The first photograph was taken prior to 1910. The location is at the corner of Centre and Jasper Roads, East Brighton, (now known as Bentleigh). It is an early view of John L. and "Minnie" Smith's Hay and Corn Store, situated on the South West corner of those two roads. The first photo was taken prior to the introduction of electricity in the area. A gas lamp and horse "hitching post" can be seen "in shot". There are several loaded wagons waiting in line to have their hay milled to chaff. Farmers came from places as distant as Carrum to have their loads of hay milled into chaff. John Smith was born in 1860 in Point Nepean Road, Brighton, and Minnie was born in Patterson Road, Moorabbin, in a wattle and daub cottage with earthen floor and butter muslin over the windows. The couple married in 1884, Minnie was a devout Methodist and the family became very involved in the development of the local Methodist church. The couple had four children and during the 1890s Depression their first child died, they lost all their possessions, and John's family struggled to survive. Finally in the late 1890s JL Smith was able to rent a shed from Mr Henry Box on the corner of Centre and Jasper Roads, and he later purchased that property. With the gradual improvement in the economy, and the development of the successful market gardening industry in the Shire of Moorabbin, JL Smith's produce store became quite prosperous. Over some years the little "shed" developed into a thriving Hay and Corn Store. JL Smith went on to become Moorabbin Shire President in 1914. He and his wife were active in assisting soldiers returning injured from the 1st WW, in the local Methodist Church and other early community projects. Smith was a typical example of the majority of the early settlers in the Shire of Moorabbin, being god-fearing and devoted to the idea of service to the community. The photographs demonstrate the primitive conditions and early development of what is now a bustling and well-recognised area of Bentleigh, (known as east Brighton before 1907). The photo shows a gas lamp in use before the introduction of electricity in 1916. The Smith's story is representative of the many early pioneering traders, who elected to "set up shop", who suffered the adversity of the 1890s depression, but who survived and made their living in the largely undeveloped area of East Brighton ( now Bentleigh) district. Two black and white early photographs both of the same location. The photos are of the corner of Centre and Jasper Roads, Bentleigh. (Prior to 1907 this area was known as East Brighton.) Both photos show J.L Smith's General Merchant Produce store. "Steam Chaff Cutting and Corn Crushing Mills" and the surrounding area at differing stages. In the first photo taken prior to 1910, we can see there are several horse-drawn carts loaded with hay waiting to be milled, a gas lamp and a horse "hitching post". The store is just a single unadorned, shed. The later, second photo of the same area, shows improvements and the further development of that site. On the back of the photo "Hay and Corn Store -/ not later than 1910."/"Photographer /Victor C Smith,/ Phone Number XL1472"/hitching post, methodist church, smith minnie, moorabbin shire president, gas lamp, east brighton district, 1890s depression, wattle and daub cottage, centre road, jasper road, box henry, smith john l

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1888, John Leek, a trainer, owned Lot 15, measuring one and three quarter acres, in Booran Road, north side between Glen Eira and Neerim Roads. The land backed onto the Caulfield Racecourse Reserve. NAV was £45. In 1890 Leek built for his residence, a ten roomed brick house on the site. NAV was £200. Leek was the owner/trainer of "Ingliston" who won the Caulfield Cup in 1900. Upon the horse's death in 1901, Leek is understood to have defied tradition by spending £20 on boots for the "ragged urchins in Bourke Street" instead of "shouting" at the bar. By 1899, the property was owned and occupied by Alfred Merrill, a dentist and was known as "Andover". NA V had decreased to £ll0. By 1910, Leslie Macdonald, a gentleman had purchased the property and renamed it "Moidart". In 1910-11 Macdonald sold it to John Robertson. The property had extensive wood stables on its north-east boundary and several other outbuildings. The house continued to be described as "Brick, ten rooms" as it was in 1926 when it was owned and occupied by John Arthur, a managing director. The land measured la.2r.31p. and had a NAV of £235. Nine people lived there. In 1926, Arthur also owned the adjoining Lot 16. Other racehorses of note, known to have been stabled here include Sobar, Havelock, Proud, Future and Lord.Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/13532 What is significant? Lord Lodge is a thoroughbred racehorse training complex adjacent to Caulfield Racecourse, established in 1890. The area immediately around the racecourse has been associated with horse racing activities and businesses servicing the industry since the development of the racecourse in late the 19th century. Lord Lodge was named by the present occupants after the champion racehorse Lord who was stabled there in the 1950s. In the early 20th century the property was known as 'Andover' and subsequently 'Moidart'. The site consists of a single storey brick Italianate villa, jockeys' quarters, stables and open day yards with direct access to Caulfield racecourse from the rear of the property. The villa of 10 rooms on bluestone foundations was constructed in 1890 by John Leek, a horse trainer who purchased the newly subdivided land in 1888. The house has many Victorian Italianate or Boom Style features although it is more modest than many villas of its style. It has an asymmetrical facade with a faceted bay window and a prominent central tower with low pitch pyramidal roof that provides a clear view of the racecourse. Other characteristic features include stilted segmented arches, bracketed eaves, stucco wall finish and cast cement ornamentation. A room has been added on the north-facing verandah in sympathetic style and finish. Internally the rooms are substantially intact with original marble fireplaces and intricate ceiling roses and cornices. An entrance toward the rear of the southern side of the house is said to be where the stable hands, jockeys and other staff lined up for their meals. In the southeast corner of the property, backing directly on to Caulfield racecourse, is a substantial late Victorian timber stable, probably constructed in the 1890s but first appearing on the property title in 1910. The stable has 12 stalls, a loft and brick pavement and jerkin head roof form with varnished pine-lined ceiling carried on a chamfered timber frame. It has an original roof lantern. The doors of the stalls are not the original sliding doors but swing doors obtained from a barn at Epsom Racecourse in Mordialloc prior to demolition. Outside the gambrel roof has fretted barges but the building is otherwise utilitarian. Timber throughout the stalls has been worn by chewing and rubbing of horses over the century of its use. In the southern half of the property are open day yards where the racehorses are kept during the day. The red brick, single storey jockeys' quarters to the rear of the villa were probably built around 1950. A small brick, possibly late Victorian structure on the eastern boundary thought to have originally been a gardening shed, has been converted to a stable of two stalls. Modern concrete brick stables fill the northeast portion of the property. At the front of the property two Moreton Bay Figs (Ficus macrophylla), probably planted in the late 19th century, provide shade for horses in the day yards. In the 1890s John Leek sold the property, relocating his training facility to one of the newly established racecourses at Mentone or Mordialloc (Epsom). By 1899, the property was owned and occupied by Alfred Merrill, a dentist, who named the property 'Andover'. In 1910 it was purchased by Leslie McDonald, a gentleman, and renamed 'Moidart'; sold in 1910-1911 to John Robertson; and again in 1926 to John Arthur, a racehorse owner. The Victorian Amateur Turf Club purchased the property in the late 1930s and since this time has been leased to racehorse trainers. It is unclear whether the property operated as a training facility between 1899 - 1926. Several notable trainers and jockeys are associated with Lord Lodge. The best known is Arthur 'Scobie' Breasley, Australia's most successful jockey who was apprenticed to trainer Pat Quinlan at Lord Lodge (then 'Moidart') from 1928 - 1935. Breasley rode winners of the Caulfield Cup in four successive years 1942-45 and again in 1952. John Leek, the original owner of Lord Lodge trained Ingliston, the 1900 Caulfield Cup winner. Along with 'Lord' a number of well known racehorses including Sobar, Havelock, Proud and Future were trained at Lord Lodge .....Page 40 of Photograph Album with three landscape photographs of the exterior of this house.Handwritten: 30 Booran Road [top right hand corner] / 40 [bottom right]trevor hart, jenny o'donnell, booran road, mansion, caulfield east, ingliston, sobar, havelock, proud, future, lord, andover, moidart, lord lodge, grace darling, caulfield racecourse reserve, victorian amateur turf club, historic buildings register, national estate register, caulfield cup, horses, stables, horse racing, racehorses, outbuildings, racehorse trainers, depression, 1890s, brick houses, mansions, towers, verandahs, stained glass, italianate style, victorian style, architectural features, architectural styles, john leek, leslie macdonald, john arthur, john robertson, alfred merrill, jenny odonnell

The land sales in the area stopped due to the 1890s depression. For the next 20 years real estate sales virtually stopped until after WWI.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleThe Hill Estate, Highett - 110 allotments - Auction Saturday September 22, 1917 T.R.B. Morton & Sonpoint nepean road (nepean highway), turner street, sanford street, alfred street, peace street, highett, real estate, moorabbin

There is another copy of this postcard (VEMUP1039) in the collection. It is part of Melbourne's V.S.M. (Victoria Stamp Market) Series, printed in Prussia, Germany alongside several similar hand-coloured postcards in our collection. This postcard is believed to originate from c. 1900-10, but the image itself - of sluicing for gold on Menzies Creek - might be older. Gold mining in Emerald was most popular in the 1850s and 60s. However, gold mining on Menzies Creek reopened in the 1890s depression, which is a more likely source of this photograph.This postcard is significant for its relative uniqueness as a colourised depiction of Emerald's gold mining history.This postcard is separated into two pieces of paper (between the obverse and reverse). The reverse is a landscape message side with not message but some annotation and an accession number written to the left side, in a portrait orientation. The obverse is in a portrait orientation, with a printed caption in the bottom-right. The image is hand-coloured (colour artificially applied to a black-and-white base photograph) and depicts two men (one of whose head is cut off by damage to the photograph) working in an artificially reinforced channel in what appears to be a creek or stream. One stands in the water while the other is beside it. In the background, the scene fades up the hill into a forest.Obverse, Printed Caption: "Hydraulic Sluicing, / Emerald near Gembrook" Reverse: Printed Vertically: "Printed in Prussia" Printed Horizontally: "elbourne" Handwritten Annotation: "Prospect Bend along the / Menzies Creek near / Emerald Kallista Rd. / GOLD"emerald, 1890s, gold mining

While gold was discovered in Emerald in 1858, mining and alluvial gold sluicing on the Menzies Creek reopened in response to the 1890s depression - one of the largest economic crises in Australian history, from which the economy did not significantly recover until after the end of the 1895-1903 drought. This photograph, dated to around 1900, likely originates from this period of activity. Sluice boxes are effectively artificial channels with riffles at the bottom to disrupt the current and take gold out of suspension; the heavier gold sinks to the bottom and remains in the box while lighter material flows out. This photograph was taken at Prospect Bend, which appears to have been north of Emerald between A'Vard Park and The Patch. There is another larger copy of this photograph in the collection.Gold mining was an important part of the region's early economy, and this photograph captures a major method of extracting gold from the land and water.This item is a black and white photograph taken from the direction of flowing water as it runs over a gold sluice. In the foreground the banks of the creek are covered in grass and shrubs, before transforming into earthen slopes after the water drops down; the gold sluice is in the water towards the background, where the creek turns left. Behind the sluice, the far bank of the river is covered in logs, ferns, and shrubbery. The reverse of the photograph features handwritten annotation in pencil, including an accession number.Reverse, pencil: "Prospect Bend / [crossed out] Emerald Park[?] / 10 / Sluicing for Gold. / near Menzies Creek + Monkey / Dung Creek / near (A'Vard Park) / Creek / Flows into Leigh Aslings Dam then / out again"emerald, menzies creek, gold mining, 1900s, 1890s

The vineyards exhibition was mounted by the Sunbury & District Heritage Association in the former George Evans Museum from August 1996 to January 1997. It featured the establishment of the vineyards and the wine industry in Sunbury from the 1860s to the present day. From the early days of European settlement in Sunbury, it was found that the soils and climate suited the growing of grapes, especially the east facing slopes along Vineyard Road. A number of people of German origin established vineyards along there. By the end of the nineteenth century and limited spending power as a result of the 1890s depression, the demand for wine declined in Victoria with beer being the preferred beverage.While Phylloxera destroyed the vines in many areas of Victoria, Sunbury's grapevines were not affected. As the demand for wine increased in the 1960s - 70s, some vineyards in the Sunbury area were replanted.The vineyards established in Sunbury in the 1860s were one of the earliest agricultural pursuits taken up by European settlers in the area and remained an important industry for 40 years.A non-digital coloured photograph of a display board advertising an exhibition of vineyards in the Sunbury area.vineyards, sunbury, vignerons, wine production

While the caption on this postcard says 'Gembrook', Menzies Creek does not run to Gembrook; it diverges from Woori Yallock Creek at Butterfield Reserve in Emerald and then runs to the town of Menzies Creek. This makes it more likely that this photograph is from Emerald or Menzies Creek, with the annotation on the reverse suggesting it was near Butterfield Reserve and therefore in Emerald. It is part of Melbourne's V.S.M. (Victoria Stamp Market) Series, printed in Prussia, Germany alongside several similar hand-coloured postcards in our collection. This postcard is believed to originate from c. 1905, but the image itself - depicting a gold washing bath on Menzies Creek - might be older. Gold mining in Emerald was most popular in the 1850s and 60s. However, gold mining on Menzies Creek reopened in the 1890s depression, which is a more likely source of this photograph.This postcard is significant for its relative uniqueness as a colourised depiction of Emerald's gold mining history.This item is a hand-coloured photographic postcard. The reverse has empty message, stamp, and address sections, with a small handwritten annotation in pencil and printed publication information. The photograph is accompanied by a printed caption in the bottom-left. It depicts a creek running through a wooden trough, surrounded by greenery - trees, shrubs, and ferns, in particular. The paper is slightly yellowed.Obverse, Caption: "Gold Washing Bath, Menzies Creek Gembrook" Reverse: Handwritten Annotation: "Menzies Creek near Butterfield Park / GOLD" Printed Label, Vertical: "Printed in Prussia" Printed Label, Horizontal: "V.S.M. Series, Melbourne"emerald, menzies creek, gold mining, 1890s

The model is an example of the type of goods wagons they manufactured at Wright & Edward Carriage Works, Braybrook Junction (Now Sunshine). The company also made passenger cars. Wright & Edwards was one of the earliest major industrial firms in what became Sunshine, operating in the 1880s–1890s as a railway carriage and wagon manufacturer. The company collapsed in the 1890s depression, but its legacy survives in street names and the Railway Station Estate. The factory stood near the Sunshine railway station area, later redeveloped as the Sunshine Reserve (Sports Ground), later to be renamed as the J.R. Pasons Reserve. This area became part of the Railway Station Estate, one of the earliest residential subdivisions in Sunshine and many of the streets are named after company directors or senior executive offices such as Wright Street, Standford Street, Morris Street, Chapman Street, Benjamin Street Couche Street (Couch Street).Plastic model railway goods wagonwright and edwards, railway, braybrook junction

While the caption on this postcard says 'Gembrook', this photograph is believed to be from Menzies Creek (where VEMUP0840.1 and VEMUP0840.3 were taken). Menzies Creek does not run to Gembrook; it diverges from Woori Yallock Creek at Butterfield Reserve in Emerald and then runs to the town of Menzies Creek. This makes it more likely that this photograph is from Emerald or Menzies Creek, with the annotation on the reverse suggesting it was near A'Vard Park (where Menzies Creek intersects A'Vard Road) and therefore in Emerald. It is part of Melbourne's V.S.M. (Victoria Stamp Market) Series, printed in Prussia, Germany alongside several similar hand-coloured postcards in our collection. This postcard is believed to originate from c. 1905, but the image itself - depicting a gold washing bath on Menzies Creek - might be older. Gold mining in Emerald was most popular in the 1850s and 60s. However, gold mining on Menzies Creek reopened in the 1890s depression, which is a more likely source of this photograph.This postcard is significant for its relative uniqueness as a colourised depiction of Emerald's gold mining history.This item is a hand-coloured photographic postcard. The reverse has empty message, stamp, and address sections, with a small handwritten annotation in pencil and printed publication information. The photograph is accompanied by a printed caption in the bottom-left. It depicts a walking track running alongside a channel or creek, with both approaching from the centre of the background to the left of the foreground. They are surrounded on either side by trees, shrubs, and ferns. The paper of the reverse is slightly yellowed.Obverse, Caption: "Track through Bush, Gembrook" Reverse: Handwritten Annotation: "Water race along the Menzies Creek / near A'Vard Park. / GOLD" Printed Label, Vertical: "Printed in Prussia" Printed Label, Horizontal: "V.S.M. Series, Melbourne"1890s, emerald, gold mining

The Hoffman company was established in 1870 to mass-produce bricks using the Hoffman patent kiln and the Bradley and Craven brick press. Once established the company entered a period of expansion aided by Melbourne's building boom from 1870 to 1890. During this time approximately ten brick machines were in operation producing some 18,000 bricks per hour. An extensive pottery works were established initially supplying mainly tiles and drainpipes and later domestic pottery such as the company's Melrose ware. The company even had its locomotive shunt the works siding which connected with the Victorian Railways at South Brunswick. By 1890 Hoffman was the largest brick and pottery works in Victoria, however, the 1890s depression halted company expansion. The company joined the Brick Co-operative when it was formed in 1896. The cooperative regulated prices and output from member brickworks. As the depression ended business picked up and the works were expanded to increase the production of stoneware pottery, especially domestic wares. The brickworks, however, never recovered the momentum of the early period. During the 1920s and 1930s, the works gradually ran down, and following the Second World War, production reached an all-time low. The No.1 works were stripped and sold. (For further information regards Hoffman Kilns see note section of this document.) An item made in Melbourne by at the time the largest pottery works in Australia making industrial and domestic wares for the home and building industries. Stoneware Demijohn jug with cream and brown glaze. Printed around base of jug, MELBOURNE, 1929"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, melbourne, 1929, stoneware jug, hoffman potteries

"The Mechanics Institute movement flourished in Victoria from 1839 to 1950. It was based on the development of Mechanics’ Institutes in Scotland and England from the 1820s, which were intended to educate and enlighten the working classes. The term ‘mechanic’ in those days meant an artisan, craftsman or working man, especially those who had moved from rural areas to work in new city factories during the Industrial Revolution. The early Institutes were usually equipped with a reading room, a library and a lecture room. Although enjoying mixed success in Britain, they contributed to the development of public education and library services. The movement was adopted more enthusiastically in the colonies. It began slowly in Victoria but its expansion after the gold rushes population influx was rapid, especially in rural areas. Every suburb and town wanted to have a Mechanics’ Institute. During the 1850s approximately forty Institutes were established, with even greater growth in the period 1860 to 1900. By 1900 there were 400 Institutes in Victoria. The establishment of a Mechanics’ Institute was often a great achievement for a local community, requiring organising committees to raise substantial funds for a building site (where this had not been granted by the Government), and the building. Once built, the committee then had to purchase books, provide a caretaker or librarian, and finance the ongoing use of and improvements to the building. ‘The history of many Institutes is a story of tremendous community effort, and often, financial difficulties’. In addition to being monuments to local enterprise and community life, the Mechanics’ Institutes played a vital role as an intellectual forum, and in contributing to an informed and participatory democracy in the late nineteenth and early twentieth centuries. They provided journals and other reading matter on local, state, national and international issues, and hosted of lectures and held debates about wider issues such as Federation, colonial nationalism, defence, female suffrage, the price of land and labour. With the development of the school and technical education in the latter part of the nineteenth century, the need for community technical and adult education declined. As a result of the introduction of government library grants in 1867, many Mechanics’ Institutes incorporated a free library in their buildings to finance collection of their books. By 1884-85, there were 257 free libraries in Victoria. However, government support and library grants dropped off in the 1890s depression. Entertainment took on a greater role in the 1890s, with the introduction of moving pictures, billiards rooms, games rooms (chess), concerts and dances. The First World War had a devastating impact on many rural communities, and some Mechanics’ Institutes were no longer viable. On the other hand the early twentieth century was also a time of agricultural development, and many country towns were growing in this period. The 1930s depression further limited growth of many libraries and reduced grants substantially. In response many Mechanics’ Institutes were renamed, for example as memorial halls, in order to retain and attract more patrons (eg at nearby Sunbury). The diminishing role for Mechanics’ Institutes and the preference for larger and better appointed halls (with supper rooms, cloak rooms etc) resulted in demolition of some small Institutes. The advent of cars, radios, and television also provided other opportunities for recreation, learning and entertainment. The greater role of municipalities in providing library services also eroded the need for free libraries. While over 500 Mechanics’ Institutes or halls are extant, very few of these retain their original role as ‘diffusers of useful knowledge’. Most are still available for community purposes, as venues for meetings, socials, civic occasions etc, while others are employed as museums, shops and theatres. Most buildings are on Crown land, and managed by a delegated committee of management, who are responsible for raising revenue to maintain aging buildings. Many of those which were originally established on private land, such as Melton, have since reverted back to the Crown, and municipal Councils. The most common Mechanics Institute building form is the simple weatherboard gable building with iron roofs, notable for their ‘honest simplicity’ rather than as ‘monuments of the ancients’. At the other extreme there are some magnificent two storeyed brick and stucco structures with elaborate ornamentation (as was apparently envisaged by some in Melton in 1905-10)". The future of Melton Mechanic Institute Gazette articlelocal architecture

This secondary school textbook looks at life in Australia during the depressions of the 1890s and 1930s.Paperback, 92 p. illus.Signed Faye Fort on title page.australia history, great depression 1930s, economic depressions

This is a booklet with a cream cover featuring a sketch of a woman waterskiing and blue printing. The pages contain black and white photographs, advertisements, two maps and printed text. There is one fold-out page. The booklet is stapled and bound with glue.non-fictionWarrnambool Tourist Guidewarrnambool tourism, warrnambool progress association

Rabbits are recognised as a pest in Australia. They were often trapped and eaten especially during the depression years of the 1890s and 1930s but also the 1950s and 1960s. Steel-jaw traps work by snapping shut on the leg of an animal, holding it until a trapper arrives, or until the animal dies or wrings its paw off. They became illegal in Australia during the 1980s on animal cruelty grounds. Some old rabbit traps are valuable.Used by residents in the Kiewa ValleyA steel jaw trap has jaws that are designed to spring together. It is illegal to use them in Australia. 2 of the rabbit traps are 'S. Griffiths 3 stars IXL Ref. "one of the pioneers, well known among long-experienced trappers' Page 21 Farmyard Relics by Ken Arnold. The other trap ha a picture of a bird engrave on it.rabbit traps, steel-jaw traps

Kept by Robert POWELL at 175 Bay Street, Port Melbourne, and discovered c1980 at rear of the premises 173 by Arnold GOETZ of Alfred M NOTT when moving in. (Fred NICHOLAS, Chemist, had been previous occupant for 50 years). 'Particulars of pledges' register from pawn shop Johnny Allsorts of Bay Street. Dark blue fabric cover bound in leather. One of three from the 1890s, this from 22.4.1891 to 23.3.1892depression, business and traders - pawnbrokers, robert powell, elizabeth powell, bay street, johnny allsorts pawnbroker, arnold w goetz