Photograph looks south-west from O'Grady Street along Victoria Avenue towards the bay. A cable tram and horse drawn cart approach and numerous pedestrians walk along the footpaths, some under shop verandahs. A 'Hail Cars Here' sign is fixed the pole in the right of the photo, These were installed in the early 1920s by the new Melbourne and Metropolitan Tramways Board. Yields information about Victoria Avenue, Albert Park Postcard with label below photograph and postcard markings on rear. On front: 'The Rose Series P 3377 Victoria Avenue, Albert Park, Vic'; on rear: 'Postcard - A real photograph. Produced in Australia'victoria avenue, o'grady st, albert park, cable trams, tramways, tram stops, rose series

Tram 27 was built in 1916 by Duncan and Fraser, Adelaide for Hawthorn Tramways Trust. It came to Ballarat in 1930 and became part of the fleet of the State Electricity Commission. When the trams ceased running in 1971, it was obtained by the Tramway Museum Society of Victoria. Photograph was taken by Campbell Duncan on 11 August 1971.Colour image in cardboard Kodak mount. 35mm slideHandwritten notation in ink on mountcampbell duncan, photographer, ballarat tram 27, duncan and fraser, 1916, hawthorn tramways trust, sec fleet ballarat 1930, tramway museum society of victoria, drummond street, victoria avenue

Certificate of Title for land between Ormond Avenue, Fellows Street, Victoria Avenue and Mitcham Road, Mitcham owned by Robert Becket. Transfers of land through subdivision are included.whitehorse road, mitcham, mitcham road, ormond avenue, victoria avenue, gillies street, deakin street, fellows street, haines street, purches street, albert street, edward street, britannia street, beckett, robert, johnson, catherine, bewley, william, londgerin, mary, chugg, william harold, wheeler, sarah, byrne, bedson, samuel, land subdivision

Colour photograph showing a view of the aged care facility at Alexandra Avenue Kalimna Victoriacommunity facilities, aged care home

Photograph shows a W class tram in Bridport Street en route to 'South Melbourne' with another tram in the distance travelling to the city. The street is lined with shop verandahs and numerous motor cars. This line was converted from cable tram to electric tram in 1937 and ran long Collins Street, Spencer Street, Clarendon Street, Park Street, Montague Street, Bridport Street and Victoria Avenue. The photograph appears to be a copy of a Hugh Latimer photograph from that time.Yields information about the first years of the new electric line to South MelbourneBlack and white photograph with title below photograph but no note on rear.On front below photograph: 'Latimer Series, Bridport Street, Albert Park' w class tram, bridport street, south melbourne, shop verandahs, motor cars, montague stree, victoria avenue, hugh latimer

Folder of Estate Agent's notes compiled in preparation for property auction, 11th October, 2008. Two-page history of "Shadowood", display photo of house with floor plan dating from circa 1920s, copies of LANDATA title documents. Map of Wicklow Hills subdivision, including Alto Avenue, Elesmere Avenue, Glenora Avenue, Wicklow Avenue, and railway line to Lilydale. Title Vol 1323 Fol 264412 Allotment 43C Parish of Warrandyte - Ann McKean, dated 6th October, 1881. Title Vol 1937 Fol 387367 Part of Allotment 43C Parish of Warrandyte - Richard Bonynge Kelly, 11th August, 1887. Title Vol 2728 Fol 543569 Part of Allotment 43C Parish of Warrandyte - Thomas Robertson, 27th July, 1898. Title Vol 4161 Fol 832181 Part of Allotment 43C Parish of Warrandyte - John Gordon Robertson, 4th November, 1918. Title Vol 4490 Fol 897808 Lots 82 and 83, Plan of Subdivision 7478 - Elizabeth Rutherford Morell, 12th August, 1921. Title Vol 4617 Fol 923322 Lot 82, Plan of Subdivision 7478 - Flora Clapperton, 23rd September, 1922. Title Vol 8409 Fol 533, part of Lot 82, Plan of Subdivision 7478 - Hugh Ravenscroft Hastings Wettenhall and Sybella Anne Wettenhall, 1st May, 1962.

A4 size window display advertisement for auction on Saturday 30th May (2015) and 3-page handwritten history notes on 8 Poynton Avenue Ringwood with photocopied LANDATA Land Victoria publication printouts Plan of Subdivision of Part of Crown Allotment 28, Parish of Warrandyte, County of Evelyn. Geoffrey Alleyne Cook and Muriel Cook. Certificate of Title Vol 9093 Fol 503 - Lot 4 on Plan of Subdivision No. 114942 derived May 1975. Certificate of Title Vol 8932 Fol 047 - Lot 1 on Plan of Subdivision No. 94505 derived July 1972. Ethel Porter, Crown Allotment twenty-eight, Certificate of Title Vol 6599 Fol 1319603, dated January 1943. Agent - Carter.com.au 90 Maroondah Hwy, Ringwood, (Tel) 9870 6211. Handwritten notation "Sold $920000 5/15".

Photocopy of diagram showing layout of 22 allotments on Greenwood Avenue, Alton Street and Locke Street, Ringwood.LP13435. Handwritten notations marking some blocks as "sold". Arrow indicating land to be sold as a pack otherwise to be returned to family of A.V. Greenwood & J(?) Greenwood.

Floor plan and S.W perspective watercolour of proposed house for Mr. and Mrs. R. Hellier.ink, paper

Black and white photograph of a dark coloured ute used at Davins Dairy, Corner Mitcham Road and Victoria Avenue Mitcham.davins dairy, model dairy, daries

Coloured photo of House at 38 Haines St., Mitcham (corner of Victoria Avenue)in the process of being renovated. An example of an early residence.haines street., mitcham, no.38

Black and white photo of Davin's Dairy, corner Mitcham Road and Victoria Avenue, Mitcham. Dairy later bought by Model Dairy.davin's dairy, model dairy

Coloured photograph of of Victoria Street looking east. Car is exiting from multi storey car park in Edward Street into Victoria Avenue.victoria street, mitcham

Looking East near Springvale Road Daniel Robertson ClayworksOil painting of Nunawading Railway station and clayworks.Railway Nunawading by J. B. Bryce 1953 and J. Bingley 22 Victoria Avenue, Canterbury 2816.daniel robertson, nunawading station

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. B&W photo of Miss Marie Studholme wearing a large bonnet - dated 1913 Addressed to Miss Anne Stapleton, Arcade, Bendigo Sender - Ethel, 108 Victoria Avenue, Albert Park Undated postcard, collector, alice mcgregor