William and Mary Gould 150th Celebration 1856 - 2006. 126 pages of the history of Gould family of Richmond Plains with photographs, illustrations and maps, published by The Northern Times Kerang.Jeanette Carrollgenealogy, gould family, gould family - genealogy, richmond plains, wedderburn.

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of postcards during that time.Print postcard depicting Princes Bridge. Red one penny post stamp on back depicting Queen Victoria. On front: Under image: 'Princes Bridge.' On back: Left: '"Ailsa" / 10.7.05 / With best wishes / for present & / future. / Yours ever, / H. M. Craig' Right: 'Mr W. j Stuart / "Carlowrie" / Richmond Plains'postcard, 1900s, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts Parkes Post and Telegraph Office which was built in 1880 and designed by colonial architect, James Barnet and is noteworthy as one of the first 'grand' buildings in Parkes.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of Post and Telegraph Office, Parkes NSW On back left-hand side of card, handwritten: ' "Newthorp" Dec 12 1906 / Wishing you a / Merry Xmas & a / happy New Year / with love from /M (?)Marslock / Parkes PO On back right-hand side of card, handwritten: 'Mr & Mrs W Stuart / Richmond Plains / Wedderburn / Victoria'postcard, photography, 1900s, buildings, parkes, "green postcard album"

This postcard is one in an album of mainly late 19th and early 20th century decorative and photographic postcards.This postcard reflects the popularity of collecting and displaying postcards which reached a height in Australia in the early 1900s until around 1920. Christmas postcard with floral, ribbon and heart decoration in blue and gold On front, printed: 'A MERRY / CHRISTMAS / From' On back left-hand side: Hand-written message 'Best wishes to you / and yours. Not forgotten / at the festive season / Heaps of love from / Maude' On back right-hand side: Hand-written address 'Mrs W Stuart / Carbowrie / Richmond Plains / Via Wedderburn' and a postmark '23 Dec 09'postcard, photography, 1900s, 1890s, postcard album, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts the intersection of Camp and Ford Streets, Beechworth and features the Bank of Victoria building and ornate streetlights. C1900sThis postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of intersection of Ford and Camp Streets with Bank of Victoria building prominent. On front, printed underneath photograph: 'John Fletcher Beechworth. Ford Street, Beechworth.' On front on the side of photograph, handwritten: 'Dear Cis / Have not / heard from / you since / you changed / your name. / Will be / glad to / get a line. / Hope you / & yours / are well. / I am not / living in Beechworth - address / as before Hol. On back right-hand side of card, handwritten: 'Mr & Mrs W Stuart / Richmond Plains / Wedderburn / Victoria'postcard, photography, 1900s, buildings, beechworth, "green postcard album"

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts a print of the oil painting 'The Mid-Day Rest' by James Tobert Hutchings. On front left: 'J Hutchings' On front right: 'Australia Series / "THE MID-DAY REST"' On back left, underneath: 'I owe you a thousand / apologies I got your / P. C's last night, but / did not get a / chance to take them / home to go out today / & Will was not able to / take them up instead / this morning after his / ducking. every hope they / sent. will post out with this' On back left, bottom of card: 'Kiss for Alice from Aunt Mary' On back left, top: 'Jack came home / last night. Mum / got a great surprise / it was fun' On back right. written: 'Mrs W. J. Stuart / Carlowrie / Richmond Plains' On back right, stamped: 'WEDDERBURN VICTORIA / DE 19 06 / FOR ADDRESS ONLY / 120 / printed in Australia'postcard, 1900s, "green postcard album"

Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions.The shape of the bottles changed. The bottles were re cycled remaining the property of the manufacturer who paid for them. History of the Richmond Brewery, Richmond.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear glass bottle used for beer. Bottom half has straight sides. The top half tapers to the opening where a metal crimp fits. It has a crown seal. The glass is joined on two sides longitudinally. It is heavily embossed, in capital letters, around the base of the side around its circumference and at the base.Bottom sides: 'The property of Richmond N.S. Brewing Co. Pty. Ltd.' Base: 'R.B.' and underneath these letters 'R.'. and in between and much smaller S.3.bottle, beer, richmond brewery, drink, richmond

Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of the bottles changed. Bottles were recycled remaining the property of the manufacturer who paid for their return. History of the Richmond Brewery.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown bottle with heavy embossing. The bottom half has straight sides. The top tapers to the opening. Half way up the sides it is heavily embossed with R.B. and underneath these letters R. The face of a tiger features in heavy embossing on the side of the bottle. At the bottom around the circumference and on the base is embossing. There is a broken cork sealing the bottle. Sides: R.B. and underneath this R. with a head of a tiger. Bottom around the circumference: 'The property of Richmond N.S. Brewing Co. Pty. Ltd.' Base: '650'beer, drink, bottle, richmond brewery, richmond

This medical / hospital dropper was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Shows the development of hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Cardboard green and white box with white writing on all faces except where it has been opened. Inside: Clear glass dropper with a green rubber end.Box: 2 opposite faces have: 'The Ansell Hygienic / Dropper.' One face: 'Guaranteed by the Makers / The Ansell Rubber Co. Pty / Ltd / Richmond, Victoria.' Opposite face; Boxed for Hygienic Reasons / Guaranteed made from pure rubber'dropper, medical, hospital, first aid, ansell rubber co. pty. ltd

Speakers were used to amplify the sound of the movie being shown. The Pyrox Victor was for 16mm films and used from the 1940s.Used in the Kiewa Valley possibly at the Mt Beauty Community Hall for weekly filmsHeavy large red box with 'Pyrox Vicor' on one side. 'Rola' is inscribed at the end of the cone and centred in the front. The company, Rola, of Richmond, Victoria, Model 12U. Circa 1940s. It has a long electrical cord alo inside the case. Both speakers are the same except one is in a poor condition. pyrox victor, rola manufacturers, film projector speakers

'The first panel celebrates the long history of runners that use the park. Richmond Harriers Athletics Club was established in 1913 and is the oldest athletics club in Victoria. The central panel depicts young female footballers and recognises female athletes and the popularity of women and girls' teams in contemporary sports. The final panel depicts a children’s cricket match. The young players are represented through the depiction of a game that is part of our national psyche and firmly entrenched in Australian culture.'Inner-city parks like Citizens Park have many diverse uses. They provide places to play, to exercise and to relax. They are spaces for community and are often subject to competing values and interests. The re-development of the Jack Dyer Pavilion at Citizens Park allows for the growth of the local community’s diverse interests and values and enables participation and interaction. 'The Park' focuses on the recreational uses of Citizens Park and its role as a community space in an area that is changing rapidly. The mural consists of three panels that address inclusivity and access to sport. Three core sporting groups who each utilize the pavilion and park as a public recreational space are represented: children, sport teams and runners. In fostering the representation of these groups, the panels also attest to the past, present, and future of this important space.Three sporting groups are represented: athletics/runners, women footballers in line formation and young cricketers in action/play. Accompanying plaquesport, women, community, richmond, parks

CEMA Art collectionStreet scene with three buildings and a fenced area. The centre focus of the work is two small buildings. The building on the left is yellow with red roof and green door. Standing in front of the house is a female figure with red shirt and white skirt. The building to the right is pale yellow with green roof, red chimney and green door. There is a Norfolk Pine tree behind the middle house. The image is depicted using straight lines in pen for the outline of the buildings and for some of the details.The work has plain wooden frame with a mount and glass.Front: Old Cottages Richmond St.Portland Ruth Denny 1967(black, handwritten) Back: Sticker:DEAN'S MU 8291 FOR FRAMING 346 LT.COLLINS ST., MELB. NO. 20438 Yellow sticker: 3034female artists, female artist, women, portland street scene, portland, richmond street

Photos shows the exterior of the former cable tram engine house on the corner of Bridge Road and Hoddle St Richmond. It operated from 1885 to 1927. At the time the building was occupied by East Melbourne Forklift sales. The building was demolished during the early 1990s to remodel the intersection. Photo early 1960s based on the motor vehicles, photographer unknown. See also item 7227 for further information.Yields information about the appearance the former Richmond cable tram engine house.Black and white print with a plain back.tramways, cable trams, engine houses, richmond, hoddle st

Note by T.H. Kneen 8 April1992, "The bay window was replaced by a plain picture window in Mr. Jessep's time as Principal." (McLennan)Black and white photograph. View of bay window in the Principal's Residence and garden beds in front of it.bay window, a.w. jessep, principal's residence, principal's house, mclennan

The first Australian Exhibition of Women's Work was a national exhibition held over thirty-nine days in 1907 in Melbourne, and in the seventh year of the country's Federation. The exhibition was a celebration of the creativity and productivity of women in the manual and fine arts. It was visited by over 250,000 people who saw 16,000 exhibits by women from around Australia in competition for prizes, and 3,000 (non-competitive) entries from the rest of the world. It was one of the largest women's exhibitions ever mounted. The exhibition opened on 23 October and closed on 30 November at the Royal Exhibition Building.A prize-winning collection of early 20th century embroideries created by Emily Muriel Grace Davies, the daughter of the Mayor of Richmond. Most of the embroideries were created while Emily was a student of Baldur Grammar in Kew. Baldur Grammar was founded in 1897 and was located at 17-19 Denmark Street. emily davies, baldur grammar school, plain sewing competitions, schools -- materials technology, knitting, australian exhibition of women's work

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Rose Study on board, by Vida May McDonald (nee Wing). Pink and red roses on wooden panel.Reverse: "Vida Wing / 1908-19?"still lifes, vida may wing, roses

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Upright, embossed celluloid, silk iined vanity dresser box which belonged to Vida May McDonald (nee Wing). The sides of the box are covered with purple figured velvet while the lids are covered with embossed celluloid. The case has a number of panels which open to reveal its pink silk lined interior which was once fitted out with mirrors, combs, brushes, and makeup jars. Nilvida may wing, vida may mcdonald, beauty cases, makeup boxes

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Round box of Guerlaine [established 1828] face powder. The name of the manufacturer is embossed on the base. The navy blue and gold cardboard container is filled with the original powder by Guerlain Shalimar, 'Ocre Doree'. It belonged to to Vida May McDonald.Reverse: "Guerlaine"guerlaine, vida may wing, cosmetics, face powder

Alice Laidlaw Victorian Harness Racing Hall of Fame 2019 Alice McCulloch was born in 1894 at Deniliquin, NSW, and grew up on a huge 56,000 acre property at Navarre, “North Woodlands”, where she learnt to ride at a young age. She soon learnt to jump and would jump the farm fences and only went through gates if she was shifting stock. In 1915 Alice travelled to Egypt as a Red Cross volunteer to nurse soldiers injured in the Gallipoli campaign. The young Alice met and married Adam Alexander (Sandy) Laidlaw of Hamilton and lived at “The Hill: in Ararat. Their son Colin, a successful Ararat trainer /driver, was born on 31st March 1923. One of Australia’s most respected and accomplished female riders, Alice excelled at educating, training, riding, driving, hunting and jumping. Alice rode in the Melbourne, Sydney, Brisbane, Adelaide and Tasmania Royal Shows as well as almost every country show in between. She would win the Champion Hack with a horse and then turn around and win the High Jump with the very same horse. Her horse Look Out held the Australian record for a high jump of 7 ft 10 ¼ in at Tenterfield, NSW. She also rode in England. Alice also trained and rode/drove trotters, ridden or in a sulky. She competed and won against the men. In 1929 she won several races with Bazil Bells at country tracks, but authorities refused to grant women licences to drive at the metropolitan track at Richmond so she had to engage men drivers. She won rces against the men at Stawell and Ballarat tracks. Among harness horses that she owned, trained and rode or drove were Mountain Derby, Dane Grey, Wonga Grattan, Plain Grattan, Miss Keewong, and Wong Derby the dam of the Ararat and Mildura Cup winner and later sire, Efficiency. She also trained gallopers, and rode them in races against the men, with a lot of success. Her father owned the 1917 Caulfield Cup winner Lieutenant Bill. Alice Laidlaw died of a heart attack in Ararat in 1947 several weeks after an accident with one of her horses at the Korumburra Show. Her 54 horses were then sold. After she died, the Alice Laidlaw Memorial Trophy for lady riders over 18 at the Royal Melbourne Show was commenced in her honour. This continues.Black and yellow vertical stripes, red sleeves

Photograph shows a group of 6 traffic staff at Richmond Cable Car depot c1910. Conductor Stephen Simpson stands second from the left - see item 8295 and reference. Interestingly the conductors have removed their trip slip safety pins. See item 8297 for another part of this photo.Yields information about MTOCo Conductor Stephen Simpson and the Richmond car house crews.Photograph - Black and White - with plain back.cable trams, richmond, conductors, uniforms, tram crews

Photograph shows a Richmond line cable tram set in Flinders St with Flinders St station in the background. Tram appears to be No. 44 Yields information about Flinders St cable trams c1920.Photograph - Black and White - with plain back and negative.tramways, tramcars, tram 44, flinders st, flinders st station

Photograph shows a Richmond line cable tram set in Flinders St with Flinders St station in the background. Yields information about Flinders St cable trams c1920.Photograph - Black and White - with plain back and negative.tramways, tramcars, flinders st, flinders st station, cable trams

The photograph shows cable, trailer 41 climbing the Bridge Road hill just west of Waltham Steet bound for the city. A second cable set can be seen in the distance, bound for Hawthorn Bridge. Nearly all of the buildings on this south side of Bridge Road remain today including the former Forbes and Sons building. Photo possibly dated c1900.Yields information about cable trams in Bridge Road Richmond and associated buildings.Photograph, black and white, plain papertrams, tramways, cable tram, bridge road, tram 41, richmond