The photograph was taken at the wedding of Spiroa and Yiannoula Fatouros which took place on 8 August 1924 at the Evangelismos Greek Orthodox Church in East Melbourne. They had four children: Peter Fatouros, Rita (Aphrodite) Paxinos, Helen Vlass (past treasurer of the Ithacan Philanthropic Society and Honorary Life Member) and Sia (Anastasia) Beasley. A sepia studio wedding photograph of a bride and groom. The groom is dressed in a dark suit and is seated on a Vienna chair. His bride is standing next to him. The photograph is backed on cream board.The Hope Studiothe hope studio, fatouros wedding

Book. ALEC H CHISHOLM COLLECTION. 31 page booklet called The Forlorn Hope, a sea saga of the 1860s by Frank Clune. Published in 1945 by The Hawthorn Press, Melbourne and printed by John Gartner at the Hawthorn Press. Cover design by Allan Jordan. Catalogue sticker ''2188 CLU'' on front cover.Frank Clunebooks, collections, history, alec h chisholm collection, frank clune

Black and white image of H.R.H. The Duke of Edinburgh and and his brother, in Mining Costume after descending the Band of Hope Gold Mine, Ballarat. R.M. Serjeant stands to the left. ballarat, band and albion gold mine, mining, duke of edinburgh, royal visit, princes, robert malachi serjeant, r.m. serjeant, royalty

Four photographs of the Remains of the Band of Hope Cyanide Workings Deep Lead. Taken 1995.stawell mining

On 8th August 2002, 19 large banners each 18 metres long, each made from hundreds of square pieces of fabric with images and messages, were attached to the side of McKillops Bridge at Deddick, Victoria. This bridge spans the Snowy River and is a significant crossing point in an isolated location. This ceremony was the culmination of a large multi-community project titled 'Banners of Hope', initiated as a focus on the 'year of the outback'. Many people, community groups, and schools contributed to this project, each coming from different locations associated with East Gippsland and with the Snowy River in particular. This video compilation is significant because it is a record of a significant community project called 'Banners of Hope' staged at McKillops Bridge during the Year of the Outback, 2002.A video inside a plastic case. The front cover of the case has a compiled image of a large bridge and also a large multi-coloured banner of many squares beside it. The words Unveiling Hope are printed in gold/cream above the image. Unveiling Hope on McKillops Bridge Year of the Outback 2002banners of hope, year of the outback, snowy river, mckillops bridge, orbost, deddick

Book contains information about the history of Glory Boxes.Soft cover book " The Glory Box" 'A Chest Full of Hopes and Dreams' Printed by Lillydale Museum'A Chest Full of Hopes and Dreams'glory boxes

This book has been compiled by the East Gippsland Community Leadership Program 2021 on behalf of East Gippsland Communities. It contains many individual stories of personal experiences from people and workers who lived through the huge conflagrations during late 2019 and early 2020. These fires were enormous, with huge impact for much of Victoria and nearly all of East Gippsland. Survival, recovery and hope are amongst the many themes. It is a book with many authors who contributed their stories and recollections. This book is significant because it records many personal memories of those who lived through the destructive 2019/20 Black Summer Fires in East Gippsland.A large format book titled Heartbreak to Hope. The front cover has a all-over coloured photograph of a sky, grassland paddock, and fence in the foreground. The back cover has an all-over photograph of green leaves overlaid with printing. Heartbreak to Hope Community reflections from the drought and 19/20 Black Summer Fires of East Gippsland.bushfire, drought, east gippsland, 2019/20 black summer fires

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Rosalie Bray (nee Thrupp) recalls events at the end of World War 2, following her father's death.A personal story of the aftermath of World War 2.Photocopy of news article. 2 pages, black and white text and photos.rosalie bray, thrupp family, world war ii

Book. ALEC H CHISHOLM COLLECTION. A 57page softcover book of poems by Alec Derwent Hope with an introduction by the author. Selected and arranged by Douglas Stewart. Published in 1963 by Angus & Robertson, 'Australian Poets Series' and printed by the Halstead Press. Catalogue sticker ''2108 HOP'' on front cover.A. D. Hopebooks, collections, poetry, alec h chisholm collection, a.d.hope, douglas stewart, poetry

The Wreck of Hope (Long-nosed Common Dolphin skeleton, Delphinus delphis) featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. This knitted dolphin skeleton was the start of Beevor's interest in comparative anatomy. Beevors recalls viewing a dolphin, one of many skeletons alongside a mouse and a lion in the Australian Museum's collection during a school visit in the 1970s. At the time, school children watched TV reruns of 'Flipper', which portrayed dolphins as intelligent and noble animals. Elsewhere, the conservation movement was growing, and appeals to protect marine mammals were gaining momentum through the 'Save the Whales' campaign. The fascination with live dolphin shows had grown throughout the 1960s and 1970s and the ethics began to be questioned. Some believe they played an important role in raising public awareness of cetaceans and their welfare. Others argued the performances glorified the dominance of heroic trainers over the subordinate dolphin, and offered little education about the dolphins' natural characteristics nor prioritised their welfare. Many of these facilities are now closed and all dolphin species are protected by international accords aimed at conserving wild populations. Despite this dolphins are still at risk of swallowing plastic waste, mercury toxicity, toxoplasmosis, boat impacts and being bycatch in commercial fishing operations. Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Life sized knitted skeleton of a dolphin, with white wool and internal steel, foam and wire frame. The dolphin is mounted on a wooden base, made from a desk, with books placed under the desk lid. The books and desk are painted black.knitting, art, dolphin, conservation, sculpture, skeletons, anatomy lessons, michele beevors

Colour photograph of Reverend William J. Keane and Denise Keane at the baptism of their daughter Amanda Hope Keane. Grandfather Len Jackson also present."C&N 14/11/86 Amanda Hope Keane daughter of minister and his wife Wonthaggi"keane, william j., denise keane, amanda hope keane, len jackson, wonthaggi, uniting church minister

Group outing to Mt. Hope in Northern Victoria, context not known. Photograph was important to owner as it has pin marks both top and bottom suggesting that it was on constant displaySepia photograph on cream board in modern folderInscription: Group taken At Mount Hope at the turn of the centurythompson collection, nightingale

This photo contains three children, George, Hope and Joyce Barnes, who were the children of George Charles Barnes and Ada May nee Butterworth. Taken circa 1920 in the Melbourne, Victoria. They are the grand-children of Thomas Crockley Barnes and Frances Henrietta Douglas of Learmonth, Victoria.It is one of the many precious photos held by the Learmonth and District Historical Society Inc.An oblong shaped small photo showing George, Hope and Joyce Barnes which is of sepia coloring,Nil

Small blue hardcover with title and author written in gold lettering in a decorated linear square - Aunt Judith by Grace Beaumont. A blue and brown floral pattern is featured at the top and bottom of the from cover and spine. The title and publisher on the spine is written in a gold box. There are are black and white illustrations on pages at the front of the book. 220p.fictionA pretty tale of a wilful schoolgirl, Winnie Blake. Her brother Dick is mischievious and loveable. They both come under the benign influence of Aunt Judith, who is an author of books for girls and a happy Christian woman and learn some valuable lessons which help them in later years.children's fiction, religious stories, school life fiction

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. W. E. R. Hope, Mayor of Kew in 1952-3 and 1967-8. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.E.R. Hope / Mayor 1952-3, 1967-8 Stuart Tompkinsmayors of kew (vic), cr. w. e. r. hope, australian photographers - stuart tompkins, kew (vic.) — municipal collection

As part of the Crelebration of the Year of the Outback, McKillop's Bridge in the Deddick Valley was hung with nineteen banners made by individuals and groups of East Gippsland. Banners containing thousands of messages of hope and optimism for the future of rural communities were suspended from he bridge in the Snowy River National Park, in front of a three hundred strong crowd that had assembled. Sister Helen Barnes from the Sisters of St Joseph Order, founded by Mary McKillop, initiated the project. This event was a significant event in local history and this item is a contemporary recording of it.A D.V.D. titled, Unveiling Hope. On the front is a coloured photograph of McKillop's Bridge in the Deddick Valley.mckillop's-bridge banners-of-hope

A small soft cover book with a blue/green cover,on the front cover is a painting of early Australia with Indigenous Australians hunting with spears alongside them is a European with long unkept hair and a beard dressed in animal skins,on the back cover is text by the author giving a brief outline of the book.buckley, sorrento, robinson crusoe, port phillip, van diemen's land, colonialism, 1840, convicts, indigenous tribes.

This is a book of 170 pages. The cover has a coloured sketch of a soldier on a grey background , two bomb sketches and some black printing. The spine is almost completely missing. The pages contain printed text, maps, sketches, black and white photographs and coloured illustrations. The book is bound with heavy duty staples. There are five loose newspaper cuttings.non-fictionAustralians in World War 1 world war 1, anzacs, australian humour

Excelsior Band of Good Hope was a Temperance Society.Member's Card for Excelsior Band of Hope. Bard certifies that Gilbert Rule has signed a pledge to abstain from intoxicating liquors. Signed on May 2nd 1887 by Gilbert S Rule. Secretary. Cream coloured card with red and gold border and logo .gilbert rule, temperance, band of good hope

From the staff and pupils of the Goodlet High School, Sholinghur,. Sholinghur is a municipality under Sholinghur taluk in Ranipet District of Tamil Nadu, India. Deaconess Hope Goldie attended Rolland House, Deaconess' Training Institute and the Missionary Training Institute. She left her home in Port Fairy for India in 1927. Fine cotton printed address in the form of a scroll. It is attached to stained brown wooden rods at tend end and is printed with indigo blue."AN ADDRESS PRESENTED TO MISS A. HOPE GOLDIE, ON THE OCCASION OF HER SILVER JUBILEE CELEBRATION"a hope goldie, annie hope goldie, presbyterian missionary, goodlet high school sholinghur india, presbyterian deaconess