Photocopy of certificate of discharge No.66699 issued by the Australian Military Forces to VF507923 Agnes Mary Anderson, Australia army medical women's service who enlisted on the 22nd day of May 1943, who served for three hundred and ninety-eight days. Dated 22/04/1944military, world war 2

Black and white photograph of a group of women in uniform. On the back the name Agnes Mary Priest.military, world war 2

Black and white photograph of Sydney Ernest Anderson and Agnes Mary (Peggy) Anderson nee Priest. They are sitting on the outside staircases to a building.military, world war 2

Black and white photograph. On the back: new end wall, Bendigo, Peg's barracks.military, world war 2

Small black and white photograph of three men pushing a truck that looks is booged down. On the back Sydney's first driving and school maintenance bivouac - 1943(?)military, world war 2

Black and white photograph of caporal Priest A.A.M.W.S. Bendigo. She is sitting on a rock holding a cat, outside a wooden building.military, world war 2

Black and white photograph of three man in the bush. On the back in pencil the names of Sydney Anderson, George Angwin and Terry McCabe.military, world war 2

Black and white photograph of Sydney Ernest Anderson and another unknown man.military, world war 2

L.H.Q. Cartographic Coy. Aust. Survey Corps. Christmas 1943 menu. Green cover with various festive drawing. Inside a picture of Fortuna with more festive drawing and the menu at the Corporals and Sappers' Mess.military, world war 2

Bendigo Advertiser from Saturday, November 27, 1943. Two black and white photographs of women in uniform in an outdoor setting. The first is captioned: with Warrant officer Durack (third from left) are from left Cpl Nolte, Cpl Hands, Cpl P. Priest, Cpl H. Morton, Sergeant W. Sprott and Cpl G. Glover. The smiles are for the A.W.A.S. first birthday in Bendigo and for general satisfaction of barracks life. The second is captioned: Group of A.W.A.S. members taken in the garden of their barracks, where one year's residence in Bendigo was celebrated yesterday. From left: Spr. V. Edwards, Private M. Treloar, Private A. Geddes, Spr. A. Lewis, Spr. W. Hyatt. Standing from left: Spr. M. McPherson, Private M. Penton, Spr. G. Johns, Spr. M. Simonds, L/Cpl J. Murray, Pte. G. Simpson, Spr. N. Jeffrey and Spr. S. Pieydell.military, world war 2

Black and white photograph of a man standing near a car. On the back: my second staff car. Bendigo, 1944. Syd by Bendigo, 1940 model Ford. S.E. Anderson.

Black and white photograph of a group of women in uniform standing outside Fortuna villa. On the back Reg. by A.M.W.S. barracks, Bendigo, 1943. Marked with blue cross is A.M. Priest.military, world war 2

Brown hardcover book. Souvenir of L.H.Q. Cartographic Company, Australian Survey Corps at ''Fortuna'' Bendigo 1942-45. A forward by the Officer Commanding W.M. Sarll (Major) is followed by photographs of all personnel divided in the various section. At the back a roll with all the names.

Army driving licence No. 71896 issued to Anderson Sydney Ernest. Date: 10/06/1943. Vehicle type: trucks and testing officer coursemilitary, world war 2

Army driving licence issued to Anderson Sydney Ernest. Licence No. 34276 dated 22/07/1941, for class I and class II vehicles.military, world war 2

Forty pages booklet Army No. V12485, Rank Corporal, Name: Anderson S.E. Australian Military Forces A.A.B. 83 revised August, 1944. Record of service book male member.military, world war 2

LHQ Cartographic Company, Australian Survey Corps (OC Maj WM Sarll). Athletic sports meeting, Upper Reserve, Bendigo. Monday 31stJanuary 1944, first event at 12.45pm Eight pages listing all the events and the participants.military, world war 2

Small booklet titled: the Australian Survey Corps 1915-1965. On the black and white cover a picture of the entry gate at Fortuna villa. On the first page a welcome to the open day at AHQ Svy Regt on Sunday 14 November, 1965 to mark the Jubilee year, after a brief history of the Royal Australian Survey corps and of Fortuna villa, the booklet list all the personnel, black and white photos of Fortuna are included.military, world war 2

Two copies of the Magna Carto Magazine of the Australian Survey corps. Issue two and four. Issue two has a drawing of a soldier and a map and compass with the words 1910-1943 on the cover. Issue four has a group of soldiers around a table with the words ''the duffer who left a tree in the contour negative!!''.military, world war 2

Photo of the trophy awarded at Legacy Bowls tournaments. It was named after Sir Dallas Brooks who was a patron of Melbourne Legacy when he was Governor of Victoria. Melbourne Legacy held regular bowls tournaments for Legatees. Some events were as a fundraiser for Legacy and well as a social event for legatees. The date is estimated to be the 1960s as it was with other slides from that period. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of the type of activities Legacy provided as a social outlet for the Legatees and for fundraising.Colour slide of a the Dallas Brooks trophy at a Bowls Tournament in Kodak mount.The mounts are imprinted slide numbers and one has 'Dallas Brooks Bowls Final' handwritten on it.bowls, legatee event, trophy

A cotton reel with a little black cotton by 'Brook's'BROOK'S PATENT GLACE THREAD

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Crystal Brook, in the Cape Otway Ranges’ : Views of Victoria (General Series) No.53 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: 'The subject of the present illustration was discovered by one of our operators exploring the Cape in search of scenery. It is situated about four miles from the coast, and is surrounded by dense foliage on the one side, and rocky boulders on the other. This spot being unknown to the settlers, the title we have given to it is highly suggestive of such a romantic and secluded spot.'nicholas caire (1837-1918), landscape photography

The 38 Bn C.M.F. was known as the Northern Victorian Regiment. General Sir Dallas Brooks was Governor of Victoria 1949-1963.1. B & W photo shows Gov. Sir Dallas Brooks inspecting members of 38 Bn. The soldiers are wearing battle dress and slouch hats. The men are standing to attention with their .303 Enfield rifles. Thge escorting officer with sword drawn is Captain Russ Emond. 2. B & W photo of Sir Dallas Brooks talking to a Warrant officer. The escorting officer is Captain Russ Emond (WW2 Veteran). The governor is in civvies, the soldiers are in battle dress.1. Written on rear is AC148. 2. Written on the rear in ink - Sir Dallas Brooks? Talking to H. Burrell. Capt Russ Emond.38 bn, dallas brooks

"Brooks" stainless steel film developing tank with stainless steel film spool insert Purchased from Rosier Camera Store, 31-33 Camberwelll Road, Camberwell, VictoriaBrooks

Book. ALEC H CHISHOLM COLLECTION. 61 page hardcover book on Australian trees by A. E. Brooks. Illustrated with many B & W photographs and several drawings by H. J. Van Velsen. Published in 1964 by Heinemann, Melbourne and printed by The Griffin Press, Adelaide. Catalogue sticker ''2249 BRO'' on spine. Handwritten in ink on title page ''Presented to Alec H. Chisholm with the compliments of the Author in appreciation of help received when this book was being compiled. A. E. Brooks. 25.5.1964''A. E. Brooksbooks, collections, botany, alec h chisholm collection, a.e brooks, trees, botany

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This photograph was likely taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This photograph is one of many in the Haeusler Collection that represent daily life in late nineteenth and early twentieth century Wodonga.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Black and white photograph of two men in front of a weatherboard building. The man on the left is holding onto the bridle while the man on the right is shoeing the horse. Photography by Pearson and Brook studio, Albury. "PEARSON AND BROOK ALBURY"photograph, photography, horse, horses, portrait, portrait photography, haeusler collection, wodonga

This photograph shows the Lower Light at Flagstaff Hill, Warrnambool, in 1895, part of the Lady Bay Lighthouse Complex. The photograph is part of the Western Victoria collection produced in 1891 by Brookes' Photographic Union in Victoria. Brookes' Photographic Union was a collaboration of two brothers, Frederick Augustus Brookes and his brother Albert Edward Brookes. Frederick arrived in Victoria in the early 1880's. He and Albert formed the organisation to produce collections of photographs including the districts of Geelong, Gippsland and the Western Victoria. This photograph was taken and published just after the construction of the Warrnambool Breakwater. The image records a snapshot of the construction of the Warrnambool Breakwater, a construction that changed the history of the Port of Warrnambool, It is also a record of the Flagstaff Hill area and at that time.Photograph, sepia coloured rectangular shape, mounted between two sheets of cream card. Border of photograph is decorated with pen lines and design in corners. Subject is the Warrnambool Harbour, with a lighthouse on a hill in the foreground, a light coloured picket fence, the harbour with a moored vessel and a jetty. Produced by the Brookes' Photographic Union, and with the heading of Western Victoria. Inscriptions are on the reverse, on two stickers, a printed white label and a handwritten name.Stickers: "F.PA 60/2-74" "138" Label: "WESTERN VICTORIA / BROOKES' PHOTOGRAPHIC UNION / WARRNAMBOOL HARBOUR / (FROM THE BATTERY) Hand written in black: "B. Fisher"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, western district, western victoria, brookes' photographic union, frederick brookes, albert brookes, photograph, warrnambool harbour, warrnambool history, lady bay, port of warrnambool, b. fisher, 1895, maritime history, breakwater, warrnambool jetty

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Brook Street, Hawthorn by Margaret Picken.3 Brook Street, Hawthorn, Margaret Picken '94. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 4 Brook Street, Hawthorn by Margaret Picken.4 Brook Street, Hawthorn, Margaret Picken '93. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 6 Brook Street, Hawthorn by Margaret Picken.6 Brook Street, Hawthorn, Margaret Picken '89. Woodards - Hawthorn.artist - margaret picken 1950-