Cream linen fabric, rectangular in shape. One log edge is finished with a 16 cm wide band of lace. This lace has been.machine made, and attached to the linen with a zig-zag machine stitch. The woven pattern in the lace is geometric in style. The other three sides are edged with 1.5 cm wide, woven lace in a scalloped design. Long-edge lace is 15.5 cms wide.manchester, table linen, side-table cloth

See picture of family history.Wooden dressing table with mirror, on castors, with two large drawers, and two smaller drawers at side of mirror. An inlaid decorative design, and brass handles on drawers. Wooden side table with one door with a brass handle, and an inlaid decorative design. The chamber pot would be stored on a shelf in this cupboard. These two pieces are part of a 4 piece bedroom suite.side tables, night cupboards, bedroom suites

The turpentine timber used to construct this table was originally used to build the second Hopkins River bridge in 1895. That long timber truss road bridge was built across the river close to the river mouth. The first Hopkins River bridge was built in 1862. That bridge was replaced by the second bridge, built in 1895. In 2001 the new third bridge was built to replace the 1895 bridge, in a design to look similar to the 1895 bridge. The timber from the second bridge was recycled to make this hall table, a cheeseboard presented to the Mayor at that time, and other mementos. The plaque attached to the table states the table was made in 2009 by Ralph Speirs, Warrnambool Triton Woodwork Club. The table is significant for its connection with the second Hopkins River bridge, built in 1895. The timber used to make the table has been recycled from the second Hopkins River bridge that was destroyed to make way for the new, third bridge. The Timber Truss Hopkins River Bridge was classified with State Significance on 16th April 1996, being the oldest of six surviving timber truss bridges in Victoria and the most intact timber road bridge of any type for its size and age. Its design was unique within Australia. It was the largest timber bridge built in Victoria during the 1890s. The bridge was of importance to the economical development of the region, opening up access to allow ease of trade and social connections between the eastern region of southwest Victoria and the town, later city, of Warrnambool and regions further west.Table made from turpentine timber. The timber was recycled from the second Hopkins River Bridge after the bridge was destroyed. The bridge was built in 1895. The table was constructed in 2009 by Ralph Speirs, Warrnambool Triton Woodwork Club. The front corners of the table are rounded and bthe back corners are straight. A plaque with eight rows of text is attached to the table."TABLE BUILT FROM TURPENTINE TIMBER RECYCLED FROM THE SECOND HOPKINS RIVER BRIDGE, BUILT IN 1895 AND DEMOLISHED IN 2000 TO BE RPLACED BY THE PRESENT THIRD BRIDGE. CONSTRUCTION BY RALPH SPEIRS, MEMBER OF WARRNAMBOOL TRITON WOODWORK CLUB, IN 2009"flagstaff hill, warrnambool, hopkins river, bridge, 1895, 2009, ralph speirs, warrnambool triton club, domestic furniture, table, hall table, side table, timber table, hall stand, furniture

Mrs F Clark donated this Credence Table to the original St Nicholas Seamen's Church, Williamstown, Victoria, operated by the Missions to Seamen organisation. The oak table is decorated with Gothic trefoils and shaped to fit against the Sanctuary wall. Its purpose is to hold the Eucarist plate and chalice for the Holy Communion service of the Anglican Church. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This Chrdence table is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers’ physical, social, and spiritual needs. The organisation originated in Bristol, England, when a Seamen's Mission was formed in 1837. It is also significant for its connection with the church Eucharist service still being performed in the Anglican church as part of its traditional worship.Credence table; traditional design in timber. The solid oak pedestal is shaped like half an octagon with the long side fitting against a flat, vertical surface. The column support has decorative Gothic trefoil cut-away holes. This item is part of the St. Nicholas Seamen's Church Collection. flagstaff hill, warrnambool, religious service, missions to seamen victoria, church furniture, religious worship, pedestal, book rest, book stand, bible rest, church service, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, credence table, pentagonal table, half-table, eucarist, holy communion, anglican church, communion service, tradition, ritual, worship, mrs f clark, ecclesiastical furniture, side table, small table

No inscriptions Not dated.decorative arts, furniture, table, side table, round table, wooden, woodwork, interior

This elegant reclining armchair is generously on loan from the local Haberfield family. Mrs Haberfield is a member of the Anderson family from the Tower Hill region, and the chair was handed down to her from them. When it arrived at Flagstaff Hill in 2009, it was at least 100 years old. The maker, Michael Bradshaw, is currently unknown. The origin of the chair's timber has been lost through the generations, but some have named the armchair the 'Mahogany Chair' after the legendary Mahogany Ship. In August 2009, the wood was expertly examined. The structure of the wood specimens was found to be consistent with: • Pale coloured carcass timber - Fagus sylvatica – Beech (European) • Pale coloured frame timber - Agathis sp – NZ Kauri • Dark coloured timber chair legs (solid) - Swietenia sp. – True Mahogany • Dark coloured timber veneer - Swietenia sp. – True Mahogany • Repair fill-in piece – Quercus sp. – White Oak ( Northern hemisphere) • Repair fill-in piece (fine textured) – Populus sp. – Poplar • Runner wood - Eucalyptus sp – Pale coloured ash group, or messmate The chair is significant for its local origin and history, being connected to generations of the Anderson and Haberfield families. It is also significant for its elaborate and unusual design, the quality of its workmanship and materials. It is a fine example of good quality furniture of the late 19th century.The Haberfield Chair is a reclining armchair that includes a footrest and a detachable book rest. The chair features a dark timber frame and dark burgundy (now dark brown), Morocco goat skin leather upholstery. The backrest is finished with button detailing, and its frame is distinguished by gracefully curved corners, lending the chair an elegant appearance. The chair’s padded leather armrests have attractive, crafted carvings at each end. A lever located below the armrest operates the recliner’s ratchet mechanism, which also causes a footrest to slide forward for greater comfort. The turned and carved front legs are equipped with wheels, allowing for easy movement. The removable book rest is mounted on a brass pedestal. Its angle can be conveniently adjusted using a screw to move the ball and socket joint, ensuring personalised reading comfort. There is a handwritten inscription on the underside of the back rail. The chair is kindly on loan from the local Haberfield family. In pen and ink: “Made from Mahogany Ship wrecked near Tower Hill, July 3, 1835: made by Michael Bradshaw 18-2-“ [originally thought to read 1842]flagstaff hill maritime museum and village, great ocean road, shipwreck coast, armchair, reclining armchair, reading board, mahogany chair, haberfield chair, furniture, living room furniture, domestic furniture, 19th century, luxury, morroco leather, book stand, book rest, side table, music stand, reading stand, reading rest, foot rest, reading table

decorative art, furniture, side table, table, marble, cherrywood, woodwork

This bottle was used by Dorothy Taylor nee Rowe as a baby in 1920, who was born in Murtoa and grew up in Wal Wal.Baby Bottle made of clear glass, chilli shape, with hole on top of bottle to allow air into bottle as baby feeds.with raised descriptionTop side - "THE / "HEALTH" / FEEDING / BOTTLE" Bottom side - " TABLE-SPOONS " Has measurements 18, 16,14,12,10,8,6,4,2.baby bottle, feeding bottle, babies bottle, glass bottle, infant bottle, milk feeding bottle

This medicine glass, or dose cup, was made for Mr. H. London, chemist and dentist, Warrnambool. His premises was at corner of Koroit and Liebig Streets, Warrnambool. The medicine glass has graduations on its side to measure doses of Teaspoon, Dessert Spoon and Tablespoon. It was donated by the family of Dr WR Angus of Warrnambool. The side seams and indented base of the glass, with the embossed lettering, show that it was produced in a three-piece mould, a method used in the late 19th and early 20th century. Mr H London was recorded in local newspaper articles from The Warrnambool Standard between 1885 to 1904. A further record in The Warrnambool Standard mentions Mr London, chemist, formerly of Warrnambool, as currently a chemist in Moore Street, Rochester. He was noted again in the Bendigo Advertiser in 1917. The maker, Whitall Tatum & Co, is clearly marked on the base of the bottle. The company was a well-known maker of prescription bottles. He used the brand "W. T. & Co". from Mid-1870's until the late 1880's, moulded into his glassware.This medicine glass is significant as an example of medical equipment that has a design still used today. It is also significant for its association with H London, a local Warrnambool chemist involved in the community and commerce of early 20th century in Warrnambool.Medicine glass or dose cup, c. 1916. Glass is a conical shape with inward sloping sides and a concave base. there are side seams and a concave base. Embossed inscriptions are on the glass, showing measurements in the imperial scale on one side , the owner's details are on the other side and the maker's details are on the base. Three horizontal lines are etched on the left of the measurements. The glass belonged to H. London, Chemist and Dentist, Warrnambool, and was made by Whitall Tatum & Co., U.S.A. The glass is part of the W R Angus Collection.On sides: "TABLE", "DESSERT", "TEA". "H LONDON / WARRNAMBOOL / CHEMIST AND DENTIST" On base: "W.T. & CO. / A.J. / U.S.A."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dose cup, medicine glass, chemist, mdeical equipment, medicine, h. london, chemist and dentist, liegig st warrnambool, rochester, whitall tatum & co, w. t. & co., three-piece mould, w.r. angus

The Government Gazette of January 18, 1888 advertised the acceptance of a contract of 149 pounds for a "Table for central library, New Law Courts, Melbourne". The table was purchased four years after the Court had moved to the William Street address.The table is not of state significance in its own right, but it is a high quality piece of Australian furniture. Its significance rests on its importance on the overall decorative scheme of the library and the fact that it was designed for this specific space.Blackwood, decagonal (10 sided) table, with 10 carved scroll and griffin supports, moulding and blue leather inserts.

Sepia photograph of a woman wearing long gown, seated with right arm resting on side table, left arm resting on lap.mrs cantlon

Sarah Ann Dawe migrated to Victoria with her husband William and children in 1857. The Dawe family lived at Geelong before settling in Linton, where William Dawe ran a greengrocery store in Sussex Street (on corner where Sussex Street becomes Skipton Road, on other side of road to the former Wishart forge.) Printed from glass plate negative (c1900). Found after death of the donor's uncle. Believed to be from collection of Augustus Titter (husband or son of Rose Dawe).Double black and white photograph of lady wearing dark dress with white lace collar, sitting in wooden chair, with open book on side table."Ann Carpenter (nee Blair )- Wife of William Dawe".sarah ann dawe nee carpenter

Used at Lightstation. There are an identical pair in the studio cottage at Cape Otway Lightstation so they are most likely purchased for the Lightstation. The two drawer table has the name ‘Kalmar Melbourne’ on the rear confirming its provenance.The three tables, along with the nest of tables, chest of drawers , and two bookcases would have been purchased as part of a large order placed by the Commonwealth Government sometime between 1957 and the early 1970s, when Kalmar was concentrating on large commissions. Cape Otway Lightstation has a pair of the same bedside tables. Gabo Island’s two bedside tables have first level contributory significance as part of a set, and for their clear provenance to Steven Kalmar whose functional designs introduced modern, low cost furnishings to a number of Australia’s lightstations.Two Scandinavian style bed-side tables. Two drawers in each. Chipboard veneer top. Solid wood frame / legs. Stained an orange colour.

Part of Old Lintonian collection ; No. 64. Ellen Gray was the daughter of Linton miner William Hodge, and the mother of singer Nellie Gray.Oval photograph of a lady wearing high necked long costume, seated with left hand resting on book on side table, right hand resting on lap.ellen selina gray née ellen selina hodge, old lintonian collection

Katie Sandow & Walter Bonthorn married in 1918. Their children were Mary, George and Lionel.Copy of original wedding photograph, showing seated man holding glove, elbow on side table. Lady standing holding bouquet in right hand, flower spray on dress.katie sandow, walter bonthorn, weddings

William Charles McNamara, a blacksmith, married Mary Ellen Hart of Happy Valley in 1895.Sepia photograph of a man with moustache wearing suit and tie, seated with right arm resting on side table holding photograph on lap, and left arm resting on left knee."William Charles McNamara, blacksmith. Wife Mary Ellen Hart, sewing mistress Happy Valley school".william charles mcnamara, blacksmiths

Mr Wilson was a member of the Linton Methodist congregation, and a local preacher, who was known as "Daddy" Wilson. He died in 1890, age 83, and is buried in Linton cemetery.Sepia photograph of an older bearded man wearing jacket waistcoat fob chain and trousers, seated with left arm on lap, right arm resting on side table hand holding a book."Mr Wilson".mr w. wilson, william wilson ("daddy" wilson), surman collection

The Arthritis Foundation of Victoria's Telephone Advisory Service (TAS) (also known as the Telephone Information Service - TIS) was staffed by volunteers, and provided information and referral services to members. In this photo, member volunteer, Thelma Kendall, answers the telephone at Arthritis Victoria's head office. A similar photo appears as part of a photo collage on the rear cover of the 1998 Annual Report and accompanying a report on "Telephone Services education" on page 10 of the 1999 Annual Report.Colour photo of a woman sitting on a chair next to a small square side table. On the table, there is a telephone, a potted plant, and a small book. The woman is on the telephone, and has a large notebook on her lap.[On the top right corner of the photo, handwritten in black ink] 27 [On a yellow sticky note, handwritten in blue ink] Thelma Kendallarthritis foundation of victoria, afv, telephone advisory service, tas, telephone information service, tis, thelma kendall, telephone enquiries, volunteer members, annual report, c1997, c1998, c1999

The Wiener Werkstätte (Viennese workshops) established by Josef Hoffman and Kolomon Moser in 1903 are today celebrated for their work in promoting the involvement of artists, designers and craftspeople in the manufacture of home furnishings; however Sigmund Járay’s firm was also an important, although today lesser-known, Viennese manufacturer of Kunstmöbel (art furniture). An Austro-Hungarian designer of Jewish descent, Sigmund Járay (1838-1908) established his Kunstmöbelfabrik (art furniture factory) in Vienna in the 1870s in partnership with his brother Sándro Járay (1845-1916), a sculptor. The firm with its team of cabinet makers, modellers, sculptors, upholsterers, painters and gilders, manufactured bespoke furnishings and decorated interiors for public and private clients, including the Imperial court. Such was the prominence of the work of this factory, that in 1899 one of the first purchases of the newly formed Austrian Museum of Applied art was a suite of furniture designed by Sigmund Járay for a married worker. In commissioning the furniture, Slawa was adopting the custom of Viennese couples to furnish their homes with bespoke furniture from the interior design firms that flourished in early 20th century in Vienna. Comparative material is held in the National Gallery of Victoria collection; a suite of furniture by Josef Hoffman commissioned by the Gallia family in 1912; and a suite of furniture by Adolf Loos commissioned by the Langer family in 1903. Ann Carew 2016The bedroom suite is aesthetically significant for the quality of its craftsmanship and design. It is a significant example of domestic interior design in Vienna during the 1930s. The bedroom suite is intact, and has been preserved in its entirety – double bed and side tables, wardrobe and linen press, stool and day bed. It has the potential to be displayed in situ in the place where it was last in use. It is of historical significance. Many Jewish families had all their possessions lost or destroyed during the war years. The story of the furniture’s journey from Austria to Australia is relevant to the study of the experience of émigré families during the Holocaust, and the importance of return of their property. It is rare, as it and the furniture in the living and dining room, are the only known examples in Australia of furniture manufactured by the firm of Sigmund Jàray. The provenance of the furniture is excellent, and is demonstrated by photographs taken in Vienna; correspondence with the donor’s sister, Rella; and the quotation from Sigmund Járay Kunstmöbelfabrik. It is in excellent condition. Ann Carew 2016Bedroom suite consisting of a double bed, two side tables, an upholstered stool and upholstered day bed, and a wardrobe and linen press. Made of Maple and Rosewood. Designed by the firm of Sigmund Jaray with Slawa Horowitz-Duldig.

William Wilson was a staunch member of the Linton Methodist congregation and a local preacher. He died in 1890 age 83 and is buried in Linton cemetery.Sepia CDV photograph of an old, bearded gentleman wearing suit with long jacket and fob chain, seated with left arm resting on lap, right arm resting on side table holding a book in his hand."Mr (Daddy) Wilson".mr w. wilson, william wilson ("daddy" wilson), old lintonian collection

Part of Old Lintonian collection ; No. 107.Sepia photograph of a woman with hair drawn back off face, wearing long sleeved high necked long gown with bustle, seated with left hand resting on book on side table, right arm on lap.mrs c. smith, old lintonian collection

The portrait is one of two portraits which were located in a basement storage area beneath the library at Glen Eira City Council Town Hall. This image does not have the name of the sitter below, however it has been identified as an image of Perceval St John Hall, Mayor 1910, by an copy of the same image in the series of portraits of mayors in the corridor of the Glen Eira City Council Town Hall. B/w portrait photograph, mounted and framed in wooden frame, no glass covering image. Image of Perceval St John Hall wearing a Mayoral robe with a fur trimmed collar and a visible shirt and tie. He is shown standing beside a side table.

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen rectangle has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen square has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen square has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen square has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat

The fine white linen rectangular mat was possibly used on a side table there the chalice, collection plate and other ceremonial items could be stored. This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Mat, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The hem of the fine white linen square has been hand stitched.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, mat