After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 67 Alfred Street, Kew by Margaret Picken.67 ALFRED ST., KEW / MARG. PICKEN '87architectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 67 alfred street -- kew (vic.)

City of Keilor Mayoral Reports years - 66/67, 67/68, 71, 72, 74

A former mansion built in the 1880s at 67 Alexandra St, St Kilda East. In December 1970 it was purchased for the Rabbinical College of Australia and New Zealand (Yeshivah Gedolah - Melbourne).black and white photographmansions, rabbinial college, alexandra street, st kilda

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 67 Walpole Street, Kew by Margaret Picken.WOODARDS HAWTHORN / MARGARET PICKEN ~96 / 67 WALPOLE ST., KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 67 walpole street -- kew (vic.)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 67 Harcourt Street, Hawthorn East by Margaret Picken.67 HARCOURT ST, HAW Margaret Picken ~89 WOODARDS - C'WELLartist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/67 Cecil Street, Kew by Margaret Picken.1/67 CECIL ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/67 cecil street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/67 Cecil Street, Kew by Margaret Picken.2/67 CECIL ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/67 cecil street -- kew (vic.)

14cm x 9cm black and white photograph of the property at 67 Sydney Street. The building is housing a uni-sex hair salon called Cuts 'n' Curls. It is a brick building with an rendered facade with awnings over the windows. Also picture is a food market across Union Street.Written on the back: 67 Syd 221shop front, store front, retail store, hair salon, hair dressers

A black and white copy of Captain James Douglas Campbell DFC, 161 (Indep) Reece Flt 06 Sep - 16 Sep 67. Black and white image of Captain James Douglas Campbell DFC of 161 (INDCP) Recce Flt 06/09/66- 16/09/67 a helicopter pilot wearing a flying helmet. nonej.d campbell, dfc, 161 reconnaissance flight, photograph, helicopter

Cr J Ritchie came from Scotland at Hobart in 1833 having been 9 months on the outward journey. he took up land at South Esk and remained there for 6 years.later on advice of the Henry brothers he came to Victoria and after a preliminary inspection of the land charted the brig “William” and with all of his possessions, including 2000 sheep and two servants he arrived in Portland Bay in January 1840 and as he already held a squatting licence No 230 became a settler in the district. he moved along the coast toward Goose Lagoon but due to a drought the water had dried up and forced him to move further eastward to the Upeer Hopkins but the lack of any but brackish water he was forced to return to Aringa. Aringa comprised of 26,000 acres between the Shaw and Moyne Rivers, 640 acres became freehold at one pound and acre with the right to take up leasehold at a low rate according to the number of stock. At Aringa he designed and built his first home part of which still stands today. He married Sarah Elizabeth Davis in 1852 at Weerongurt Station (Mr John Cox’s property). Mrs Ritchie died in 1920. he was elected Shire of Belfast President for the periods of 1866-67 and 1869-70 John had originally chosen to practice law as his vocation in Scotland but abandoned law for the open air life and died at the age of 86 years in 1887 elected Shire of Belfast President for the periods of 1866-67 and 1869-70Black and white portrait photograph Cr J Ritchie 1866-67 1869-70belfast, president, council, portrait, government, shire, municipal, local-government

The inaugural meeting to form Harcourt Bowling Club was held in May 1955. Cr Ben Bingham donated half an acre of land in Bagshaw st Harcourt and the club acquired a small building from Blight's Quarry to serve as a clubhouse. The first day's play took place on 24th October 1959. New clubrooms were built in 1961 with the official opening of the Club held on Saturday 11th November 1961. The club became affilaited with Bendigo District Bowling Assocaition and, in 1966/67 won the Associated division 3 pennant. ; Depicts a group of men, the core ‘movers and shakers’ of the Harcourt community, in the course of their favourite recreation, Association champions in just the seventh year after formation.. Black and white photograph of fourteen men dressed in collar and tie, white trousers and dark blazers, each bearing the club name, HARCOURT BOWLING CLUB B.D.B.A. PENNANT WINNER - DIVISION 3- SEASON 1966-67 and the names of each player.

Photograph of 1966-67 1st XI premiershipmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, cricketers, peter newton, david wilkinson, richard blaze, jim mcdermott, jeff graham, adrian cooke, ron coghill, alan graham, roger parker, jim young, paul white, brian stevens, jack gilbert, vin williams

Coloured aerial copy of base Nui Dat 1966-67.nui dat, photograph

A black and white photograph in a wooden frame of HMAS Yarra in port with ships CompanyH.M.A.S.YARRA. 1-3-67photograph, hmas cerberus, cerberus collection

Murrumbeena Cricket Club 1st XI premiership cap 1966-67 belonging to Jeff Graham. Cap is ‘English’ style of cotton/wool material in maroon with the club logo, ‘Premiers 1966-67’ in gold.murrumbeena, murrumbeena cricket club, cricket, cricket clubs, clothing, cap, jeff graham

Red and white soft covered booklet with textnon-fiction

This is a report of 1966-67 functioning of the Apex Club of Orbost. It has a membership list at the back of the booklet and also contains the names of office bearers etc. This Report was presented to the Handover Dinner 5 August 1967. President Don McKenzie; Vice Presidents Dennis Robinson, David Neal; Treasurer Graeme Duff; Secretary Keith MurrayEvidence of the functioning of the Apex Club of Orbost 1966-67 with names of members, activities, finances.A booklet of 13 pages with a grey coloured cover. On the cover are the words Ninth ANNUAL REPORT 1966-67 Apex Club of Orbost ZONE 12 DISTRICT 6 CLUB No. 251. Inside are copied pages of the Report including names of committee members, board members, and past presidents, also several b/w photos of activities, financial report, awards, and the President's Report 5 August 1967. as aboveapex club, orbost

Small booklet describing the Australian pavilion exhibits at Expo 67 in Montreal, 36 pageswalsh st library

The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the north central part of Kew, bordered on its north by the Outer Circle Railway Spruzen and Beresford Avenues, in the west by Princess Street, in the south by High Street, and in the east by (about) Belford Road. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 67 / KEW melbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments.Villawool / KNITTING BOOK / No. 67 / 1'9 / "FACADE" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. G. P. Mackenzie, Mayor of Kew 1966-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. G. P. Mackenzie LL.B., J.P. / Mayor 1966-67cr. g. p. mackenzie, mayors of kew (vic), kew (vic.) — municipal collection

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.67 MELVILLE ST, HAW Margaret Picken ~95 WOODARDS - HAWartist - margaret picken 1950-

Typed list of Old Colonists' Club Ballarat Executive Committee for 1966-67 on letterhead of the Old Colonists' Club Ballarat.ballarat old colonists' club, old colonists' association ballarat, h.r. sumner, rowland, c.h. davis, h. godbehear, floyd, robertson, travers, evans and metcalfe, p. abson

Digitised WHS newsletters from April 1987 (no. 54) to June 1989 (no. 67). Sent to Secretary of the Ringwood Historical Research Group, Jack Lindsay.Noteable articles:- Dr Ethel Osborne Frank and George Adams - Warrandyte orchardists History of Tills Drive Warrandyte Primary School Warrandyte Bridge The murder of Thomas Drew 1854 Timeline of some key Warrandyte dates Merv Naughton Houghton Road Hussey's Lane History of the Whitehouse Warrandyte Fire Brigade James Anderson The Warrandyte Pound Sloan butcher shop Roley Bus Service Stiggants

Black and white photograph"Written on front of backing board" City of Ringwood - Mayor 1966-67 Councillor Elizabeth Penny J.P. East Ward