Softcoverteam x, architecture's public, architecture of participation, political architecture, walsh st library

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture

This portrait bust, along with that of Redmond Barry, was purchased in May 1884, The library still holds the receipt, but there is very little other information. It was probably a part of the program of outfitting the library interiors. Justice Fellows (1822-1878) was only a judge of the Supreme Court for six years (1872-1878), he had a long career in colonial politics. James Scurry (1826-1894) worked in architectural sculpture after migrating from England.The bust of Justice Fellows is of some interest as part of the original furnishings of the library. The bust is also of interest of as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Thomas Fellows. The bust itself is painted white in a neo-classical manner. The pedestal has been painted for a marble effect. Fellows' name appears in gold lettering. The bust is larger than life size. The head is finely detailed, with the chest swathed in classical drapery.Justice Thomas Fellows in gold lettering on pedestal.

The newspaper was produced to celebrate the 100th year of the Ballarat Courier.96 page newspaper celebrating 100 years of publishing the Ballarat Courier Newspaper. Stories and images include: Robert Clark, Ballarat history, Sturt Street, Selkirk Bricks, Ballarat Industry, Thomas Bath, Royal Hotel, hotels, Begonia Festival, James Smith, Hollways, Myers, Ballarat Orphanage, Nazareth House, Lake Elsworth, Batches, libraries, Timken, Sunshine Biscuits, M.B. John, AMCAST, reservoirs, Ballarat Council,, Morsheads, Civic Hall, Alfred Hall, Art Gallery, Christies, 3BA, Paddle Bros, South Street, BTV 6, Memorial Theatre, Her Majesty's, Whitelaw-Monier, Coltman, costume, Messer and opie, politics, Dudley Erwin, Bill Stephen, Vance Dickie, Tom Evans, Murray Byrne, McKay - Macleod, Crockers, Ballarat Shire, Sovereign Hill. St Patrick's Cathedral, Christ Church Cathedral, Ballarat School of Mines, Mt Helen Campus, Ballarat Girls School. Ballarat North Technical School , Burke and Wills Memorial, Joe White Maltings, Ballarat Airport, Sunicrust, architecture, women, trams, transport, Faulls, Franklin Caravans, Olympics, football, history of Sunshine Biscuits robert clark, clark, ballarat, sturt street, selkirk bricks, industry, thomas bath, royal hotel, hotels, begonia festival, james smith, hollways, myers, ballarat orphanage, nazareth house, lake elsworth, batches, libraries, timken, sunshine biscuits, m.b. john, amcast, reservoirs, ballarat council, morsheads, civic hall, alfred hall, art gallery, christies, 3ba, paddle bros, south street, btv 6, memorial theatre, her majesty's, whitelaw-monier, coltman, costume, messer and opie, politics, dudley erwin, bill stephen, vance dickie, tom evans, murray byrne, mckay - macleod, crockers, ballarat shire, sovereign hill. st patrick's cathedral, christ church cathedral, ballarat school of mines, churches, mt helen campus, ballarat girls school. ballarat north technical school, burke and wills memorial, joe white maltings, ballarat airport, sunicrust, architecture, women, trams, transport, faulls, franklin caravans, olympics, football, bray raceway, coliseum motors, schoools, education, craig bros, dayelsford, clunes, beaufort, linton, skipton, heinz bors, villiers, flecnoe, jones, robertson, cowles, bulless, cronn, matthews, ballarat library, cowley's eureka iron works, john hollway and sons, ken webb, mayoral chain, ken flecknoe, a.e. flecknoe, bath's hotel, eureka stockade memorial park

Raafat Ishak is a Melbourne-based artist working across painting, installation and site-specific drawing. His work delves into the exploration of identity and the challenges of navigating life between two cultures, particularly influenced by his teenage emigration from Cairo, Egypt. Ishak employs a graphic visual language in his art, drawing inspiration from both architecture and his Arabic heritage. His artistic practice is situated at the crossroads of the personal and the political, delving into themes of utopia through the use of romanticised imagery. Through his work, Ishak seeks to scrutinize and interpret the complexities of cross-cultural dialogue.

Reprinted from 'The Review of Politics' Vol. 20, No. 3, pp.358-372america, architecture, frank lloyd wright, walsh st library

The Boroondara General Cemetery is registered by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 (undated change to citation made since 2005) What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery. Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. ... ... The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Walter Richmond Butler is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. ... How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. ... ...Digital image of the Syme memorial in Boroondara Cemetery, Kew. cemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial

Waverley Novels Vol 32 Quentin Durward, Light brown hardcover lettering in black text. Author: Sir Walter Scott Publisher: Fisher Son & Co Date: 1838 fictionThe subject volume of Waverley Novels Vol 32 published by Fisher Son & Co (1838) is part of a collected 48 volume set of Sir Walter Scott's works, containing various stories. Vol 32 in the 1836 Fisher edition reprints later entries from the fourth series, as these stories originally appeared in Scott's Magnum Opus 48 volume editions, the first from 1816. With the influential “Magnum Opus” editions from 1829–1833 by Robert Cadell, serving as the basis for later reprinted published sets like Fisher's. Quentin Durward, often listed as volume 32 in some Waverley Novels editions, is a historical novel set in 15th century France and Burgundy. Its story follows a young Scottish archer who gets drawn into the power struggle between Louis XI and Charles the Bold, while also escorting the Burgundian heiress Isabelle de Croye and eventually winning her hand. The story centres around Quentin arriving in France seeking service, he joins Louis XI’s Scottish Guard, and is pulled into court intrigue, kidnapping plots, and the violent conflict around Liege. The novel’s main historical drama is Louis XI using covert politics to weaken Burgundy, while Quentin’s personal plot tracks loyalty, danger, and romance.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, waverley novels vol 46 tales of my landlord, sir walter scott, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, quentin durward, quinten durward

Waverley Novels Vol 22 Kenilworth- 1, Light brown hardcover lettering in black text. Author: Sir Walter Scott Publisher: Fisher Son & Co Date: 1837 fictionThe subject volume “Waverley Novels Kenilworth-1 Vol 22” published by Fisher Son & Co (1837) is part of a collected edition of Sir Walter Scott's works, containing stories from the "Tales of My Landlord" series. "Tales of My Landlord" forms a key subset of Scott's Waverley Novels, presented as fictional tales gathered by characters like Peter Pattieson from the landlord of the Wallace “Inn at Gandercleugh”. The series spans multiple books across four sub-series, including “The Black Dwarf” (1707 setting), “Old Mortality” (1679–1689), “The Heart of Midlothian” (1736), “The Bride of Lammermoor” (1709–1711), “A Legend of Montrose” (1644–1645), “Count Robert of Paris” (1097), and “Castle Dangerous” (1307). Vol 25 in the 1837 Fisher edition reprints later entries like “Count Robert of Paris” or “Castle Dangerous” from the fourth series, as these stories originally appeared in Scott's Magnum Opus collected volume editions, the first from 1816. With the influential 48-volume “Magnum Opus” edition from 1829–1833 by Robert Cadell, serving as the basis for later collected published sets like Fisher's. Kenilworth is Sir Walter Scott’s 1821 historical novel about the secret marriage of Amy Robsart and Robert Dudley, Earl of Leicester, set against Queen Elizabeth I’s court and the 1575 festivities at Kenilworth Castle. It mixes political ambition, romance, deception, and tragedy, with the plot turning on Leicester’s desire for power and the fatal consequences of hiding his marriage. The novel follows Amy Robsart, of Leicester, and the scheming Richard Varney, while also bringing in Queen Elizabeth and other figures from Elizabethan England. Its tension comes from the clash between private love and public ambition, and it ends in tragedy rather than reconciliation.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, waverley novels vol 46 tales of my landlord, sir walter scott, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Waverley Novels Tales of my Landlord Set-1 Vol 9, Light brown hardcover lettering in black text. Author: Sir Walter Scott Publisher: Fisher Son & Co. Date: 1836fictionThe subject volume “Waverley Novels Vol 9” published by Fisher Son & Co (1836) is part of a collected edition of Sir Walter Scott's works, containing stories from the "Tales of My Landlord" series. This edition of set 1,of Vol. 9” is the beginning of the first series of “Tales of My Landlord” in which is included “The Black Dwarf” and “The Tale of Old Mortality”. In many multi volume collected edition runs, Vol. 9 will be the first volume of “The Tale of Old Mortality” a more substantial and famous novel in the series, with the other half of the story following in Vol 10. The opening volume of “The Tale of Old Mortality”, is about the Scottish Presbyterian movement that supported two agreements made by the National Covenant of 1638, or the Solemn League and Covenant of 1643. These agreements were intended to defend and extend through the Scottish Presbyterianism resistance that occurred between 1679–1689. The story is told through the journey of the young landowner Henry Morton and the Covenanters’ guerrilla struggle against royal and Episcopal authority of the time. The “Tales of My Landlord” is framed and introduced through the fictional narrator editor, the stories are supposedly gathered from the landlord of the Wallace Inn at Gandercleugh, compiled by “Peter Pattieson” and edited by the schoolmaster and parish clerk Jedediah Cleishbotham. This framework is laid out in the introductions and prefatory material to the first series, especially in the prefatory pages to “The Black Dwarf” and the opening of Old Mortality. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, waverley novels vol 46 tales of my landlord, sir walter scott, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, waverley novels

Architect of Fortuna Villa Carl William Vahland was born in 1828 in Nienburg an der Weser, Germany. He trained at the prestigious Polytechnic Baugewerkschule in Holzminden, excelling in building and architecture. Emigrated to Melbourne in 1854, motivated by political unrest in Germany and the lure of the goldfields. Quickly he moved to Bendigo, joining other German migrants who contributed significantly to the region. Early Initially worked as a carpenter, then established himself as an architect in Bendigo by 1856. He Formed partnerships with other German architects, notably Robert Getzschmann and later his son Henry.Major. He Designed many of Bendigo’s most prominent buildings, including the Town Hall, Shamrock Hotel, Bendigo Hospital, Benevolent Asylum, School of Mines, Mechanics Institute, Princess Theatre, Masonic Temple, Alexandra Fountain, and several banks and churches. His firm also worked in other Victorian towns and opened an office in Echuca. Favored French Renaissance and Hellenistic Greek styles, influenced by German architectural trends. He Married Jane Barrow in 1859; they had ten children, though three died young. Became a naturalized Australian and anglicized his name to William Vahland. He Owned and developed the Charterhouse estate and vineyard at Runnymede, exporting award-winning wine to Europe. Justice of the Peace for over 40 years, city councillor, and mayor of Bendigo. Held leadership roles in the fire brigade, German Association, Bendigo Mutual Permanent Land and Building Society, and other local organizations. Active Freemason and published a book on freemasonry in Bendigo. Retired in 1900, briefly returned to the firm after his son’s death, and finally retired in 1912. Died in 1915 at age 87; his funeral was attended by many prominent citizens, and flags were flown at half-mast in his honor. William Vahland’s legacy is seen in Bendigo’s architectural heritage and his broad contributions to the city’s civic, cultural, and economic life.Fortuna Article - Plans of the Villa 1871 This item contains the following documents: 11217.81a Plan Garden Front for G. Lansell Esq. - 1 A4 Sheet 11217.81b Plan Facade 2 - 1 A4 Sheet 11217.81c Plan Facade 6 - 1 A4 Sheet 11217.81d Plan Garden Elevation and plan of Ground Floor and Second Floor with Section on line xx - 1 A4 Sheet 11217.81e Plan Basement and ground floor- 1 A4 Sheet 11217.81f Plan Basement and ground floor - 1 A3 Sheet - stamped with William C Vahland Architect Sandhurstnon-fictionbendigo, fortuna, george lansell, william vahland