Worn by a local woman when working in South West Victoria in the late 1800s - early 1900sLadies outdoor bonnet, red cotton fabric with white spots. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, ladies clothing, late 19th century bonnet, 20th century bonnet, bonnet, 20th century, early 20th century bonnet

This style of bonnet was commonly worn outdoors by women in South West Victoria in the late 1800s - early 1900sThe bonnet is significant as a typical of women's outdoor headwear in Australia in the late 19th and early 20th century.Ladies outdoor bonnet, white cotton with narrow mauve stripes and small flowers. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, hat, bonnet, headwear, ladies clothing, late 19th century bonnet, early 20th century bonnet, women's fashion, australian fashion, australian millinery

This is a handmade item reflecting the style of baby wear in the early 20th century.A crocheted baby's cap. It is hand made in ecru cotton with a scalloped edge.headwear baby's-clothing bonnet

Bonnet was worn by Florence Oswin Roberts. She was a local identity involved in koala conservation in the early 20th century.Ladies bonnet made of a blue satin strip at crest, white satin strip, beige lace strip, white satin strip and trimmed with lace at neckline. Has blue ribbon ties.lace, ribbon, satin, clothing, millinery, bonnet, florence oswin roberts, oswin roberts reserve, phillip island, cowes

During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh

The can is an example of a mid-20th-century car accessory cleaning product, a part of the evolution of vehicles.Tin; metal tin once containing Leggett's Hood Dressing. The label is marked with the product details and price. 15 Fluid Ounce Can."Motor Product" "4/6" (4 shillings and six pence)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, leggett's, can, tin, great ocean road, hood dressing, car bonnet, car cleaning

Accompanying note: Donated by Mary Rama - this gown was sewn and embroidered by the (Ceylonese) Sri Lankan Carmelite Nuns in 1937 for Mary's mother.Cream Christening gown in fine cotton net with net embroidery, silk under garment, pink ribbons. Dainty net embroidered bonnet. Its ribbons were changed for boys and girls.Accompanying note: Donated by Mary Rama - this gown was sewn and embroidered by the (Ceylonese) Sri Lankan Carmelite Nuns in 1937 for Mary's mother.20th century, net, embroidery, christening gown