Bendigo Advertiser ''The way we were'' from 1999. Charing Cross: the City Family hotel, designed by Vahland for Jean Baptiste Laridan, built in 1872.newspaper, bendigo advertiser, the way we were

The historian Dorothy Rogers records (A History of Kew, p.5) that "In 1888 he [Arthur Wills] took over his estate, 'Willsmere', and conducted it as a dairy farm. He was an architect by profession, and having established the farm he rented it, and returned to live in Barry Street, Kew, where his only child, Dorothy was born in 1889. He entered Kew Council in 1891, and three years later built a new house in Fellows Street, on land that Thomas had purchased at the 1846-47 sales. He became Mayor of Kew in 1896-97, and during his term of office sold this house and built the present 'Willsmere' [pictured] on the corner of Willsmere and Belford Roads. ... Never a house of great distinction, it has now been demolished to make way for a freeway."This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Willsmere, the home of the Wills family of Kew, designed by the architect Arthur Wills, circa 1896. arthur wills, willsmere, belford road, willsmere road, dorothy rogers, kew, wills family

A certificate presented as an anniversary gift to Melbourne Legacy, recognising 50 years as commemorated on a postage stamp. Australia Post issued this postage stamp in 1973, on the 50th anniversary of the founding of Melbourne Legacy, September 1923. The stamp was produced in recognition of the outstanding work that Legacy has done in helping war widows and their families. The design of children playing within the silhouette of a hand, was done by George Hamori, an Australian graphic design artist (born 1918).The stamp was a reminder to all the people of Australia of the helping hand of kindness of Legacy, and the generosity of the people of Australia who have donated to fund the work that Legacy does.Pink and blue cardboard certificate with four 7c stamps affixed in top left corner. Each stamp bears an image of 8 children playing football over a ghosted hand. The image of the chilren also appears in a larger format in the central region of the card.Presented to / Melbourne Legacy / by the Australian Post Office / to mark the / 50th Anniversary / of Legacy in Australia Director-General / Australian Post Office / 5th September, 1973legacy promotion, golden jubilee

Australia Post (previously known as the Post Master General department (PMG)) issued this postage stamp in 1973, on the 50th anniversary of the founding of Melbourne Legacy, September 1923. The stamp was produced in recognition of the outstanding work that Legacy has done in helping war widows and their families. The design of children playing within the silhouette of a hand, was done by George Hamori, an Australian graphic design artist (born 1918). For a biography of his life see the re:collection website.A reminder to all the people of Australia of the helping hand of kindness of Legacy, and the generosity of the people of Australia who have donated to fund the work that Legacy does.Postage Stamp issued by Australia Post x 4 copies. Stamp has perforated edges, green writing, light brown background, hand extended silhoutte.Postage stamp has been postmarked with five horizontal lines and the words "include the postcode in every address".legacy promotion, golden jubilee, 50th anniversary

The Springthorpe Memorial is the most important monument in the Boroondara General cemetery. It commemorates Annie Constance Springthorpe (nee Inglis), the wife of Dr. John Springthorpe (1867-1897). Following his wife’s death, Dr john Springthorpe worked with John Longstaff to produce a book, entitled ‘In Memoriam’ for his personal collection, for his children and for immediate family members. Designed by Longstaff, it contained poems, photographs, drawings and idealised memories of Annie and their life together. This is one of two copies of In Memoriam in the collection of the Kew Historical Society. It is believed to be one of eight copies held in public collections. Copies catalogued on Trove include one at the State Library of Victoria and another at the University of Melbourne. As such these two copies are historically, aesthetically, and spiritually significant with the added factor of their rarity. ‘In Memoriam: Annie Constance Springthorpe’ (Verses in memory of Annie Constance Springthorpe), compiled by John William Springthorpe and illustrated by J. Longstaff : 28 p. : ill., ports. ; 26 x 32 cm. non-fictionInscribed on frontispiece to the Misses Moore.john longstaff, annie springthorpe, springthorpe memorial, boriondara general cemetery, john springthorpe

The Springthorpe Memorial is the most important monument in the Boroondara General cemetery. It commemorates Annie Constance Springthorpe (nee Inglis), the wife of Dr. John Springthorpe (1867-1897). Following his wife’s death, Dr john Springthorpe worked with John Longstaff to produce a book, entitled ‘In Memoriam’ for his personal collection, for his children and for immediate family members. Designed by Longstaff, it contained poems, photographs, drawings and idealised memories of Annie and their life together.This is one of two copies of In Memoriam in the collection of the Kew Historical Society. It is believed to be one of eight copies held in public collections.‘In Memoriam: Annie Constance Springthorpe’ (Verses in memory of Annie Constance Springthorpe), compiled by John William Springthorpe and illustrated by J. Longstaff : 14 p. : ill., ports. ; 26 x 32 cm.Presentation copy: Name scratched outdr. john springthorpe, springthorpe memorial, john longstaff, annie springthorpe, boroondara cemetery, kew cemetary, crypt

The Argus was a morning daily newspaper in Melbourne that was established in 1846 and closed in 1957 and was considered to be the general Australian newspaper of record for this period. Widely known as a conservative newspaper for most of its history. George VI became King after his brother, King Edward VIII, abdicated in 1936. The coronation of King George VI and Queen Elizabeth as King and Queen of the United Kingdom and the Dominions of the British Commonwealth and as Emperor and Empress of India took place at Westminster Abbey, London, on 12 May 1937. King George ascended the throne upon the abdication of his brother, King Edward VIII, on 10 December 1936, three days before his 41st birthday. Edward's coronation had been planned for 12 May 1937 and it was decided to continue with his brother and sister-in-law's coronation on the same date. This newspaper provides a detailed pictorial representation of the coronation of King George V1 in London on 12 May, 1937. The commonwealth countries, including Australia joined in the celebration. Saving an item dedicated to the royal family is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family.A special edition souvenir newspaper which is a forty page pictorial commemorating the Coronation of King George VI. It is titled "THE ARGUS and AUSTRALIAN CORONATION SOUVENIR". On the front cover is a coloured painting /print of a horse parade/procession with banners printed by "ROWED". In the bottom right corner is the cost - 1/-. It contains a complete record of the ceremonies as well as large portrait photos of the royal family designed for framing. argus-newspaper george-v1 coronation

The Boyd family recall that a well-designed nutcracker was always by the bowl of nuts.A nutcracker, with black iron, handle screw upper, middle part where nut is crushed, lower part is standTwo stickers on the base: "Robert Welch, Chipping, Campden England" "As selected for the design centre in London"cookware, gadget, walsh st kitchenware, robin boyd

Robin Boyd had the sound system put in by a friend who ran the iconic Thomas’ Music in the city of Melbourne. The Boyd family thinks that Robin designed the facade and logo for Thomas’ Music. Penleigh Boyd recalls "there was no 'hi-fi' record player in the living room until about 1963. Robin always had the speaker holes in the floating joinery unit but couldn’t afford the necessary equipment till years after we had moved into the house. Apparently one time some guest looked at the speaker holes (they had matchstick blind screening) and asked Robin what type of equipment he had. That was enough for Robin, and he immediately had a system installed - the one that is still there." (See also the amplifier item F030.)Turntable without lidthomas' music, sound system, walsh st house, ohm2022, ohm2022_8

Robin Boyd had the sound system put in by a friend who ran the iconic Thomas’ Music in the city of Melbourne. The Boyd family think that Robin designed the facade and logo for Thomas’ Music. Penleigh Boyd's recalls " there was no “hi-fi” record player at the living room end till about 1963. Robin always had the speaker holes in the floating joinery unit but couldn’t afford the necessary equipment till years after we had moved into the house. Apparently onetime some guest looked at the speaker holes (they had matchstick blind screening) and asked Robin what type of equipment he had? That was enough for Robin, and he immediately had a system installed - the one that is still there." See also item F029.Tempo solid state stereo amplifier in timber surroundthomas' music, sound system, walsh st house, robin boyd, walsh st

The California Bungalow remains one of the most recognizable architectural styles in Australia. Its elegant design, focus on natural materials, and connection to the outdoors have made it a staple in suburban streetscapes for over a century. Originally inspired by American architecture, this style has been embraced and adapted to suit Australian conditions, reflecting a shift towards a more relaxed and practical style of residential architecture. Today, these homes are valued not only for their charm but also for their potential to be thoughtfully renovated and extended to meet contemporary needs. Parts of Australia, particularly the east coast and some southern regions, share a similar climate to Southern California. These environmental similarities, combined with the promotion of American culture, shifted Australia’s architectural gaze from Britain to the United States in the early 1900s. This shift saw the rise of the California Bungalow in Australia, becoming a staple of suburban landscapes in Melbourne, Sydney, and beyond between World War I and World War II. California Bungalows follow a simpler floor plan than earlier architectural styles, centred around an entrance hallway and leaning towards open-plan living. These family homes were designed to suit the climate and relaxed lifestyle that many Australians sought during the 1920s and beyond. "The Californian Bungalow in Australia" written by Graeme Butler. Contents include: Introduction, Origins, Bungalow Suburbs, External Finishes & Fittings, Interiors, and Bungalow Gardens. Published in Australia by Lothian Books in 2001. Soft cover. Cover has several colors - Colored photo of Californian Bungalow house; surrounded by cream background; cream area then bordered by burgundy/brown border. Titles in different shades of blue. First published in 1992, then 1995, 1997, and 2001. Book includes both color and black and white images. 154 pp. ISBN 0850913551. Contains index. californian bungalow, housing, styles of housing

Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Cover - Rudi Wurth, winner of the National Slalom and Downhill titles at Kosciusko, 1954. Page 2 - Dawn Ski Club is a great place for families as it was designed specifically to cater for children. Toni St. Elmo is writing a book about skiing to be illustrated by Mollie Hill. The introduction will be by a well known Australian skier. Page 3 - A new standard downhill course is to be cleared on the Frying Pan Spur by Myrtleford Ski Club. In honor of the work he has done for the Falls Creek Village and for skiing in that area, it is to be named the "Tom Mitchell Course." Falls Creek Alpine Village is to be enlarged. Three new club lodges have been started, including Snowden and Nissen. Holbrook Ski Club will also be building at Falls Creek this summer.tom mitchell m.l.a., toni st. elmo, downhill courses, falls creek alpine village

This glass kerosene lamp was used at St Peter's Church of England at Cape Bridgewater. From Victorian Heritage Database - St. Peter's Anglican Church (former) is a small sandstone church, located at the end of Bridgewater Fire Station Road. The church was constructed between 1883-1884, as a result of lobbying by the congregation and the Reverend Allnutt to establish an Anglican Church in the area. The area was predominately Presbyterian and Methodist, so such a fine church was somewhat unusual. There was obviously much community support for the establishment of the church; the land was donated by Kennedy, a nearby landholder, and the stone was quarried for free at Mount Pleasant, owned by the Kittson family. The church was designed gratis by the ecclesiastical architect, Mr. Casselli of Ballarat, who designed many significant buildings throughout Victoria in the nineteenth century. The building contractors were a local firm, Messrs. Benson and Hardie. The church retains a high degree of integrity externally, and is in good condition. This item is significant because it demonstrates early methods of storing fuel. It is also connected to St Peter's Anglican Church in cape Bridgewater which is now a visitor accommodationA glass container with a metal sleeve. The top of the glass container has a metal opening and screw top as well as a spout for pouring. There is a metal carry handle with a wooden cylinder in the middle for carrying. This is only fixed to the container on one side as the metal eyelet on one side has broken off. The metal sleeve on the glass container has embossed pattering above and below the word - Dandy. There is an old carboard label attached to the top with string.Metal sleeve - DANDY Label -This kerosene container was used in / St Peter's Church of E / Cape Bridgewaterreligion, church, place of worship, cape bridgewater, st peters church, anglican, glenelg shire, glenelg, portland, fuel, kero, kerosene, light

In the 18th century, spring scales appeared. To produce these scales, a manufacturer would use the resistance of a spring to calculate weights, which could be read automatically on the scale’s face. The ease of use of spring scales over balance scales is what led most post offices to outfit their clerks with spring postal scales. One of the most common types of spring scales was the kitchen scale—also known as a family or dial scale. Designed for horizontal surfaces, these scales used the weight of goods in a pan at the top of the scale to force the spring down. Such scales were common in early-20th-century households and were sold by Sears and Montgomery Ward. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks made both. SALTER HOUSEWARES began in the late 1760 in the village of Bilston, England. At this time Richard Salter, a spring maker, began making 'pocket steelyards', a scale similar to the fisherman's scale of today. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. and later established a large, well equipped manufacturing site in the town of West Bromwich. The business thrived throughout the 1900s, and in 1972 the company was purchased by Staveley Industries Plc. In 2002, the management team at Salter Housewares Ltd, backed by Barclays Private Equity, bought the company out from the group, to concentrate on its consumer businesses. In 2004 was sold to the US-based HoMedics company, and in 2006, Salter Housewares USA and Taylor Precision Products Inc (also owned by HoMedics) merged. A portable, brass balance scale , 'Salters' for weighing items. A steel ring holds a brass plate marked with graduations 0 – 26 to which is attached a steel hook. ( rope & arrow TM ) / SALTER / POCKET / BALANCE / MADE IN ENGLAND Graduated 0 – 26 / PATENT / No. 8 Base rope & anchor S (trade mark) pioneers, early settlers, market gardeners, moorabbin, brighton, cheltenham, tools, craftsman, balance, scales, weights, imperial measure,, salter housewares pty ltd, west bromwich, england, salter george, salter richard, bilston england,

In the 18th century, spring scales appeared. To produce these scales, a manufacturer would use the resistance of a spring to calculate weights, which could be read automatically on the scale’s face. The ease of use of spring scales over balance scales is what led most post offices to outfit their clerks with spring postal scales. One of the most common types of spring scales was the kitchen scale—also known as a family or dial scale. Designed for horizontal surfaces, these scales used the weight of goods in a pan at the top of the scale to force the spring down. Such scales were common in early-20th-century households and were sold by Sears and Montgomery Ward. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks made both. SALTER HOUSEWARES began in the late 1760 in the village of Bilston, England. At this time Richard Salter, a spring maker, began making 'pocket steelyards', a scale similar to the fisherman's scale of today. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. and later established a large, well equipped manufacturing site in the town of West Bromwich. The business thrived throughout the 1900s, and in 1972 the company was purchased by Staveley Industries Plc. In 2002, the management team at Salter Housewares Ltd, backed by Barclays Private Equity, bought the company out from the group, to concentrate on its consumer businesses. In 2004 was sold to the US-based HoMedics company, and in 2006, Salter Housewares USA and Taylor Precision Products Inc (also owned by HoMedics) merged.Salter Brand No. 46 Household Spring Balance Kitchen Scales made of green painted metal with a white large clock face dial marked in 1oz graduations and with a shallow metal bowl placed on the flat top connected to the mechanism. An adjustable screw tightened or loosened the spring to bring the pointer to zero, prior to adding the material to be weighed.. A common piece of kitchen equipment as most families used this type of scale when measuring goods for cooking or storing. HOUSEHOLD SCALE / NO. 46 / SALTER / TO WEIGH 28 LB / ( rope & arrow TM) BRITISH MADE Base rope & anchor S (trade mark) weights, measures, shops, scales. balances, grocery stores, early settlers, moorabbin, bentleigh, cheltenham, salter housewares pty ltd, west bromwich, england, salter george, salter richard, bilston england

In the 18th century, spring scales appeared. To produce these scales, a manufacturer would use the resistance of a spring to calculate weights, which could be read automatically on the scale’s face. The ease of use of spring scales over balance scales is what led most post offices to outfit their clerks with spring postal scales. One of the most common types of spring scales was the kitchen scale—also known as a family or dial scale. Designed for horizontal surfaces, these scales used the weight of goods in a pan at the top of the scale to force the spring down. Such scales were common in early-20th-century households and were sold by Sears and Montgomery Ward. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks made both. SALTER HOUSEWARES began in the late 1760 in the village of Bilston, England. At this time Richard Salter, a spring maker, began making 'pocket steelyards', a scale similar to the fisherman's scale of today. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. and later established a large, well equipped manufacturing site in the town of West Bromwich. The business thrived throughout the 1900s, and in 1972 the company was purchased by Staveley Industries Plc. In 2002, the management team at Salter Housewares Ltd, backed by Barclays Private Equity, bought the company out from the group, to concentrate on its consumer businesses. In 2004 was sold to the US-based HoMedics company, and in 2006, Salter Housewares USA and Taylor Precision Products Inc (also owned by HoMedics) merged. Salter Brand No. 44 Household Spring Balance Kitchen Scales made of green painted metal with a large clock face dial marked in 1oz graduations and with a shallow metal bowl placed on the flat top connected to the mechanism. An adjustable screw tightened or loosened the spring to bring the pointer to zero, prior to adding the material to be weighed.. A common piece of kitchen equipment as most families used this type of scale when measuring goods for cooking or storing.On Clock face ; NO. 44 / HOUSEHOLD SCALE / TO WEIGH 14LB X 1OZ / Pro. Pat. No. 30819 / 32 / MADE IN ENGLAND / SALTER / S in trademark rope with arrow market gardeners, early settlers, fruit, vegetables, farmers, cooking, recipes, scales, weights, measures, brass, balance beam, moorabbin, cheltenham, bentleigh, kitchen scales, dairy products, cereals, wheat flour, salter housewares pty ltd, west bromwich england

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. One of the most common types of spring scales was the kitchen scale also known as a family or dial scale. Designed for horizontal surfaces, these vintage kitchen scales used the weight of goods in a pan at the top of the scale to force the spring down rather than the balance system. Such scales were common in early 20th century households and were sold by many companies. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks were the most popular brands used. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is as scoop at one end for the material to be weighted and a flat circular disc at the other end that holds the weights. Around the cast iron base is an embossed leaf pattern. All the weights have their weight embossed within the casting.There are 5 weights, marked 2 oz, 4 oz,8 oz,1 lb,2 lb, This scale does not have any visual markings on the arms to identify a maker or true balance. It is therefore assumed that these scales were made for domestic use only.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spring scale, scale

In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries.This book contains a large number of labels some of which would have been sewn to the corner of the many blankets which were manufactured over the long history of the Woollen Mill.Some are cloth of a satin type. Some state care instructions and some have been made under other name brands such as Myer, Patersons and Nile. There is also a range of types of blankets such as travel and picnic rugs, baby blankets.Some are pure wool, others are a blend of synthetic and wool, mohair. In the latter stages of its operation, under the ownership of the Smith family , recycled woollen product was produced.This is an interesting collection of labels which were produced and collected over a long period of time and therefore provide a valuable insight into different styles and variety of the blankets produced by the Warrnambool Woollen mill which played a large part in the social and employment history of the city for nearly all of the 20th century. The different styles and colours provide a snapshot of design and artistic styles of the period. Large Spirax folder with yellow and white check patterned cover with dark blue writing.A Warrnambool label in gold,black and white is glued to front cover . Back cover is grey heavier card. The white pages have a large number of labels which relate to the Warrnambool Woollen Mill . Some are stapled and others are glued.Genuine drawing cartridge 48 sheets . Made in Indonesia.warrnambool, warrnambool woollenmill,warrnambool blankets warrnambool blankets labels,

This certificate has been designed and drawn by James McKain Meek, one of several produced by him to sell to local families in Warrnambool and district as a means of raising money to support his family. James Meek (1815-1899) was a fish canner, fisherman, fishmonger, storekeeper, café proprietor, explorer, gold digger, accountant, writer, librarian and above all an outstanding calligrapher. After being a pioneer settler in the Ballarat area and residing also in Port Melbourne he came to Warrnambool and lived in the area in the 1850s and 60s. He explored much of the Terang area and the Otway Ranges, speaking and writing of the great potential of the latter area. One of Meek’s calligraphy works won an award in the International Exhibition of Melbourne in 1861 and some of his works are in various art galleries and museums today. Thomas Fidler was a Warrnambool butcher who married Fanny Cockman in 1849 in London.This certificate is of great significance as one of the calligraphy works of James Meek, a 19th century resident of Warrnambool, celebrated today as a talented calligrapher. The certificate was displayed in 2015 in a James Meek exhibition at Ballarat Art Gallery. The item is also of social significance showing how the more affluent 19th century families recorded and preserved their family history. This is a certificate hand drawn by James Meek. It is a template that enables the owner to insert the details of a family tree, in this case the 19th century family of Thomas Fidler and Fanny Cockman. The certificate is in grey and black shadings with highly ornamental scrolls and patterns. The document has been produced in black ink. It has a central column with spaces for names and side tablets to include more information. The side tablets are star-shaped and the central column has attachments of various shapes – circles, rectangles etc. The base of the column has further ornamental scrolls, swirls and lacework and features sketches of three emus on one side and three kangaroos on the other side. The certificate is mounted on white cardboard. Some of the Fidler family names have been produced in printed letters and some names have been added later by a family member. ‘Th. os Fidler’s Family Register 1865’ ‘The Family Keepsake’ ‘A Present For Home’thomas fidler and fanny cockman, james meek, history of warrnambool

These drawings have been produced in 1919 by Ron Uebergang when he was a pupil at the Warrnambool Technical School. The Uebergang families were pioneers in the Warrnambool/Allansford area. Ronald Uebergang (1903-1971) was born in Warrnambool to Ernest Uebergang and Mary Watson. He went to Allansford State School and Warrnambool Technical School and married Myra Hall. He was mechanically-minded, a good photographer and fond of music and dancing. He and Myra had a dairy farm at the family property, Hopkins Hill near Allansford and later took up grazing beef cattle. Warrnambool Technical School was established in 1913, and was located first on a Timor Street site and later moved to Caramut Road. Today it is called Brauer College. These drawings are of considerable interest because they were produced by Ron Uebergang and the Uebergang families have been prominent in the history of the Warrnambool and Allansford areas since the 1850s. They are also of interest as examples of the type of work produced by students of Warrnambool Technical School in its early days. .1 A Blueprint for a Feed Pump for a Horizontal Engine - blue background, white drawings. The drawing is two-thirds of the full size object. .2 The same drawing on white see-through paper. The paper has a thick line drawn around the edges in black ink. .3 The same drawing on plain white card with drawings in black ink and a thick line drawn around the edges in black ink. .4 The original brown paper covering used to send the drawings to Warrnambool Technical School in 1921. There are also two pages of handwritten material attached to the drawings by a metal clip and giving a description of the design of the Feed Pump. ‘Warrnambool Technical School’ ‘Designed by R. Uebergang’ ‘Drawn by R. Uebergang’ ‘Date 7/10/19’ ronald uebergang, warrnambool technical school, history of allansford, history of warrnambool

This drawing was produced by Ron Uebergang in 1919 at the Warrnambool Technical School. Members of the Uebergang families have been in the Warrnambool/Allansford area since the early 1850s. Ronald Uebergang (1903-1971) was born in Warrnambool, the son of Ernest Uebergang and Mary Watson. He lived at the family property, Hopkins Hill, and went to Allansford State School and Warrnambool Technical School. He was mechanically-minded, fond of music and dancing and a keen photographer. He married Myra Hall and they ran a dairy farm at Hopkins Hill and later went in for grazing beef cattle. Warrnambool Technical School was established in 1913, firstly at a Timor Street site and later at Caramut Road. Today it is called Brauer College. This drawing is of considerable interest as it was produced by Ron Uebergang. Members of the Uebergang families have been prominent in the Warrnambool/Allansford area since the early days of the district’s establishment. It is also important as a good example of the type of work produced by students from Warrnambool Technical School in its early years. This is a1919 drawing of a Steam Cylinder for a 45 HP Horizontal Engine. The drawing is half the full size of the cylinder. The drawing is on a white card with the sketches done in black and red ink. The card has a heavy black margin around the edges drawn in black ink. The drawing shows a Sectional Plan and a Half Side Elevation with the Cover Plate Removed. The card has the signature of Ron Uebergang. Attached by a metal clip to the card are four pages of measurements and plans of the steam cylinder. These are in black and red ink. Three of these pages have become partly detached. ‘Designed by R. Uebergang’ ‘Drawn by R. Uebergang’ ‘Date 1/12/19’ ronald uebergang, warrnambool technical school, history of allansford, history of warrnambool

These drawings have been produced by Ron Uebergang at the Warrnambool Technical School in 1919. Uebergang family members were pioneer settlers in the Warrnambool area in the early 1850s. Ronald John Uebergang (1903-1971) was born in Warrnambool to Ernest Uebergang and Mary Watson. Ron Uebergang lived at the family property, Hopkins Hill at Allansford and went to Allansford State School and Warrnambool Technical School. He was mechanically minded, a good photographer and fond of music and dancing. He married Myra Hall and was a dairy farmer at Hopkins Hill and later grazed beef cattle. Warrnambool Technical School was established in 1913, firstly at a Timor Street site and later at Caramut Road (today it is known as Brauer College). These drawing are of considerable interest as works produced by Ron Uebergang. Uebergang family members have been prominent in the Warrnambool-Allansford area since the pioneering days of the district. The drawings also are good examples of the type of work produced by Warrnambool Technical School students in its early years.These are two designs and drawings by Ron Uebergang produced at the Warrnambool Technical School in 1919. They are drawn on white card using black and red ink. The scale of the Flywheel is three inches to one foot and the Bevel Wheels are one-third full size. The drawings are edged with heavy black lines. The two sheets have the signature of Ron Uebergang. There are also four pages of handwritten notes on the Flywheel and Bevel Wheels.‘Designed by R. Uebergang’ ‘Drawn by R.Uebergang’ ‘Date 4/1/19’ (on Flywheel sheet) ‘Date 27/5/19’ (on Bevel Wheels sheet) warrnambool technical school, ronald uebergang, history of allansford

This is a book of 190 pages. It has a green cover with embossed floral patterns and a rising sun sketch outlined in gold. The black printing on the cover and spine has a gold patterned background. The pages contain advertisements, printed material and black and white sketches. fictionA Children's Annual formed by re-publishing one year's issues of a monthly magazine matilda logan, st. john's presbyterian church warrnambool, logan's beach

.1 Cream cover with black and green floral design and leather spine with gilt patterns. The pages have a gilt edging and the spine is partly detached. The pages contain printed material and handwritten entries .2 Black cover with yellow and green floral design. The spine is leather and has gold printing and lines. The pages have a gilt edging and contain printed material and handwritten entriesnon-fictionTwo birthday books with entries of birthdates 19th century warrnambool people, beattie family warrnambool, beattie and phillips funeral directors

This model of St. John’s Presbyterian Church in Warrnambool was made by Johan Carl August Landmann (1826-1920). August Landmann and his wife, Christina came from Silesia to Australia in 1854. They settled in Warrnambool where August made a living as a carpenter and joiner. At first he rented shops in Timor Street and then built a two-storeyed shop and residence in Henna Street. Landmann built many of the early commercial buildings and residences in Warrnambool and he and his family were associated with the management of the Warrnambool Western Brewery. When he retired in 1900 he built another residence in Mickle Street and it was at that time that it is believed he made the model of the Presbyterian Church and the model of the Ozone Hotel (which is in the Warrnambool Art Gallery today). St. John’s Presbyterian Church, designed by Andrew Kerr, was built in the English Gothic style and opened in 1875. It was destroyed by fire in 1920 but was rebuilt to a similar style. This model is of great significance for two reasons: 1. It was made by a prominent early Warrnambool carpenter and joiner, Johan Carl August Landmann. 2. It is the only known model of the Warrnambool St. John’s Presbyterian Church which was destroyed by fire in 1920.This model is on a wooden stand or base which is painted black with metal screws. The edging of the stand contains straw which is now brown but was originally green to resemble grass or lawn. The church is a wooden structure (hollow inside) with some sections painted to resemble sandstone. The roof is slanted and painted grey and has six dormer windows or ventilation pieces on each side. The main body of the church has a nave with dual arched windows, the west end has dual arched windows and a door with louvre ventilation and the east end has a door and dual arched windows and two conical-shaped finials. The windows, some of which are triangular, have frosted decorated glass. Some of the glass in the windows is missing. The main tower is square-shaped with four conical-shaped finials. The upper part has four sets of louvres and two arched windows. The centre and lower sections have rosette patterns and several sets of dual arched windows with frosted decorated glass panels. The north east corner has a smaller tower.johan carl august landmann, st. john’s presbyterian church, warrnambool, warrnambool history

This folder contains cards listing suppliers for the Warrnambool business, Swintons Pty Ltd. The cards date from the 1930s to the 1980s and contain information on the suppliers for seeds and farm requirements such as poultry pellets, calf food and stock salt. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a shop in Timor Street, Warrnambool selling groceries, china, glass and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, South Warrnambool and West Warrnambool. After William died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, hardware and produce. Today the Swinton family still operates a furniture and bedding store in Timor Street. This ledger is of interest as one from the Swinton business in Warrnambool. It gives us an idea of the items sold by Swintons Pty Ltd over a fifty-year period in the 20th century and will be very useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street, Warrnambool for 152 years, it is among the oldest family businesses in Australia. This is a black Kalamazoo folder made of thick board covered with material (leather?). The material is worn at the edges. The folder has a metal insert affixed with metal studs. The insert has thin metal wires strung across the inside. To these are affixed at the top with metal clips heavy-duty paper cards. There are two green cards with printed black material, one white card with printed blue material and the rest of the cards are yellow. The yellow cards are placed one under the other in a fan design. The yellow cards have printed red lines and printed titles and contain handwritten material, mostly in black ink. The cards, especially the green ones, are stained. ‘Kalamazoo-Acme Visible Card Books’swinton family warrnambool, history of warrnambool

Rev. John Brown (1722-1787) was a minister of the Scottish Secession Church in Haddington. The "Self Interpreting Bible" originally published in 1778 was his most notable work. This edition was published in Glasgow. This bible is kept because of the inscription and its link to John Alexander Brebner, who was a military tailor and habit maker in Timor Street, Warrnambool in the 1870's and 1880's.This is a hard covered family bible. The cover and spine has an ornate gold design. Holy Bible is printed in gold on the spine. There are 82 pages of information at the start including reflections and an introduction to the right understanding of the oracles of God and a chronological index of scriptural history. There is also a biography of the Rev. John Brown, minister of the gospel at Haddington. Within the pages of the first chapter of the bible, Genesis, a four page black and white printed A5 leaflet entitled Christian Baptism can be found. John Alexr. Brebner May 14th 1873john alexander brebner, brebner, family bibles, john brown haddington

A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.non-fictionA history documenting the lives of women in Warrnambool and district between 1840 and 1910.warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

This is a book of 828 pages with reprints of a religious magazine and several full page advertisements at the back. The pages contain stories, sketches, black and white and coloured illustrations, the latter on toned paper. The cover has a red based, mottled design on the front and the back and the leather covered spine has gold decoration and printing. The corners of the cover are reinforced with leather. The cover is scuffed. The pages are edged in a mottled pattern.fictionSunday readings including fiction and non fiction19th century sunday activities., the sunday at home, a family magazine for sabbath reading, religious family readings