Photograph shows the intersection of Abbotsford Street and Queensberry Street, North Melbourne dominated by the exterior of the Melbourne Tramway and Omnibus Company's engine house without chimney. The numerous signs attached to the exterior walls indicate is an automobile panels repair business.Yields information about Melbourne Tramway and Omnibus Company's engine house and how it was repurposed.Colour print with no note on the rear.engine house, north melbourne, melbourne tramway and omnibus company, auto panel repairs, chimney, queensberry st, abbotsford st

Major floods recurred of the Yarra River on a regular basis. A flood in 1901 destroyed this house in Victoria Street, Abbotsford. Later print copy of an original photograph. Home of C/N Burgess on the south side of Yarra River. The buildings were washed away in a flood in 1901 The house was in the same location as that on which Handley & Tilly was later built. This would locate it on the north side of Victoria Street, Abbotsford between Burnley Street and the Victoria Street Bridge. Photo shows three men and one woman working in an established garden in front of a weatherboard cottage."Home of C/N Burgess on south side of river; washed away in 1901; Handley & Tilly on site"yarra river -- floods, yarra river flood -- 1901, burgess family -- victoria street -- abbotsford (vic.)

In the photograph a young Nakis Raftopoulos is arranging the fruit display in his father's (Spiro Raftopoulos) shop which was at 250 Johnson Street in Abbotsford. Many Ithacan Greeks who settled in Melbourne opened businesses as it was difficult for non-British immigrants to secure employment in the early years when Ithacans first started arrive. The business were mostly associated with food vending, either cafes, restaurants, oyster bars and sea food shops, or fruit shops, stalls or barrows. They ventured into the food vending business because it was an area the had skills in. Also some of these business didn't require enormous initial capital outlay and provided a springboard for entrepreneurial Ithacans to progress to larger scale businesses. The ownership of businesses by Ithacans assisted the development of chain migration with Ithacan business owners providing employment to relatives who wished to emigrate to Melbourne. A black and white photograph of a young man in a fruit shop. he is arranging apples in a display behind a counter. The photograph has been reproduced and is mounted on board.

Newspaper report about the concerns of residents of the new tram separation kerbs in Abbotsford St. North Melbourne. Report by Brendan Rees, photos by Ajay Viswanath, notes the changes made to the installation and related traffic issues.Yields information about the installation of barrier kerbs in Abbotsford Street North Melbourne.Cuttings from the North West City News Dec 22 - Jan 23 issue - newsprint.north melbourne, abbotsford street, separation kerbs, tramways, traffic control

Colour photograph of the Skipping Girl light.collingwood, industrial heritage, skipping girl, sign, little audrey

Black and white print photograph of the wooden 'Penny Bridge' at Studley Park. The name was colloquially arrived at as a penny wa the toll one paid to cross the bridge. The copy of the postcard identifies the photographers as McAlpin Bros, Richmond.Reverse: "Studley Pk Toll Bridge / joining Church Street Abbotsford / Penny Bridge"toll bridges -- river yarra, bridges - yarra river -- kew (vic.), penny bridge

Isabel Luxford with baby daughter Jean, early 1920s in Clark Street Abbotsford. Digital copy of black and white photograph. luxford family

Isabel Luxford in 1920 (age 23), in Clark Street Abbotsford. Photo taken by Wal Luxford.Digital copy of black and white photograph. luxford family

The Pheoenix Biscuit Company were located in Grosvenor Street, Abbotsford. This undated tin was used to house one of their retail lines.Simulated gold with black lettering biscuit tin. The lid of the tin has details of the manufacturer - Phoenix Biscuit CompanyManufactured by / Phoenix Biscuit Co. / Pty Ltd / Melbourne / Victoria / 1 3/4 Lbs. Net when Packed / Wilson Bros Pty Ltd Nth. Melb.containers, biscuit tins, phoenix biscuit company

Nakis (Nick) Raftopoulos is the man photographed standing beside his car in a street in Abbotsford. He is the brother of Stathi Raftopoulos.A black and white photograph of a man standing next to a car in a suburban street.raftopoulos, nakis.

The slouch hat officially became part of the Australian Army uniform in 1903 and has been made by a variety of manufacturers. Fayrefield hats were at 48-60Nicholson Street, Abbotsford and the factory was formerly known as "Denton Hats". RAE is the Royal Australian Engineers and 1000 of their sappers served in Vietnam at the time of this hats production.Green felt Slouch hat with puggaree and gold & silver plated badge for Royal Australian Engineers, with Queens crown size 6 7/8 dated 1966 manufactured by Fayrefield Melbourne.Made by Fayrefield Melbourneorganization, military, army

The photograph shows a cable tram set, trailer No. 336, with the Abbotsford Hotel Johnston Street in the background. The former hotel stood on the south side of Johnston Street opposite Trenerry Crecent. The tram has the destination of "Lonsdale St." Adjacent to the hotel is a billboard advertising the "Vote Yes" campaign for the abolition of Hotel licenses - see reference - the referendum was lost. Photographer Eric Victor Copeman - see second reference for the history of the hotel.Yields information about Johnston Street cable tram services and the Abbotsford Hotel.Black and white photograph with notes on the rear.On rear in ink "Cable tram Collingwood Melbourne Vic (21.9.38)"tramways, cable trams, johnston st, abolition, tram 336, hotels, trams, abbotsford

‘Studley Park Bridge’ or ‘penny bridge’ linked Church Street in Abbotsford and what is now Yarra Bend Park. The privately constructed bridge opened in 1857, gaining its popular name from the toll charged at the Abbotsford end. The engineer of the 485ft wide bridge was Mr. Austin and the builder was ‘Mr Grant, who threw the bridge over the Niagara’. Following the opening of Johnston Street Bridge, declining tolls led to the Bridge falling into disrepair. Badly damaged by the flood of 1891, the Bridge was compulsorily acquired by the Government in 1899, and later dismantled and sold for firewood.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A print, taken in the 1960s by Dorothy Rogers, from an original albumen silver photograph now in the collection of the Kew Historical Society. The photograph shows the toll bridge (also known as the Penny Bridge) from the northern end."P[enny] Toll Bridge - built 1857. from old photo"studley park bridge, penny bridge, bridge, timber bridge, toll bridge

Blue 24 page catalogue from Frank Vial and Sons. Includes numerous line and photographic illustrations.non-fictionj.w. glover, john w. glover, mining, machine belts, link belting, belt fasteners, pulleys, leather hose, victoria crescent abbotsford, abbotsford

The clock was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. Thomas Gaunt History: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade, Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. Post Office and Clock History: Warrnambool’s Post Office has been in existence since 1857, when it was originally situated on the corner of Timor and Gilles Street. In March 1864 the Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25, “to be put up in front of the Post Office”. Henry Walsh Jnr was the eldest son of Melbourne’s Henry Walsh, maker and retailer of clocks, watches, thermometers and jewellery. In 1854 Henry Walsh Jnr. began business in Warrnambool as a watchmaker and jeweller later becoming a Councillor with now a local street named after him. The Post Office was extensively remodelled in 1875-76. Early photographs of this building show that the clock was installed on the northern outside wall, Timor Street, under the arches and between the 2 centre windows, where it could be seen by passers-by. Although spring loaded clocks date back to the 15th century, and fob and pocket watches evolving from these date to the 17th century, personal pocket watches were only affordable to the very fortunate. Public clocks such as this Post Office clock provided opportunity for all to know the time, and for those in possession of a personal watch to check and set their own timepieces to the correct time. During post office reservations during the 1970s the clock was removed and was eventually donated to the Flagstaff Collection. The Clock’s maker Thomas Gaunt, is historically significant and was an established and well renowned scientific instrument and clock maker in Melbourne during the 1860s. He was at that time the only watchmaker in the Australian colonies. In the 1870’s and 1880’s he won many awards for his clocks and was responsible for sending time signals to other clocks in the city and rural areas, enabling many businesses and organisations to accurate set their clocks each day. Warrnambool Borough Council purchased this clock from Henry Walsh Jnr. for the sum of £25 and the clock used to stand in front of the Warrnambool post office to allow ordinary citizens to set their time pieces as they walked by. The item is not only important because it was made by a significant early colonial clock maker and retailed by a locally known clock maker and jeweler but also that it was installed in the Warrnambool Post Office a significantly historical building in it's own right. Built in 1857 and regarded as one of the oldest postal facilities in Australia, with a listing on the National Heritage Database, (ID 15656). This 1864 hall clock originates from the Warrnambool Post Office. The clock glass is hinged to the top of the clock face and has a catch at the bottom. The metal rim of the glass is painted black. The clock face is metal, painted white, with black Roman numerals and markings for minutes and five minutes. The tip of the small hour hand is shaped like a leaf. "T. GAUNT / MELBOURNE" is printed in black on the clock face. The winding key hole is just below the centre of the clock face. The key winds a fusee chain mechanism, attached to the brass mainspring barrel that powers the pendulum with an 8-day movement. The speed of the clock can be adjusted by changing the position of the weight on the pendulum, lengthening or shortening the swing; raising the pendulum shortens its swing and speeds up the clock. The metal fusee mechanism has an inscription on it. The rectangular wooden casing is with a convex curve at the bottom that has a hinged door with a swivel latch. The original stained surface has been painted over with a matte black. There are two other doors that also allow access to the clock’s workings. The case fits over the pendulum and workings at the rear and attaches to the clock by inserting four wooden pegs into holes in the sides of the case then into the back of the clock. A flat metal plate has been secured by five screws onto the top of the case and a hole has been cut into it for the purpose of hanging up the clock. There is a nail inside the case, possibly used for a place to the key."T. GAUNT MELBOURNE" is printed on the clock face. “6 1 3” embossed on the back of the fusee mechanism behind the clock. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, clock, warrnambool post office, fusee, henry walsh jnr, thomas gaunt, t gaunt & co, post office clock

While early proposals to turn the historic Fortuna Villa Estate into a public arts precinct (similar to Melbourne's Abbotsford Convent) gained community traction, the site has transitioned. The iconic gold rush mansion and grounds at 22 Chum Street is now a private residence and exclusive community space for the neighboring residential development, offering public functions and high teas by booking. The Tomkinson Group gained approval in 2016 to provide key town planning, engineering, surveying and project management services for the redevelopment of Bendigo’s iconic Fortuna Villa. They have been involved in consultation with Heritage Victoria, Council Planning, Heritage & Engineering, Environmental, Landscape and Heritage consultants all working cooperatively towards a sensitive urban renewal residential design for the site. The planning permit application was approved in 2016 and construction is set to start in late 2017. The residential development is great opportunity for the proposed re-invigoration of Bendigo’s historic “Fortuna Villa”, and Tomkinson Group is proud to be an integral part of the process. The concept consists of 79 high end architecturally designed townhouses, built to subtly enjoy the beautiful views and acres of parkland once part of the mansion estate. The exciting 55 million dollar project proposed for the mansion grounds will sensitively allow for a unique medium density housing development, diversifying the housing options available in Bendigo, whilst maintaining the integrity of the historic Villa and a portion of the grounds, which will be open to the public for high teas and functions. The project is not without its challenges however. The topography is steep, the soil has been contaminated and contains fill from mining days, and the historic aspects of the property must be treated with a great deal of care, however the positives far outweigh the negatives. Together with the architect and client we have resolved these issues to allow this exciting development to proceed. The site has an idyllic central city location, fantastic views of both Bendigo and the Villa itself, and the established grounds provide an attractive aesthetic basis for the proposed residences.Fortuna - Villa Proposed Arts Precinct Concept This item contains the following documents: 11217.72a Sketch of the proposed Arts Precinct off Chum Street 11217.72b 28 pages of proposed sketches and designs 11217.72c Four A3 size plans of Fortunanon-fictionbendigo, fortuna, george lansell, fortuna proposed arts precinct, tomkinson fortuna villa project

Photograph shows cable trailer No. 21 and grip car at the Johnston Street terminus of the Collingwood line at Clarke Street. The trailer destination is showing "Lonsdale St." In the background is a grocery shop. This is one of the new trailer cars built in 1921-22 by the M&MTBYields information about the Collingwood cable tram services and the Lonsdale St services.Black and white photograph with notes on rear.In ink "15" and "K McC"tramcars, tramways, cable trams, lonsdale st, collingwood, tram 21, johnston st, clarke st, abbotsford

Set of four photos: 1 - St Kilda Road at City Road with three buses in view. Two Tramways ones parked on the eastern side of the roadway with a cable car set shunting - possibly during the conversion of St Kilda Road 2 - Rose Postcard No. P3366 - Beach Street, Port Melbourne, two cable tram sets in the view, along with Freeman's Tavern and advertisement for Dewar's Whiskey. In the background are the Port Melbourne Gas Works 3 - Cable tram set with car 21 at the Collingwood terminus in Johnston Street at Clarke Street - see also item 8361 4 - Flemington Road - change over between NMETL and cable trams - see also item 5616Yields information about the Melbourne cable tram services using four different photographs.Set of four photos mounted onto a cardboard sheet.tramways, tramcars, cable trams, st kilda road, cable tram conversion, tram 21, flemington bridge, flemington road, nmetl, beach st, johnston st, collingwood, abbotsford, clarke st, u class, mmtb buses, buses, city road, port melbourne, rose series

Set of four photos: 1 - Cable tram set 524 at Johnston Street - see item 6119 2 - Rose Postcard - Fitzroy Street, St Kilda - looking east 3 - Melbourne General Hospital with two cable car sets - see item 3449 4 - Rose Postcard No. P. 3410 - Victoria Ave, Albert ParkYields information about the Melbourne cable tram services using four different photographs.Set of four photos mounted onto a cardboard sheet.tramways, tramcars, cable trams, fitzroy st, st kilda, albert park, victoria ave, johnston st, abbotsford, lonsdale st, rose series, swanston st, tram 524

Victoria Bridge is a riveted and welded steel Warren truss bridge over the Yarra River completed in 1884 to a design by Fraser & Chase following a controversial design competition held in 1880. Funds for the bridge's construction were provided by the councils of Collingwood, Hawthorn, Kew and Richmond. The contract was awarded to Mr P. Platt. Charles Rowand was officially appointed Supervising Engineer in 1883. The winning design was based on the theoretical work of William Charles Kernot (1845-1909) who campaigned for economy in public works design and the application of scientific principles in engineering. ... The bridge was widened in 1890 by the addition of a third line of truss on new piers on the up stream side to carry horse trams. Work commenced in 1914 to convert the horse tramway to an electric tramway by the Prahran & Malvern Tramways Trust, part of the Trust's extension of its tramway into the eastern suburbs between 1913-18. In 1915 the bridge was further strengthened to accommodate the extra weight of electric trams and widened by the addition of two six feet cantilever footpaths. During this period the Prahran & Malvern Tramways Trust erected two ornamental gantries over the roadway to support overhead wires for the electric tramway. Further widening and reconditioning of the bridge took place in 1933, including the addition of four new welded trusses, two intermediate and two on the outside. The latter were supported on new cantilevered truss cross beams attached to the top of the piers. (Source: Heritage Victoria)Early and rare postcard of the Victoria Street Bridge linking Victoria Street and Barkers Road.Polychrome postcard of the Victoria Street Bridge which links Richmond and Abbotsford with Kew and Hawthorn.View from Harrison Cres embankment / former Xavier College boatshed on site of tree in foreground. / Chimney left corner - Wool Scoring Mils in Victoria St. / On horizon - Studley Villa, Studley House circa 1880s, Studley Hall / Chinese gardens to be seen behind three set of columns / M.J. Slatterypostcards -- yarra river, postcards -- bridges. -- greater melbourne (vic.), victoria street bridge

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). Plan No.1575 shows that in the area bounded by Wellington Street, Edgevale Road, Glenferrie Road, and Cotham Road, there had already been significant subdivision of land and houses constructed. As one of the highest points in Kew, as expected, there were already some significant mansions built on large allotments of land. Many of these mansions are identified by name on the plan such as ‘Kelso’, ‘Abbotsford’, ‘Clarendon’ and ‘Ashlyn’ in Cotham Road. Other houses of equal size are unnamed on the plan.melbourne and metropolitan board of works, detail plans, maps - borough of kew, mmbw 1575, cartography

The company which was to become the manufacturer of the iconic Australian Akubra hat was founded in Tasmania in 1876 by Benjamin Dunkerley at his Kensington Hat Mills in Hobart. In 1906 he relocated to a small workshop in Surrey Hills, New South Wales. He was joined by British hatmaker in 1904. In 1911 Dunkerley Hat Mills is registered with seven shareholders and in 1912 Akubra brand was registered. In 1918 Benjamin Dunkerley died and Stephen Keir became the patriarch of the company which was to remain in the hands of the Keir family for five generations. In 2023 Akubra is acquired by Andrew and Nicola Forrest’s private investment group Tattarang to ensure it remained as an Australian company. During its long history Akubra has produced a wide range of styles as well as having a contract for the manufacture of the Australian Military slouch hat. The Akubra “Clubman” first appeared in 1953. Fayrefield Hats were manufactured by the United Felt Hat Company Pty Ltd. in Abbotsford, Victoria from about 1920. The Company operated in a factory formally owned by Denton Hats. They relocated to Eltham, Victoria sometime in the 1940s. The Australian hat manufacturing industry received a major boost in the late 1920s with the introduction of tariffs on imported hats. As well as selling a wide range of men’s hats, Fayrefield also manufactured Australian military hats in the 1960s. Both of these hats were sold by Ewart Bros. Menswear in High Street, Wodonga. Clarrie and Jeff Ewart opened their business, Ewart Bros. Menswear in High Street, Wodonga in 1954. After 45 years of service to the Wodonga community Ewart Bros. closed their doors on Friday 3rd April 1998.These hats are significant because they were manufactured by two iconic Australian companies and sold by an important, long-serving Wodonga business.Two men's hats sold by Ewart Brothers of Wodonga. Hat One is an Akubra Clubman featuring a feather in the brim. Hat Two is a fedora style hat manufactured by Fayrefield of Melbourne. Branding and logos on both hatsaustralian hat makufacturers, akubra, fayrefield, ewart bros. menswear

One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century

In 1973 when Brian Schultz was working as a dye chemist at Yarra Falls (a Textile Factory making fabrics for school uniforms, suits etc.) in Abbotsford, he was invited by his friend to be his best man. He chose the colour green, dyed the fabric himself, and took the fabric to a tailor in Smith Street, Collingwood to have the suits made up for the December wedding. The green shirt which Brian wore with the green suit at the wedding in 1973 came in handy when he wore it 37 years later at his son's 30th birthday Halloween dress up party, when he dressed up as The Hulk. He cut up the sleeves of the shirt and painted himself green. For the December wedding, the groom wore a white suit, lemon shirt and emerald green velvet bow tie.Green two piece suit with shirt and bow tie. 1. Single breasted jacket with two pearl buttons centre and smaller buttons on sleeves. White stitching around collar edge and down the front on pockets. 2. Trousers with wide belt carrier, zip fly, cuffs wide with 6cm turnback. 3. Shirt is a polyester fine knit, pale green with dark green buttons and collar stitched with dark green edge-stitching. 4. Dark green velvet and ready-tied bow tie..MENS SLACKS BY TRAVELLERS APPAREL - For the man who goes placescostume, male

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.A ‘proposed’ subdivision of the area in the vicinity of Cotham and Glenferrie Roads and Belmont Avenue depicts an alternate vision for how the land might be divided into lots. When comparing this undated proposed subdivision with a modern map, it is possible to see why the subdivision did not eventuate. The right-of-way shown in the plan as beginning in Belmont Avenue was to be extended much further, preventing the lower lots from being created in the proposed shapes. Identifying the date of the name change may assist in the dating of the proposed subdivision. In faded writing at the top of the plan is an annotation referring to ‘Abbotsford’ and Finlayson’s Agency.subdivision plans - kew, glenferrie road, cotham road, belmont avenue, stirling street

The Cheese Factory in this image was opened around 1879 by Mr. G.G. Pearce. It was in Waddell Street. It was one of the first cheese factories in Victoria. It was later owned and operated by William Telford with the assistance of John Mahon. The factory was described in the Bacchus Marsh Express newspaper as an important business and service for the region. G.G. Pearce was reported to have spent a good deal of money in setting up the factory to ensure it was one which produced high quality cheese using modern methods of production. The factory was sold in 1889 to a Mr. H. W. King who was from Abbotsford in Melbourne. Unfortunately within a few days of Mr King buying the factory it was completely destroyed in a fire. All that was left were two large pine trees and two large underground concrete tanks.G.G. Pearce was described as a pioneer of cheese factories in Victoria. His first factory was just outside of Bacchus Marsh at Hopetoun. Around 1879 he moved into Bacchus Marsh and opened a new purpose built factory in Waddell Street.The site was located at the present day numbers of 4-6 Waddell Street. The Bacchus Marsh Express newspaper reported that no expense had been spared in constructing this factory. The factory was completely destroyed in a fire in 1889 which makes it fortunate that this image was captured of this early cheese factory in Victoria.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of men and women standing in a row in front of the Bacchus Marsh Cheese factory. One of the women is holding a small child. In front of another woman stands a young boy. Behind them is a covered wagon with a man seated upon it. Some of the men and women are wearing long aprons. In the background is the Cheese Factory. It is a large wooden structure with a high and steep pitched roof.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, cheese factories, bacchus marsh cheese factory