artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

The photograph shows a cable tram set, trailer No. 129, in Elizabeth St at Bourke St. Alf Twentyman has written on the rear "Brunswick car 129 in Elizabeth St, North Melb car approaching, Sometimes 1890s.", with the Post Office alongside. Two heavy horse-drawn drays are also in the view.Yields information about cable trams in Elizabeth St c1890s.Photograph, black and white, with notes on rear.in pencil on the rear - very faded - "Brunswick car 129 in Elizabeth St, North Melb car approaching, Sometimes 1890s."trams, tramways, cable tram, tram 129, elizabeth st, bourke st, alf twentyman

'The Wattles', an 1870 era house at 129 Mount Pleasant Road Nunawading to be auctioned on 10th Dec 2016 by Jellis Craig.mount pleasant road, nunawading no. 129

Table card gives details for the Motorman and Conductor, starting at 125, working Eastern Park and Newtown. Gives meal times, relief and taken by details. Not known when made - 1950's? See also Reg Item 6270, 8134 and 9690 for other examples and 8135 for a Bendigo example.Typed table card or run card, for Geelong Trams Run 129 glued and varnished onto a sheet of three ply timber - plywood. trams, tramways, secv, forms, timetables, geelong

The site for an asylum for indigent members of the Old Colonists' Association of Ballarat. One page from the Victorian Government Gazette No. 129, Friday, 16 October 1891, with information on the Old Colonists' Asylum at Mount Clear. ballarat old colonists' association, ballarat old colonists' club, mount clear, old colonists' homes

2/129 Mountainview Road Briar Hill, 3 bedroom, 2 story home. Sold 29/06/2018 for $638.500, previously March 2014 for $475,000Real estate advertising leaflet, 1 sheet, printed in colour.mountainview road briar hill

Historical advertising for 129 Henry Street Greensborough, 4 bedroom house, sold 21/06/1993 for $123,000. Other sales: November 1986 for $83,000; August 1999 $200,000 and August 2004 for $325,000. Photograph of house, taken 19/10/2018 by Marilyn SmithHistorical newspaper real estate advertisement (black and white) and colour photographhenry street greensborough

Hard cover book. The Victorian Government Gazette 1906 Vol 2 /129 Printer: James Kemp Publisher: James Kemp Publisher: Authority of The Colonial Government Date: 1906 Further Information: Textured hard cover bound book leather burgundy colour spine with gilt lettering, covers embossed blue cloth & reinforced corners to front and back cover. non-fictionThe Victoria Government Gazette and other government documents from 1887 were printed and published by Robert S. Brain, Government Printer, Melbourne. Brain held the position of Victorian Government Printer through the 1890s and into the early 1900s. The same imprint appears on other official Victorian publications from that era, such as the annual reports of the Board for the Protection of the Aborigines and the colony's Statistical Register. There wasn't really an editor in the modern sense the Gazette was compiled and issued under the authority of the colonial government, via the Chief Secretary's Department, with Brain's printing office producing and publishing it. In May 1906, James Kemp succeeded him, serving as Government Printer from May 1906 to August 1912, with the title of Acting Government Printer right at the very start of his tenure he was stepping into the role Brain had just vacated, and by later in December 1906 he was signing gazettes in that capacity, apparently before his appointment was made permanent. Then in 1913 Albert James Mullett took over the role starting from January 1913. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1906 2 vol 129, the victoria government gazette 1906, the victoria government gazette

Fry pan cast iron with pouring lip, handle slightly bent and part of pan, small protruding bar at opposite end of pan. Rusting. "HOLCROFT/10 PATENT NO. UK A10.287 -E-332/129/129/-" "HOLCROFT/10 PATENT NO. UK A10.287 -E-332/129/129/-" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fry pan, cooking utensil, holcroft, cookware

Robert Cochrane was a Linton schoolteacher, and principal of Linton State School 1891-1895.Sepia photograph mounted on card. Posed studio portrait of family, seated man holding book and woman holding fan, young girl standing between them holding flowers.Pencilled on back: "Miss Cochrane's brother???"robert cochrane, linton primary school, ann cochrane, ann richardson

Compulsory National Service existed for all males between 1951 and 1959. This journal relates to the 3rd Intake in 1953.This is an original journal of the National Service Training Battalion, 3rd Intake 1953.A paper journal of 44 pages relating to the 3rd Intake of National Servicemen 1953.On the back page are the signatures of Members of this Intake. Printed by Ramsay, Ware Publishing Pty Ltd, 129 King Street, Melbourne.national service, 1951-1953, 3rd intake, 1953

Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial

Wedding photograph of William John Seymour THOMPSON to Agnes Helen TELFERFrom collection of Emma NIGHTINGALE. Agnes's father Joseph was an orchardist in Vermont. These THOMPSONS not related to Emma Nightingale. Bridesmaid - Sophie THOMPSON (sister to William) Groomsman - Robert Charles VALEB/W Photograph on dark brown card of wedding partyMakers Mark: E Strawbridge, 129 Park Street, Parkville. Inscription on back: To Mrs Nightingale with compliments from Mr. & Mrs. W. Thompson April 1909thompson, nightingale, telfer, vale

Photograph shows a residential area among trees with auction sign in foreground. This is Apollo Parkways in the 1990s.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.apollo parkways, residential development

Contents: • Next meeting, The Society’s Map Collection; Introduced by Russell Yeoman • November Meeting • Christmas Function • Society Activities • Tarcoola Press • Museum Open Day • Aboriginal Cultural Heritage Workshop • The Shire of Eltham War memorial, Kangaroo Ground • Other News Items The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Contained in Volume 2 of a set of two spiral magnetic photo albums, each containing 10 leaves, 20 pages; Vol. 1 labelled "Houses - Eltham South" and Vol. 2 labelled "Eltham Houses". Newspaper clippings advertising house/land auctionseltham, real estate advertisement, houses, benwerrin, diamond creek, eltham north, fordhams road, ian reid real estate, ivanhoe, mount pleasant road, the oaks, windmill court

A colour postcard to advertise accommodation at Riverside Cottages in Marysville.A colour postcard to advertise accommodation at Riverside Cottages in Marysville.Romantic self-contained Riverside Cottages on the Steavenson River Surrounded/ by Stateforest. Hand feed King Parrots from your luxury country Cottage./ A secluded peaceful and romantic getaway yet only 1.2km from main street. MARYSVILLE/ Victoria Australia STAMP www.dreamer.com.au 129 Falls Rd. Marysville Vic 3779 (03)5963-3388 E-mail : [email protected], victoria, australia, riverside cottages, accommodation, postcard

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. HISTORY:-- From Victorian Heritage Database citation for Labassa https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) Labassa, Caulfield is one of Melbourne's most lavishly decorated nineteenth century mansions. It resulted from the extensive remodelling in 1890, of an earlier house, known as Sylliott Hill, which was begun in 1862-3 for lawyer, Richard A. Billing. The land at the corner of Balaclava and Orrong Roads was first acquired in 1854 by William Lyall, transferred to his partner, John Mickle, in 1859, who also acquired the adjoining allotment in Balaclava Road, and the three allotments were conveyed to Billing. His first eight-roomed house was extended significantly in 1873 into a twenty-roomed house by architects Crouch and Wilson, who were possibly also responsible for the first house. This reflected Billing's success as a barrister, and he resided at this property until his death in 1882. In 1883 prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing's widow, and in 1885 he purchased the adjoining allotment in Balaclava Road. He purchased the Billing's property in 1887 and renamed the 6.31 hectare property, Ontario. In 1889-90, Robertson commissioned the German born architect, John A. B. Koch, to extensively remodel the house into a thirty-five roomed mansion. The existing house was extended and altered, largely resulting in the nineteenth century mansion as it now appears. After Robertson's death in 1896, the house was tenanted until it was eventually sold to the mining millionaire, John Boyd Watson, in 1904. He renamed the property Labassa and carried out repair and re-decoration work to the house. In the early twentieth century, many large estates were subdivided into smaller allotments as the demand for land grew and it became difficult to maintain such large estates. After Watson's death in 1911, portions of the Labassa estate were offered for sale, with Mrs Watson retaining a 1.73 hectare portion containing the house. In 1913 forty-six allotments were auctioned at Labassa Estate, with the formation of Labassa Grove and Ontario Street to the east of the property. Labassa was first recorded as containing flats in 1923 and in the late 1920s, the owner, Robert Hannon, built a red brick block of flats adjacent to the house. Subdivision continued, until the National Trust of Australia (Victoria) purchased the house in 1980 and subsequently purchased adjoining sites, one to the south-east in 1984 (house demolished in 1988) and to the west in 1988. Labassa as it now stands is substantially as it appeared when Koch completed the work in 1890. The original two storey house was transformed into a French Renaissance style mansion, with the addition of a two level L-shaped arcaded verandah and two prominent terminating bays to the south and the east. The building is of unpainted cement render with dressed bluestone plinths, balustraded parapet and steep, slate covered, flat topped mansard roofs behind. A truncated conical roof is a feature of the south bay and a helmeted head is incorporated in the parapet over the east bay. The main south and east facades incorporate many cast cement details, including sculptures, elaborate cornices, swagged Corinthian columns and caryatid consoles flanking the entrance porch, as well as pink marble panels and imitation marble, or scagliola, on curved surfaces. At the rear of the building is a two storey wing and a single storey cottage, the former being connected to the main house by a tower. This section of the house was constructed in 1873. The estate at its peak included stables (1873), conservatory (probably 1890) and a tennis pavilion (probably 1890). All of these outbuildings survive, with the stables and conservatory being converted for residential use after 1922. Internally a range of decorative treatments remain from the late nineteenth century and the early twentieth century, both from the Robertson and Watson periods of occupancy. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery and decorative glass.From Victorian Heritage Database citation for H0135 Labassa 2/2A Manor Grove Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/278 as at (26/10/2020) HOW IS IT SIGNIFICANT? Labassa, Caulfield is of architectural, aesthetic and historical significance to the State of Victoria. WHY IS IT SIGNIFICANT? Labassa, Caulfield is of architectural significance as the most prominent example of a small number of houses built in Australia in the French Renaissance style. It is of further note due to the German interpretation of the style and the use of Hellenistic sources, via Germany. It is exceptional for its lavish treatment externally, including marble, scagliola, caryatids, swagged columns, mansard roofs and ornamental cresting. Labassa is of architectural significance as the most important surviving example of German architect, John Koch's domestic work. He undertook a large variety of work in Melbourne, including a number of houses, however Labassa is the most lavish example of his work. Labassa is of aesthetic significance for its outstanding assemblage of late nineteenth and early twentieth century European style interior decoration, which remain remarkably intact. These include a trompe l'oeil ceiling, painted ceilings, embossed imitation leather and other papers, chimney pieces, ceramic tilework, oak parquetry and stained glass, including a tripartite window by Ferguson and Urie, probably dating from the 1873 period. Labassa is of historical significance as an illustrative example of the wealth acquired by a number of prominent Victorian families in the second half of the 19th century. The early development of the property, Sylliott Hill, was due to the wealth acquired by Richard Billing, barrister and fifth Victorian to be appointed Queen's Counsel in 1878. The significant development in 1890 of Ontario, is illustrative of the wealth of Alexander Robertson, a partner in Cobb and Co., a director of Goldsborough Mort & Co., and a pastoral speculator. John B. Watson, whose father had acquired great wealth from the goldfields of Bendigo and subsequently invested in city and country properties, was the third resident to impact on the house, particularly the interiors. The Labassa estate is of historical significance as an illustrative example of the development that occurred in such suburbs as Caulfield in the 1880s due to the land boom, its proximity to Melbourne and the establishment of the Melbourne to Gippsland railway in 1879. It is also illustrative of an estate which succumbed to the pressures of subdividing in the early twentieth century, as properties became difficult to maintain and demand for land close to the city grew. It was typically divided into flats in the 1920s and was used as such for about sixty years. It is of historical significance for its associations with the remnants of the earlier estate which remain extant. These include the stables, conservatory (H2005) and tennis pavilion which all remain on separate sites. Also significant are the remains of early electrical wiring and fittings. Labassa was one of the first houses in Caulfield to be electrified and some of the original wires remain. [Online Data Upgrade Project 2004]Page 129 of Photograph Album with three landscape photographs of Labassa. One of the photographs is of Labassa's drive and gates.Handwritten: 4 JUNE 1910 / SALE JUNE 28 1910 "LA BASSA' / "AUSTRALASIAN" FORMERLY "ONTARIO"/ RES OF JOHN B WATSON / 15 ACRES 3 ROADS [under bottom left photo] / 4 JUNE 1910 [under bottom right photo] / 129 [bottom left]trevor hart, bracketed eaves, intricate lacework, slate roof, bay windows, decorative brackets, caulfield north, labassa, richard a. billing, balaclava road, orrong road, sylliott hill, william lyall, crouch and wilson, alexander william robertson, ontario, 1880's, john a. b. koch, mansion, john boyd watson, labassa grove, french renaissance style, l-shaped arcaded verandah, bluestone plinths, balustraded parapet, flat topped mansard roofs, conical roof, elaborate cornices, corinthian columns, caryatid consoles, marble panels, imitation marble, scagliola, tower, conservatory, stables, tennis pavilion, mouldings, decorative glass, caryatids, swagged columns, ornamental cresting, trompe l'oeil ceiling, embossed imitation leather, oak parquetry, stained glass, tripartite window, triple window, ferguson and urie, 1870's, flats, 1920's, electric wiring, 1860's, verandahs, curved windows, arched windows, italianate, terraces, gargoyles, ornamentation, ornate entrance, la bassa, manor grove, st kilda east, gates, cast iron work, richard billing, architects, john koch, electrification, victorian style, drives, john mickle, land subdivision, mrs watson, labassa estate, robert hannon, national trust of australia (victoria), sculpture

A digital copy of a colour photograph of one of the cottages at Riverside Cottages in Marysville.A digital copy of a colour photograph of one of the cottages at Riverside Cottages in Marysville.marysville, victoria, australia, riverside cottages, accommodation, photograph

World surfing champion Kelly Slater won a record 4th Bells Beach Surfing Contest in April 2010. He promptly donated his Bell trophy to the Aboriginal people of Geelong and the Surf Coast in appreciation of their support over the years.National and international significance from a sporting and cultural reconciliation perspective. Only two surfers have won 4 Bells contests. Slater's donation of his 4th Bell to the local Indigenous community is a rare act of reconciliation and personal generosity.Feature newspaper article by Kyle Pollard in the Geeelong Advertiser on 6th May 2010. Includes colour photograph of Kelly Slater being 'painted up' by Aboriginal dancer at Bells Beach.bells beach, kelly slater, reconciliation, 2010 rip curl pro, wathaurong aboriginal cooperative, bells trophy