Showing 95 items matching " women in film "
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Women's Art RegisterArchive (Collection) - Celebrating Women Event Archive
... ... Women in Film & TV Victoria...1994 National Gallery of Victoria Indigenous Balgo Performance Exhibition Conference Workshops VNS Matrix Faye Maxwell Moira Corby Micky Allan Sara Thorn Rosslynd Piggot Robin Archer Jill Orr Jude Walton Linda Sproul Margaret Trail Anne Marsh Merlyn Quaiffe Denise Papaluca Catriona Moore Paula Dawson Susan Best Gay Hawkes Mary Fetherston Jennifer Phipps Wendy Harmer Ellis Rowan Margaret Preston Grae Cossington Smith Sybil Craig Jenny Christmann Inge King Kitty Kantilla Susan Cohn Carol Jerrems Bea Maddock Rosalie Gascoigne Marele Day Ding Xiaoqi Andrea Goldsmith Helen Daniel Kerry Greenwood Marilyn Lake Ghita Meta Sara Peretsky Deidre Bair Blanche D'Alpuget Manungka Manungra Women's Association Artmoves Film Victoria Modern Image Makers Association Women in Film & TV Victoria Women's Art Network Australian Film Commission ABC Archive Celebrating Women Event Archive ...national gallery of victoria, indigenous, balgo, performance, exhibition, conference, workshops, vns matrix, faye maxwell, moira corby, micky allan, sara thorn, rosslynd piggot, robin archer, jill orr, jude walton, linda sproul, margaret trail, anne marsh, merlyn quaiffe, denise papaluca, catriona moore, paula dawson, susan best, gay hawkes, mary fetherston, jennifer phipps, wendy harmer, ellis rowan, margaret preston, grae cossington smith, sybil craig, jenny christmann, inge king, kitty kantilla, susan cohn, carol jerrems, bea maddock, rosalie gascoigne, marele day, ding xiaoqi, andrea goldsmith, helen daniel, kerry greenwood, marilyn lake, ghita meta, sara peretsky, deidre bair, blanche d'alpuget, manungka manungra women's association, artmoves, film victoria, modern image makers association, women in film & tv victoria, women's art network, australian film commission, abcnational gallery of victoria, indigenous, balgo, performance, exhibition, conference, workshops, vns matrix, faye maxwell, moira corby, micky allan, sara thorn, rosslynd piggot, robin archer, jill orr, jude walton, linda sproul, margaret trail, anne marsh, merlyn quaiffe, denise papaluca, catriona moore, paula dawson, susan best, gay hawkes, mary fetherston, jennifer phipps, wendy harmer, ellis rowan, margaret preston, grae cossington smith, sybil craig, jenny christmann, inge king, kitty kantilla, susan cohn, carol jerrems, bea maddock, rosalie gascoigne, marele day, ding xiaoqi, andrea goldsmith, helen daniel, kerry greenwood, marilyn lake, ghita meta, sara peretsky, deidre bair, blanche d'alpuget, manungka manungra women's association, artmoves, film victoria, modern image makers association, women in film & tv victoria, women's art network, australian film commission, abc -
Women's Art RegisterArchive (Series) - Celebrating Women. Subject File 1
... ... Women in Film & TV Victoria...National Gallery of Victoria Indigenous Balgo Performance Exhibition Conference Workshops VNS Matrix Faye Maxwell Moira Corby Micky Allan Sara Thorn Rosslynd Piggot Robin Archer Jill Orr Jude Walton Linda Sproul Margaret Trail Anne Marsh Merlyn Quaiffe Denise Papaluca Catriona Moore Paula Dawson Susan Best Gay Hawkes Mary Fetherston Jennifer Phipps Wendy Harmer Ellis Rowan Margaret Preston Grae Cossington Smith Sybil Craig Jenny Christmann Inge King Kitty Kantilla Susan Cohn Carol Jerrems Bea Maddock Rosalie Gascoigne Marele Day Ding Xiaoqi Andrea Goldsmith Helen Daniel Kerry Greenwood Marilyn Lake Ghita Meta Sara Peretsky Deidre Bair Blanche D'Alpuget Manungka Manungra Women's Association Artmoves Film Victoria Modern Image Makers Association Women in Film & TV Victoria Women's Art Network Australian Film Commission ABC Foolscap white archival 4 flap folder or document wallet Archive Celebrating Women. ...national gallery of victoria, indigenous, balgo, performance, exhibition, conference, workshops, vns matrix, faye maxwell, moira corby, micky allan, sara thorn, rosslynd piggot, robin archer, jill orr, jude walton, linda sproul, margaret trail, anne marsh, merlyn quaiffe, denise papaluca, catriona moore, paula dawson, susan best, gay hawkes, mary fetherston, jennifer phipps, wendy harmer, ellis rowan, margaret preston, grae cossington smith, sybil craig, jenny christmann, inge king, kitty kantilla, susan cohn, carol jerrems, bea maddock, rosalie gascoigne, marele day, ding xiaoqi, andrea goldsmith, helen daniel, kerry greenwood, marilyn lake, ghita meta, sara peretsky, deidre bair, blanche d'alpuget, manungka manungra women's association, artmoves, film victoria, modern image makers association, women in film & tv victoria, women's art network, australian film commission, abcnational gallery of victoria, indigenous, balgo, performance, exhibition, conference, workshops, vns matrix, faye maxwell, moira corby, micky allan, sara thorn, rosslynd piggot, robin archer, jill orr, jude walton, linda sproul, margaret trail, anne marsh, merlyn quaiffe, denise papaluca, catriona moore, paula dawson, susan best, gay hawkes, mary fetherston, jennifer phipps, wendy harmer, ellis rowan, margaret preston, grae cossington smith, sybil craig, jenny christmann, inge king, kitty kantilla, susan cohn, carol jerrems, bea maddock, rosalie gascoigne, marele day, ding xiaoqi, andrea goldsmith, helen daniel, kerry greenwood, marilyn lake, ghita meta, sara peretsky, deidre bair, blanche d'alpuget, manungka manungra women's association, artmoves, film victoria, modern image makers association, women in film & tv victoria, women's art network, australian film commission, abc -
Vision AustraliaFilm - Video recording, 20th Century movies from RVIB, 1940s
... Inside they swim, learn to swim, jump and dive into the pool under the watchful gaze of a group of women. This portion of the film then is repeated in segments....Inside they swim, learn to swim, jump and dive into the pool under the watchful gaze of a group of women. This portion of the film then is repeated in segments. ...Various movies made by the RVIB and transferred on to digital media. These were created for raising awareness of the RVIB and to appeal for donations from the general public. Most are assumed to be from the 1940s. 1. Brief image of children at RVIB. Various girls knitting in the grounds of St Kilda road, with a quick cutaway to two babies in prams. In the middle of the girls is a globe with a rainbow style surround that reads "The sun will never set on our Empire / Because we have the will to win!" The Australia flag and Union Jack flutter above the words and in the middle is the AIF rising sun badge. There is a brief shot of uniformed girls holding up a rug. 2. Two men stand beside a Clarke and Smith talking book player. One man guides the other to the cartridge and to open the cartridge mailing container. 3. "The work and play of the babies and children give our supporters never ending interest and enthusiasm!" A boy weaving cane on to a timber frame, a girl reads her piano music as she plays, whilst another writes in Braille. 4. "This girl is studying for her leaving Certificate to enter the University for the Degree of Bachelor of Arts!" Phyllis Lawson at a typewriter, a classroom of students and a girl reading a book. 5. "Arithmetic and algebra sums are worked out by steel pins placed in octagonal holes." Students using a Taylor's Slate. 6. "Born into a world of darkness. They depend upon for the LIGHT! Through education, training, recreation." A teacher helps a girl read a raised map, a boy finds the South American landmass on the globe, and a boy feels his way around a toy galleon. 7. "You can quite understand why the School Inspector said the manual training and work of our pupils would do credit to a normal School!" A boy adjusts the rear wheels of a wooden model biplane and spins the propeller when done. 8. "Little fingers which are frequently stiff and clumsy through lack of training are guided into confidence and self help." Various children are shown weaving canework baskets or stringing beads, and a younger child creates plasticine models. 9. "Out of the Shadows of ignorance into the Sunshine" of Happy, useful Citizenship. With your help!" Two children make a bed in a dormitory, a girl brushes her teeth and washes and dries her hands in a dormitory bathroom, children eat with napkins tucked under their chins at tables covered in cloth and with flower centrepieces in a dining room, and girls in various costumes dance in the garden. 10. "They afford an object lesson on how to tackle and vanquish misfortune!" Four children row an adult on Albert Park Lake, children play on a swing carousel next to a building on which is painted 'Blind Babies Nursery', a boy winds up a train and places in on the track, and two children play with blocks. 11. "And now we come to our blind toddlers! Our Nursery School is the only one in the Southern Hemisphere!" Children play with dolls, a playhouse and a rocker swing. 12. "Only for your support their lives might have been pitiful tragedies!" Children cuddle or play with soft toys, rocker swing and playhouse whilst a younger child sits in a chair. 13. "All that sight means stimulates our minds to express the sympathy of our heart to them." Three girls sing their dolls to sleep as they cradle and rock them. 14. Outside of St Kilda Road building from various views. 15. "Our hostels for young blind." Raleigh Street hostel. 16. "The Lighthouse is the symbol of the Institute's activities. It spreads light through education and training into the lives of all eligible blind babies, children and adults of Victoria! A peep into our factories!" View of factory building, workers making millet brooms, weaving mats and basket weaving. 17. "Although our income totals 40,000 pounds annually the hand made articles of our sightless workers have to be sold at a heavy loss to compete with machine made goods! This loss, and the 10,000 pounds given annually in compassionate allowances to the adult blind to help them to support their wives and families can only be maintained by donations from Citizens!" Various workers making a range of brooms in the factory. 18. "All our blind adults live in their own homes. They receive 36,000 pounds annually, including nearly 10,000 pounds in compassionate allowances! We can NEVER THEREFORE BE SELF SUPPORTING." The range of goods produced by RVIB (baskets, mats, brooms and brushes) is shown hanging from the swing carousel in the children's playground. "Our blind workers can support their wives and families by constant employment only if Citizens ask Storekeepers for "BLIND INSTITUTE" goods. 19. A man adjusts the dampeners on a piano. "Please engage our expert blind piano tuners and repairers. They attend to more than 1000 pianos and pianolas every year!" A man puts in a row of dampeners and then tunes the piano. 20. "Our gymnasium, social, dancing, cricket and other forms of recreation give the sightless endless pleasure!" Male on a stationary bike, using a skipping rope, weightlifting and Greco-Roman wrestling in the gym, men playing cricket, people playing cards, a tile game, dominoes, checkers and a pinball game. 21. A girl using a wireless set. "For many years now we have given and maintained FREE wireless sets to all needy applicants throughout Victoria!" Girl puts on headphones and adjusts the dials. 22. " "TALKING BOOKS" have now been invented for the education and entertainment of the sightless. Literature of all kinds is thereby read to them by means of special records." A boy puts on headphones to listening to a recording. 23. Couples dance as the RVIB Orchestra plays on stage. Plates of cakes are passed around a table amongst tired dancers. The camera pans across the four piece orchestra (piano, saxophone, drummer and double bass). 24. "To lighten their darkness is a work of mercy! Please help us to give them The courage of usefulness, The privilege of work, The happiness of comradeship". 25. Various people at a meeting, one with a dog guide at his feet and some with dark glasses. Three men stand near a Clarke & Smith cartridge player talking. Two of them appeared earlier. 26. Women working in a room. A man gives dictation to a women, who is using possibly a Stainsby-Wayne embossed shorthand typewriter, a telephone operator connects calls, a man takes notes on a Stainsby-Wayne crab writer, a room full of people working, a metal device moves between two springs and two men work with timber. 27. RVIB sign, outside front of RVIB building and a group of adults sit on benches under the giant central trees, children have running races, children cheer and one receives a ribbon for her sash that is over her school uniform, a woman writes down the results, a man uses a device, various shots of children, games such as ball tossing, winding up string race, younger children have a running race holding hands with nursing staff. 28. "Melbourne, Blind Childrens' Annual Sports". Outside of RVIB building and sign, children compete in a variety of games as adults watch on. 29. "Melbourne, Swimming Under Handicap". Children walking along a street, past a Holden, to enter the City Baths. Inside they swim, learn to swim, jump and dive into the pool under the watchful gaze of a group of women. This portion of the film then is repeated in segments.1 colour video recordings with no soundroyal victorian institute for the blind, phyllis gration, rvib nursery, rvib school, rvib orchestra, braille equipment, braille music, recreation, fundraising, education, employment, buildings, raleigh street hostel, audio books -
Federation University Historical CollectionPamphlet, University of Ballarat Australian Studies Centre, University of Ballarat Conference Pamphlet, 12/1999
... . * Anne Cunningham - Dom bernard Smith's Australian Mission * Mella Cusack - Relations between the Young Irelanders and the Catholic Clergy in Australia * John Daykin - He that is Not With Me is Against Me: The Role of the Irish in the Defeat of conscription, Ballarat 1916-1917 * Dr Frances Devlin Glass - '[T]ouches of nature that make the world kin: Furphy, Race and Anxiety' * Helen Kinloch - Bernard O'Dowd,, and dreams of a Golden age in Australia' * Associate Professor Rederic Lacey - 'Exploring Pathways Towards reconciliation Through Encountering Our Shared Histories' * Dymphna Lonergan - 'Sounds Irish' * Dr David Lucy - ' Remarks on the Decline of Irish Language' * Patrick McCormack - The Irish Factor in the Campaign for Federation in New South Wales * Siobhan McHugh - 'In Search of Soul: One Irishwoman's Journey in Australia' * Ken Mansell * Dr Val Noone - 'the Irish in collingwood 1860-1900: Family Tree Meets historical Record * Ambassador Richard Anthony O'Brien * Terrence O'neill-FitzSimons - "Francis Thomas Cusack-Russell' * Professor Bob Reece - 'The making of the Eureka Film' * Edward O'Reilly - 'John Boyle-O'Reilly: Journeys and Monuments * Dr Chris Watson - 'Around the Boree Log and the identity of Irish Australians' * Dorothy Wickham - 'Saints or Sinners?: The Influence on Ballarat's Female refuge by Irish Women.... * Anne Cunningham - Dom bernard Smith's Australian Mission * Mella Cusack - Relations between the Young Irelanders and the Catholic Clergy in Australia * John Daykin - He that is Not With Me is Against Me: The Role of the Irish in the Defeat of conscription, Ballarat 1916-1917 * Dr Frances Devlin Glass - '[T]ouches of nature that make the world kin: Furphy, Race and Anxiety' * Helen Kinloch - Bernard O'Dowd,, and dreams of a Golden age in Australia' * Associate Professor Rederic Lacey - 'Exploring Pathways Towards reconciliation Through Encountering Our Shared Histories' * Dymphna Lonergan - 'Sounds Irish' * Dr David Lucy - ' Remarks on the Decline of Irish Language' * Patrick McCormack - The Irish Factor in the Campaign for Federation in New South Wales * Siobhan McHugh - 'In Search of Soul: One Irishwoman's Journey in Australia' * Ken Mansell * Dr Val Noone - 'the Irish in collingwood 1860-1900: Family Tree Meets historical Record * Ambassador Richard Anthony O'Brien * Terrence O'neill-FitzSimons - "Francis Thomas Cusack-Russell' * Professor Bob Reece - 'The making of the Eureka Film' * Edward O'Reilly - 'John Boyle-O'Reilly: Journeys and Monuments * Dr Chris Watson - 'Around the Boree Log and the identity of Irish Australians' * Dorothy Wickham - 'Saints or Sinners?: The Influence on Ballarat's Female refuge by Irish Women ...A conference in memory of Kevin Livingston to celebrate the role the Irish in Ballarat played in the formation of the nation..1) Light green tri-folded A4 pamphlet .2) Program for the 'Through Irish Eyes' Conference, A conference held in memory of Associate Professor Kevin T. Livinsgston by the University of Ballarat Australian Studies Centre, 3-5 December 1999. Speakers were: * Anne Beggs Sunter - 'irish Republican Echoes at Eureka * Jill Blee - 'Portrait of a Ballarat Irishman/woman * Dianne (Leonard) Cahir - 'The Irishness of Dunnstown * Dianne Campbell - Sir Henry Cuthbert * Dermot Clancy - Colonial Clergy - All Hallows College and the Australian Mission in the 19th Century. * Anne Cunningham - Dom bernard Smith's Australian Mission * Mella Cusack - Relations between the Young Irelanders and the Catholic Clergy in Australia * John Daykin - He that is Not With Me is Against Me: The Role of the Irish in the Defeat of conscription, Ballarat 1916-1917 * Dr Frances Devlin Glass - '[T]ouches of nature that make the world kin: Furphy, Race and Anxiety' * Helen Kinloch - Bernard O'Dowd,, and dreams of a Golden age in Australia' * Associate Professor Rederic Lacey - 'Exploring Pathways Towards reconciliation Through Encountering Our Shared Histories' * Dymphna Lonergan - 'Sounds Irish' * Dr David Lucy - ' Remarks on the Decline of Irish Language' * Patrick McCormack - The Irish Factor in the Campaign for Federation in New South Wales * Siobhan McHugh - 'In Search of Soul: One Irishwoman's Journey in Australia' * Ken Mansell * Dr Val Noone - 'the Irish in collingwood 1860-1900: Family Tree Meets historical Record * Ambassador Richard Anthony O'Brien * Terrence O'neill-FitzSimons - "Francis Thomas Cusack-Russell' * Professor Bob Reece - 'The making of the Eureka Film' * Edward O'Reilly - 'John Boyle-O'Reilly: Journeys and Monuments * Dr Chris Watson - 'Around the Boree Log and the identity of Irish Australians' * Dorothy Wickham - 'Saints or Sinners?: The Influence on Ballarat's Female refuge by Irish Women' * Christine Wright - 'A Stately Landmark: Adam Loftus Lynn .3) newspaper article on the conference from The Courier, 06/12/1999 - 'Irish Celebrate Their Role in City'Black print on light green paperaustralian studies, university of ballarat, kevin livingston, mt helen campus, "through irish eyes", jill blee, david james, rod lacey, val noone, dianne campbell, christine wright, terence o'neill-fitzsimons, helen kinloch, diane cahir, dorothy wickham, edward reilly, mella cusack, anne beggs-sunter, patrick mccormack, anne cunningham, shane carmody, dermot clancy, francis devlin-glass, chris watson, david lucy, dymphna lonergan, richard o'brien, bob reece, peter kennedy, gough whitlam, australian studies, university of ballarat, kevin livingston, mt helen campus, "through irish eyes", jill blee, david james, rod lacey, val noone, dianne campbell, christine wright, terence o'neill-fitzsimons, helen kinloch, diane cahir, dorothy wickham, edward reilly, mella cusack, anne beggs-sunter, patrick mccormack, anne cunningham, shane carmody, dermot clancy, francis devlin-glass, chris watson, david lucy, dymphna lonergan, richard o'brien, bob reece, peter kennedy, gough whitlam, genealogy, family history, irish australians, irish -
The Beechworth Burke MuseumPhotograph - Lantern Slide, c1900
... film-making techniques. This image is significant as it provides insight into social and commercial infrastructure available in the North-East region of Victoria in the late Nineteenth and early Twentieth Centuries. The business pictured is also associated with a Prime Minister of Victoria and some of Victoria's first female medical and pharmaceutical practitioners. Burke Museum Beechworth Lantern Slide Slide Glass Slide Plate Burke Museum Collection Photograph Monochrome hilda dow roy dow chiltern pharmacy dow's pharmacy chiltern indigo shire north east victoria history of pharmacies women ...Chiltern Pharmacy, now called Dow's Pharmacy, opened in 1859 at a time when the township of Chiltern was experiencing a second-wave gold rush that redistributed the balance of commercial and social activity in the region. David McEwan, father of Prime Minister John McEwan, was one of the first pharmacists practicing at the business. It was purchased in 1929 by pharmacist Hilda Dow who ran the business with her apprentice and husband, Roy Dow, until they closed the business in 1968. In 1988, after founding the North East branch of the National Trust, the Dows donated the premises with its entire fittings and stock. Some of the more than 4,000 items in stock at the time of closure in 1968 were present in the shop when the Dows took charge in 1929 and date to the late Nineteenth Century (around the time this image was taken). Hilda Dow (nee Grey) was born in 1897, the daughter of a police magistrate. She enrolled to study at the Victorian College of Pharmacy in 1919 and worked initially for Poynton's Pharmacy in Morwell before purchasing the Chiltern Pharmacy that was later named after her. She was a member of the Pharmaceutical Society of Victoria, a hospital committee and Board, the Red Cross and the Infant Welfare Association and held office for the Chiltern branch of the Country Women's Association. Her sister Helene Grey received an OBE for her work as Lady Superintendent of the Royal Melbourne Hospital. Although Hilda Dow was not Australia's first female pharmacist (this was Caroline Copp in 1880) the preservation of the pharmacy and the stories it presents sheds light on the general issue of recognition for female medical pioneers in Australia. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This image is significant as it provides insight into social and commercial infrastructure available in the North-East region of Victoria in the late Nineteenth and early Twentieth Centuries. The business pictured is also associated with a Prime Minister of Victoria and some of Victoria's first female medical and pharmaceutical practitioners. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, hilda dow, roy dow, chiltern pharmacy, dow's pharmacy, chiltern, indigo shire, north east victoria, history of pharmacies, women in pharmacy, women in medicine, women in business, david mcewan, john mcewan, national trust, national trust victoria, north-east victoria national trust, heritage buildings, industrial heritage, helene grey, pharmaceutical society of victoria, victorian college of pharmacy, country women's association, caroline copp, royal melbourne hospital, red cross, infant welfare association -
Mission to Seafarers VictoriaBook, Routledge, The Last of the Wind Ships, 1934
... Women’s Auxiliary Air Force, on 24 December 1940 in the office of the registrar, Fort William, Scotland. In 1928 and 1929 Villiers had sailed in the annual ‘grain race’ from South Australia to England, resulting in the books Falmouth for Orders (1928) and By Way of Cape Horn (1930), and the film Windjammer (1930). ...No dust jacketnon-fictionsea voyage, allan villiers (1903-1982), keith oliver, donation, windjammers -
Marysville & District Historical SocietyBook, Nevil Shute, On The Beach, 1958
... filming of the movie. science fiction end of the world australia After World War III, Australia is the only remaining haven for mankind. However, wind currents carrying lingering radiation all but condemn those on the continent to the same fate suffered by the rest of the world. When the survivors receive a strange signal from San Diego, Cmdr. Dwight Towers must undertake a mission with Lt. Peter Holmes to see if there is hope for humanity -- leaving behind Moira and Mary, the women ...After World War III, Australia is the only remaining haven for mankind. However, wind currents carrying lingering radiation all but condemn those on the continent to the same fate suffered by the rest of the world. When the survivors receive a strange signal from San Diego, Cmdr. Dwight Towers must undertake a mission with Lt. Peter Holmes to see if there is hope for humanity -- leaving behind Moira and Mary, the women they love.Dust cover is a painted illustration of the characters from the book.fictionAfter World War III, Australia is the only remaining haven for mankind. However, wind currents carrying lingering radiation all but condemn those on the continent to the same fate suffered by the rest of the world. When the survivors receive a strange signal from San Diego, Cmdr. Dwight Towers must undertake a mission with Lt. Peter Holmes to see if there is hope for humanity -- leaving behind Moira and Mary, the women they love.science fiction, end of the world, australia -
Federation University Historical CollectionFilm, Visions of Eight - 1973
... Visions of Eight 1972 Olympics Documentary Beginning The Strongest The Highest The Women The Fastest Decathlon The Losers Visions of Eight - 1973 American Documentary Film - Stylized look at 1972 Summer Olympics using eight different directors Visions of Eight - 1973 Film ...Visions of Eight - 1973 American Documentary Film - Stylized look at 1972 Summer Olympics using eight different directors visions of eight, 1972 olympics, documentary, beginning, the strongest, the highest, the women, the fastest, decathlon, the losers -
Federation University Historical CollectionArticle - Article - Women, University of Ballarat: Women of Note; Libby Tanner, Actress, (1970 - )
... She has appeared in Films, Television Shows and Theatre Productions.Tanner has her own theatre company, Mad as Us women of note university of ballarat libby tanner actress drama and dance bachelor of performing arts all saints rescue special ops mad as us University of Ballarat: Women of Note; Libby Tanner, Actress, (1970 - ) Article Article - Women ...Born in Adelaide, Libby Tanner's family moved to Victoria when she was three months old. Libby Tanner completed the first semester of drama and dance at Victoria College before attending the University of Ballarat where she completed a three year Bachelor of Performing Arts. Best known as Bronwyn Craig in the television drama 'All Saints' Tanner has played a wide range of roles from serious to comic, as well as live theatre. In 2009 Libby Tanner received a lead role in the television drama 'Rescue Special Ops. She played Michelle LeTourneau, head of a special operations team. She has appeared in Films, Television Shows and Theatre Productions.Tanner has her own theatre company, Mad as Uswomen of note, university of ballarat, libby tanner, actress, drama and dance, bachelor of performing arts, all saints, rescue special ops, mad as us -
Federation University Historical CollectionDocument - Document - Letter, Ballarat Junior Technical School: Letter from the Young Women's Christian Association re Screening of film "Queen Mother's Commonwealth Tour", 1958
... Letter from the Young Womens' Christian Association (YMCA) informing the school of the screening of the film "Queen Mother's Commonwealth Tour".This to be shown in Ballarat at the Lower Civic Hall. ...Letter from the Young Womens' Christian Association (YMCA) informing the school of the screening of the film "Queen Mother's Commonwealth Tour".This to be shown in Ballarat at the Lower Civic Hall. ...Letter from the Young Womens' Christian Association (YMCA) informing the school of the screening of the film "Queen Mother's Commonwealth Tour".This to be shown in Ballarat at the Lower Civic Hall. Prices for seats detailed - school to have extra discount for matinee showing. Number of student to attend required early. If too many for the afternoon session, another session the following morning to be arranged.2 pages, typed. Cream colourSignature of Miss Gwenyth V William, President, Members' Council 120 in pencil top left corner.ballarat junior technical school, head master, l garner, film screening for school, young womens' christian association, ymca, queen mother's commonwealth tour, lower civic hall, gwenyth william, president -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 44, June 1990 to September 1990
... women...dr jocelynne scuff...minister for education joan kirner...centre for science mathematics and technology opening...off-campus course for adults...memories of early days...jeffrey wilkinson-sculptor ans ceramics artist...restoration of stawell banner...val d'angri...new smb patron morgan john...saturday magazine...early films of ballarat...film...The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 26 June 1990 to 8 September 1990. teaching positions advertised pre-employment courses courses available enrolment for smb courses new enterprise incentive scheme safety seminar at smb rethink attitudes to women dr jocelynne scuff minister for education joan kirner centre for science mathematics and technology opening off-campus course for adults memories of early days jeffrey wilkinson-sculptor ans ceramics artist restoration of stawell banner val d'angri new smb patron morgan john saturday magazine early films of ballarat film left to smb by keith rash racv encouragement award craig hancock tony silvey tony taranto investment in excellence program apprentices graduate in special ceremony martin foster bricklayer farewell to ted quennell paymaster james glisson boilermaker apprentice proposed cuts to tafe funding smb leases brewery site koorie welfare worker judy cue training scheme bears first fruit glenn virgo apprentice paddock to plate course for women karyn gervasoni and diane addy secretaries' award max palmer business studies smb private secretaries association dorothy clemence computer to improve language skills kevin howell smb engineering drawing test fine art display belinda dalziel peter muir fitter and turner apprentice Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 26 June 1990 to 8 September 1990.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, new enterprise incentive scheme, safety seminar at smb, rethink attitudes to women, dr jocelynne scuff, minister for education joan kirner, centre for science mathematics and technology opening, off-campus course for adults, memories of early days, jeffrey wilkinson-sculptor ans ceramics artist, restoration of stawell banner, val d'angri, new smb patron morgan john, saturday magazine, early films of ballarat, film left to smb by keith rash, racv encouragement award, craig hancock, tony silvey, tony taranto, investment in excellence program, apprentices graduate in special ceremony, martin foster bricklayer, farewell to ted quennell paymaster, james glisson boilermaker apprentice, proposed cuts to tafe funding, smb leases brewery site, koorie welfare worker judy cue, training scheme bears first fruit, glenn virgo apprentice, paddock to plate course for women, karyn gervasoni and diane addy secretaries' award, max palmer business studies smb, private secretaries association dorothy clemence, computer to improve language skills, kevin howell smb engineering drawing test, fine art display, belinda dalziel, peter muir fitter and turner apprentice -
Federation University Historical CollectionFilm - MP4 Video, Mt Helen Library 50th Anniversary Staff Virtral Reunion, 2020, 30/10/2020
... women Various files relating to a virtual reunion held on 30 October 2020 to celebrate the 50th anniversary of the Mount Helen Library. These include: * A MP4 video of the 2 hour virtual reunion held to celebrate the 50th anniversary of the Mt Helen Library. * video presentation by E.J. Barker * 70s themed food competition (current library staffmembers) * Video presentation of Dulcie Brooke Video Presentation of Deb Lord, Rose Council and Julie Mt Helen Library 50th Anniversary Staff Virtral Reunion, 2020 Film MP4 Video ...Various files relating to a virtual reunion held on 30 October 2020 to celebrate the 50th anniversary of the Mount Helen Library. These include: * A MP4 video of the 2 hour virtual reunion held to celebrate the 50th anniversary of the Mt Helen Library. * video presentation by E.J. Barker * 70s themed food competition (current library staffmembers) * Video presentation of Dulcie Brooke Video Presentation of Deb Lord, Rose Council and Julie mt helen library, mt helen campus, e.j. barker library, dulcie brooke, sue owen, e.j. barker, university women -
Orbost & District Historical Societyblack and white photograph, first half 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This photograph shows Ina Warren with Jack warren, Linda Warren and Cora Lynn. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a woman with three small children sitting in a pumpkin on water . There are small flags (Australian and British) at each end. On the pumpkin is "HMAS ORBOST".pumpkins-orbost warren-helena-photographer -
Orbost & District Historical Societyblack and white photographs, Warren, Mrs H, early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This photograph shows Percy De Forest and his brother, Alfred of McLeod Street, Orbost. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,Two black / white photograohs of two small children sitting in a large pumpkin on water.on front - An Orbost Pumpkinpumpkins-orbost de-forest warren-helena-photography -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, first half 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...The photograph shows Linda Warren, Enid Eaton, Jim Trewin and Jim Nixon. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a young girl on a horse pulling a group of children in a large pumkin. On the side of the pumpkin is "HMAS ORBOST"pumpkins-orbost warren-helena nixon-jim trewin-jim warren-linda eaton-enid -
Orbost & District Historical Societyblack and white photograph, Warren. Mrs H, late 19th century - early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This photograph is of Percy Nixon, son of James Nixon and Alice Roberts Percy Nixon married Evelyn Harding. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This item is associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River. This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of a young boy standing next to a very large pumpkin. His right arm is resting on the top.pumpkins-orbost warren-helena-photography nixon-percy -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, late 19th century - early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This is a photograph of Percy Nixon's sons - Jack, Allen, Pres, Keith and Jim. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker. It is also associated with the Nixon family, early settlers in the Orbost district.A black / white photograph of four young boys in a pumpkin with an older boy pushing them. There is a Union Jack flag at each end of the pumpkin with "HMAS ORBOST" on the side. The boys are wearing shirts and ties. A baby has his hand over the side trying to touch the water. pumpkins-orbost warren-helena-photographer nixon-percy nixon-jack nixon-pres nixon-keith nixon-jim nixon-allen -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, late 19th century - early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This is a photograph of Jack Warren, Jessie and Sylvia McNaughton. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of three young chilodren sitting in a pumpkin in water. There is a Union Jack at each end.pumpkins-orbost warren-helena-photographer mcnaughton-jessie mcnaughton-sylvia -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, 1934
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This is a photograph of the twin daughters of Mrs Trixie Mason - Marion and May,. They had a brother Alec Mason. The Mason Twins are the granddaughters of George and Agnes Thomas from Newmerella . The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of two small twin Aboriginal girls in a large pumpkin floating on water. There is a Union Jack at each end with "HMAS CENTENARY 1934" on the side.pumpkins-orbost warren-helena-photographer mason-marion mason-may aboriginal-children -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This is a photograph of Jack Warren, Bon Trewin, Enid Eaton, Linda Warren, Ivan Trewin and Jim Trewin. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of si small children sitting in a pumpkin on water. There is a Union Jack at one end and an Australian flag at the other,. On the side is "HMAS ORBOST"pumpkins-orbost warren-helena-photographer trewin-bon trewin-ivan trewin-jim warren-jack warren-linda eaton-enid -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, late 19th century - early 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker, A black / white photograph of a young boy in a carved out pumpkin in water. It has two flags.warren-helena-photographer pumpkins-orbost -
Orbost & District Historical Societyblack and white photograph, Warren. Mrs H, first half 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Many farmers on the flats at Orbost used to grow a lot of maize and harvest the maize by putting the pigs in to eat the maize.. Maize and pumpkins fed in conjunction were largely used for fattening pigs. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This item is a pictorial record of farming in Orbost in the early 20th century. It is also associated with Helena Warren. a well-known photographer born in Orbost.a black / white photographagriculture farming-orbost pumpkins maize pigs warren-helena -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, first half 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This is a photograph of Alan, Keith, Preston and Jim Nixon. George Nixon (1862-1941) selected land in Bete Bolong in the 1890's. He married Emily Warren in 1889 in Orbost. He was a shire councillor. He was a prominent breeder of Clydesdales and after a serious fall off a horse walked with a walking stick and special boot for the rest of his life. He was well-known for his interest in cars, horse-racing and politics.He was married to Emily Warren in 1889 in Orbost. Mrs Nixon (Emily)was the first Red Cross president during WW1. They had ten children.both George and Emily are buried in the Orbost Cemetery. (ref:From White Knowle to Pumpkin Point by Hon Peter Nixon A.O.) The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker, This item is also associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River. It is an example of the early book-keeping of an Orbost business in the early 20th century.A black / white photograph of three boys and a baby in a carved out pumpkin with a flag at each end and "HMAS ORBOST" carved in the front.warren-helena pumpkins nixon -
Orbost & District Historical Societyblack and white photograph, Warren, Mrs H, first half 20th century
... Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. ...This photograph shows Cora Lynn, Enid Eaton, Jim Trewin, Jean Trewin and Ivan Trewin. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker. This item is associated with a popular activity of the Orbost community in the first half of the 20th century. Pumpkins have been been part of the district's agricultural history since settlement.A black / white photograph of three children and two babies in a carved out pumpkin. There is a flag at each endpumpkin warren-helena trewin lynn eaton -
Glenelg Shire Council Cultural CollectionEphemera - Photograph storage sleeve, unknown
... Bowering resident of Merino Victoria. womens history Ros Harris Merino Photography Printed 'Take a Kodak with you' printed picture of a lady in a striped dresses, clutching a camera in a camera bag, with an umbrella. Hand written in blue ink '1/9' Oval ink stamp 'CHASTON'S FILM ...Owned by Wilma Harris nee. Bowering resident of Merino Victoria.Photograph storage sleeve. Fawn coloured with black text. Opens like a book to reveal a half page sleeve both sides. Various printed text inside and on the back cover.Printed 'Take a Kodak with you' printed picture of a lady in a striped dresses, clutching a camera in a camera bag, with an umbrella. Hand written in blue ink '1/9' Oval ink stamp 'CHASTON'S FILM SERVICE MOUNT GAMBIER'womens history, ros harris, merino, photography -
Glenelg Shire Council Cultural CollectionEphemera - Photograph storage sleeve, unknown
... Bowering resident of Merino Victoria. womens history Ros Harris Merino Photography Printed 'Photo-Finishing of Quality', 'Pictures to be treasured' Printed picture of a photo album with its cover partly open to show pictures in side. Two boxes of kodak film ...Owned by Wilma Harris nee. Bowering resident of Merino Victoria.Photograph storage sleeve. Blue, fawn and black. Opens like a book to reveal a half page sleeve both sides. Various printed text inside and on the back cover.Printed 'Photo-Finishing of Quality', 'Pictures to be treasured' Printed picture of a photo album with its cover partly open to show pictures in side. Two boxes of kodak film in the bottom right corner. Hand written in blue ink top left corner 'Bowering' Round ink stamp J.S. McCONNELL CHEMIST MT GAMBIER. Handwritten in blue ink inside stamp 28047, E. 15/womens history, ros harris, merino, photography -
Glenelg Shire Council Cultural CollectionContainer - Film cartridge, Unknown
... Bowering resident of Merino Victoria. womens history Ros Harris Merino Photography Kodak Magazine - year book for the year 1952 Mount Gambier High School Mount Gambier South Australia. Amcolor Film ...Owned by Wilma Harris nee. Bowering resident of Merino Victoria.Amcolour 126 film cartridge for instamatic cameras. Cartridge is black with a white and blue label, and black white and red text. Has a image of a cut off piece of film.Amcolor Film for colour prints Red text "126/24' We recommend that this film be returned to your Amcal Chemist for processing womens history, ros harris, merino, photography, kodak -
Mission to Seafarers VictoriaPhotograph - Digital photograph, series, 2019
... women and members of the Ladies Harbour lights Guild that commenced in the 1930s and carried on through to the 1960s. (see also significance statement) These photographs are another historical record. As a listed Building of Heritage significance the Mission to Seafarers commenced in consultation with heritage advice as per Burra Charter, the first phase of renovations to the century old building complex at 717 Flinders St which is still providing services and facilities to seafarers as per the original purpose and design. The club room or main hall was the sight of many performances, slide shows, film ...Long awaited building renovations in 2019 commenced with the replacement and upgrade of the 102 year old floorboards in the main hall and old Billiard room of the Mission to Seafarers Victoria. Some stumping replaced and repaired in places. Many older seafarers especially recall the regular dances hosted by chaperoned local young women and members of the Ladies Harbour lights Guild that commenced in the 1930s and carried on through to the 1960s. (see also significance statement)These photographs are another historical record. As a listed Building of Heritage significance the Mission to Seafarers commenced in consultation with heritage advice as per Burra Charter, the first phase of renovations to the century old building complex at 717 Flinders St which is still providing services and facilities to seafarers as per the original purpose and design. The club room or main hall was the sight of many performances, slide shows, film screenings, and events to entertain or raise funds for the Mission. Series of photographs depicting the new floor boards in the main hall, Flying Angel Club after renovation winter 2019 and before recarpetingbuilding renovations, flying angel club -
Mission to Seafarers VictoriaFilm - Documentary, Wind and Sky Productions, Harbour Lights, 2019-2020
... A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. ...A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. ...Synopsis: “In WW1 Melbourne a pioneering network of women at the Mission to Seafarers called the Ladies Harbour Lights Guild supported sailors who risked their lives at sea. The documentary “Harbour Lights” tells the remarkable story of the Ladies Harbour Lights Guild and the lives of seafarers in early 20th century Melbourne. It focuses on Melbourne’s iconic Mission to Seafarers building, its connection to the Great War and to a unique community of ships crew and volunteers. Featuring Melbourne historians, commentators, archivists and architects and rare footage and images of sailing and social life in and around the ports of Melbourne, this film will inform and connect audiences young and old.” Commissioned by Victorian Government The movie was produced in collaboration with the Mission to Seafarers Victoria. It was directed by Jary Nemo and written and produced by Lucinda Horrocks and Jary Nemo with executive producers Sue Dight and Gordon MacMillan. The film features: Jill Garner Kate Darian-Smith Chris McConville Janet Miller (curator) Gordon MacMillan (former seafarer and board committee member) Narrated by Sharon Turley. Music by Richard Chew (professor of the Arts Academy in Ballarat) The film was presented at several festival in Australia and abroad in 2020-2021. Credits: Narrator Sharon Turley Featuring (in order of appearance) Dr Chris McConville, Gordon MacMillan, Janet Miller, Professor Kate Darian-Smith and Jill Garner With Raul S Gantalao Jr, Escoto Lemuel, Ben Schroeder, Cinda Manins And Ian Fletcher, Yuan Jia, Uma Kothari, Gordon Lansley, William Reed and Cheka Samaranayake Directed by Jary Nemo Written and Produced by Lucinda Horrocks and Jary Nemo Music by Richard Chew Executive Producers Sue Dight and Gordon MacMillan Research advisors Geraldine Brault, Maria Culka, Professor Kate Darian-Smith, Ros Fletcher, Professor Uma Kothari, Dr Barbara Lemon, Catherine McLay, Dr Chris McConville, Janet Miller, Rick Mitchell, Duncan ‘John’ Perryman, Dr Annette Sheill and Peter Taylor Archival photographs, music and footage courtesy of Australian Red Cross Society, Central Highlands Libraries, Internet Archive, National Film and Sound Archive, National Library of Australia, Mackarness Family Personal Archives, Mission to Seafarers Victoria, Public Record Office Victoria, State Library of Victoria and US National Archives Music Harbour Lights. Music by Richard Chew. Westering. Music by Richard Chew. Twilight (Crépuscule) by Jules Massenet. Performed by Amelita Galli-Curci. I Love You So, Waltz from The Merry Widow by Franz Lehár. Performed by Elise Stephenson and Harry Macdonough with Orchestra. Harbour Lights 2. Music by Richard Chew. If I Could Fly by Walking Hearts featuring Jennifer Holm. Courtesy of Epidemic Sound. With thanks to Peter Barrow, Sarah Bartak, Lin Bender AM, Patty Braumueller, Csilla Csongvay, Emer Diviney, Moira Drew, Ian Fletcher, Ajith Jayasuriya, Ben Jones, Patience Jones, Cinda Manins, Madeleine Martiniello, Georgia Melville, Elisabeth Moglia, Tara Oldfield, Lyn Pasquier, Nigel Porteous, Rev’d Onofre (Inni) Punay, Dr Rosalie Triolo, Ben Schroeder, David Simpson, Cheka Samaranayake, Daria Wray, the Helen Macpherson Smith Trust and KPMG. A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. We acknowledge Traditional Owners and pay our respects to Elders past, present and future. Production company A Wind & Sky Production Copyright with © Wind & Sky Productions MMXIX The film was launched on Wednesday 26th February 2020 at the Mission. Speech by Veterans Affairs. Amongst the guests were current and former volunteers (Maria Culka, Gordon MacMillan, Elisabeth Moglia), curators (Georgia Melville, Jay Miller, Geraldine Brault)18mn documentary mixed of photographs from teh collection and interviews about the Ladies Harbour Lights Guild work during WWIladies harbour lights guild, documentary, jay miller, janet miller, geraldine brault, lucinda horrocks, gordon macmillan, jary nemo, kate darian-smith, jill garner, chris mcconville, sharon turley, richard chew, footage, archive -
Phillip Island and District Historical Society Inc.Photograph, circa 1930
... The Esplanade looking towards "The Continental" from Thompson Avenue. local history photography photographs slides film street scape black & white photograph street scapes 1930s The Esplanade, Cowes No 72 Early model cars parked and travelling bottom left to top. Middle right made footpath with men and women ...The Esplanade looking towards "The Continental" from Thompson Avenue.Early model cars parked and travelling bottom left to top. Middle right made footpath with men and women pedestrians. Fences and hedges along right top to bottom Gas lights in foreground.The Esplanade, Cowes No 72local history, photography, photographs, slides, film, street scape, black & white photograph, street scapes 1930s
