell, (ms) geraldine pollock, (ms) susan barnett