Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges

Between 1915 and 1951, military topographical mapping in SA was conducted by Royal Australian Survey Corps (RASvy) units based outside the state. In February 1952, Army HQ Field Survey Section (Central Command Detachment) was established in Adelaide in a drill hall at Largs Bay. It was tasked with providing map coverage in the Woomera and Southern areas of the state. The section was subsequently reorganised as Central Command Field Survey Section moving firstly to Hampstead Barracks, Hampstead in 1953 and then into accommodation at Keswick Barracks in 1954. In 1957 the Section commenced mapping operations in the NT. The Unit was relocated to the old cavalry stables in 1961 and was redesignated Central Command Survey Unit and remained there till 1973. In 1970 the Unit was redesignated 4 Fd Svy Sqn and engaged in operations conducted in PNG from 1972 to 1974 inclusive. In 1973 the Squadron moved into a brand new two-storey specially designed and purpose built building adjacent to the old building. The old building then became the Squadron Q and Map store with an interconnecting lobby to the new building. Since 1975 the Unit was involved in the 1:50,000 Mapping Programme in WA, NT, QLD, SA and conducted many other operations within Australia and overseas. Post disbandment of the Corps the old Squadron building (cavalry stables) now houses the Army Museum of South Australia (AMOSA). The Royal Australian Survey Corps was amalgimated into the Royal Australian Engineer Corps in July 1996. In the lead up to this amalgamation, 4 Field Survey Squadron Keswick Barracks, Adelaide, South Australia was disbanded in 1995. A closing Ceremony was held on 25 November 1995 at 4 Fd Svy Sqn Keswick Barracks attended by about 208 former members of the Unit. A photo was taken of attendees at that event on the day and a list was prepared of attendees. All attendees were sent a copy of the photograph and the list of names as a momento of the Unit and the ceremony..1P A4 Print of an original photo of attendees at the 4 Fd Survey Sqn Closure Ceremony at Keswick Barracks 25 Nov 1995. .2P A4 Print of the names of the attendees at the 4 Fd Survey Sqn Closure Ceremony at Keswick Barracks 25 Nov 1995. Approx 208 attendees.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, 4 fd svy sqn

Words and music of popular song written in 1915 regarding the First World War. Proceeds of sale of this song given to Australian Red Cross.Black and white copy of music and words. Australian and British flags on front. Two names written on front indistinguishable. Four pages."One Hundred Thousand/More!/Patriotic Song..."1910s, red cross, music, world war 1, george evans collection

This item was originally hanging over the double doors inside the Billiard Room of the Soldiers Memorial Institute pre being a Museum in 1998. After the renovations to the SMI 2016 - 18 it was placed on the other side of the double doors in the foyer. It is not clear when this item came to the SMI but it was many years prior to SMI becoming a museum.Very large framed black and white print of a painting of " The Landing of the Anzacs, 25th April, 1915" from original by Charles Dixon R.I 1915. Title - Presented to White Hills Reading Room by Vernon Rymer ESQ, November 14th, 1921. Frame - heavy timber, dark brown stain with gold painted inner edge, glass front. Mount - Off white cardboardBelow print/painting - Block printing - title of painting " THE LANDING OF THE ANZACs 25 April 1915 , Presented to White Hills Reading Room by Vernon Rymer ESQ" brsl, smirsl

Bayonet and scabbard for No 4 .303" Rifle, 25 cm "pig sticker" bladeNo 4 MK II, 1093(?)bayonet, 303, pig sticker

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 25 Beaufort St., Mitcham. This property has be listed as having sold for $309,000 in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Beaufort St., Mitcham depicting a L shaped brick house, set back from a front garden with feature rocks, and a winding driveway leading to a gate on the right.25 Beaufort St., Mitcham Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

This map shows where the first battalions landed at Gallipoli (April 25) Position of ANZAC battalions when the Turks attacked across the whole front and lost 10,000 dead and wounded (19 May) ANZAC evacuation (20th Dec 1915)Detailed map showing historical sights and battlefields with an information listGallipoli Map Anzac battlefield 1915,Rectangular in shape glass covered picture frame with a wooden boarder.Gallipoli 1915 Anzac Battlefieldphotograph., gallipoli., 1915, anzac, world war one, ww1, battlefield

14cm x 9cm black and white photograph of the building on 25 Sydney Street. The occupants of the building is 'Stepin Shoes'. It is a light coloured building with decretive trims and written on the window is 'Winter Sale'. There is a station wagon vehicle parked out the front.Written on the back: 25 Sydney St Street Kilmore 25 Syd 011storefronts, shopfronts, retail stores

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 25 Hampshire Rd., Forest Hill. This property is listed as having sold for $104,000 in 1996. Since the time of sale in 1996 the house on the property has been demolished and a new house built on the site. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Hampshire Rd., Forest Hill. Depicting in the foreground a horizontal timber plank fence on the left, and a curving driveway on the right leading to a connected carport. In the background is a small house. There are two hole punch holes just right of centre on the upper edge. There is a 0.5x0.5 mark on the top half of the right edge25 Hampshire Rd., Forest Hill Margaret Picken - 95 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Letter on Hawthorn Tramways Trust Letterhead dated 22/4/1915 to Messrs Duncan and Fraser regarding acceptance of the construction of nine combination or single truck cars and ten bogie tramcars. Gives prices, delivery and the type of varnish and wood to be used. Has a notation on the side signed by Robert Duncan noting that the letter is referred to the agreement with the Trust dated 22/4/1915 and the Trust Chairman Mr David Dureau. Typed onto watermarked paper.Notation in ink.trams, tramways, htt, hawthorn, tramcars, construction, duncan fraser

Letter on Hawthorn Tramways Trust Letterhead dated 20/4/1915 to Messrs Duncan and Fraser regarding acceptance of the tender construction of nine combination or single truck cars and ten bogie tramcars following a meeting with Mr. Cleveland and Mr Francis McCarty Has a notation on the bottom signed by Robert Duncan noting that the letter is referred to the agreement with the Trust dated 22/4/1915 and the Trust Chairman Mr Dureau. Typed onto watermarked paper.Notation in ink.trams, tramways, htt, hawthorn, tramcars, construction, duncan fraser

Commemorative Coin mounted on card THE ANZACS- APRIL25, 1915 and picture of bugler on Obverse and THE ANZACS - LEST WE FORGET and Rising sun on reverse.

Wooden framed World War 1 memorial - Two Men Went Forth From This Home - Charles H. Willis 1915 & Norman G. Willis 1915. To fight for the preservation of Australia's nationhood. Titled - 1914 The World War . 1918. Photo inserts of Charles H. Willis 1915 & Norman G. Willis 1915. Grey colored title band. Green wreath encircling with a stylized Australian Soldier with rifle and bayonet.Memorial for Charles H. Willis 1915 & Norman G. Willis 1915. Two men went forth from this home.

Ticket issued to members of Linton Horticultural society for the Autumn show of 1915. Subscription 2s. 6d. President, Dr Donaldson Secretary, W. Todd.Blue, shield shaped ticket for Linton Horticultural Society Autumn show, 1915. Two copies of ticket, which appear not to have been used, as space for member's name is blank.Text: " LINTON HORTICULTURAL SOCIETY / President, DR. DONALDSON / MEMBER'S TICKET / For Autumn Show, 1915. "linton horticultural society, tickets, w. todd, dr donaldson

Gallipoli 1915 Maps and Naval plan of Operations World War One ANZACRare examples that explain both ANZAC and Naval Operations during World War One Gallipoli & Dardanelles Passage .!. Black and White Photocopy of Gallipoli 1915 ANZAC Battlefield - detailed positions of troops and Cemeteries. 2.The Allied Failure to Force The Dardanelles Passage 18 March 1915 - detailed line of Attack Naval Organisation, Mine layout, Plan of Attack (and copy).. 3. Map of Turkey and surrounding area written in Turkish and German Languages. C0olor version main roads and distances. (and copy).. 4. Map of ANZAC Trench Diagram. World War One.Color. (and copy). 5.Panorama of Chunuk Blair from 3 miles south of Nibrunesi Point, 3 November 1915 and Anzac from 1 mile N. E. of Ari Burnu, 21 November 1915. Black & White 6. Color Map of ANZAC positions with topographical Details, notes. 1. Artwork and copyright by Srewart Cownie, Gallipoli 1915 ANZAC Battlefield with Landings and later evacuation marked. 2. Details of Naval actions taken in the Dardanelles Passage 18 March 1918. 3. Local area Map or Turkey. Shows roads network and townships. 4. ANZAC Trench Diagram, copyright Whitcombe & Tombs Limited , Wellington N.Z. 1919 5. Panorama of two coast views of ANZAC area. Australian War Memorial, 6. Map of ANZAC positions of World War One, Gallipoli 1915. Published by H.E.C. Roberinson, George Street, Sydney N.S.W.18 April 1916maps operational of anzac and naval opations during 1915 etc, dardanelles naval opations

A framed topographical map of The Dardenelles produced from captured Turkish maps by the Egyptian Survey Department. The main feature is the Krithia battlefield area in 1915.Krithia Peninsula (The Dardenelles) World War One - 1915 Mapworld war one, 1915, egypt, map, dardenelles, krithia, survey department, turkey, battlefields

A framed map depicting trench lines and the battlefields of the Gallipoli Campaign, 1915, made by the Survey Department Egypt. Depth soundings of landing areas off Anzac Cove.Gallipoli - Anzac Cove World War One Map - 1915world war one, anzac, gallipoli, 1915, anzac cove, map, dardenelles, trench lines, depth soundings, landing areas

This map was used in the Dardenelles Campaign 1915-1916.Framed map showing the Sulva Bay area of the Gallipoli battlefield in 1915.world war one, middle east, gallipoli, 1915, map, dardenelles, sulva bay, survey department, battlefields, egypt cairo

Australian troops landing at Gallipoli during World War One.Black and white photographic image of the 4th Battalion AIF landing at Gallipoli at 8am on 25 April 1915. In the foreground is the staff of Colonel MacLaurin, 1st Infantry Brigade. On the beach is a dead Australian Engineer. world war one, gallipoli, landing, beachhead, colonel maclaurin, 4th battalion aif, 1st infantry brigade aif

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include a small porch entrance with a flat white roof, tiled roof, white-framed sash windows with awnings, white front door and low unpainted matching brown brick fence in the foreground with "4" on the letterbox beside the driveway on the left and another cast iron decorated "4" on the right pillar. The front garden has established plants lining the house and front fence.4murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, porches, sash windows, awnings, brick fences, cast iron work, letterboxes

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Box Hill for the purpose of advertising 4 Pilita St., Forest Hill. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 4 Pilita St., Forest Hill, a two story brick and weather board house set back from a front lawn, with a driveway leading to a connected carport. There are two hole punches centre of the upper edge4 Pilita St., Forest Hill Margaret Picken '90 Woodards - Box Hillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Actual photo of Anzac Cove taken in July 1915UniqueActual photo taken at Anzac Cove in July 1915 showing the piers constructed to offload supplies and storage dumps on beach.See photo for many details

From Left to Right Les Read, Nell Read, Alice Knee & Fatty St John in Dudley Road opposite the school about 1915Photo is named 14880007.jpg on CD