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Biscuit tin
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
Biscuit tin
Have a question? Contact Kew Historical Society Inc
Biscuit tin
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
Have a question? Contact Kew Historical Society Inc
The Pheoenix Biscuit Company were located in Grosvenor Street, Abbotsford. This undated tin was used to house one of their retail lines.
Simulated gold with black lettering biscuit tin. The lid of the tin has details of the manufacturer - Phoenix Biscuit Company
Manufactured by / Phoenix Biscuit Co. / Pty Ltd / Melbourne / Victoria / 1 3/4 Lbs. Net when Packed / Wilson Bros Pty Ltd Nth. Melb.
One of a group of photographs, including three within a published photo collage , taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, Dower later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Mount Dandenong Office.
The photo collage is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.
Photo collage, published in The Leader newspaper in 1913, to commemorate the opening of the Malvern to Kew Tramway. The numbered photos are: 1. Kew Railway Gates at Glenferrie. 2. Burke Road Terminus. 3. Final Stages. 4. Ladies at the Official Opening. 5. The Acting Mayoress of Kew Cutting the Ribbon at the Kew Boundary. 6. Mayor and Councillors at the Kew Terminus. 7. The Cutting the First Ribbon. 8. Guests at the Hawthorn Town Hall.
Inscribed in ink by Edgar J Dower top left: "The 3 top photographs were taken by E J Dower. No.3 Cotham Road Kew near Glenferrie Road"
theme -- connecting victorians by transport and communications, theme -- travelling by tram
The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.
Portrait photograph of Geraldine Ward, signed, dated and addressed to the Ladies of the East Kew Women's Club.
Obverse: [Signed in ink] For the ladies of the East Kew Women's Club with warm wishes, Geraldine Ward 1960." [Reverse annotated] Presented to Society with Minute Books from East Kew Women's Club. / Signed Geraldine Ward across photo / KH-217 / {Stamped] Hand Hasenpflug Illustrative Photography, 62 Swanston Street, Melbourne, Phone CENT 2187.
clubs -- kew east (vic.), east kew women's club, glenda ward
![Architectural Moulding: Fragment of plaster and cement cornice from Southesk [Ordsall]](/media/collectors/550653872162f11fb04854aa/items/66b185bc235bc2950ebe8440/item-media/66b197c7235bc2950ec38cc7/item-fit-380x285.jpg)
'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.
Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.
Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.
Nil
ordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors
Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.
non-fiction
Tram tracks in Boroondara [electrification of] / Robert Baker pp1-2. History News - Conservation [Henty Family Costume Collection, Community Heritage Grant application - National Library of Australia]; New Members; Donations to the Collection / p3. The Voyage of the John Bunyan / David White pp4-5. Family records: The diary of Mrs Henry Henty of Tarring / Suzanne McWha pp6-8. Sir Rupert 'Dick' Hamer AC KCMG ED / John Torpey pp8-9. As it happened 100 years ago [H.C.A. Harrison, Empire Day, Motor accident, Widening of High Street [Kew], Death of Cr [Sir] Henry [de Castres] Kellett, Bt / David White p.9. Branching out: the Coles family of Kew / Desley Reid pp.10-11. Membership and Donations / p12.
kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals
A collage of photographs, three taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Mount Dandenong Office.
The images are an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.
Full page, numbered photographic collage of The New Electric Tramway, Malvern to Kew. Published in The Leader newspaper, 7 June 1913. Numbered photographs include: 1. New Railway Gates at Glenferrie. 2. Burke-road Terminus. 3. Final Stages. 4. Ladies at the Offical Opening. 5. The Acting Mayoress at Kew Cutting the Ribbon at the Kew Boundary [Barkers Road]. 6. Mayors and Councillors at the Kew Terminus. 7. The Mayoress Cutting the First Ribbon. 8. Guests at Hawthorn Town Hall.
Later handwritten annotation by photographer at top left: "The top 3 photographs were taken by E.J. Dower. / No 3 Cotham Road Kew (near Glenferrie Road)" / At right: "The Leader 7 June 1913"
theme -- connecting victorians by transport and communications, theme -- travelling by tram
Reports and miscellaneous documents collected by Irena Higgins while a member of the Inner East Rooming Housing Group (1991–2008)
Archived records
Date order
Many of the Henty's of the Western District of Victoria also owned houses in Kew, Victoria. Stephen Henty, referred to on the reverse of the postcard, lived while a member of the Vitoria Parliament at 'Findon' in Kew. Kew Historical Society also holds a nationally significant collection of costumes belonging to three generations of Henty women.
Monochrome, blue tinted 'real photo' postcard of Housen's Richmond Hotel, Portland. Two women stand on the steps of the hotel at left, with the rose garden in front of them. Behind them is a church spire. The hotel and its significance is outlined in two columns of blue coloured text on the reverse.
Printed reverse: "THE RICHMOND is the most historical building in the State. On the site of today's building Edward Henty, the founder of permanent settlement in Victoria, commenced his first house February 19, 1835, finishing the work in two months. He had landed in Portland on Nov. 19th, 1834, and turned the first plough furrows in Victoria where the Hotel now stands on the 26th of the following month. It was also here that Major Mitchell ended his explorations from Sydney, meeting the Hentys on August 29th, 1836. In December of the same year Mrs S. G. Henty joined her husband, their son Richmond, the first male white child in Portland, being born in the Henty cottage. The present Richmond Hotel was built in 1840, and became the home of Stephen Henty until his departure from Portland in 1869. Though Edward Henty's first house was demolished in 1840, to make room for the new surveyed town streets, part of his wool store remains in the Hotel grounds, and is used as a wood shed. This is about the oldest building in the State : in it was held the first christening service in Portland on September 26th, 1841. On the site of the Richmond Hotel all the early visiting celebrities were entertained - Mitchell, Wedge, La Trobe, Fyans, Sir John Franklin, Capt. Stokes, etc. No other hostelry in Victoria can give you the historical atmosphere of the RICHMOND. / THE ORIGINAL HOME OF THE HENTYS."
henty family, richmond hotel -- portland (vic.), stephen henty, edward henty, richmond henty, henty houses -- victoria, portland, postcards
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
Parent file of the items in the Viola Annie Ayling collection of 1950s and 60s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.
128 pakington street -- kew (vic.), viola ayling, ceramics -- victoria (australia)
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade lamp base, irregularly ridged and with and with the use of green and yellow glazes. The lamp base has a hole for a cord above the foot.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), lamp bases, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade deep dish, glazed in green and maroon. The maroon ground includes a splash of green in the centre of the dish.
Signature to base: "V. Ayling" and dated
ceramics, pakington street -- kew (vic.), dishes, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glaze
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), dishes, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade dish, with a floral design etched into the glaze. The container has been glazed in brown.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), dishes, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), containers, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), dishes, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.
Signature to bases: "V. Ayling"
ceramics, pakington street -- kew (vic.), vase, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.
Signature to bases: "V. Ayling"
ceramics, pakington street -- kew (vic.), vase, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot.
Signature to bases: "V. Ayling"
ceramics, pakington street -- kew (vic.), vase, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze.
Signature to bases: "V. Ayling"
ceramics, pakington street -- kew (vic.), bookends, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), ewers, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.
Handmade ceramic vase with the body reticulated between the moulded floral exterior. The vase is fully glazed in a brown.
Signature to base: "V. Ayling"
ceramics, pakington street -- kew (vic.), vases, viola ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.
A handmade ceramic container, expertly potted and glazed which is representative of Australian ceramic design of the period.
Handmade ceramic container, constructed through coil work with the lid and upper body fully glazed and the lower half part glazed in orange.
Signature to base: "V. Ayling"
ceramics, containers, pakington street -- kew (vic.), viola ayling
At four years of age Dolly Stainer was admitted to Kew Cottages, an institution for the intellectually disabled situated in suburban Melbourne. The Cottages were Dolly's home for the next seventy-five years. Dolly was unable to read or write but she like to talk. In her old age she co-operated in the making of a series of tape recordings about her life. Kew Cottages: The World of Dolly Stainer is based on these recordings and places them in the context of the wider Cottages' history.
This is a rare record of a resident of Kew Cottages, recorded in 1987, captured in an oral history interview.
Oral History record. Interview on cassette, later digitised of an interview with Ms Dolly Stainer, a long term resident of Kew Cottages. The early parts of the tape are difficult to hear clearly but the interviewer and interviewee are clearer as the audio file progresses.
kew cottages (kew, vic.), mental health, oral history, cliff judge collection, dolly stainer
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
The Australian Red Cross has existed as a branch of its British equivalent since the outbreak of World War 1 in 1914. Since it’s inception it has functioned in Kew as across much of the country, although they used to have property in the area as a courtesy of previous Syme owned Rockingham on Barker’s Road. Their ownership of the property began in 1955, providing a home for recovering returned servicemen, with this ending in the demolition of the property in 1966. The file includes: An invite to a musical hosted by the Kew Branch of the Australian Red Cross.
red cross – kew (vic.), charity – kew (vic.)
red cross – kew (vic.), charity – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
Albert Purchas was an architect and civil engineer in the early colonial period of Victoria and was responsible for many of the early buildings both within the area of Kew, but also throughout Melbourne all the way down to Geelong. He immigrated to Australia in 1851, and would help design banks, churches, offices, and homes. He would serve for several years as the vice-President of the Victorian Institute of Architects, before being elected as President in 1887. The file includes: A recreation of a monthly meteorological journal that mentions him as a weather surveyor for Kew, as well as research notes completed by the Kew Historical Society.
albert purchas – kew (vic.), architects – kew (vic.)
albert purchas – kew (vic.), architects – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
The Kew Post office was built in 1887 and persisted in its role until 1992, when the building would become home to both QPO, a staple restaurant, and the Postmaster Hotel. The building was registered as a heritage landmark in 1991. The file includes: Newspaper articles regarding the building, letters regarding the designation of the building as a heritage site, and the plans for the building.
kew post office building – kew (vic.), qpo – kew (vic.), postmaster hotel – kew (vic.), kew junction – kew (vic.)
kew post office building – kew (vic.), qpo – kew (vic.), postmaster hotel – kew (vic.), kew junction – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
Kew is home to many different education institutions, many longstanding with extensive histories. The oldest still running school, the Kew State Primary School, began in 1872, with many influential private schools such as Xavier College and Methodist Ladies College being built and established within the next decades. Kew (and Boroondara by extension) is well-known for its quality of schooling compared with the rest of Melbourne, as well as it’s priciness as many private schools compete for students in such a small area. Kew is also home to Preshil, the first school of its experimental kind in the state. The file includes: Advertisements for many of the schools in Kew through newspapers, multiple newspaper articles, and a history of schools in Kew.
schools – kew (vic.), xavier college – kew (vic.), methodist ladies college – kew (vic.), kew primary school – kew (vic.), kew high school – kew (vic.), kew east primary school – kew (vic.), genazzano college – kew (vic.), carey baptist grammar – kew (vic.), preshil – kew (vic.)
schools – kew (vic.), xavier college – kew (vic.), methodist ladies college – kew (vic.), kew primary school – kew (vic.), kew high school – kew (vic.), kew east primary school – kew (vic.), genazzano college – kew (vic.), carey baptist grammar – kew (vic.), preshil – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
Margaret Schofield (1918-2004) was a famous Australian pianist born and raised in Kew. She was incredibly influential in Melbourne, becoming the Chief Study Teacher at the Conservatorium of Music at the University of Melbourne. This came after an illustrious global career performing with the BBC as well as concerts throughout Europe, Canada and the United States. She would also play a pivotal role in conserving the Abbotsford Convent, thanks to her history of performing there. She would be awarded the OAM in 1988. The file includes: Two summarised histories of Margaret Schofield.
schofield – kew (vic.), margaret schofield – kew (vic.), abbotsford convent – kew (vic.)
schofield – kew (vic.), margaret schofield – kew (vic.), abbotsford convent – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
The Salvation Army first arrived in Kew in 1892 after the petitioning of soldiers from the Hawthorn Branch. Taking a lot of convincing thanks to the opulence of the suburb and the influence of churches already in the area, an open mission with quarters (Otira?) was the main drive behind establishing it. Nowadays, there is a Salvos Opportunity Shop along High Street close to Kew Junction. The file includes: Newsletters related to the history of the branch, a booklet that celebrates the centenary history of the Hawthorn Branch, and a list of postings for a Brigadier Warren Trestrail.
salvation army – kew (vic.), opportunity shops – kew (vic.)
salvation army – kew (vic.), opportunity shops – kew (vic.)
Various Parties
Reference, Research, Information
Arranged by Secondary Values (value of records to users)
The SAFSTROM family are a family that has lived in Kew since the 1840s, started by Charlotte Ragg who was born in Kew in 1840. Her daughter, Sarah, would marry a Swedish immigrant called Carl Safstrom and begin a grocery business in 1886. They resided in their home called ‘Kalmar’, after Carl’s hometown, and would start their family with eight children, many of which would succumb to disease or war. The file includes: A letter of research completed by descendants of the Safstrom family.
safstrom – kew (vic.), carl safstrom – kew (vic.), charlotte ragg – kew (vic.)
safstrom – kew (vic.), carl safstrom – kew (vic.), charlotte ragg – kew (vic.)
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.
