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Bendigo Historical Society Inc.
Document - VICTORIA REEF GOLD MINES COMPANY BENDIGO PLAN
... VICTORIA REEF GOLD MINES COMPANY BENDIGO PLAN...victoria reef gold mines company...Photocopy of a Plan of the Victoria Reef Gold Mines Company... Bendigo victoria reef gold mines company Victoria Reef Gold Mines ...Photocopy of a Plan of the Victoria Reef Gold Mines Company, Bendigo. Shaded area is the Victoria Reef Gold Mines Company Lease No. 2 and Lease No. 3. The gullies are named Happy Valley, Long, Derwent, Providence and Ironbark Gullies. The reefs are: Western Victoria, Victoria, Eastern Victoria and Prince Albert Reef. Between the Eastern Victoria Reef and the Prince Albert Reef is the White Lead. Mount Korong Road is at the bottom of the plan. Other Leaseholders are: Burrows, Wybrant, Ballerstedt, Jackson,Roberts & Co, Ashley, Grant, ?rpe, ?eau, Woodward, Coath, Taylor, Cranshaw, Roberts, Gould & Co, Midway, Witscheibe, Endeavour Co, Albert Co, Ballerstedt & Son, Late Iron Bark Quartz Mining Co, McDougall, Specimen Hill Co, Hygrect?, Wheadon, Evans and Bannerman. Signed by H. B. Nicholas. Location of Ballerstedt, Luffsman, Midway Co, Witscheibe and Rae & Co engine locations. Hills are shown as hatch shading. Written at the bottom left ocrner is: Accompanying prospectus issued in Nov. 1859. Signed H.B. Nicholas.plan, bendigo, victoria reef gold mines company, victoria reef gold mines company bendigo - plan, h b nicholas, burrows, wybrant, ballerstedt, jackson, roberts & co, ashley, grant, ?rpe, ?eau, woodward, coath, taylor, cra-shaw, roberts, gou-d & co, midway, witscheibe, endeavour co, albert co, ballerstedt & son, late iron bark quartz mining co, mcdougall, specimen hill co, hyo?, wheadon, evans, bannerman. -
Bendigo Historical Society Inc.
Document - NEW CHUM & VICTORIA LINES OF REEF - VICTORIA REEF GOLD MINES COMPANY
... NEW CHUM & VICTORIA LINES OF REEF - VICTORIA REEF GOLD... Victoria Reef Gold Mines Company...Photocopied handwritten notes about the Victoria Reef Gold... DOCUMENT Gold new chum & victoria lines of reef New Chum & Victoria ...Photocopied handwritten notes about the Victoria Reef Gold Mines Company. Extracts from Dickers M. Record Vol. 1 23/11/1861 Ps 2 &3. Extracts include Capital, Shares, Names of Directors and Manager, Workings, Main shaft size and depth, Cost of work and labour, Drainage, Pumping Plant and Engine House.document, gold, new chum & victoria lines of reef, new chum & victoria lines of reef, victoria reef gold mines company, ballerstedt & co l l, dickers m record vol 1 no 1 23/11/1861 ps 2 & 3, edward cook esq, thomas burrows, henry jackson, alexander rose, david chaplin sterry, theodore ballerstedt, h b nicholas, cost of work & labour, canal basin foundry glasgow -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - PLAN OF THE VICTORIA REEF GOLD MINES COMPANY
... VICTORIA HILL - PLAN OF THE VICTORIA REEF GOLD MINES... Plan of the Victoria Reef Gold Mines Company...Plan of the Victoria Reef Gold Mines Company, Bendigo... DOCUMENT Gold victoria hill Victoria Hill Plan of the Victoria Reef ...Plan of the Victoria Reef Gold Mines Company, Bendigo showing the Eastern Victoria Reef, Victoria Reef and the Western Victoria Reef. Streets, gullies and leases drawn in. Some amounts of money and names have been written on the page. Signed by H. B. Nicholas. Locations of Ballerstedt's, Luffsman's, Wittscheibe's, Midway Co and Rae's engines are shown. Ironbark, Derwent, Providence and Long Gullies are shown. Also Mount Korong Road. Leases mentioned are: Jackson, Burrows, Wybarndt, Ballerstedt, Luffsman, Roberts, Ashley, Grant, Troy, Tezeau, Woodward, Croath, Taylor, Cranshaw, Gou?d & Co, Midway, Wittscheibe, Specimen Hill Co,Endeavour, Albert Co, Ballerstedt & Son, Hy? Co, and Wheadon.document, gold, victoria hill, victoria hill, plan of the victoria reef gold mines company, h b nicholas, spiers, jackson, burrows, wybarndt, ballerstedt, luffsman, roberts, ashley, grant, troy, tezeau, woodward, croath, taylor, cranshaw, gou?d & co, midway, wittscheibe, specimen hill co, endeavour, albert co, ballerstedt & son, hy? co, and wheadon -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - PLAN OF THE VICTORIA REEF GOLD MINES COMPANY BENDIGO
... VICTORIA HILL - PLAN OF THE VICTORIA REEF GOLD MINES... Plan of the Victoria Reef Gold Mines Company Bendigo... Bendigo victoria hill Victoria Hill Plan of the Victoria Reef Gold ...3587.70 same as 3587.69. Copied onto smaller white paper.map, bendigo, victoria hill, victoria hill, plan of the victoria reef gold mines company bendigo -
Bendigo Historical Society Inc.
Document - NEW CHUM & VICTORIA LINES OF REEF - NOTES ON THE VICTORIA REEF GOLD MINES COY
... NEW CHUM & VICTORIA LINES OF REEF - NOTES ON THE VICTORIA... Notes on the Victoria Reef Gold Mines Coy... DOCUMENT Gold new chum & victoria lines of reef New Chum & Victoria ...Handwritten notes describing the journey along Eaglehawk Road from the houses, poppet heads and mine tailings, etc. When the alluvial diggings were showing signs of exhaustion, and the fear arose that Bendigo was 'about done', two 'darkies' One named Dido,struck golden stone. They sold out ot Ballerstedt and Son, and thus gold mining was revived. These areas were remarkable for the extraordinary richness of the lodes, and the singular manner in which the gold is distributed.document, gold, new chum & victoria lines of reef, new chum & victoria lines of reef, notes on the victoria reef gold mines coy, gavan duffy, victoria hill, black lead, prince alfred, dido, ballerstadt & son, goldfields registry, mr macartney, wittscheibe, ?oys, luffsman -
Bendigo Historical Society Inc.
Slide - ALBERT RICHARDSON COLLECTION: PLAN OF LEASES VICTORIA HILL
... victoria reef gold mines plan....Slide. . Victoria Reef Gold Mines Company Mining Plan... Gold victoria reef gold mines plan. BENDIGO MINES-JACK HATTAM ...Slide. . Victoria Reef Gold Mines Company Mining Plan. Mount Korong Road on bottom of plan, Victoria Reef running through centre.mine, gold, victoria reef gold mines plan., bendigo mines-jack hattam collection -
Bendigo Historical Society Inc.
Document - NEW CHUM LINE OF REEF - PLAN OF MINES ALONG PART OF THE NEW CHUM LINE OF REEF
... Victoria Reef Gold Mines... are only a number. Victoria Reef Gold Mines are mentioned... Victoria Reef Gold Mines Sketch of some mines along the New Chum ...Sketch of some mines along the New Chum Line Of Reef. Sheet No (178) Caleb Thomas 1879 Jan 29th. Mines mentioned are: Prince Alfred, Victoria Consols, G Lansell's No 83. Some mines are only a number. Victoria Reef Gold Mines are mentioned. Distances in feet or yards between them.document, gold, new chum line of reef, new chum line of reef, plan of mines along part of the new chum line of reef, caleb thomas, prince alfred mine, victoria consols, g lansell's no 83, ironbark, victoria reef gold mines -
Bendigo Historical Society Inc.
Document - MINING REPORTS - LIST OF GOLD MINES OR MINING COMPANIES
... Victoria Reef Gold M Co... Amalgamated, Extended Gold M Co (Majorca), Extended Co Victoria Reef... amated Extended Gold M Co (Majorca) Extended Co Victoria Reef ...Handwritten list of Gold Mines or Mining Companies. Listed are: Australian United Quartz Co Sandhurst, Advance Co, Big Hill Tribute Co, Birds Reef Railway Reserve Mine Co, British Banner Gold M Co, Brookfield Gold M Co, Carlisle North Garden Gully, Caroline Gold M Co, Central Garden Gully, Charles Gavin Duff Gold M Co, Charleston Quartz, Cinderella Co, Collman Tacchi & Nelson, Confidnece Gold M Co, Cornish United Gold M Co, Derby Gold Mine Co, Dixon's Tribute Co, Ellesmere black Lead Tribute Co 1871, Empire Amalgamated, Extended Gold M Co (Majorca), Extended Co Victoria Reef, First Chance Tribute, Fortuna, Golden Fleece & Heales United, Garden Gully United, Garden Gully, Golden Fleece, Golden Point, Golden Lion Tribute Garden Gully Reef, Great Golden Fleece Co, Great Wonder Co, Gilmons Golden Palm Trib Co, Golden Garden Gully Co 1873, Golden Sovereign Extended Trib Co 1872, Great Extended Garden Gully Co 1874, Great Extended South Hustlers Co 1872, Great Republic Corp, Ironbark Co, Kangaroo Flat Steam Puddling & Qaurtz M Co, Riverpool Gold M Co, Iron Duke Co 1871, Henry Van Der Hugen Pioneer G M Co, Kent M Co, Kentish Co, Mariners Reef Co, Mary Hill Trib Co, Morning Star Gold Mine Co, Mount Korong Lane's Reef M Co, New Chum & Victoria Trib Co, New Hopeful Gold M C, New Homeward Bound, New Lord Warden Trib Co, North Lord Warden Trib Co, North Nelson, North Golden Pyke Co, North Old Chum, North Shamrock, North Birds Reef Co, North Birds Tribute Co, New Chum Freehold, New Era, No 3 Wilson's G M C, Odin Reef Co, Oriental Perserverance G M C, Paddy's Reef Trib Co, Palm Gold M Co, Palm Tribute Co, Pearl Tribute Co, Pegleg Gully Quartz G M C, Pegleg Quartz M C, Princess Dagmar G M C, Prince of Wales Amalgamated (Tarnagulla), Pyrances Gold M C, Passby United G M C, Quartz Hill Quartz M C, Pevieres Victory Trib Co, Royal Oak Quartz, Royal Standard Trib Co, Royal George Quartz G M C, Royal Golden Fleece, Sable Chief G M C, Sainia Reef Quartz M Co, South Fraser Reef G M C, Southern New Chum Gold M C, Shanandoor Tribute, Sebastian Gold M Co, Sophia & Redan G M Co, Youth Bell Vue Co, Shannon Company, South Extended Wallaby Co, South Ramrod Co, South Royal Hustlers Co, South Wallaby Trib Co, United Hustlers, United Hustlers & Redan Co, United Bros Tribute Co (Myrtle Creek), United Gold Mine Co, Victoria Reef Gold M Co, Victorian Consolidated M Co, Victoria Reef Quartz, Virginia Gold M Co, Victory and Pandora, Young Chum, South Homeward Bound Co, South Shilling Co, South Nuggetty Co, South Devonshire Co,South Keep it Dark, Try Again Tribute Co Victoria Hill.document, gold, mining reports, mining reports, list of gold mines or mining companies, australian united quartz co sandhurst, advance co, big hill tribute co, birds reef railway reserve mine co, british banner gold m co, brookfield gold m co, carlisle north garden gully, caroline gold m co, central garden gully, charles gavin duff gold m co, charleston quartz, cinderella co, collman tacchi & nelson, confidnece gold m co, cornish united gold m co, derby gold mine co, dixon's tribute co, ellesmere black lead tribute co1871, empire amated, extended gold m co (majorca), extended co victoria reef, first chance tribute, fortuna, golden fleece & heales united, garden gully united, garden gully, golden fleece, golden point, golden lion tribute garden gully reef, great golden fleece co, great wonder co, gilmons golden palm trib co, golden garden gully co 1873, golden sovereign extended trib co 1872, great extended garden gully co 1874, great extended garden gully co 1874, great extended south hustlers co 1872, great republic corp, ironbark co, kangaroo flat steam puddling & qaurtz m co, riverpool gold m co, iron duke co 1871, henry van der hugen pioneer g m co, kent m co, kentish co, mariners reef co, mary hill trib co, morning star gold mine co, mount korong lane's reef m co, new chum & victoria trib co, new hopeful gold m c, new homeward bound, new lord warden trib co, north lord warden trib co, north nelson, north golden pyke co, north old chum, north shamrock, north birds reef co, north birds tribute co, new chum freehold, new era, no 3 wilson's g m c, odin reef co, oriental perserverance g m c, paddy's reef trib co, palm gold m co, palm tribute co, pearl tribute co, pegleg gully quartz g m c, pegleg quartz m c, princess dagmar g m c, prince of wales amalgamated (tarnagulla), pyrances gold m c, passby united g m c, quartz hill quartz m c, pevieres victory trib co, royal oak quartz, royal standard trib co, royal george quartz g m c, royal golden fleece, sable chief g m c, sainia reef quartz m co, south fraser reef g m c, southern new chum gold m c, shanandoor tribute, sebastian gold m co, sophia & redan g m co, youth bell vue co, shannon company, south extended wallaby co, south ramrod co, south royal hustlers co, south wallaby trib co, united hustlers, united hustlers & redan co, united bros tribute co (myrtle creek), united gold mine co, victoria reef gold m co, victorian consolidated m co, victoria reef quartz, virginia gold m co, victory and pandora, young chum, south homeward bound co, south shilling co, south nuggetty co, south devonshire co, south keep it dark, try again tribute co victoria hill. -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - THE RICH VICTORIA HILL AND IT'S HISTORICAL ASSOCIATIONS
... Victoria Reef Gold Mining Coy... George Lansell British & American Hotel Victoria Reef Gold Mining ...Multiple handwritten and carbon copies refering to Victoria Hill. Mentioned in the notes are places of interest between Ironbark and Victoria Hill areas, history of the area and sign posts for the Victoria Hill area.document, gold, victoria hill, victoria hill, the rich victoria hill and it's historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, greek orthodox church, conrad heinz, john brown industries knitwear factory, little 180 mine, george lansell, british & american hotel, victoria reef gold mining coy, manchester arms hotel, housing commission homes, the ironbark (victoria reef gold), hercules & energetic, midway, wittscheibe, gt central victoria, wm rae, mr and mrs conroy, mrs lavery, central nell gwynne, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, new chum and victoria mine, p m g repeater station, old chum mine, pioneer, rotary club of bendigo south, north old chum mine, ballerstedt's first open cut, lansell's big 180 mine -
Bendigo Historical Society Inc.
Document - VICTORIA QUARTZ - VICTORIA REEF QUARTZ MINE MANAGER'S REPORT
... Victoria Reef Gold Mines... DOCUMENT Gold victoria quartz Victoria Quartz Victoria Reef Quartz ...Two copies of the Victoria Reef Quartz Mine Managers report. The report mentions putting up the poppet heads, drainage assessment, water level and two men offered 50/- per week. Dates 14/6/1861, 22/6/1861, 18/10/1861 and 13/12/1861.document, gold, victoria quartz, victoria quartz, victoria reef quartz mine manager's report, victoria reef gold mines, gerraws, mr cook, mr sterry, mr mollison, endeavour coy, the victoria reef gold mines coy, ironbark co, endeavour, chenoweth, mr hoskins -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - THE RICH VICTORIA HILL AND ITS HISTORICAL ASSOCIATIONS
... Victoria Reef Gold Mining Company... Reef Gold Mining Company Manchester Arms Hotel Victoria Hill ...Ten typed pages of notes and photocopied photos. Notes include Introduction which describes the journey between Bendigo and Eaglehawk. Notes also mention the Sign-posts at the Victoria Hill with their explanation. Dated 30/8/1971. The four photocopied photos are: (1) Victoria Hill - From Rae's Open Cut with the Central Nell Gwynne Popper Legs and the Victoria Hill Victoria Quartz Mullock in the background. (2) Looking North from Old Chum Hill to the Victoria Hill. (3) Victoria Quartz on Victoria Hill, Ironbark. (4) Rae's 35 Hd. Crushing Battery. Victoria Hill in background, Wm. Rae's early home top right.document, gold, victoria hill, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180 mine, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, victoria hill from rae's open cut, ironbark (victoria reef gold mines), hercules and energetic, midway, wittscheibe, great central victoria, william rae, william rae junior, mr and mrs conroy, central nell gwynne, moorhead's shop, gill family, gold mines hotel, looking north from old chum hill to the victoria hill, new chum and victoria, old chum, pioneer, burrowes & sterry, rotary club of bendigo south, big 180, north old chum mine, ballerstedt's forst open cut, lansells big 180, george lansell, new chum syncline, lansell's 'cleopatra needle' type chimney, 222 mine, sandhurst or 'needle mine', victoria quartz mine, victoria reef quartz company, victoria quartz company, a roberts & sons, e j dunn, h harkness & sons, new chum drainage scheme, eureka extended, new chum railway, pearl, bendigo advertiser june 16 1910, rae's open cut, quartz roasting, anticlinal arch, prospecting tunnels, floyd's small 5 head crushing battery, great central victoria (midway), midway no2, midway north, ballerstedt's small 24 yard claim, the humboldt, wittscheibe, adventure, advance, luffsman & sterry, rae's 35 head crushing battery, a richardson, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949, australian mining standard special edition 1/6/1899, bendigo mines ltd, mines dept, bendigo advertiser, annals of bendigo, dickers mining record 23/11/1861, bendigo goldfields registry 1871, bendigo and vicinity 1895, mr rae anderson, w n macartney 1st edition 1871 -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - THE RICH VICTORIA HILL AND IT'S HISTORICAL ASSOCIATION
... Victoria Reef Gold Mining Coy... & American Hotel Victoria Reef Gold Mining Coy Manchester Arms Hotel ...Two copies of document : ineteen handwritten pages of notes on 'The Rich Victoria Hill and Its Historical Association' Signed by A Richardson and dated 30 - 8 - 1971. and a typed copy of same. Notes include: Introduction, Hotels, Mines, Mining History and descriptions of features where the signposts are. Mines mentioned in the text are: North Old Chum. Ballerstedt's first open cut, Lansell's Big 180. 20 head stamper, Lansell's Cleopatra Needle, Victoria Quartz Mine. Cleopatra's Needle was a square sectioned brick chimney with this four sided pyramidal chimney top with four vents to allow the smoke to escape whatever the direction of the wind. It was demolished in the 1950's as it had a bend in it and it was considered unsafe. Lansell had two other mines with similar chimneys, the '222' in Chum Street and his 'Sandhurst' or 'Needle' mine near the Bendigo, Eaglehawk boundary.lmine, gold, victoria hill, victoria hill, the rich victoria hill and it's historical association, j. n. macartney, quartz miner's arms hotel, ironbark methodist church, greek orthodox church, john brown knitwear factory, little 180 mine, geo lansell, conrad heinz, british & american hotel, victoria reef gold mining coy, manchester arms hotel, housing commission homes, ironbark (victoria reef gold mines, hercules and energetic, midway, wittscheibe, gt central victoria, wm rae, mr & mrs conroy, wm rae jr, central nell gwynne, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, pioneer, new chum and victoria, burrowes and sterry, new chum and victoria tribute, rotary club of bendigo south, big 180, victoria quartz mines, jeweller's shop, bendigo and district tourist association, north old chum mine, john wybrandt, ballerstedt's first open-cut, j c t christopher ballerstedt, ballerstedt's mine, bendigo cemetry, lansell's 'cleopatra nedle' type chimney, 222 mine, sandhurst or 'needle' mine, victoria quartz mine, victoria reef quartz company, mr e j dunn, eureka ext'd, new chum railway, pearl, bendigo advertiser 16 june 1910, victoria consols, shamrock, shenandoah, victoria quartz dams, rae's open cut, prospecting tunnels, floyd's small 5 head crushing battery, gt central victoria (midway) shaft, midway no 2, midway north, ballerstedt's small 24 yard claim, the humboldt, the tribute coy, advance, luffsman and sterry's claim, a round shaft, chinese joss house, lansell's fortuna, p m g repeater station, a richardson -
Bendigo Historical Society Inc.
Document - NEW CHUM LINE OF REEF - NOTES ON SHAFT DETAILS ON THE NEW CHUM LINE OF REEF
... Victoria Reef Gold (Ironbark)...), Victoria Reef Gold (Ironbark), Victoria Consols, Adventure... Lazarus New Chum Main Lazarus New Chum (Old) Victoria Reef Gold ...Ten pages and one smaller page of notes showing depth of shaft, sill, size of shaft, relation to line of reef, depth bottom plat, depth to bottom of well, number of compartments, reference and remarks. Mines mentioned are: Young Chum, Old Chum (Old South), Shamrock, Shenandoah, New Chum Railway, Eureka Ext'd, South Belle Vue United, Lansell's 222, Denis Shaft, New Chum United, Ellesmere (North Shaft), New Chum Consolidated, Ellesmere No 1 or (South Shaft) also known as New Chum Coy, Garibaldi, Craven's, Lansell's Bit 180, North Old Chum, New Chum & Victoria, Old Chum, Lazarus New Chum Main, Lazarus New Chum (Old), Victoria Reef Gold (Ironbark), Victoria Consols, Adventure & Advance, Gt Central Victoria, Ballerstedt, Humbold, Victoria (Reef) Quartz, Pearl (later Hercules New Chum), Hercules Extended (Pearl (South) later, North Hercules, Hercules and Energetic, Hercules (Old),South Devonshire, Duchess Tribute, New St Mungo, Duke of Edinburgh, New Victoria Catherine (later Hercules Consols), Dixon's Tribute, Great Victoria Extended, Hopewell, Saxon & Celt Extended, St Mungo, Princess Alexander,West United Devonshire, United Devonshire, Duchess of Edinburgh, Sadowa, (Old) St Mungo, Lady Barkly, Princess Alice (South St Mungo) previously Gov. Barkly, Unicorn (Trib), Phoenix, Williams (New), Acadia Catherine, William United (Old Shaft), Snob's Hill Shaft, York & Durham, Belmont & Saxby, Ellenborough, Catherine Reef Extended, New Franklin, Murchison, Catherine Reef United Main Shaft, Catherine Reef United South Shaft. Small page has notes on the York and Durham: Reference - Matthew Mann - Mine Manager's Report 3/7/1893. This paragraph: Quote - 'Also measured main shaft from surface 1,430 and found it to be 1,416 feet and from Brace - 1,428 feet. Poppet legs 12 feet. Reference - Matthew Mann - Mine Manager's Report 15/7/1893 'Received cheque from La Belle Co. for 2 pound 13 shillings - which I payed into credit of Company'. Note: Report shows this to happen on several occasions. Note initialled AR.document, gold, new chum line of reef, new chum line of reef, notes on shaft details on the new chum line of reef, young chum, old chum (old south), shamrock, shenandoah, new chum railway, eureka ext'd, south belle vue united, lansell's 222, denis shaft, new chum united, ellesmere (north shaft), new chum consolidated, ellesmere no 1 or (south shaft) also known as new chum coy, garibaldi, craven's, lansell's bit 180, north old chum, new chum & victoria, old chum, lazarus new chum main, lazarus new chum (old), victoria reef gold (ironbark), victoria consols, adventure & advance, gt central victoria, ballerstedt, humbold, victoria (reef) quartz, pearl (later hercules new chum), hercules extended (pearl (south) later, north hercules, hercules and energetic, hercules (old), south devonshire, duchess tribute, new st mungo, duke of edinburgh, new victoria catherine (later hercules consols), dixon's tribute, great victoria extended, hopewell, saxon & celt extended, st mungo, princess alexander, west united devonshire, united devonshire, duchess of edinburgh, sadowa, (old) st mungo, lady barkly, princess alice (south st mungo) previously gov. barkly, unicorn (trib), phoenix, williams (new), acadia catherine, william united (old shaft), snob's hill shaft, york & durham, belmont & saxby, ellenborough, catherine reef extended, new franklin, murchison, catherine reef united main shaft, catherine reef united south shaft -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - THE RICH VICTORIA HILL AND ITS HISTORICAL ASSOCIATIONS
... Victoria Reef Gold Mining Company... Victoria Reef Gold Mining Company Manchester Arms Hotel Housing ...Copy and a photocopy of notes titled 'The rich Victoria Hill and its Historical Associations. The photocopy does not have copies of the photos. Notes include Introduction, directions for getting to Victoria Hill, North Old Chum Mine 2310 ft deep, Ballerstedt's First Open Cut, Geographical Features, Lansell's Big 180, Crushing Battery, Lansell's Cleopatra Needle type chimney, Victoria Quartz Mine 4613 ft deep, Victoria Reef Quartz Company, Victoria Quartz Company, Victoria Quartz Dams, Rae's Open Cut, Quartz Roasting, Floyd's small 5 Head Crushing Battery, Great Central Victoria (Midway) Shaft, Ballerstedt's Small 24 yard Claim, The Humboldt, The Adventure, The Advance and Luffsman and Sterry's Claim. Copies of photos include: Victoria Hill from Rae's Open Cut, Looking North from Old Chum Hill to the Victoria Hill, the Victoria Quartz Mine and Wm. Rae's Crushing Works.document, gold, victoria hill, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180, george lansell, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, housing commission homes, the ironbark, hercules and energetic, midway, wittscheibe, great central victoria, wm rae, mr & mrs conroy, moorhead's shop, central nell gwynne, gold mines hotel, david chaplin sterry, new chum & victoria, old chum, burrowes & sterry, rotary club of bendigo south, big 180, north old chum mine, ballerstedt's first open-cut, lansell's bit 180 shaft, victoria quartz mine, victoria reef quartz company, a roberts & sons, mr e j dunn, h harkness & sons, new chum drainage scheme, eureka extended, new chum railway, the pearl, inrush of water, shamrock, shenandoah, victoria quartz dams, rae's open cut, floyd's small 5 head crushing battery, great central victoria (midway) shaft, midway no 2, midway north, the humboldt, the adventure, the advance, luffsman & sterry's claim, chinese joss house, fortuna, p m g repeater station, bendigo and vicinity 1895, j n macartney 1st edition 1871, mr rae anderson, 'gill family, annals of bendigo obituary notices 1904, mining records and australian mining standard special edition 1/6/1899, bendigo advertiser 22/6/1871, b m l records mines department, patterson's goldfields of victoria, dickers mining record 23/11/1861, annals of bendigo, bendigo advertiser 24/7/1933, 27/8/1908, 30/6/1910, 16/6/1910, 17/6/1910, mining reports for 1910, australian mining standard special edition 1/6/1899 p40, bendigo mines ltd, mines department records, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949, wm rae's crushing works -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - THE RICH VICTORIA HILL AND ITS HISTORICAL ASSOCIATIONS
... Victoria Reef Gold Mining Company... DOCUMENT Gold victoria hill Victoria Hill The Rich Victoria Hill ...Two typed copies of notes titled 'The Rich Victoria Hill and its Historical Associations'. Notes include notes on travel to Victoria Hill, picture from Rae's Open Cut, sign post for items of interest at Victoria Hill, picture Looking North from Old Chum Hill to the Victoria Hill, picture of the Victoria Quartz Mine and Rae's 35 Hd. Crushing Battery.document, gold, victoria hill, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180 mine, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, housing commission homes, bendigo and vicinity 1895, bendigo advertiser, victoria hill from rae's open cut, nell gwynne poppet legs, robert wallace studios, ironbark 9victoria reef gold mines) hercules and energetic, midway, wittscheibe, great central victoria, william rae's home, mr and mrs conroy, william rae junior, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, john brown knitwear factory, mr rae anderson, annals of bendigo, new chum and victoria, old chum, pioneer, burrowes and sterry's, new chum and victoria tribute, rotary club of bendigo south, big 180, victoria quartz mines, north old chum mine, ballerstedt's first open-cut, j n macartney bendigo goldfields registry 1871, b m l records mines department, john wybrandt, j c t christopher ballerstedt, theodore ballerstedt, from old chum to the victoria hill, george lansell, lansell's 'cleopatra needle' type chimney, 222 mine, sandhurst mine, a roberts & sons, australian mining standard special edition 1/6/1899, dickers mining record 23/11/1861, mr e j dunn, h harkness & sons, new chum drainage scheme, eureka extd, new chum railway, pearl, shamrock, shenandoah, new chum railway, floyd's small 5 head crushing battery, midway no 2, midway north, ballerstedt's small 24 yard claim, the humboldt, the adventure, luffsman and sterry's claim, chinese joss house, lansell's fortuna, p m g repeater station, a richardson, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949 -
Bendigo Historical Society Inc.
Document - NEW CHUM LINE OF REEF - REFERENCE TO CALEB THOMAS PLANS
... Victoria Reef Gold... & Energetic Herc (Old) Shenandoah Victoria Reef Gold Victoria Consols ...Five pages of reference numbers used on Caleb Thomas plans. Has the mine's name, size of shaft and on other pages, the height of the sill. One mine on the Sheepshead Line, the New St Mungo is mentioned. Many mines along the reef are mentioned.document, gold, mines, new chum line of reef, reference to caleb thomas plans, catherine reef extd., new franklin, murchison, catherine reef united, catherine reef (south), williams (new), acadia catherine, william's united, york & durham, belmont & saxby, ellenborough, sadowa, (old) st mungo, lady barkly, princess alice (sth st mungo), unicorn trib, pheonix, hopewell, united devonshire (princess alex), west united devonshire, east united devonshire, duchess of edinburgh, south devonshire, duchess tribute, new st mungo, new st mungo, new vict catherine, gt extd vict, herc new chum (late pearl), pearl south, north herc & energetic, herc & energetic, ironbark, vict consols, south new chum, lansell's 616, south belle vue, eureka extd, new chum rly, south old chum, new chum consolidated, ellesmere (south shaft), garibaldi, cravens, young chum, ellesmere nth shaft, new chum united, new chum vic, old chum, lazarus, cent new chum, lansell's 222, north old chum, lansell's big 180, advents advance, gt cent vict, hamboldt, ballerstedt, victoria quartz, herc & energetic, herc (old), shenandoah, victoria reef gold, victoria consols -
Bendigo Historical Society Inc.
Document - ALBERT RICHARDSON COLLECTION: VICTORIA HILL
... ) Wittschiebe & Co's Claim Victoria Hill, Victoria Reef Gold Mining... about Victoria Hill, Victoria Spurs, East Victoria Reef, Try Me ...Sixteen page document with details about Victoria Hill, Victoria Spurs, East Victoria Reef, Try Me Well Reef and Hercules Reef. (ref: Dicker's Mining Record 23rd November, 1861) Wittschiebe & Co's Claim Victoria Hill, Victoria Reef Gold Mining Company And Victgoria Quartz are mentioned.bendigo, mining, victoria hill -
Bendigo Historical Society Inc.
Document - THE RICH VICTORIA HILL AND ITS HISTORICAL ASSOCIATIONS, c1969
... and American Hotel, Manchester Arms Hotel, Victoria Reef Gold Mining... and American Hotel, Manchester Arms Hotel, Victoria Reef Gold Mining ...Document. 2 copies plus 4 loose sheets. 14 page typed document on the buildings and mines of Victoria Hill in the Gold Era. (10 pages document and 4 pages pictures). Document mentions 'Quartz Miners Arms' Hotel, Conrad Heinz - Bendigo Mayor 1894 and owned a butcher shop in Victoria Hill, British and American Hotel, Manchester Arms Hotel, Victoria Reef Gold Mining Company, Ironbark Mining Company, Hercules and Energetic Mining Company, William Rae, Gold Mines Hotel, David Chaplin Sterry, North Old Chum Mine, Ballerstedt's First Open-cut (J. C. T. Christopher Ballerstedt and Theodore Ballerstedt), Lansell's Big 180 Shaft (George Lansell), Victoria Quartz Mine, Mr E. J. Dunn (Chief Government Geologist). Pictures are- Victoria Hill from Rae's Open Cut, Looking North from Old Chum Hill to the Victoria Hill, Victoria Quartz on Victoria Hill, W. M. Rae's Crushing Works.cottage, miners, the rich victoria hill and its historical associations -
Bendigo Historical Society Inc.
Photograph - FOREST CREEK GOLD MINES CRUSHING BATTERY AT CHEWTON, c.1890
... Black and white photograph. Forest Creek (Victoria) gold... Advertiser Black and white photograph. Forest Creek (Victoria) gold ...Black and white photograph. Forest Creek (Victoria) gold reefs crushing works. The Garfield overshot waterwheel which drove the battery at Chewton. Inscriptions on back: 'MNG 31''Garfield Mine, Chewton, J Ebbett, Manager' ( in top LHC), 'Royal Historical Society of Victoria, Bendigo Branch' (in circular rubber stamp). History of object: Previous ACC. No. 'MNG 31', Ralph Birrell 5.11.1999 'Garfield Waterwheel and Crushing Mill, Chewton:' Gardield overshot waterwheel which drove the Forest Creek Gold Mines crushing battery at Chewton. The foundations of this wheel can still be seen today.Bendigo Advertiserbuildings, commercial, garfield waterwheel at chewton -
The Beechworth Burke Museum
Geological specimen - Smoky quartz crystals, unknown
Quartz is an extremely common mineral to find across the world. Quartz can have two forms; Microcrystalline quartz or Crystalline quartz. Microcrystalline quartz is a fine grain quartz where crystalline quartz is often a large crystal. This specimen is a crystalline quartz. Made of silicon oxide, this specimen is called smokey quartz crystals because of its brownish colour. However, the colour of quartz can vary. In addition, quartz are formed in deep-seated igneous rocks and crystallized through hot aqueous solutions. This type of crystal can be found all over Australia, including Beechworth in Victoria. Other places quartz can be found is the Ashburton River area in Western Australia, Marlborough in Queensland, the Lune River area in Tasmania and Kingsgate in New South Wales. This specimen is significant because it is common to find this kind of mineral. While the location of where this specimen was originally from is unknown, it highlights the many places in Australia where quartz is found. It demonstrates that quartz makes up a large portion of Australia's geology. In addition, quartz itself can vary in its colour and shape. This specimen represents one of these variations. That being smoky quartz crystals. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A large hand-sized quartz mineral with shades of brown and gray throughout.Smoky quartz / crystals /locality/ unknown / (needs a wash) /BBgeological specimen, geology, geology collection, burke museum, beechworth, microcrystalline, quartz, quartz mining, quartz reefs beechworth, smokey quartz crystals, crystals, crystalline, silicon oxide, brown, colour, igneous rocks, magma, ashburton river, western australia, marlborough, queensland, lune river, tasmania, kingsgate, new south wales, nsw -
The Beechworth Burke Museum
Photograph, Unknown
The A1 Gold Mine is located north of Woods Point, near Jamieson, in the Upper Goulburn region of Victoria. Gold was discovered at the A1 site in 1861 and mining operations began in 1864. The A1 Mine Settlement refers to a small township known variously as Castle Reef, Castle Point, and Raspberry Creek, which developed in the 1860s around mining industry centred on a crushing machine that worked the three gold reefs in the area. Historically, the name "A1"referred to the high quality of gold found in the quartz reefs at depths of at least two thousand feet. Along with the Morning Star mine at Woods Point, the A1 gold mine produced almost sixty percent of Victoria's gold output in the 1950s to 1970s and continued operating until 1992 when it went into administration. Operations at the site were revived in 2016 and the A1 Mine is now considered one of Victoria's premier gold mines. The A1 mine is part of the extensive and prospective Lachlan Fold Belt, a north-west trending belt of tightly folded Early Devonian sedimentary rocks extending from New South Wales to Victoria. Mineralisation is hosted within or immediately adjacent to diorite dykes. Contemporary development of the 'Queens Lode' at the A1 mine signals a move from high-grade, narrow vein airleg mining into larger scale, mechanical mining designed to increase ore production volume. This original, undated photograph of the A1 Mine appears to depict an area or phase of disuse or abandonment. The aged and humble appearance of the cottage suggests association with the historical A1 Mine Settlement, therefore the image may have been taken prior to the 1950s-1970s revival period in which the A1 mine is known to have produced high gold yields. The photograph contributes to our understanding of the A1 Gold Mine's impact on the landscape and the social, environmental impacts of mining on communities and may be compared with others in the Burke Museum's extensive collection of mining photographs to deepen our understanding of mining in the Jamieson area.Black and white rectangular photograph printed on photographic paperReverse: 5577 / A1 Mine / Near Jamieson / Vic. /burke museum, beechworth museum, beechworth, gold fields, gold rush, victorian gold rush, mining tunnels, gold ming history, colonial australia, australian gold rushes, mining technology, beechworth historic district, indigo gold trail, indigo shire, upper goulburn shire, jamieson, woods point-walhalla goldfield, a1 gold mine, victorian high country, modern mining methods, orogenic gold province, gold mineralisation, devonian, dykes -
The Beechworth Burke Museum
Photograph
This photograph depicts a reef mine in Beechworth. Reef mining, or quartz reef mining, was common in 19th Century Victoria. This gold mining technique requires mine shafts to be sunk into underground quartz reefs, with horizontal tunnels dug from the original shaft at differing levels to find the gold-bearing rock. The quartz would then be hoisted to the surface, which would then be pounded to access the gold in its metallic state. Gold was discovered in Beechworth in February 1852, at Spring Creek. Within 11 months of that discovery, over 8000 hopeful prospectors quickly descended on this region, transforming it into a thriving, wealthy township. Reef mining and hydraulic sluicing were gold mining techniques used in this region in the 19th and early 20th centuries. This photograph interestingly contains dogs alongside the miners. While dogs have been recorded as deterrents to thieves in the Victorian goldfields, these dogs appear as companions to these men.The search for gold is ingrained into the history of Victoria and therefore, images like this one can reveal important information for society and technology for the date when the photograph was taken. It also shows a location where reef mining was undertaken which provides insight into the impact on the environment at a time when it was done. Although quartz is one of the most common minerals found in the earth's crust, it does not always contain gold. Those reefs that do are rare and highly sought after by prospectors. The Beechworth Burke Museum has additional images relating to gold mining which can be analysed and studied alongside images like this one.Sepia coloured rectangular photograph printed on gloss photographic paper. Obverse: Reverse: United Shire of Beechworth/ Shire Secretary/ Reef Mining, Beechworth./ 6167.abeechworth, burke museum, gold, gold mining, gold rush, victorian gold rush, reef mining, quartz, companion dog, horse and cart -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction
This reproduced photograph depicts a reef mine in Beechworth. Reef mining, or quartz reef mining, was common in 19th Century Victoria. This gold mining technique requires mine shafts to be sunk into underground quartz reefs, with horizontal tunnels dug from the original shaft at differing levels to find the gold-bearing rock. The quartz would then be hoisted to the surface, which would then be pounded to access the gold in its metallic state. Gold was discovered in Beechworth in February 1852, at Spring Creek. 8000 hopeful prospectors quickly descended on this region within the year, transforming it into a thriving, wealthy township. Reef mining and hydraulic sluicing were gold mining techniques used in this region in the 19th and early 20th centuries. This reproduction photograph interestingly contains dogs alongside the miners. While dogs have been recorded as deterrents to thieves in the Victorian goldfields, these dogs appear as companions to these men.The search for gold is ingrained into the history of Victoria and therefore, images like this one can reveal important information for society and technology for the date when the photograph was taken. It also shows a location where reef mining was undertaken which provides insight into the impact on the environment at a time when it was done. The Beechworth Burke Museum has additional images relating to gold mining which can be analysed and studied alongside images like this one.Black and white rectangular reproduction photograph on gloss photographic paper. Obverse: Reverse: L is miners 26%/ 10 x 8/ 6167.bbeechworth, burke museum, gold, gold mining, gold rush, victorian gold rush, reef mining, quartz, companion dog, horse and cart -
The Beechworth Burke Museum
Postcard, 1914-1916
This postcard shows a group of men standing outside of the Everton mine alongside a mining trolley sitting on tracks. The search for gold is ingrained into the history of Victoria and therefore, images like this one can reveal important information for society and technology for the date when the photograph was taken. It also shows a location where reef mining was undertaken which provides insight into the impact on the environment at a time when it was done.A sepia toned rectangular postcard printed on photographic paperpost card/correspondence address only/ Kodak Australia/1914everton mine, mining, goldrush, postcard, burke museum, black and white, photograph, mining trolley -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah I, 1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth III, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Courthouse - Beechworth, 1974
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program