These badges were issued to members of the Gallipoli Legion Badge 802 was issued to Sig. Henry Claude Roussac V23533 a veteran of Gallipoli 25Bn.. G.L. over ANZACS means it is a "Gallipoli Legion"badge. Any person who> served there, not just at the landing, was eligible to join the legion and receive the badge. Brass badge with enamel face Recto vertical stripes red white and blue with crown over Verso brass with tab for pinObverse 68 within crown G.L/ ANZACS Reverse 802gallipoli legion, gallipoli, badge, a.n.z.a.c., roussac henry claude, anzac gl, gallipoli legion, gallipoli, badge, a.n.z.a.c., roussac henry claude, anzac gl

Index, ill, maps, p.802.non-fictionThe definitive story of the Australian campaign in Southeast Asia during World War II from a leading military writer. Impressive, compelling, and rich in human spirit, this is a scrupulously researched and groundbreaking account of one of the most traumatic calamities in Australian history-the Malayan Campaign, the fall of Singapore, and the subsequent horrors of the Thai-Burma Railway. world war 1939-1945 - australia - military history, world war 1939 – 1945 - prisons and prisoners – australia

Twenty eight page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a black and white knitted jumper.front: [printed] Patons / EASY TO FOLLOW PATTERNS / BOOK 802 PRICE CODE Kfashion, design, knitwear, home made, wool, pattern book, patons

One of two Vauxhall sedans used for Mobile Traffic Section patrol dutiesVauxhall Cresta in a park with sky scraper in background. Registration number HLA-802. Circa 1962police vehicles; wireless patrol; motor transport branch; motor transport section; vauxhall cresta car

The Cash Accounts contain the names and transaction details of all Gembrook Nursery clients and gives an insight into the scale of the Nursery operations. At its peak, this Nursery was said to be the biggest in the Southern Hemisphere.This daybook May 1913-May 1916 was used to record Gembrook Nursery stock sales to clients in Victoria, Australia and overseas and contains the names and places of hundreds of clients thus giving an insight into the scale of the nursery operations at the time.Nobelius Nursery Day Book - 802 pages. Hard cover bound in black leather with sides in tan suede. On spine with gold embossed script: 'JOURNAL' Inside front cover, bookmaker's sticker: 'D. W. PATERSON CO.' Inside front cover, handwritten: 'No stock, Date 16/10/1012'c. a. nobelius & sons, gembrook nurseries, horticulture, accounting, emerald

Also see Cat No 802 & 876Maribyrnong County Of Bourke Sheet 2 M46 Prepared by Department of Lands and Survey county of bourke, map, maribyrnong

Also see Cat No 802 & 877Maribyrnong County Of Bourke Sheet 1 M46 Prepared by Department of Lands and Survey county of bourke, map, maribyrnong

Telephone - communicationOlive green telephone with white numbered dial and spiral cord to head piece. Has brown wall cord with cream plug On bottom Telecom 802, A.W.A. S.1/233, 3383As abovetelephone, communication, telecom

Black and white negative, by Wal Jack, of Scrubber 8 and W5 802 in Maribyrnong Road. Wal's album notes that the photo is at the River terminus and dated 15-3-1945. In the background is the Lily Dairy.trams, tramways, maribyrnong rd, scrubber tram, work trams, w5 class, tram 8, tram 805

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Cream baby dress with long sleeves, blue stripe and cream faux cable textured details at yoke and hem. Body is gathered and attaches at yoke. Dress has a drawstring tie at neck accented with cream pompoms and closes at centre back with three pearlescent plastic buttons. Back opening is reinforced with grosgrain ribbon. .2 is a sample tag with manufacturing information, including sizes and colours available .3 is a retail tag with style, care instructions and brand marketing[label stitched into back neck] KATHRYN 100% Orlon .2 [sample label] [Obverse] 802/F – BABIES ORLON FROCK. 16” – LENGTH 24/6 BLUE/WHT LEMON/WHT PINK/WHT WHT/BLUE WHT/LEMON WHT/PINK .3 [Obverse] KATHRYN Children’s Knitwear STYLE [handwritten] 802/F SIZE PRICE [reverse] KATHRYN Garments are •PRE-SHRUNK •STANDARD MEASUREMENTS •FIT EXACTLY •LAUNDER PERFECTLYclothing, children's clothing, knitwear, children's knitwear, manufacturing, fashion textile production, colourwork, pom-pom, pom poms

A beige coloured cardboard box and lid with metal reinforcements on each corner of the box and lid. Printed on the lid in black - ESTABLISHED 1906 P.O. BOX 119 PHONE 802 H. & C. STILES Specialist Opticians WILLIAMSON STREET ... BENDIGO Blue ink scribble on the backh&c stiles, spectacle box, opticians

A binder containing letters, magazine articles and documents all relating to the Golden Square Branch of the Australian Comforts Fund. Dated from 14-6-40 to 14-12-43. Much of the correspondence addressed to Lydia Chancellor who was the Hon. Secretary of the Branch. Formerly Folder 77. Removed to Box 802 on 8.11.2022Lydia Chancellororganization, club / society, australian comforts fund, lydia chancellor collection, collection, war, w.w.ii, australian comforts fund golden square branch, correspondence

Photograph shows SW5 No. 802 (with "Special" indicated on the route banner) on Victoria Parade, between Nicholson Street and La Trobe Street. Trolley poles are visible and in use. The tram is painted in a livery of the Transporting Art program, as a so-called "Art Tram." The artwork is by Kim Donaldson, sponsored by Challenge Bank. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a culturally important event in Melbourne's transit history.Colour Photograph - SW5.802 on Victoria Paradetrams, tramways, sw5 class, art trams, transporting art, public transport, tram 802

Book documents the personal stories of ANZACs in the Great War.Hard black cover with title in white on spine. Dust jacket illustrated front and back. Title on spine. 360p. Page edges cut, black & white illustrations. Bendigo and District RSL stamp on first page."To Steve, many thanks for your friendship and support as Best Man on our wedding day. Daryl & Helen. 2 Sept 2000". "Donated by the family of Len Burke" on first page.books, military

Anzac Day is a national day of remembrance in Australia and New Zealand that broadly commemorates all Australians and New Zealanders "who served and died in all wars, conflicts, and peacekeeping operations"Anzac Day, 25 April, is one of Australia’s most important national occasions. It marks the anniversary of the first major military action fought by Australian and New Zealand forces during the First World War Rectangular Framed Photograph,(Glass covered) with a wooden frameCAMBERRA Australia's National Capital. ...the establishment of the Capital at Camberra will go far towards intensifying the national spirit which is so strong a feature of Australia's nationhood.Senator the Rt Hon George Pearce,Minister for Home and Territories,1926. Photograph of ANZAC DAY in the National Capital by Ben Wrigley Produced by the National Capitol Authority.anzac, photographs, lara r.s.l., ww1, anzac day in the national capitol

Copy of sepia? Photo of Messrs Scholten and Marsh' Establishments. Scholten and Marsh, manufacturers, carriages on front of building carriages and workmen on roadway. Inscription: hand written on centre front with arrow 'Mr, G.J. Scholten'. Included also a handwritten letter to Felicity Kingerlee from Vernon Scholten and 5 pices of paper describing the photoorganization, business, messers. scholten & marsh's estab., 802 (supp), 803, 804, 805, 814

Set of three cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. These doilies are embroidered using the cutwork method.3 cotton doilies (small ornamental mats), cream cotton fabric cut into the shape of a leaf with a several embroidered bunches of grapes.doilies, cutwork embroidery

Private Albert Williams on horsephoto, ww1, army

Displayed at History HouseUnknown