Showing 554 items matching 20th century women
-
Chiltern Athenaeum Trust
Photograph
... 20th Century Women... Women 20th Century Women Women's History Working Women Wilfred ...Clara Jane Matthews was born in 1870 as the eldest daughter of Robert Matthews. She married William Frederick Busse on the 5th of December, 1894 at St Columb’s church, Hawthorn. Clara and her husband lived on Main Street in Chiltern, and her husband was a Clerk of Courts in Chiltern and Wodonga throughout his life. Clara and William also owned a 640 acre farm called Clairedale Park, four miles (6.5km) outside of Barnawartha. They had both crops and sheep on the property, and adopted innovative farming practices. It appears that Clara was heavily involved in the farm business, as she is listed as a purchaser of sheep in multiple stock reports between 1914 and 1918. This is very unusual for the era, as women were not generally involved in stock markets, especially if her husband was still alive. Clara’s husband’s work at the court likely meant that he wasn’t able to travel to the markets in order to purchase stock. Clara’s taking the reigns in this manner was highly unusual, and signals just how strong of a woman she must have been. Clara Busse died in Chiltern in 1968, when she was 98 years old. She is also the mother of Wilfred C Busse, who was an author and a member of the Chiltern Athenaeum. This photograph is of a woman who lived most of her life in Chiltern, and undoubtedly contributed to the community of the town within her 98 years. She will most likely be remembered as the wife of William Frederic Busse, Clerk of Petty Sessions, or as the mother or Wilfred Clarence Busse, author and barrister. Although the records of her time almost entirely connect her with the men of her life, her father, husband and then her son, some digging can reveal that she was an entire person of her own, who broke norms of her time and is worthy of being remembered for her own sake.Black and white rectangular photograph printed on matte photographic paper mounted on board in a textured metallic frameObverse: Clara Jane Busse / (nee Mathews) / Mother of W. C. Busse / clara jane busse, clara busse, c j busse, busse, women in agriculture, remarkable women, 20th century women, women's history, working women, wilfred busse, wilfred clarence busse -
The Celtic Club
Book, Mary Banotti, There's something About Mary: Conversation with Irish women politicians, 2008
... women politicians Plates, p.190. Ireland - Politics - 20th ...Conversations with twelve Irish female politicians of the modern era.Plates, p.190.non-fictionConversations with twelve Irish female politicians of the modern era.ireland - politics - 20th century, women politicians - ireland -
National Vietnam Veterans Museum (NVVM)
Book, Damousi, Joy ed.,Lake, Marilyn ed, Gender and War: Australians at war in the Twentieth Century
... Sex role - Australia - History - 20th century Women and war ...War has been a key part of the Australian experience and central to many national mythologies. Yet more that most activities, war polarises femininity and masculinity, While there has been no shortage of military history, little has been written about Australia's military involvements from the perspective of gender. This exciting collection of essays explores for the first time the interrelationship of gender and war in Australia.War has been a key part of the Australian experience and central to many national mythologies. Yet more that most activities, war polarises femininity and masculinity, While there has been no shortage of military history, little has been written about Australia's military involvements from the perspective of gender. This exciting collection of essays explores for the first time the interrelationship of gender and war in Australia.sex role - australia - history - 20th century, women and war - australia - history - 20th century, men - australia - sexual behavior - history - 20th century -
Blacksmith's Cottage and Forge
Bowl, mixing
... in Austrailan kitchens in the late 19th and early 20th centuries. Women... and early 20th centuries. Women worked largely in the kitchen ...Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. Women worked largely in the kitchen producing three meals daily for their families and, on farms, for the workers or casual labourers.Local significance for the history of women's work, especially the domestic duties of baking and cooking. Round, cream-coloured, ceramic mixing bowl with pouring lip, fluted design.baking, cakes, mixing bowl, kitchenware, women s work, domestic utensils, home cooked meals -
Warrnambool and District Historical Society Inc.
Headwear - Lady's boudoir cap, Hat, Early 20th Century
... in the 19th century in their boudoir in the morning. In the early 20th... in their boudoir in the morning. In the early 20th century women wore ...This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps -
Warrnambool and District Historical Society Inc.
Household, Hat Pin Holder, Early 20th century
... century and the beginning of the 20th century when women wore... century and the beginning of the 20th century when women wore ...This hat pin stand would have been a common object in a woman’s bedroom in the past, especially about the end of the 19th century and the beginning of the 20th century when women wore large hats and they needed large pins to hold them in place. This hat pin holder has no known local provenance but it is kept as a memento of the past and will be useful for display.This is a silver-coloured metal stand with a round base with impressed patterns on the top and a central raised oval section containing a circular spike. Near the top of the spike is a circular-shaped piece of metal in a fretwork pattern. This fretwork has been welded on and has space to insert several hat pins women’s accessories, history of warrnambool, hat pin stand -
Orbost & District Historical Society
book, first half 20th century
... In the early 20th century, smocking appears in women’s... 20th century, smocking appears in women’s magazines and sewing ...In the early 20th century, smocking appears in women’s magazines and sewing manuals on garments, domestic textiles and children’s wear. The 1930s and 1940s were the heyday of patterns and innovative stitch development. Embroidery has always had a great appeal to women, as it needs few tools. Historically the skills were taught within the family or in primary schools. Articles to make or embroider had been available in kits since the 1850s. Fancy work, the opposite of plain sewing, enjoyed great popularity in the 19th and 20th centuries. Companies which manufactured threads often produced instruction guides and patterns. This instruction book has been well-used. A small 30pp book with no cover. It contains instructions for embroidery stitches, including smocking.book-embroidery smocking handcraft needlework -
Otway Districts Historical Society
Book, Colac & District Family History Group Inc, Pioneering days: a woman's life, 2013
... and early 20th centuries. Over 300 women, some with a lot... the 19th and early 20th centuries. Over 300 women, some with a lot ...This is a collection of stories and newspaper clippings that relate to the women of the Colac district during the 19th and early 20th centuries. Over 300 women, some with a lot of information, others only covering a few lines, have been recorded. Many often would have had overwhelming issues to face in their day-to-day lives, with loneliness, lack of close communication and medical help, bad or unmade roads and harsh living conditions, ensuring that their children were fed. Pioneering days: a woman's life. Colac & District Family History Group Inc (comp.). 1st ed. Colac (Vic); Colac & District Family History Group Inc; 2013. vi, 284 p.; illus. ISBN 978 0975 0679 1 8 Soft cover.colac; otways; families; articles; -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's white lacework camisole , ribbon, c1900
This lady’s white, cotton camisole is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th Century. The garment is hand sewn.and ribbons were inserted at yoke and waist Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families Lady's hand sewn white lacework camisole with shoulder straps and ribbon inserts at yoke and waist clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's black beaded dress, c1900
During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's fox fur stole, c1920
... at important occasions for women in the 20th century ... at important occasions for women in the 20th century As the prosperity ...Fox fur stoles were a fashionable item of clothing at important occasions for women in the 20th century As the prosperity of the early settler market gardeners of Moorabbin Shire improved the women were able to afford fashionable clothing.A complete, lined, lady's red-fox fur stole with clasp. Glass eyes. Missing one front paw and one ear.melbourne, clothing, brighton, moorabbin, pioneers, markets, market gardneners, furrier, fox, fox hunting, vermin -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady’s aprons, early 20thC
These 3 hand-embroidered cotton aprons are an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire early 20th centuryEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families. The Curtis family were early settlers in Moorabbin ShireThese 3 lady’s cotton aprons are hand –embroidered, with bibs and waist ties.clothing, brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, curtis may -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, tea-towels embroidered, early 20thC
These 3 hand-embroidered linen tea-towels are an example of the dressmaking and craftwork skills of the women of the pioneer settlers families in Moorabbin Shire early 20th century. Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families.The Danish heritage is an example of the many nationalities that lived and worked in Moorabbin Shire3 hand-embroidered linen tea-towelsbrighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, pedersen-green carole, green carole, denmark, scandinavia -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, 'Smoothwell' electric flat iron c1935, c1935
c1881 Henry W Seely, of New Jersey, USA, designed and patented an electric sad iron for pressing and smoothing material. He continued to modify and improve his designs, with his partner Richard Dyer, and other electrical appliance firms, e.g Hotpoint, began producing these flat irons that could provide continuous heat by connecting via an electrical flex to a light socket and hence without the need for hot fires, ash, or burning hot handles. Women with access to an electricity supply were delighted and their ironing chore became much less arduous No heat was felt at all from the iron as it is all concentrated on the bottom surface. By the early 20th century enthusiasm was building for the new electric smoothing irons: clean, powerful, adjustable, and labour-saving. This c1935 Premier System 'Smoothwell' flat iron was used by a resident of City of Moorabbin and is an example of the progress made from the sad irons used by the pioneers that are displayed beside it.A "Premier Smoothwell" electric flat iron with switched control lead and original box, c 1935 On plate of handle attached to Iron ' HARRODS Ltd. / LONDON On attached plate at rear of iron ' The "SMOOTHWELL" / "Premier System" /......... Plate on cord Plug " PREMIER/ FLAT IRON CONNECTOR/ THIS SIDE OUTWARDS/ (2 columns) 1) FOR 100-125 VOLTS/ USE THREE TERMINALS/ THUS ..... 2) FOR 200 - 240 VOLTS/ USE TWO RIGHT/ HAND TERMINALS/ ONLY/ THUS......seely henry w., sad irons, electric flat irons, dyer richard, edison thomas, hotpoint pty ltd., premier electric company birmingham england, pioneers, early settlers, moorabbin, bentleigh, cheltenham, laundry, sewing, craftwork, table ware, irons -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mr Tom Carey, 3/08/2000
Mr Tom Carey was born in 1940 in Beechworth to family from Beechworth and Woolshed. His family had strong associations with Australia's Gold Rush, with grandparents having followed the rush from town to town, and parents in Beechworth. Tom has strong associations with Beechworth and its surrounds, with his family having some connection to the Kelly Gang. Tom worked in many industries in Beechworth, from the Bridge Road, Price’s Store, tannery, post office, the Kiewa Murray Water Authority, and the Beechworth Council. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Mr Tom Carey account of his life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. He details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's and men’s societal roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each sideMr Tom Carey/ beechworth, oral history, burke museum, tannery, beechworth council, kelly gang, bridge road, price’s store, post office, the kiewa murray water authority, woolshed, gold rush, carey, tom carey, listen to what they say -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Elva Hill & Mrs Mary Martina, 22nd August 2000
This oral history interview was conducted with two sisters, Mrs Elva Hill and Mrs Mary Martina. They describe growing up in Beechworth, living a fairly well-off life compared to others around them. Mrs Martina in particular talks about going to school, becoming a teacher, and helping to set up Beechworth Secondary School. She talks briefly about gender roles for girls in the classroom and how teaching has changed over time. Mrs Hill and Mrs Martina describe the Beechworth community as friendly, including towards migrants, and suggest they were not particularly involved in political movements except for protesting after the dismissal of the Whitlam Government. They discuss visiting the Albury Show. The sisters briefly discuss 'them pushing the wheelbarrow to Mt Buffalo'. This refers to a publicised wager between garage proprietor Tom Parkinson and Post Office Hotel licensee Tony Evans in 1935. Evans challenged Parkinson to push him in a wheelbarrow for over 80km (with an elevation of 1000m) from the Beechworth Post Office to Mt Buffalo in just eight days, with the winner awarded twenty pounds. A brochure was published with official rules, and the incident made international news in the New York Times. They briefly discussed that their parents worked at the 'Mental Hospital', the full name of which was the Mayday Hills Mental Hospital, known at other points as the Beechworth Asylum and the Beechworth Hospital for the Insane. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The statement captures a personal perspective on the teaching profession and education at rural schools during the mid-twentieth century, with a focus on the experience of young girls and women going to school. It specifically discusses the establishment of Beechworth Secondary School. Mrs Hill and Mrs Martina also provide insights into the social dynamics of the town, as two girls from a well-off family discuss how they believed people from different backgrounds interacted with one another. The interview also puts Beechworth into a wider social context, as the women discuss how they were perceived when they went to College and how they interacted with wider politics. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Elva & Mrs Mary Martina /listen to what they say, beechworth, oral history, burke museum, hill, martina, sisters, boarding school, rural school, primary school, beechworth secondary school, mayday hills mental hospital, gender, gender at school, entertainment, albury show, dress codes, wealth gap, whitlam dismissal -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mr Graeme Gallus, 16 November 2000
Graeme Gallus was born on the Mornington Peninsular in a town called Sommerville, in 1938. His family was born in Germany and came to Australia in 1851. He arrived in Beechworth in 1981 after purchasing a taxi service. He talks about local businesses, government employment, community celebrations and clubs. Miss Amy Elizabeth Porrit's account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Graeme Gallussommerville, gallus, graeme gallus, taxi, beechworth, real estate, christmas, lions club -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Vanessa McDonald, 9 November 2000
Mrs. Vanessa McDonald was born in Beechworth in 1917. Christened, Agnes Bertha Collins, Vanessa changed her name in 1960. Mrs. McDonald's family's connection with gold mining in the district reach back to the first of Beechworth's gold rushes, when her great grandfather, a Dutchman who adopted the name Charles Collins, arrived in 1851-1852. Mrs. McDonald spent her childhood in the isolated hamlet of Stanley, in the area known as 'Little Scotland', where she recalls helping her mother to raise younger siblings, picking apples and walnuts on the family farm, and roaming the hills for wildflowers. As a young woman Mrs. McDonald attended religious and social gatherings in the local community. In 1940 she went to Melbourne to work as a mothercraft nurse during the Second World War. She met her husband at a Beechworth football match and was married at the Stanley Methodist Church in 1941. The gold diggings known as the 'Nine Mile' became the hamlet of Stanley, after the British Prime Minister, Lord Stanley, in 1858. By the late 1850s, Stanley boasted schools, an athenaeum, a church, a weekly newspaper and several hotels and other civic infrastructure to cater for a growing population. The area attracted large numbers of Chinese miners, whose presence was frequently resisted. Like other early Victorian mining settlements, Stanley was a hotbed of political and racial tensions during the gold rush. One side of the Nine Mile Creek was known as 'Little Scotland’, the other, 'Little Ireland'. A number of Christian denominations built congregations and churches in Stanley, including the Church of England, Methodist Church, the Catholic Church, and Presbyterian Church. Stanley became part of the United Shire of Beechworth in 1871. By 1880 timber was being cut and two sawmills were established by 1887. River-dredged gold mining consumed vast amounts of timber from the forests in the area, and in 1931 the first of several softwood plantations began. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: 'Listen to what they say: voices of twentieth century Beechworth'. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Following the decline in the mining and associated industries during the early-mid-twentieth century, the Beechworth district experienced a period of general economic decline. On the east side of the Dingle Range, Mrs. McDonald's father, William Henry Collins, felled timber and the family were pioneer apple orchardists. The establishment of apple orchards in Stanley reflects changes to how land was used and contributes to our understanding of the historical development of rural communities following the gold rush. Mrs. McDonald's recollections are significant for understanding family and social life in a small rural town in years leading up to the Great Depression and prior to the Second World War. This oral history recording may be compared with other oral histories and items in the Burke Museum's collection. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Vanessa McDonald /listen to what they say, beechworth, oral history, burke museum, emigration, gold rush immigration, victorian gold rush, mining families, apple orchard, forestry, forest plantation, little scotland, stanley, twentieth century history, regional australia, rural australia, farming, harvest festival, great depression, dingle range, the nine mile, australian wildflowers, high country wildflowers, mothercraft nurse, rural and regional women, social history, collins, mrs. vanessa mcdonald, building community life, shaping cultural and creative life, fruit growers, family history, changes to land use in regional victoria -
Greensborough Historical Society
Article, Sue Ballantyne, Home duties by Sue Ballantyne, September 2021
A description of typical women's roles in 19th and 20th century families, and changes that have occurred since World War II.5 p text and photographswomen in australia, women's roles, home duties, housework -
Blacksmith's Cottage and Forge
Bobbin lace, Early 20th Century
Aunt Fanny gave 6 yds of her "Bucks pattern" lace to Gillian Davis for her 21st birthday. This lace is very difficult to make, as there is a thick thread to keep exactly the same tautness as the fine thread. Aunt Fanny was about 77 when she made this.A fine example of womens hand craft from the late 19th and early 20th Century1 bundle of cream bobbin "Bucks pattern" lace which has a thick thread through it at exactly the same tautness as the fine thread. 2nd bundle of cream lace made by another method, possibly crochet.hand craft, lace bobbin -
Flagstaff Hill Maritime Museum and Village
Domestic object - Vanity Jar, 1920s
Skincare cosmetics used for ageing skin have been a priority for over 3000 years, in ancient times masks were used to cleanse and maintain the moisture of the skin. The Egyptians used anti-wrinkle creams made with the essential oil of frankincense which claimed to possess anti-inflammatory properties. Thick creams use on the face were created to preserve moisture on mature skin. And were formulated from resin, wax, oil, grass, and plant juice, In the 1700s, face toners and scented water were popular. Cold cream made with scented oils, spermaceti, and wax mixed with rose water and ambergris was a common toilette preparation. But it was the 20th century when face cosmetics entered their golden era and mass production made cosmetics available to women of all classes. An item used to store face cream from the 1920s when face creams and other cosmetics started to become available to all classes of women and no longer were these types of preparations only available to women of financial means.Clear glass jar with "hobnail" pattern and brass lid used to hold face cream cosmetics.Lid decorated with a relief design of 5 cherub heads and cloudsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass jar, cosmetics jar, toilet article -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, Burlington, Jane Osborne nee Shields, 1870's to 1923
This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne -
Flagstaff Hill Maritime Museum and Village
Functional object - Suitcase, 1930-1945
The suitcase didn't catch on until the end of the 19th century, it was quite literally as a case for suits. A typical suitcase came equipped with an inner sleeve for storing shirts, and sometimes a little hat box on the side. But even in the early 20th century, the "dress-suit case" was only one of countless styles of container travellers could buy, from steamer trunks to club bags. By the late 19th century a significant point was reached in the history of transportation, it was the beginning of mass tourism, rather than travel for travels sake made use of by the wealthy in society. Travel wasn't just for the wealthy any more but everyone. Suitcases began as an afterthought in the luggage and leather goods business, but they soon became the very symbol of travel. An 1897 wholesale price list included the words "suitcase" only twice in a 20-page list of luggage types. In America a 1907 T. Eaton & Co. Catalogue, trunks took up a full page while suitcases share a page with club bags and valises. In a 1911 a United Company catalogue, now displayed around 40 per cent of the advertisements were for suitcases. Early suitcases were lighter and more portable than trunks, but they were still bulky by today's standards. Leather, canvas, wicker or thick rubbery cloth was stretched over a rigid wood or steel frame. Corners were rounded out using brass or leather caps and some had wooden rails running around the case. Until steamship travel declined during the mid-20th century, many of these types of the case were advertised as waterproof with some lightweight models marketed specifically to women. The item gives us a snap-shot as to how people undertook travelling during a time when undertaking a journey for pleasure at the end of the 19th century was mainly only for the wealthy. This time saw the beginnings of change from the wealthy in society being able to travel, to the onset of mass tourism. Along with this change in societal norms saw many innervations to the design of luggage as it became a fashionable item.Suitcase, brown canvas with three wooden reinforcing lateral rails running around the case, leather handle each end (one broken), two locks.. Maker Pettigrew & Stephens Ltd Glasgow. "A.T.Cox 354/3 Riversdale Rd Campberwell, Vic Australia" and "W.ON" painted over on each endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, suitcase, -
Flagstaff Hill Maritime Museum and Village
Bonnet, late 1800s - early 1900s
... bonnet early 20th century bonnet women's fashion australian ...This style of bonnet was commonly worn outdoors by women in South West Victoria in the late 1800s - early 1900sThe bonnet is significant as a typical of women's outdoor headwear in Australia in the late 19th and early 20th century.Ladies outdoor bonnet, white cotton with narrow mauve stripes and small flowers. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, hat, bonnet, headwear, ladies clothing, late 19th century bonnet, early 20th century bonnet, women's fashion, australian fashion, australian millinery -
Flagstaff Hill Maritime Museum and Village
Clothing - Childs Dress
The fabric of this child's dress includes 'Broderie Anglaise, a form of needlework involving patterns of holes that are each stitched to form a finish that will not fray. The dress features a homemade button.. This handcraft dates back to the 1500s. It became popular in the 1800s and early 1900s, particularly for women's nightwear and underclothing.This child's dress has handcraft and needlework skills that were popular in the 19th and early 20th centuries. The dress also features a homemade button.Child's dress, white fabric, with short sleeves, gathered waist and scalloped hemline. The bodice and shirt have Broderie Anglaise embroidery inserts, with the holes formed into a star pattern. The bodice insert is a 'V' shape. The back has a ribbon tie and is finished with a homemade button.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, child's dress, clothing, embroidery, broderie anglaise, handmade button, handmade dress, child's fashion, dressmaker, handcraft, needlework, lacework -
Orbost & District Historical Society
black / white postcard, late 19th - early 20th century
This postcard seems to have been written by Grace Cameron to Annie (Cameron) Gilbert. There is mention of a harvest festival.The Cameron and Gilbert families are early settlers of the Orbost area. This photograph is a pictorial record of dress in the late 19th and early 20th century. It depicts the the high standards of dress at informal occasionsA photograph / postcard which shows a group of men and women in a large forest clearing. The women are dressed in white(?) dresses with ribbon bows at the neck. The men are in suits. Most are wearing hats. In the back right corner are two horse - drawn carriages.on the back is a hand -written lettercameron-annie celebrations-outdoor -
Orbost & District Historical Society
black / white photograph, C1920
Included in the photograph are Mrs P. Nixon and her two children, Mary Gilbert, Margaret Irvine, Mrs A. Hossack, Annie Gilbert. they are watching a football match around 1920.This photograph is associated with Mary Gilbert, a well-known Orbost citizen. It is a pictorial record of a social activity of the first half 20th century. It also shows the clothing and transport of that time.A sepia photograph of some women and children sitting in cars. Two of the women are holding babies. Two older girls in school uniforms are seated in the back of the car on the right.cars-1920 gilbert-mary nixon-mrs p. hossack-mrs a. gilbert-annie irvine-margaret -
Orbost & District Historical Society
black and white photograph, mid 20th century
There is no information with this item.This is a pictorial record of local Orbost people in typical mid 20th century fashion clothing which tended to be more conservative than current fashion..A black / white photograph of three people in - a man on the left in a suit and tie; two women with hats and pearl necklaces.The woman in the middle is wearing a spotted dress and holding a white hat with a handbag over her arm. The other woman, in glasses, is wearing a plain dark dress and a more formal hat.on back - "Jack Irvine, Audrey Cameron, Elsie Norman (nee O'Brien)"irvine-jack cameron-audrey norman-elsie -
Orbost & District Historical Society
black and white photograph, mid 20th century
... of typical women's fashion in the mid 20th century when women's ...Those identified in this photograph are: Grace Cameron - back row second right and Effie Wait on the left. (Smooker? Firth?)This photograph is a pictorial record of typical women's fashion in the mid 20th century when women's dresses were were modest, revealing very little skin, compared to today’s fashion. Squared shoulders, narrow hips, and skirts that ended just below the knee were the height of fashion. Tailored suits were also quite popular. Generally older women wore hats, gloves and jewellery. The women in the photograph are associated with Orbost.A black / white photograph of a group of women most wearing hats and jewelry. on back- "left Effie Wait Grace Cameron back second row right"cameron-grace wait-effie orbost-social-gathering -mid 20th -
Orbost & District Historical Society
corset, C1940s
This item was worn by Sarah Archer, born 9.11.1881, and her daughter Irene Jean Maiden, born 1.7.1923, She lived in Orbost all her life having been born at the oOld Orbost Hospital in Nicholson Street. Irene died aged 86. Until well into the 20th century, the corset was an essential element of fashionable dress. Corsets were worn by women (and much earlier by men) to enhance their figures and to hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960. A corset made of heavy apricot / pink cotton fabric . It has back tape acing through metal eyelets, and slide hooks. It has suspender straps with clips attached to the bottom of the corset. The stays, possibly whalebone, are sewn vertically into the fabric.on label - in red ink - "Liberty Reg'd "6/2815 D" small below waist size 32" exactcostume-women corsetry clothing