Large pin cushion (probably for hat pins) amethyst velvet with floral beadwork design. Beads are crystal, white and pearls. Edged with beaded fringe.embroidery, bead work, pin cushions, late 19th century

Pins are essential sewing tool, the second half of the 19th century saw mass production of them and many 'receptacles' to protect and keep them were made. Disc style pin cushions were very popular, this one has been made with elegantly carved ivory making it a status symbol. Era of improving technology for making pins, growing middle class with a taste for luxury needlework toolsSquare double sided ivory pin cushion with floral covering on one leaf, the other plain. Cushion covered in red velvetLow relief flowers with leaves - possibly lilac on decorated side.pin disc, ivvory

Pins are essential sewing tool, the second half of the 19th century saw mass production of them and many 'receptacles' to protect and keep them were made. Disc style pin cushions were very popular and this one has been made with mother of pearl which was very fashionable and with improved cutting and polishing equipment could be used on luxury items more affordably.Era of improving technology for both making pins and preparation of thinner sheets of mother of pearl led to production of pin discs such as this.Mother of pearl elongated octagonal pin cushion. Double sided with incised floral design. Padding covered with blue silk ribbon, ending in a bow, Stitching with matching navy blue threadFloral designmother of pearl, pin disc

This pin cushion was in use when home spun "fashion" clothing was manufactured or altered. When this item was used it was in a period when distances from haberdashery stores was too far and mail ordered clothing would take weeks to arrive.The ability to make and alter clothing for families within the Kiewa Valley and its regions was a domestic requirement up until the later period(1960's onwards)This pin cushion, although rarely used in the 21st Century, with the availability of "cheap" throw away clothes, was very important to a well run rural household. The emphasis for girls to be able to sew and repair clothing was generated by mothers and continued at high schools. Part of the role of women(in this time frame) within the family was to manufacture children's clothing and adjust the growing waistline of their men folk. This item is very significant to the rural households in the Kiewa Valley because of the relative isolation of the region and the amount of wear and tear that clothes go through in a typical rural environment.This pin cushion is "home" made, circular and covered in a blue floral material, encircled with a light blue ribbon (glued on) for extra adhesion. The material encloses a padded surface(allows pins to be safely inserted for storage(future use).sewing, pin-cushion, haberdashery

The donor's grandparents, Matha and John Lishman, migrated to Australia from Hexham, Northumberland immediately after their marriage in 1887 and the shoe was sent by a family member to her grandmother, in anticipation of the arrival of their first child, my uncle Thomas. At the time they lived in a house which they called "Hexham" in Salisbury Grove, Hawthorn.Blue satin shoe with pincushion which was made for a new baby. Cushion separate. Centrally placed curved handle edged with darker blue cord. Pleated ribbon around cushion and top edge of shoe. Four ribbon bows, pins, large pins and safety pins.Front : "Send Darling Baby - Mary or Thomas ? O'wert or Ewert Hexham" Back "Innocence 1888"pin cushions, england, late 19th century

Silver sewing chatelaines were a Victorian delight, an attractive matched silver pin book was very desirable.An example of a silver gilt chatelaine which was donated to the Embroiderers Guild by Nerylla Taunton who was a significant Australian antique needlework tools authority and author.Silver gilt embossed rectangular pin cushionFloral style pattern with four lines to upper corner.chatelaine, victorian', nerylla taunton

Yellow and white heart-shaped, crocheted pouch for a pin cushion.sewing equipment, pin holders

Mrs. Ada Sebire - 1920'sMoss green velvet pin cushion with white beads. Triangular shape.pincushions, pin holders

Hand made pin cushion and needle holder. Made from Sateen and Flannelette

Diamond shaped purple pin cushion with flowers and leaves painted on. Fringed edge.Frae Bonnie Scotlandhandcrafts, needlework

Long hat pins often with ornamental beads. To put through hat and hair. Used in the era of large hats.Collection of 16 hat pins, on lace hat pin cushion, with pink ribbon.hatpins, hats

Small plastic pin cushion in shape of barrel on legs with painted red flowers and green leavesdomestic equipment, containers, sewing

Foam rubber (also known as cellular, sponge, or expanded rubber) refers to rubber that has been manufactured with a foaming agent to create an air-filled matrix structure. Foam rubber was first produced in 1929 by Dunlop researcher chemist Eric Owen using whipped latex. In 1937 isocyanate based materials were first used for the formation of foam rubbers, after World War II styrene-butadiene rubber replaced many natural types of foam. Foam rubbers have been used commercially for a wide range of applications since around the 1940s. A foam rubber ,cylindrical, pin-cushion decorated with lace ribbon c1950 With steel dressmaking pinsmoorabbin, brighton, early settlers, pioneers, cheltenham, dressmaking, craftwork

Square Beaded Edged Pin Cushion, Navy Velvet on top, wool work on Canvas back. stawell

Green pin cushion with braid around edge, stitched squares with red dot (6) Cushion comes from 5292.2 Square shape 3�"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Rare Mauchline ware pin cushion with an early Melbourne scene. Sandridge was renamed Port Melbourne in 1884. Mauchline transfer images of Australian scenes are rare This was donated to the Embroiderers Guild by descendants of the Leviny family of Castlemaine. Ernest Leviny was a significant goldsmith and jeweller in the young colony, his single daughters lived in the family home "Buda' and were very creative artists in many art forms. This was donated to the Embroiderers Guild by descendants of the Leviny family of Castlemaine, an imortant artisitic family of VictoriaMauchline transfer ware pin disc, fuscia velvet cushion between circular wood. Two black pins.Torn ribbon at top. Transfer ware image shows many tall sailing ships moored alongside a pier (image c 1870's).(Top) SANDRIDGE PIER, MELBOURNE. levinhy family, mauchline ware

These dressmaker hem measures were widely used universally from the mid-nineteenth century both commercially and domestically. They were used to enable the dressmaker to carefully measure and height of a hemline to ensure they were even. This implement became particularly important with changing fashions which saw the rising hemlines. The measure could also be used when completing home furnishing tasks check regular and even length of curtains. The Dean Tape Measure company was started by Edward Dean in 1850. He started working with his father who was a carpenter making builder's measures and then became a "measure maker". The company was taken over by Stanley in the 1980s. The production of Dean brand tape measures ceased in 1989.These items are significant because they were widely used for domestic and commercial use from the 1850s onwards.Three measures on varying size bases. The two measures with circular bases include a pin cushion or receptacle for pins. The measure on the rectangular base has been home-made.On tape - DEAN - MADE IN ENGLANDdean tape measures, dressmaking tools, hem measurements

Silver chatelaines were a Victorian delight, a clasp at the waistline and an assortment of tools attached were worn by proud Victorian upper class ladiesAn example of a silver gilt chatelaine which was donated to the Embroiderers Guild by Nerylla Taunton who was a significant Australian antique needlework tools authority and author.Silver plated Chatelaine. Waist clip and five chains linked by brass rings holding needlecase, thimble bucket, book pin cushion, note book and scissors sheath Decorative pattern on clasp, chains and toolschatelaine, victorian', nerylla taunton

Pincushions or pin pillows date back to the Middle Ages in Europe. The tomato shaped pincushion grew from a Victorian Era superstition that tomatoes were good luck and so they were often given to newly weds as charms and placed on the mantle. When there were no actual tomatoes a fabric token was made and later used for pins. Some pincushions were stuffed with abrasive materials designed to sharpen the pins. This one would have a needlework accessory for an Orbost local.This item is a common sewing accessory reflecting the needlework skills of women in the first half of the 20th century.A soft padded fabric pin cushion. Material is a black background decorated with colourful flowers. It is divided into eight sections by red stitched lines and holds 3 needles and a bent pin.

Pin Cushion: Hand crafted in Silk material with Lace edge. Flower design in blue, yellow, red, white beads and green stitching. Red stains on the item. Box 625handcrafts, needlework, pin cushion. flower pattern

This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Handmade pin cushion with flowered tapestry centre. Tulle covers the whole cushion and has been embroidered. Lace sewn around whole cushion. Backing is satin. Has an assortment of hatpins.pin-cushion tapestry handcrafts needlework hatpins

One log cabin brand tobacco tin containing buttons, one Prescott and Dawe jewellers & opticians box containing buttons and a small book shaped pin cushion entitled a parents gift with pins & mirror.personal effects, containers, assorted

Mrs Merle Whittle (member)Set of sewing accessories in red and black cross stitch on cream linen in a traditional design, lined with red satin. A. Square box pin cushion B. Small box with tape measure C. Scissor holder D. Needle case with a Hedebo stitch covered bead E. Thimble holder pouchembroidery, cross stitch

11000.1 - Hat pin stand - off white cream, plastic type material, sewn to close, pin cushion on top. 11000.2 - 23cm long, hat pin with dragon detail on top. 11000.3 - 14.5cm long hat pin with purple glass top. 11000.4 - 10.2cm long hat pin with black beaded top with swirl. 11000.5 - 12.5cm long hat pin black top with slight point.

Round ivory coloured plastic holder for pins/hat pins with padded cushion lid, lined with velvet.personal effects, containers, hat pins

Owned by Jean Young - born Falkirk, Scotland, 1811. Believed to be listed in Falkirk Census in 1851. Married William Hill. Possibly sailed in 'Tempest'. Died at Dunolly, Victoria.Black paper mache sewing work box. Lid inlaid with abalone. General design has been highlighted in gold paint. The box is lined with pale lilac and white satin, lid unlined. Top panel and bottom edge decoratively shaped - slightly domed lid and front panel decorated in a similar manner to lid. Box contains needles, threads, buttons, thimbles and a pin cushion as follows:- Peri-Lusta .03 Crystal Rayon Spun Mending Thread .04 Flora McDonald Needle Packet .0 |Packet of Needles W.Woodfield & Sons .06 Mauve satin needle case .07 Tortice tatting schuttle .08 Round wooden box with 5 pearl buttons and 2 cloth covered buttons .09 Square wooden needle case with red velvet lining and leather strip and brass clip .10 Round lace pin-cushion with very fine ecru crochet dark green lining .11 Unknown handle of black composition with bone end and four inlaid lines with dot at end ,12 Ivory stiletto with screw top. Total of 13 parts to the object.domestic items, sewing, handcrafts, equipment

Rust was a problem with early pins and needles. Cushion shaped containers filled with emery powder (corundum) or sand were used to polish the pins and needles. They are heavier than pincushions and often smaller. Emeries were essential tools for sewing. An elegant presentation of an essential tool for keeping pins and needles rust free.Circular double sided ivory emery pin/needle disc. Dot and circle pattern one one side, other side incised with 'Emery'. Edge stitching with loops of fawn thread. Red silk ribbon around the edge, finished with two loops. Dot and circles pattern on one side, 'Emery' incised on the otheremery, ivory pin disc, madras style decoration

Twenty assorted hat pins stuck into a small cushion. 1. Bears head 25cm L 2.White seashell 21cm L 3 and 4.Copper 16cm L 5. Silver coloured 15cm L 6. Pearl 10cm L 7. Two green balls, 11cm L .White glass 10.5 cm L 9 and 10 Tear drop pearl 11cm L 11. Metal end 11 cm L 12. 2 black balls and bullet shaped black object 10 cm L 13.White glass bead end 10 cm L 14 and 15. Black glass bead 10cm L 16. Gold 10cm 17. Cream ball with metal top 9cm 18.Black glass ball 8cm L 19. Silver end 7.5cm L 20. Pink 6cm L 21. Pin cushion

Sarah Bird 4th from left (seated) and Edward Pepper on her left (standing). George Bird, 2nd from right (seated). George Bird her great-grandfather and Sarah Bird and Edward Pepper, her grandparents. [from Evelyn Observer and Bourke East Record, morning edition, 18 November 1904, p. 3:] ORANGE BLOSSOM. The marriage of Miss Sarah A. Bird, eldest daughter of Mr George Bird, of "View Hill," Eltham, to Mr Ernest Edward Pepper, of Diamond Creek, was celebrated at the residence of the bride's parents on Wednesday, 9th November, 1904. The ceremony took place at 4 p.m. and was performed by the Rev Percey Knight, B.A., of Alphington. The bride entered the drawing room with her father who gave her away, and the Wedding March, was nicely played by Miss Wild. The bride was prettily dressed in creme voile nicely tucked and gathered, trimmed with guipure lace and silk ruching, sprays of orange blossom, wreath and veil, and she carried a shower bouquet. Her travelling dress was a very pretty blue. The brides-maids were Miss Ethel Barker dressed in pale green voile trimmed with creme guipure lace and silk ruching; and Miss Button in creme voile, guipure lace, silk ruching; both carried pretty bouquets. The groomsmen were Mr Lorimer, of Diamond Creek, and Mr George Bird, brother of the bride. Between forty and fifty relatives and friends partook of a bountifully provided and nicely laid out breakfast. The usual toasts were honored, and congratulations were freely tendered "to the happy couple". The decorations were very tastefully executed by Miss Beatrice Nelson, and Mr Sayers. The evening was very pleasantly spent in singing, recitations, games, and other suitable pastimes, while others "tipped the light fantastic toe". About 10 p.m., "while all was merry as a marriage bell", the bride and bridegroom departed secretly "to cheat surprise and prying eyes". The presents were numerous and handsome:– Parents of the bride, sewing machine; Miss A. Bird, silver breakfast cruet; Miss N. Bird, bread board and knife; Master A. Bird, pair glass dishes; Master R. Bird, pair photo frames; Mr Sayers, tea set; Miss Kidd, silver jam dish and spoon; Miss Wilkinson, carpet; Mr J. Kilpatrick, cheque; Mr W. Kilpatrick, clock; Miss Kilpatrick, silver butter knife; Mr J. H. Kilpatrick, hand painted mirror; Mrs Kerwin, pictures; Mrs Gilsenan, the handsome wedding cake; Mrs Nelson, Japanese occasional table; Misses Nelson, jugs and candlestick; Mrs Bunker, silver cruet stand; Miss Bunker, hand-painted vases; Miss E. Bunker, epergne; Mr E. Bunker, crumb tray and brush; Miss Jessie Gilsenan, cake stand; Mr Harold Gilsenan, auger basin and ornaments; Mr Lorimer, silver breakfast cruet; Mr A. Collins and Miss Jones, epergne; Miss Cassie Sweeney, jardiniere; Miss Ida and Ollie Cooper, silver butter dish; Miss Mills, large vases; Misses M. and F. Shillinglaw, handsome oak clock; Misses C. and E. Shillinglaw, pair large pictures; Mr Lucas and Miss Sutton, silver butter dish and knife, and silver jam dish and spoon; Miss M. and A. Short, teapot, cheese dish, and tumblers; Mr and Mrs J. Anderson, butter dish; Miss Williams, pen tray; Miss Griffiths, vases; Mr I. Hill, cheque; Miss Wild, biscuit barrel; Mr, Mrs and Miss Brown, trifle bowl and crystal jug; Mrs Weller, water jug and glasses; Mrs Hadfield, pair glass dishes and butter dish; Mr and Mrs Blackney, photo frames; Mr Wilson, beaded basket pin cushion; Mr Linsy, cheque; Mrs Linsy, fruit dish; Mrs Stebbing, pair candle sticks; Mrs Blanchard, pictures.Digital copy of framed sepia photographanderson, bird, blanchard, blackney, bunker, collins, cooper, edward ernest pepper, george bird, george bird jnr, gilsenan, griffiths, hadfield, hill, jones, kerwin, kidd, kilpatrick, linsy, mills, nelson, sarah ann bird, sayers, shillinglaw, short, stebbing, sutton, sweeney, view hill, wedding, weller, wild, wilkinson, williams, wilson, brown, lesley mitchell (nee pepper) collection