Photographic Album - 19th Century Portraits. This album is in a handsome leather tooled cover with brass ring clasp - pages have gold edging to match the gold tooling on front cover.This album comes from ''Old Box 94'' which generally contains ephemera from Merle Bush. However, this album has no identifying inscriptions (but see the following notes). There are approx 44 portraits of children, males, females, mixed groups taken by a range of studio photographers (Sandhurst, Melbourne, Stuttgart and possibly from other cities?) There appear to be no inscriptions on the reverse of these photos - but not all have been removed for checking. One photograph (R Dermer Smith, Sandhurst has a photograph Number #753 on reverse and show a man/boy?, woman and child on the front verandah of a house. There are 6 loose cards within the book which may give some indication as to the family connection; 1. Mr W Tainsh - Echuca; 2. Frau Pastor Leypoldt - Lutheran Parsonage, Bendigo; 3. Miss H Janie Schleiger; 4. Citizens' Life Assurance Co Ltd - Represented by A A Brooker(?); 5. Card with inscription in German below print of ? Luther) and handwritten text in German on reverse (difficult to read), date 11/11/83; 6. black bordered card ''In Memoriam'' (no name).cottage, miners

This album contains photos done on photographic paper while others are on exposed metal. Some are named, among them a Thomas or Edward Wickham, Fred Giles, Mrs. F Giles, Mary Humphrey Wickham, Jack Giles, Eliza Hornsby. Some of the photographs have been taken by Warrnambool photographers including Daniel Clarke. This album shows two different methods of photography which existed in the mid to late 19th century. With a number of the photos named it would suggest that there is some family connection between them which provokes an interest from a genealogical point of view. Red leather cover with circular pattern with black edging which sits around rectangle on front and back. Brass metal clasp. Pages are edged in gold. First pages has photo of woman leaning on back of couch and last page has cut out coloured picture of three children with garlands of flowers.Stamp inside front cover, Hider, Charles Liebig St, Warrnambool.warrnambool, photo album warrnambool, giles family album, 19th century album, giles, wickham, hornsby, daniel clarke

Page taken from old album with four photographs relating to San Remo, Newhaven & Cape Woolamai.4 Black & White photographs taken from an old album 19th century 256-01. Griffith's Point Hotel, San Remo 256-02. Captain Clarke (died 1904) - San Remo Jetty behind his head, left centre is the Pier Hotel, now Western Port Hotel. 256-03. Newhaven Pier looking across to San Remo - Griffith's Point Hotel on the right. 256-04. Cape Woolamai - Mutton Bird Egger's Camp, Bergins' Bay.griffith's point hotel san remo, captain clarke, mutton bird eggers' camps cape woolamai, mutton bird egg collectors, l heazlewood, newhaven pier phillip island

The inscription in the book indicates that it once belonged to Edwin J Dale, who may have received it May 13th 1901, the date on the inscription. The album was made in Germany and has English, German, French and Spanish language on the fly page. It has 2000 pockets for holding stamps and is illustrated. The printer, Spottiswoode and Co., was established in 1738 by William Strahan, with premises in New Street Square, London. The growing firm advertised as Printers, Lithographers, Stationers, Electrotypers, Publishers, and Booksellers and by 1914 there were 1,000 employees.The stamp album is of Victorian vintage and shows that at the end of the 19th century people collected stamps. It represents the hobbies and past times of the people of that era.Illustrated Postage Stamp Album. Publisher: Lalso by CF Lucke, Leipzig, Germany Printer: Spottiswoode & Co Ltd, London Date: 1908 Red hardcover, illustrated with a robed figure image and text in English, German, French and Spanish. Book has information, advertising and pages divided into blank squares for attaching stamps. Some pages have cutouts where squares would have been, perhaps holding stamps. An inscription with the name Edwin J Dale, 13 May 1901 is on the first turned page..Inscription: Edwin J Dale, May 13th 1901" Cover: "Illustrated POSTAGE STAMP ALBUM" Inage on cover: "within a floral border, a robed figure wearing a winged helmet, holding a staff with two snakes in one hand, and a sealed letter in the other." Fly: "Registered" "Schaubeks Postage Stamp Album" "Victoria" "Briefmarken"[German - stamps] "Pour Timbres-poste" [French - for postage Stamps] "Para Selloyde Correo" [Spanish - for postage stamps] "With 1070 reduced illustrations, 2200 blank cases for stamps" (also in German, French and Spanish) "Made in Germany"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, illustrated postage stamp album, postage stamp album, stamp album, book, postage stamp, stamp, edwin j dale, may 13th 1901, stamp collecting, german stamp album, spottiswoode & co ltd, germany, cf lucke leipzig, cf lucke, leipzig

Commercially printed Song book with blue cover featuring small portrait of composer. Contains words and music scores for 8 songs by Franz Schubert.non-fictionmusic, sheet-music, entertainment, indigenous songs, songs, franz schubert, allan and co music

Dora Walker (married 1928 taking the name Simpson) had a long association with the Mission as a member of the Ladies Harbour light guild. This image is similar to another image in the collection which depicts the garden of the Walker family where many fund-raising events and hosting of seafarers took place. Rev Weller dates the image to around mid to late 1920s. In the 1960s and 70s Dora was president of the LHLG which later merged with the Flying Angels. She was awarded the MBE for her services to the community in the 1970s. Dora's son David Simpson is a volunteer still iat MTS n the 21stC. The Walker and Simpson families are examples of long association and commitment supporting the Mission to Seafarers. As they are researched it is clear the stories of these families document not only support for the Mission but are also shown to have been significant contributors, leaders and donors to the broader Melbourne and Victorian community from the 19th Century and up to the present day. The photograph shows the garden in its early years.Group portrait depicting 4 men in suits standing (reverend Weller on the right), a man sitting on the grass, next to a woman in white summer dress (Dora Walker), sitting on a chair in front of the men. They are photographed outdoor probably in the mission's garden (in the background we can see the letters E-EX on a building wall, thought to be from the Extension Bond and Free Stores located next to the mission at the time)dora walker, reverend reginald weller, picnic, cadets, officers, lhlg, amy dora walker, dora simpson, mission's garden, flinders street, mission to seafarers, seamen's mission, mission to seamen, ladies harbour lights guild, melbourne, lawn, grass, trees, plants, peppercorn tree, weller album, dora simpson nee walker

"The marine Hydrographers of the British Admiralty wanted desperately to chart a safe passage through the Great Barrier Reef and the gap between the northern tip of Australia and Papua New Guinea, which would open up the new colony to the East Indies trade. They commissioned the Rattlesnake, a 28 gun frigate of the Royal Navy, whose captain was a keen amateur artist and whose name, Owen Stanley, was given to the mountain ranges of PNG. After the passage out, Stanley brought aboard Oswald Brierly, later to be the marine painter to Queen Victoria, and together these men made two voyages through the Great Barrier Reef, painting and sketching all the while. They produced a visual record of 19th century contact between Europeans and the indigenous people of Northern Australia and New Guinea in an album which contains the original of this copy. It is held in the Mitchell Library in Sydney." (ref. State Library New South Wales) Sir Oswald Brierly, a young marine artist, arrived in Sydney in 1842 on the yacht Wanderer. Settling at the whaling station of Boyd Town in Twofold Bay, he painted extensively and left a vivid account of the whaling life during the five years he spent there. However it was the open sea and adventure that lead Brierly to accept a position on the HMS Rattlesnake as shipboard artist. This item is associated with the anchor of the The Rattlesnake. This anchor is in the main street of Orbost in front of what was once the museum.This is a copy of a picture of the H.M.S. Rattlesnake at sea with a canoe of Aborigines rowing towards it.h.m.s.-rattlesnake brierly-oswald stanley-owen

George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator.. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. George Cruikshank was inventive. In the 1800's, puns and other forms of word-play were loved by all. Some of these illustrations come from his 'Scraps and Sketches' album, published for adults in 1832, though the drawings were done between 1828 and 1832. Volumes of George Cruikshank's Scraps and Sketches were intended to be cut and pasted in home-made albums and scrapbooks; George Cruikshank was a well-known British caricaturist and book illustrator. This item represents this popular art form of the early to mid 19th century.A collection of artworks (copies of etchings) of George Cruikshank. They are bound together with masking tape. The pages are dated 1828-1823. They are satirical cartoons printed in black ink.on front : "V BROOME with CANN RIVER crossed through ORBOST 78 PERRY ST 5154 2855"

The magazine was produced as a tribute to Lillian Roxan who was a great Australian and an international journalist. It is not dated but was published by Sungravure Pty Ltd circa 1974-75, The editor, Ailsa Craig wrote for the the magazine Woman's Day in the 1950s and 60s. she had an active career in journalism from 1960-1980. it contains b/w and sepia photographs. This magazine style paperback book contains photos of an earlier Australia.A paper magazine - AUSTRALIA ALBUM -THE PAST IN PICTURES. It contains prints of historic photos. On the front cover is a portrait of three young children dressed in early 19th century clothing. This is inside an oval frame with a gold border. There is a wreath of colourful flowers and butterflies surrounding this.The title is printed in red at the top. In the top right-hand corner is the price $1.50. It was edited by Ailsa Craig and contains photos and text from readers of Womans Day, The Sydney Morning Herald, the Sydney Mitchell Library and the Department of the Army. The magazine style book has 94 pp.magazine photos roxon-lillian craig-ailsa

The clock was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. Thomas Gaunt History: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade, Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. Post Office and Clock History: Warrnambool’s Post Office has been in existence since 1857, when it was originally situated on the corner of Timor and Gilles Street. In March 1864 the Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25, “to be put up in front of the Post Office”. Henry Walsh Jnr was the eldest son of Melbourne’s Henry Walsh, maker and retailer of clocks, watches, thermometers and jewellery. In 1854 Henry Walsh Jnr. began business in Warrnambool as a watchmaker and jeweller later becoming a Councillor with now a local street named after him. The Post Office was extensively remodelled in 1875-76. Early photographs of this building show that the clock was installed on the northern outside wall, Timor Street, under the arches and between the 2 centre windows, where it could be seen by passers-by. Although spring loaded clocks date back to the 15th century, and fob and pocket watches evolving from these date to the 17th century, personal pocket watches were only affordable to the very fortunate. Public clocks such as this Post Office clock provided opportunity for all to know the time, and for those in possession of a personal watch to check and set their own timepieces to the correct time. During post office reservations during the 1970s the clock was removed and was eventually donated to the Flagstaff Collection. The Clock’s maker Thomas Gaunt, is historically significant and was an established and well renowned scientific instrument and clock maker in Melbourne during the 1860s. He was at that time the only watchmaker in the Australian colonies. In the 1870’s and 1880’s he won many awards for his clocks and was responsible for sending time signals to other clocks in the city and rural areas, enabling many businesses and organisations to accurate set their clocks each day. Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25 and the clock used to stand in front of the Warrnambool post office to allow ordinary citizens to set their time pieces as they walked by. The item is not only important because it was made by a significant early colonial clock maker and retailed by a locally known clock maker and jeweler but also that it was installed in the Warrnambool Post Office a significantly historical building in it's own right. Built in 1857 and regarded as one of the oldest postal facilities in Australia, with a listing on the National Heritage Database, (ID 15656). This 1864 hall clock originates from the Warrnambool Post Office. The clock glass is hinged to the top of the clock face and has a catch at the bottom. The metal rim of the glass is painted black. The clock face is metal, painted white, with black Roman numerals and markings for minutes and five minutes. The tip of the small hour hand is shaped like a leaf. "T. GAUNT / MELBOURNE" is printed in black on the clock face. The winding key hole is just below the centre of the clock face. The key winds a fusee chain mechanism, attached to the brass mainspring barrel that powers the pendulum with an 8-day movement. The speed of the clock can be adjusted by changing the position of the weight on the pendulum, lengthening or shortening the swing; raising the pendulum shortens its swing and speeds up the clock. The metal fusee mechanism has an inscription on it. The rectangular wooden casing is with a convex curve at the bottom that has a hinged door with a swivel latch. The original stained surface has been painted over with a matte black. There are two other doors that also allow access to the clock’s workings. The case fits over the pendulum and workings at the rear and attaches to the clock by inserting four wooden pegs into holes in the sides of the case then into the back of the clock. A flat metal plate has been secured by five screws onto the top of the case and a hole has been cut into it for the purpose of hanging up the clock. There is a nail inside the case, possibly used for a place to the key."T. GAUNT MELBOURNE" is printed on the clock face. “6 1 3” embossed on the back of the fusee mechanism behind the clock. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, clock, warrnambool post office, fusee, henry walsh jnr, thomas gaunt, t gaunt & co, post office clock

This item is a photograph album that would have been owned by a person or family in the late 19th or early 20th centuries. In most cases (but not in this one) family photographs would have been mounted in the pages and kept as part of a family’s history. Albums such as this one, with photographs, would then become family heirlooms and treasured as such. They would have been expensive to buy at the time so were the province of the more affluent. This album, in very good condition, is beautiful, aesthetically-pleasing and redolent with the history of earlier times. This album is retained as a beautiful example of the type of photograph album that the more affluent members of society would have owned over a 100 years ago. This is a leather covered photograph album. The cover is brown with ornamental floral scrolls and ornamental gold panels. Some of the gold etching and some of the leather areas have worn away. The spine has ridged gold bands with the gold etching heavily faded. The metal clasp that closes the pages is made of silver (tarnished) and is of a decorative pattern. The sixteen pages are made of heavy stiffened cardboard and have centre cut-outs (to contain photographs). These cut-outs are oval and rectangular (arched at the top) in shape and are outlined in gold. On every second page, the cut-out is decorated with sprigs of flowers delicately painted in colour. The pages are gilt-edged. There are three loose sheets of paper which look to be original backing pieces for photographs. There are no photographs in the album.warrnambool, antiquarian, photograph, album

The album is described as belonging to Christopher Underwood. It has been in the possession of Marie Black nee Underwood and upon her death it was her wish that it be donated to the Heytesbury District Historical Society. The album contains 105 images, mostly professionally produced carte de visit portraits. Only 5 of the images are named. The majority of them were produced between the late 19th Century and the early 20th Century. The Underwood family were pioneers in the Newfield District One of the images shows Evelyn Underwood. Evelyn is the only woman who appears on the Port Campbell WW1 Honour Board.Leather bound photo album with brass claspphoto album, newfield, early settlers

This album has been produced in Germany at the end of the 19th century for the Warrnambool tourist market. It was sold in the book shop of Walter Davies. The father of Walter Davies, also called Walter, was a law clerk and accountant who established the book and stationery shop in Timor Street in the late 1860s. The business was operated by Walter Davies Senior, then his son and later the grandsonThis album is of interest for several reasons:- 1. It is an interesting example of the type of tourist souvenir available to visitors to Warrnambool in the late 19th century. 2. It contains 13 photographs of Warrnambool in the late 19th century and these are of considerable historical value. 3. It is a good example of the type of articles sold by Walter Davies at his Timor Street shop in 1894. This is a hard cover folder containing 13 black and white photographs of Warrnambool and surrounds. The photographs are on several sheets of white paper joined together in concertina fashion to fit into the folder but they have become detached from the folder. Some of the photographs are torn at the edges. The cover of the folder has embossed gold lettering and the narrow spine is faded and the front cover is a little torn and stained. The inscription. ‘Xmas 1894’ is handwritten in black ink. ‘Picturesque Views of Warrnambool Victoria’ ‘Walter Davies, Bookseller & Stationer, Timor Street, Warrnambool’ ‘Printed in Germany’ ‘Xmas 1894’ picturesque warrnambool,, picturesque views of warrnambool, walter davies

This book was written by Charles Haddon Spurgeon (1834-1892), a famous and influential English Protestant preacher who attracted a great following in the 19th century, not only in England, but throughout the British Empire and U.S.A. He reached the masses by producing many religious tracts, costing one penny, and publishing his sermons and his John Ploughman books with their simple homilies. These books were sub-titled ‘Plain Talk for Plain People’ with the copy we have being the second in the series labelled ‘140th thousand’ and published in 1892, the year of Spurgeon’s death. It appears that Spurgeon’s books were in many a home in Warrnambool in the 19th century. This book is of great interest as one which was familiar to many residents of Warrnambool and district in the 19th century. Charles Spurgeon was apparently widely known to Warrnambool residents in the 19th century. The Warrnambool Examiner newspaper frequently carried news items about Spurgeon’s eloquent preaching and the crowds he was drawing. It also published some of his sermons from time to time and reported at length his final illness and death. One of the unidentified photograph albums in the collection of the Warrnambool and District Historical Society contains a photograph of Charles Spurgeon and his wife. This is a book of 158 pages with some of the pages missing at the end. The book is coverless and held together with string and a piece of glued paper. The text has 38 short instructional articles with many black and white illustrations. The first and last pages are torn and almost detached. history of warrnambool, charles spurgeon

This is the biography of Charles Haddon Spurgeon (1834-1892), a famous and influential English Protestant preacher who attracted a great following throughout the British Empire and U.S.A. He reached the masses by producing many religious tracts costing one penny and publishing his sermons and his John Ploughman books with their simple homilies. It appears that many of his books were in Warrnambool homes in the 19th century.This book is of interest as it details the life of Charles Spurgeon, a person whose sermons and writings were familiar to many people in Warrnambool in the 19th century. The Warrnambool Examiner newspaper frequently carried news items about Spurgeon’s eloquent preaching and the crowds he was drawing. It also published some of his sermons and reported at length his final illness and death. One of the photograph albums in the collection of the Warrnambool and District Historical Society includes a photograph of Charles Spurgeon and his wife, thus appearing to indicate his popularity and influence extended as far as Warrnambool and district. This is a hard cover book of 330 pages. The cover has a mauve background with gold lettering on the front cover and spine. The front cover has an image in gold of the Spurgeon’s home and an image in black and grey of the Metropolitan Tabernacle. The spine has an image in gold, black and grey of Charles Spurgeon. The book has 19 chapters and 20 black and white illustrations. There are several pages at the back of the book advertising books by the publisher (Walter Scott Press). charles spurgeon, history of warrnambool

This album contains a collection of portrait photographs taken in the later part of the 19th Century. Some of the photographers listed on the back include Stewart & Co., Bourke St East, Melbourne, Theodor Bloch Trafalgar St Nelson, A McDonald St George’s Hall Bourke St East Melbourne, G Kendall, Echuca and E. Goulter Prahran. The sepia photographs depict people of different ages. Winnie Willock was born in Warrnambool around 1882 and served as a nursing sister in World War 1enlisting in October 1915 and returned in 1919.https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=8855203 A typical photo album of the time. It has social significance as far as costume and styles are concerned.Dark green leather album with brass metal lock and embellishments on front and back covers The same pattern is repeated on spine. Gilt on edges of pages. Sepia photographs are set in card inserts.Winnie Willock Ventnor Warrnambool, written in black pen on inside front page. A W Willock Ventnor No 14 inside front cover.winnie willock, ventnor, ww1, first world war, great war, 1914-1918, nursing, warrnambool, photo album

This album contains a collection of family photos, greeting cards and hand drawn floral emblems. Among the photographs are two which have details on them: a young girl named Margaret Clarke aged 8 1870 and another of Charles Alexander Clarke. The photographers are from many places including Britain, Melbourne, Portland and a number by Daniel Clarke of Warrnambool. Daniel Clarke was one of Warrnambool’s more important photographers, operating a business for thirty years in the town. He also worked as an artist and taught art in local schools. He painted a number of versions of Tower Hill. He died in 1918 at the age of 91.This album shows a collection of photographs and cards which were important to families in the later part of the 19th century. It has artistic and historical significance, with the photographs in particular depicting many different styles of clothing and household details of the time. Brown leather with a figured pattern and gold detail. Bent metal clasp Back cover in cross-hatched pattern. Spine has 5 horizontal lines. Edges of pages are edged in gold. Pale grey water wave patterned paper inside front and back covers. Pages inside are varied with some having coloured floral embellishments while others have pockets to hold from 1 to 4 photographs or card. One photograph of young boy has Charles Alexander Clarke written on bottom in black pen. A card with illustration of honeysuckle on front, has With Love to Mrs. Smith from Isabel,warrnambool, history of warrnambool, margaret clarke aged 8 1870, charles alexander clarke 1870, daniel clarke photographer

This album contains a number of local coastal and seascapes including Thunder Point, views of local streets such as Liebig and Fairy streets, panorama views of the town from Manse Hill and Booval Hill and the Botanic Gardens. Buildings included are Cramond and Dickson, St Joseph’s Church, the saleyards. The book itself would have been used by patrons of the Western Hotel when J Fox was licensee, from 1880 until 1887. The hotel had been operating since 1870 when William O’Brien applied for a publican’s license for the house on the corner of Timor and Kepler Streets with five sitting rooms and eight bedrooms. The stone building was designed by Andrew Kerr and built by Williams & Co. The Western Hotel was also the booking office for Cobb and Co Coaches which operated until the railway came to town in 1890. This album has historical significance on different levels. Firstly the photographs provide a view of Warrnambool in the late 19th century. The photos are aesthetically and artistically significant. Many of the buildings in the streetscapes are still recognizable. Secondly the Western Hotel has occupied a prominent site within the CBD for nearly 150 years. It has links to Cobb & Co, an important part of early Australian transport. Large hard covered album. Dark green cover with title in red rectangle on front cover. Text in gold lettering. A variety of photographs mounted on card.Chuck Photo Ballarat on front cover. Small cutting pasted inside front cover, reads as follows,” Will and Estates. Joseph Fox, late of Grosvenor Street, Balaclava who died on 29th July by his will of 11th August 1915 left 3737pounds real estate and 2342 pounds personality to relatives. warrnambool, warrnambool history, warrnambool photographs of the past, western hotel photographs

This album contains a number of photographs of British royal family, ministers of religion persons of renown such as Florence Nightingale and family members. Most are named.This album contains a typical collection of photographs which people of the later part of the 19th century put together of people of importance, especially the royal family and leaders of state. Religion also played a major part in the lives of people at that time hence the inclusion of the ministers. Small green leather bound cover with geometric pattern. Two metal clasps. Edges of pages edged in gold. First page is photograph of page from the Book of Proverbs snd last photo is of prince Alfred with ships in the background.warrnambool, photograph album of warrnambool

According to the front page this autograph book belonged to Patricia Spencer of Spencer Street, Dartmoor. Dartmoor is a small settlement on the Princes Highway between Heywood and the South Australian border. It was first settled in the late 1850s and the main industry is the processing of timber from the surrounding pine plantations. Patricia Spencer attended Warrnambool High School in the late1930s and this album contains a number of entries from Warrnambool High School in 1938. It also has a page of eleven signatures of the Head Master, George Langley and other teachers from Warrnambool High School. There are also entries from people from Mortlake and Panmure and other entries with the person’s address not indicated. Autograph books such as this one were commonly owned by young people in the 19th and 20th centuries (up to about 1950) and were very popular with young girls.This album, although incomplete and tattered, is of interest because it is a good example of the social custom, more popular a couple of generations back than it is today, of young people owning and obtaining signatures and verses from their friends and acquaintances. It is also important because it contains signatures of Warrnambool High School teachers in 1938 and there are other entries of interest. This is a small autograph album that was originally bound with a cardboard cover with red leather backing but now has no front cover and only part of the back cover. The pages are all loose and the front section (buff-coloured) has a cardboard piece with felt padding. The pages are coloured in a variety of pastel tones and there are many handwritten entries of verses and signatures, with several from the ‘B’ Form, 1938, of ‘W.H.S. (Warrnambool High School). The album appears to have belonged to Patricia Spencer from Dartmoor. Some of the pages are torn and stained. At the back there are remnants of a sketch of an Asian scene and a letter to ‘Pat’ for her birthday. ‘Autographs’ ‘Patricia Spencer, Spencer Street, Dartmoor’ autograph albums, patricia spencer, warrnambool

Black leather covered album containing forty two drawings and paintings belonging to the Harris Family of Axedale. Written on the front cover of the album in gold paint is the name George Harris. The album has been used as a folio to hold the artworks. The artworks vary in size and those with dates range from 1886 - 1942. Nineteen are signed or initialled by George Harris and six by D Harris. One is signed by W W May. The others are unsigned. There is a range of mediums - pencil, water colour, chalk, charcoal, paint. They are mostly country landscapes, many including structures such as fences and bridges, some with farm animals, some with water. The D Harris collection includes a cat and a goblet. Study of a French Fishing Boat. Watercolour by Captain Walter William May. https://www.istockphoto.com/vector/study-of-a-french-fishing-boat-19th-century-gm1143359556-307028737 G Harris and D Harris signatures on some. W W May signature on one.harris family, axedale

The image compilation provides a historical record of old landmarks in the Sunshine area, and also provides images of what the sites look like in recent times.Remember When Sunshine Landmarkssunshine hospital, civic halls, churches, fire brigade, schools, hotels, harvester works, kororoit creek, swimming pools, sportes grounds, john darling flour mill, explosives and munitions factories

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album compiled by John Chapman about the Kew Heights Sports Club.A PHOTOGRAPHIC RECORD OF KEW HEIGHTS FOLLOWING ITS FORMATION IN MAY 1998 / PRESENTED BY JOHN CHAPMANkew heights sports club - 397 barkers road - kew (vic), john chapman

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album compiled by John Chapman about the construction of the synthetic green at Kew Heights Sports Club in 2005.PHOTOGRAPHS OF THE CONSTRUCTION OF THE KEW HEIGHTS SYNTHETIC GREEN APRIL-MAY 2005. PHOTOGRAPHED AND COMPILED BY JOHN CHAPMANkew heights sports club - 397 barkers road - kew (vic), bowling greens

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album showing aspects of the inaugural season of the Ladies Bowling Section of the Kew Heights Sports Club in 1998/1999kew heights sports club - 397 barkers road - kew (vic), kew heights sports club - ladies bowling section

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album showing aspects of seasons 2007-9 inclusive of the Ladies Bowling Section of the Kew Heights Sports Clubkew heights sports club - 397 barkers road - kew (vic), kew heights sports club - ladies bowling section

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album compiled by John Chapman in 2006 detailing the history of the Bowling Greens at Kew Heights Sports Club. In the opening pages (photographed for this record), he lists the history of the greens and the greenskeepers. This information includes details of the Jackett Green (1904, 1974), the West Green (1956/1961), and the Doug Stride Green (1979)GREENKEEPING AT KEW HEIGHTS SPORTS CLUB / COMPILED BY JOHN CHAPMAN WITH TECHNICAL ASSISTANCE FROM ADRIAN RIGG JUNE 2006kew heights sports club - 397 barkers road - kew (vic), bowling greens - history - kew (vic)

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Photographic album of events and personnel of the Kew Heights Sports Club in the seasons 2010-11.PHOTOGRAPHS 2010 - 2011kew heights sports club - 397 barkers road - kew (vic)

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Small photographic album compiled by John Chapman of the installation of the synthetic green in 2005THE SYNTHETIC GREEN / BOOK 1 / APRIL - MAY 2005kew heights sports club - 397 barkers road - kew (vic), bowling clubs - synthetic greens, kew heights sports club