Showing 44 items matching "abc interviews"
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Tatura Irrigation & Wartime Camps MuseumDVD, ABC Interviews, 2006
... ABC Interviews...ABC radio interviews with Jon Faine, J Cleary and P. ...Inside a rectangular clear plastic cover ABC Interviews DVD ...ABC radio interviews with Jon Faine, J Cleary and P. Adams talking with Helga Griffin, nee Girschik, ex Camp 3, Persian Group, after launch of Helga's book "Sing Me That Lovely Song Again", her personal storyDVD. Text written in maroon, part of a Cello on the cover. Inside a rectangular clear plastic coverinterviews, griffin h, faine j, cleary j, adams p, abc radio, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps MuseumCD, Camps Account L. Knee 27 January 2002 ABC, 2002
... ...ABC interviews...Interview given to the ABC by L. Knee about the history of the war camps. 27 January 2002...Knee ABC interviews Silver coloured disc. Black and silver text. ...Interview given to the ABC by L. Knee about the history of the war camps. 27 January 2002Silver coloured disc. Black and silver text. Clear and black cd case.l. knee, abc interviews -
Tatura Irrigation & Wartime Camps MuseumCD, Professor Kaus Newmann - ABC, 2007
... ...ABC Radio interviews...Interview given by Professor Klaus Newmann on ABC radio....Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray Interview given by Professor Klaus Newmann on ABC radio. Professor Klaus Newmann ABC Radio interviews CD, gold coloured, black printing. ...Interview given by Professor Klaus Newmann on ABC radio.CD, gold coloured, black printing. Plastic cover, clear front, black backprofessor klaus newmann, abc radio interviews -
Tatura Irrigation & Wartime Camps MuseumDVD, Stateline, Canberra, Helga Griffin, 2006
... ABC Interview - Stateline, Canberra. 11 August 2006...Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray ABC Interview - Stateline, Canberra. 11 August 2006 interview griffin h stateline canberra camp 3 tatura ww2 camp 3 communications dvd DVD. ...ABC Interview - Stateline, Canberra. 11 August 2006DVD. Text written in black on a white background. Inside a round clear plastic cover.interview, griffin h, stateline, canberra, camp 3, tatura, ww2 camp 3, communications, dvd -
Tatura Irrigation & Wartime Camps MuseumCD, Gavin Le Silver
... Interview on ABC radio about trips and life on a boat....Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray Interview on ABC radio about trips and life on a boat. local history Cd black blue and silver text on a green disc. ...Interview on ABC radio about trips and life on a boat.Cd black blue and silver text on a green disc. Clear plastic cover.local history -
Tatura Irrigation & Wartime Camps MuseumCD, Bill Elmecker Interview 2008, 2008
... Bill Elmecker interview on ABC Goulburn Murray Regional Radio. 18.3.08. after the finding of the wrecks of HMAS Sydney and HSK Kormoran (German Raider) off the west Australian coast out from Shark Bay. ...Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray Bill Elmecker interview on ABC Goulburn Murray Regional Radio. 18.3.08. after the finding of the wrecks of HMAS Sydney and HSK Kormoran (German Raider) off the west Australian coast out from Shark Bay. ...Bill Elmecker interview on ABC Goulburn Murray Regional Radio. 18.3.08. after the finding of the wrecks of HMAS Sydney and HSK Kormoran (German Raider) off the west Australian coast out from Shark Bay. Bill is the only known survivor of the Kormoran still living in Australia.White disc with blue text. Also original cardboard CD cover.bill elmecker, hmas sydney, hsk kormoran -
Glen Eira Historical SocietyNewsletter - CAULFIELD RSL
... No. 42 also has an article on the progress of the Club history including mention of a 1963 ABC Four Corners episode with footage inside and outside the Club as well as interviews with members....No. 42 also has an article on the progress of the Club history including mention of a 1963 ABC Four Corners episode with footage inside and outside the Club as well as interviews with members. ...This file contains one item about the Caulfield RSL’s newsletter: 1/Five issues (nos. 26, 33, 35, 42, and 44) of Furfs, the official newsletter of the Caulfield RSL, dated 12/2000, 05/2004, 10/2005, 12/2007, and 11/2009 respectively. The issues vary in size (numbering 12, 6, 1, 8, and 8 pages, respectively) and consequently, in terms of breadth of content. Most, however, report on the Club’s recent activities, list the current administrative staff, eulogise recently deceased members, and contain advertisements for goods and services of interest to members. All except the shortest also contain numerous black-and-white photographs of members participating in various events. No. 42 also has an article on the progress of the Club history including mention of a 1963 ABC Four Corners episode with footage inside and outside the Club as well as interviews with members.furfs, advertisements, gould tony, moore hedley, frances ken, stewart r. k, whybrow john, mclean tom, elsternwick, canfield bill, anzac day, remembrance day, middlemiss glenys, middlemiss brian, sayers john, rodda alby, st. george’s road, remembrance day service, president’s dinner, annett michael colonel, dejussing clive, stacey carole, white thomas sir, fuller joan, edwards m. t., greer j., warburton jimmy, decker john, mcbean j., mclean s. mrs., gibson ray, rigby jack, oakley trevor, paul’s steak house, wear well dry cleaners, mclean susan, caulfield lions clubs, glen eira district lions, ‘my brother jack’ short story award, ‘glenmore’, everett kevin, lee kenneth c., sneddon bruce n., perignon george j., bradley john m., kennedy colin j., waratah cellars, glenhuntly road, glen huntly road, taverna john, taverna robyn, gaylard bernie, auhl ron, yob loretta, muir frank, morris tony, blaney matt, james bob, kevin brennan, davey kathleen, wreath laying ceremonies, may carl, one petroleum co., ager michelle major, taus joe, geier noel, blore peter, creaney john, wadley geoffrey, oliver mavis i., browne donald d., ross john, kidd william, rea alan m., pollock rob, pollock florence, sell patricia miss, fidler n., dew d., mayell w., booth vincent, booth lois, johnson carl, ‘the ole tin hat’, centre road, bentleigh, rigby pat, eade charles, howell davie, blore jeff, russell paul, morse r. e., long bridford f. r., harkensee keith r., collins williams h., daniels albert e., stephani detleef p. von, walton alan l., canfield william g., barclay henry i., rose frank w., sherriff william g., may donald c., fergus mark l., sorel peter a., chivers keith, scarffe richard a., dalgleish maggie, sampson stan, jacobs frank, ware les, powell massey, merlo harry, perini leo, milnes ‘bluey’, carmody jack, edwards michael terrence, orrock george, lyon stan, raines barbara, raines laurie, hall ron, metherall murray, blore geoff, walker keith, davis max, doyle tom, reece jim, jewell bill, o’neill roe, ferrari ron, fogarty des, sinclair bill, mitchell j., harris l., boughton h. ms., townsend d. mrs., decker j., larkin r., elder g., sell p., clarke john, mclean t., kean phyllis m., booth geoffrey e., donoghue clifton s., durham leonard c., ford john w., nitsche neil h., davidson kelvin r., werba adele, pleydell max, price colin, taberner laurie, condron neil, leech gail, green barry rev’d, veteran’s lunch, devlin joseph h., murray mark blodwen, jackman david d., hall erica d., hackman james f., thompson pauline l., gassick betty m. le, logan george, wilson tony, slater bob, cobby a. h. (harry) air commodore, steinberg alison mrs., astill bob, reed donald, niewland hans, bodelier berry, little harold, hawkes stewart, limbue ram bahadur, kirkwood robert, rai bharansher, mclean susan, mcbean jon, white michael sgt., caspar freddie -
Glen Eira Historical SocietyArticle - Toyne, Gilbert
... Computer print-out on HUNG OUT TO DRY the book, written by Peter Cuffley. Interview with him on ABC Ballarat Radio. Small black and white photo of hoist....Computer print-out on HUNG OUT TO DRY the book, written by Peter Cuffley. Interview with him on ABC Ballarat Radio. Small black and white photo of hoist. ...This file contains two documents. Typewritten letter from Peter Cuffley providing background on Gilbert Toyne, manufacturer of the QUICK-DRY Rotary Clothes Hoist in Dandenong Road. Envelope attached. Computer print-out on HUNG OUT TO DRY the book, written by Peter Cuffley. Interview with him on ABC Ballarat Radio. Small black and white photo of hoist.toyne gilbert, quick dry rotary clothes hoist, toyne trading co., farrier, vernegie, ellimatta road, morton road, caulfield racecourse -
Bendigo Historical Society Inc.Document - GERTRUDE PERRY COLLECTION: LETTERS FROM AUSTRALIAN BROADCASTING COMMISSION
... The third letter dated March 10th, 1954 is from Miss Perry and Miss Young to the Manager ABC, in reference to the letter of 4th March asking if the preliminary interview could be on a Saturday as their are business girls with work commitments....The third letter dated March 10th, 1954 is from Miss Perry and Miss Young to the Manager ABC, in reference to the letter of 4th March asking if the preliminary interview could be on a Saturday as their are business girls with work commitments. ...Three letters in an envelope. The first from the Australian Broadcasting Commission dated 2nd February, 1954 requesting Misses Gertrude Perry and Valda Young to attend Broadcast House at 11.30 am on Wednesday, February 17th, 1954 for an audition. The second also from the ABC dated March 4th, 1954 advising Miss Perry that the test was successful and that her name was added to their list of artists for future engagement. The third letter dated March 10th, 1954 is from Miss Perry and Miss Young to the Manager ABC, in reference to the letter of 4th March asking if the preliminary interview could be on a Saturday as their are business girls with work commitments.performing arts, music, gertrude perry -
Greensborough Historical SocietyBook, Terry Lane, As the twig is bent: the childhood recollections of sixteen prominent Australians: presented by Terry Lane, 1979
... Terry Lane was a radio and television producer for the ABC; in this book he interviews prominent Australians about their childhood....Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Terry Lane was a radio and television producer for the ABC; in this book he interviews prominent Australians about their childhood. oral history biographies australia - social conditions A collection of interviews with Australians 203 p., illus. ...A collection of interviews with Australians203 p., illus.non-fictionA collection of interviews with Australiansoral history, biographies, australia - social conditions -
Bendigo Historical Society Inc.Archive - MICHAEL GROUNDS, 30.9.2006
... Michael Grounds interview on Mark Twain. ABC 30.9.2006....Michael Grounds interview on Mark Twain. ABC 30.9.2006. Archive MICHAEL GROUNDS ...DVD. Michael Grounds interview on Mark Twain. ABC 30.9.2006. -
Port Melbourne Historical & Preservation SocietyAudio - 3LO interview with Wendy Lowenstein re Under the Hook, Pat Grainger, 1982
... Extract from ABC radio 3LO program presented by Elaine Canty, interviewing Wendy Lowenstein re the book "Under the Hook"...Port Melbourne Historical & Preservation Society Port Melbourne Town Hall 333 Bay Street Port Melbourne melbourne Workers Piers and Wharves - Webb Dock Elaine Canty Wendy Lowenstein Duration 00:15:12 Extract from ABC radio 3LO program presented by Elaine Canty, interviewing Wendy Lowenstein re the book "Under the Hook" Audio 3LO interview with Wendy Lowenstein re Under the Hook Pat Grainger ...Extract from ABC radio 3LO program presented by Elaine Canty, interviewing Wendy Lowenstein re the book "Under the Hook"Duration 00:15:12workers, piers and wharves - webb dock, elaine canty, wendy lowenstein -
Port Melbourne Historical & Preservation SocietyAudio - 3LO interview with Kate Shaw and Robert Peck re Sandridge City Bayside Development, Pat Grainger, 10 Mar 1988
... Extract from ABC radio 3LO program presented by Romona Kovall, interviewing Kate Shaw and Robert Peck re the proposed Sandridge City Bayside Development...Port Melbourne Historical & Preservation Society Port Melbourne Town Hall 333 Bay Street Port Melbourne melbourne Town Planning - Proposals Shelved - Bayside Romona Kovall Kate Shaw Duration 00:17:40 Extract from ABC radio 3LO program presented by Romona Kovall, interviewing Kate Shaw and Robert Peck re the proposed Sandridge City Bayside Development Audio 3LO interview with Kate Shaw and Robert Peck re Sandridge City Bayside Development Pat Grainger ...Extract from ABC radio 3LO program presented by Romona Kovall, interviewing Kate Shaw and Robert Peck re the proposed Sandridge City Bayside DevelopmentDuration 00:17:40town planning - proposals shelved - bayside, romona kovall, kate shaw -
Port Melbourne Historical & Preservation SocietyAudio - Oral History, Lettie Walsh Bradley and Margaret Walsh, Pat Grainger, May 1991
... Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program)...Port Melbourne Historical & Preservation Society Port Melbourne Town Hall 333 Bay Street Port Melbourne melbourne Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program) Families Domestic life Social Activities Bradley Walsh Lettie Walsh Margaret Walsh Duration side 00:58:36 Lettie Walsh Bradley and Margaret Walsh recalling their lives in Port Melbourne Audio Oral History, Lettie Walsh Bradley and Margaret Walsh Pat Grainger ...Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program)Lettie Walsh Bradley and Margaret Walsh recalling their lives in Port MelbourneDuration side 00:58:36families, domestic life, social activities, bradley walsh, lettie walsh, margaret walsh -
Port Melbourne Historical & Preservation SocietyAudio - Oral History, Lily Goss and Tom Lahiff, Seon Films, May 1991
... Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program)...Port Melbourne Historical & Preservation Society Port Melbourne Town Hall 333 Bay Street Port Melbourne melbourne Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program) Families Domestic life Social Activities Sport - Australian Rules Football Lilian 'Lil' GOSS nee JOHNSON Tommy LAHIFF Duration side 01:31:14 Lily GOSS and Tom LAHIFF recalling their lives in Port Melbourne, football, etc Audio Oral History, Lily Goss and Tom Lahiff Seon Films ...Interview used in contribution to the book "They can Carry me Out" (Original interview carried out by Seon Films as part of an episode about Port Melbourne for the ABC 4 Corners program)Lily GOSS and Tom LAHIFF recalling their lives in Port Melbourne, football, etcDuration side 01:31:14families, domestic life, social activities, sport - australian rules football, lilian 'lil' goss nee johnson, tommy lahiff -
Federation University Historical CollectionDocument, Dick Richards Interview (Transcribed from ABC Radio National's Verbatim Programme, c1985, c1985
... Dick Richards Interview (Transcribed from ABC Radio National's Verbatim Programme, c1985...Dick Richards died in 1985. dick richards richard w. richards ballarat school of mines antarctica michelle rayner ernest shackleton ross sea mcmerdo sound endurance mount hope beardmore glacier cape evans captain scott ross sea party Eight typed pages Dick Richards Interview (Transcribed from ABC Radio National's Verbatim Programme, c1985 Document ...Richard W. Richards was Principal of the Ballarat School of Mines, and was a member of the Shackleton Antarctic Expedition. He was one of seven survivors of the Ross Sea Party who were stranded in Antarctical during Ernest Shackletyon's ill-fated 1914 expedition. Dick Richards died in 1985.Eight typed pagesdick richards, richard w. richards, ballarat school of mines, antarctica, michelle rayner, ernest shackleton, ross sea, mcmerdo sound, endurance, mount hope, beardmore glacier, cape evans, captain scott, ross sea party -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, "A Royal Portrait" (Duke of York), 1933
... Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). ...Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). ...Published: The Age, Sat 14 October 1933 Published title: A Royal Portrait Published caption: "Seen at his studio, Alphington, Mr. W. B. Mclnnes's portrait of the Duke of York, which he painted recently on commission from the trustees of the Castlemaine Gallery, at St. John’s Wood, London, impresses as a vital record of one whose natural habitat is a palace, and whose place in life is one of near relationship to the throne of England. The Duke is painted in the uniform of the admiral of the fleet, a highly ornate vesture entailing much elaboration of gold and numerous medals, in dealing with which the artist has not failed to centre his attention on the head, and has succeeded in producing what is undoubtedly a soundly painted portrait and a good likeness. During the five fittings Mr. Mclnnes, apart from the ordinary social amenities, found his Royal sitter little inclined to talk, though he spoke feelingly of his trip to Australia and the pleasure it had given him: but with the Duchess the tendency to be sociable was much more clearly pronounced. She took, and expressed, a keen interest in the social and political matters of the day with a special concern for the supremacy of England and Australia in all questions relating to sport, such as cricket, tennis and golf. She spoke well of her portrait painted by Quinn, and regretted that she would not see the two hung side by side at the Castlemaine Gallery." Description: An unframed painting of a standing, middle-aged man dressed in the uniform of a Royal Navy admiral of the Fleet with medals, sash, ornate belt, cuffs and epaulettes. His left hand rests on the handle of a sword in its scabbard and his bicorn hat and white gloves are on a table beside him. To his right is a globe of the world showing Australia. Research by project volunteer, Fiona Collyer: In 1933, Castlemaine Art Gallery trustees commissioned artist W.B. McInnes (1889-1939) to paint a portrait of Prince Albert, Duke of York as a companion piece to the portrait of his wife, the Duchess of York, that the gallery had commissioned Australian official war artist James Quinn (1869-1951) to paint in 1930. During the First World War, the Duchess’s childhood home, Glamis Castle in Scotland was used as a makeshift military hospital and convalescence home for wounded soldiers. Many servicemen from the Castlemaine area recuperated there and had fond memories of the kindness of the teenage Lady Elizabeth Bowes-Lyon (1900-2002, later Duchess of York) who spent the war years running errands and aiding in the welfare and morale of the patients. In 1927, the Duke and Duchess of York (later King George VI and Queen Elizabeth) came to Australia to formally open the newly built Parliament House in Canberra and to tour the country. While visiting Victoria in April, they embarked on a whistle-stop train journey to Bendigo, stopping at Kyneton for ten minutes and Castlemaine for 15 minutes. At Kyneton, an excited crowd of 10,000 people welcomed the couple with “three cheers and three cheers for Baby Betty” before the Duchess was presented with a bouquet of locally grown roses and the Duke a bound album of photographs of noted beauty spots of the district. Next the Royal Couple stopped at Castlemaine to the cheers of 15,000 people. There the couple were presented with a basket of prime quality Harcourt apples and a pair of cot blankets, manufactured at Castlemaine Woollen Mills, a birthday gift for baby Princess Betty. The Duchess recognised Colonel W.E. James, of the Seventh Battalion, who had convalesced at Glamis Castle in 1917, and they chatted before the train departed, while the Duke shook hands with returned soldiers. Last stop was the town of Bendigo which was colourfully decorated with bunting and flags, arches and flowers. 3000 pigeons were released on their arrival and the liberated birds circled overhead for several minutes as if to welcome the Royal Couple. A crowd of 50,000 cheering people lined the streets in bright sunshine as the couple drove by. From an arch over Hargreaves Street, pretty girls showered the pair with rose petals. The Duke was presented with a gold nugget and an album, handsomely bound in morocco, of a history of the Bendigo mining industry, while the Duchess received a bouquet of prize winning white chrysanthemums. After 75 minutes in Bendigo they journeyed back to Melbourne for a State reception. While the couple were in Melbourne, the Duke often played lawn tennis at the Government House courts with three times Grand Slam champion Norman Brookes, who declared that while he considered the Duke a second class player whose serve lacked sting, he had a fine backhand and with time and practice he could become a first class player. The federal Parliament had previously been situated in Melbourne, but Canberra was chosen as the location for Australia’s capital as a compromise between fierce rival states, Victoria and NSW. It is written in the Constitution that the federal capital would be in “the State of NSW... distant not less than one hundred miles from Sydney.” The word Canberra is thought to derive from the local Ngunnawal word “Kanbarra” meaning “meeting place”. The Provisional Parliament House was a large, white, three storey building facetiously dubbed “The Wedding Cake”, plonked down in a bare, former sheep paddock. It was decorated for the event with Union Jacks and Australian red ensign flags. On 9 May, the day of the opening, the expectant crowd assembled in front of the building. Only two of the spectators were Aboriginal. One was Jimmy Clements (1847-1927, aka Nangar or Yangar, but popularly known as “King Billy”), accompanied by his three dogs. (The title “King” or “Queen” was often given by white settlers to Aborigines who were seen as allies and could maintain good relations between First Nations groups and the colonists. Some were given inscribed brass breastplates or gorgets to wear.) Jimmy was an excellent horse breaker and expert tracker for the police. He was also the nephew of “Queen” Nellie Hamilton (1842-1897) of the Canberra-Queanbeyan region, home of the Ngambri and Ngunnawal people. Nellie was the oldest surviving full-blooded Aboriginal woman in the district. The other was George John Noble (1840s-1928, aka Ooloogan, also “Marvellous” due to his regular use of the word). Both were initiated Wiradjuri walamira elders: “clever men” believed to have the ability to heal physical and spiritual ailments. They were also travelling showmen, skilled at boomerang and spear throwing and often performed at country agricultural shows and football matches. They had walked barefoot for three days from the Brungle Mission, near Gundagai. 11 May 1927, The Argus reported that “King Billy... claims sovereign rights to the Federal Territory” which the National Archives of Australia describes as “possibly the first recorded instance of Aboriginal protest at Parliament House in Canberra.” 10 May 1927, The Argus reported on Jimmy Clements: “During the wait great interest was taken in the appearance near the east stand of an aborigine, a member of the Gundagai tribe, and a well known character in the district. He was very old and grey and ruggedly picturesque. He was determined to go his own way in spite of the arguments of two inspectors and one sergeant of police. Immediately and instinctively the crowd in the stands rallied to his side. There were choruses of advice and encouragement for him to do as he pleased. A well-known clergyman stood up and called out that the aborigine had a better right than any man present to a place on the steps of the House of Parliament and in the Senate during the ceremony. The old man’s persistence and the sympathy of the crowd won him an excellent position and also a shower of small change that must have amounted to 30/ or 40/ [shillings].” At 10.30 am, Australia’s eighth Prime Minister, Mr Stanley Bruce (1923-1929) welcomed the Royal couple onto the crimson carpeted portico. Unfortunately, Dame Nellie Melba’s rendition of “God Save the King” and the greater part of the Duke’s reply was drowned out by the roar of squadrons of aeroplanes circling overhead. A brief religious service followed, conducted by leaders of the Methodist, Presbyterian and Anglican churches. Interestingly, there was no Roman Catholic representation at the ceremony even though around one quarter of Australians were Catholic at the time. The Duke unlocked the front doors with a golden key, then unveiled a statue of his father King George V by sculptor Sir Bertram Mackennal in the King’s Hall. Then the official party, Senators, members of the House of Representatives and invited guests entered the Senate chamber where the Duke read a message from the King, establishing Canberra as the seat of the Federal Government, watched on by Australia’s elite. The conclusion of the ceremony was announced by a gay fanfare of trumpets from the entrance of Parliament House and a 21 gun salute and answered by cheers from the crowd. The dignitaries then feasted on a luncheon of turtle soup, poached schnapper, fillets of beef, roast chicken and ham, straw potatoes, green peas, Canberra Pudding (a pudding made with dripping, dried fruit and jam), fruit, ices, coffee and cheese. They toasted the King with non-alcoholic fruit punch as the Federal Capital Territory (later ACT) was a “dry” area and no speeches were made. The diary entry that day of Ethel Baird, Lady Stonehaven, the wife of the Governor-General, is brief and to the point: “To P.H. & waited for Yorks. Ceremony went off without a hitch. Ghastly Banquet Lunch.” Later that day, the Duke mounted a coal black mare, police horse Number 303 which had been hastily re-named “Black Bess” for the occasion, to receive the final salute from the assembled troops and returned soldiers dressed in mufti. The RAAF squadron were flying overhead in “V” formations when suddenly, one of the planes, piloted by Flying Officer Francis Charles Ewen, left the formation, nose-diving 900 metres from Parliament House and landing behind the Y.W.C.A. refreshment marquee. Francis, aged only 28, tragically died of his wounds later that day. The Federal Capital Commission contracted Sargent’s Pies of Sydney to supply 5000 meals for the event. They supplied pies, sausage rolls, scones and sandwiches with the agreed price of 3 shillings a head. Only 1200 meals were served and the uneaten remainder dumped, with the Commission bearing the cost of the unsold food. An estimated crowd of 20,000 attended the opening, far fewer than the expected 100,000. Many visitors travelled long distances, bringing their own hampers of food and camping in tents as there was very limited accommodation available. Thousands of people around Australia listened to the ceremony broadcast on the wireless, with receiving sets installed in schools, public halls and workplaces and it was also filmed for posterity. The next morning, the Royal couple, along with Prime Minister Bruce and Mrs Bruce held an informal public reception on the steps of Parliament House where early settlers, residents and visitors to Canberra filed past them. The Press widely reported Jimmy Clements’ encounter with the Duke and Duchess. The Sun-Pictorial reported 11 May 1927: "MET THE DUKE. ABORIGINE KING HE APPROVED Sugarbag: Sports Suit. John Clements, otherwise King Billy, a full blooded aborigine king, aged 86, was among the 2000 who filed past the Duke and the Duchess at the public reception at Canberra to day. “How you likem Duke and Duchess Billy?” he was asked afterwards. “I think they are both very nice.” he replied in good English. King Billy was a very bedraggled figure, with tangled locks and a beard which almost hid his wrinkled and black face. He wore an old sports suit and carried a sugarbag. Passing the Duke and Duchess he turned full towards them. The crowd cheered, and the Duke and Duchess smiled. The Duke was particularly amused.” The Canberra Times reported 13 May 1927: "A REAL AUSTRALIAN. A quaint but pathetic figure stood in broad relief in the queue of ranks at the reception. Where his dusky forbears have gathered in native ceremonial for centuries past, a lone representative of a fast vanishing race saluted visiting Royalty. Despite the grotesque garb and untamed mane the aborigine comported himself not without dignity. With his three faithful dogs, he made an immediate target for a battery of cameras.” "The Argus reported 11 May 1927: "...an ancient aborigine who calls himself King Billy and who claims sovereign rights to the federal Territory walked slowly forward alone and saluted the Duke and Duchess. They cheerily acknowledged his greeting. The old aborigine, with his long, matted beard and nondescript clothing, is a popular identity of Canberra, and must be one of the most extraordinary figures who has received a Royal salute.” The Sun (Sydney) reported 10 May 1927: “Suddenly, in the midst of the forest of green and white colored hats of women, appeared a head with a shaggy leonine mane and a patriarchal beard. Jacky, the aboriginal, an identity of the district, who is also known as the King of Canberra, had arrived to testify to his loyalty. He saluted the Duke with an excellent dash, and shambled past with his faithful sheep dog aide-de-camp at his heels. The Duke and Duchess were highly amused at this quaint figure moving along with a sort of bodyguard of shrieking young boys and girls.” The Sydney Morning Herald 11 May 1927 mistook Jimmy for his friend “Marvellous”: “...the appearance of an aged aboriginal widely known in the district as “Marvellous, the uncrowned king of Queanbeyan." His beaming black countenance was almost hidden beneath a shock of hair and beard. Bare-footed and carrying a sugar bag in one hand and a tiny Australian flag in the other, he at first mistook a policeman at the foot of the steps for the Duke. To his great embarrassment and to the vast amusement of the onlookers, the policeman became the object of a hearty salutation. However, "Marvellous" was quickly shepherded back to a position in the procession and as he passed along brought his hand up to an approved military salute for the benefit of their Royal Highnesses. The Duke returned it with a special wave.” The Labor Daily 11 May 1927 irreverently reported on the scene: "People March Past. Some 400 people, old identities of Canberra marched past. They were mostly aged ladies with memories faithfully preserving the traditions of other days and curtsied reverently. The younger generations, who speedily joined the procession, behaved differently however. Surely it was the most motley collection that ever passed before Royalty. Men without collars jostled others well dressed. Fat women, young women, children of all heights and ages were there. The oldest inhabitants, in the persons of the abo, "Marbly", and his companion were present. The poor old fellows evidently were keen to get closer to the Duke than the procession dared go, but they were overawed by the stern glances of military men.” The Canberra Times reported 13 May 1927: "...and towards the end of the procession, a full-blooded aboriginal, bareheaded and barefooted, and carrying an old swag on his back, made a picturesque figure as he several times saluted the Royal couple, his old eyes beaming inexpressible delight.” The Register reported 11 May 1927: "PUBLIC MARCH PAST. Old “Jacky”, an aboriginal identity of the district, who has been following the proceedings of the various ceremonies with apparently great interest, appeared in the march past. He halted in front of the steps and raised his hand to his shaggy grey locks in an attempt at a salute. Smiling, the Duke returned the salute, and the Duchess bestowed a charming smile on the figure of mingled pathos and comedy.” Tweed Daily reported 12 May 1927: “King Billy” WAS THERE. Appropriately enough, the inevitable “King Billy” with his refreshing impression of possum and gum-leaves, was present at the dedication of the Federal capital at Canberra. Bare-footed, in a dingy old suit and battered felt hat, he wandered on to the empty stand after the illustrious assemblage had passed into Parliament House. A desolate figure in all that he stood for, he proved, an amiable representative of the dispossessed race. He cheerfully waved a Union Jack for the camera man, and grinned into the very eye of a movie man’s camera without flinching.” Footage of Jimmy filmed that day features in the film “The Birth Of White Australia” produced in 1928 and shows him enthusiastically waving a small Union Jack flag in front of Parliament House with his three dogs at his feet. The caption reads " "King Billy" calls for cheers for the son of the great white King across the seas. “Mine tinkit that pfellers father budgeree King liket me” supposedly says Jimmy." Jimmy told the Daily Telegraph, 13 May 1927 “I have opened your Parliament House on my own ground, now you can go and look at it." Jimmy died on 28 August 1927, aged 80. The Herald newspaper on 30 August 1927, published an illustration depicting Jimmy’s dog standing on his grave, his customary chimney pot hat leaning on his headstone. The caption reads: “The Dead King — His Only Mourner. Drawn by Will Dyson (King Billy, last of the Canberra aborigines, lived just long enough to see the Duke of York open Australia’s capital on the site where his tribe once roamed. He died in the Queanbeyan Hospital yesterday morning.)” A letter published in the Sydney Morning Herald, 19 September 1927 reported: "Old King Billy... Sir, ...I would like to mention... the passing away of one, if not the last remaining aboriginal chieftains. He may be called “Old King Billy,” and his death occurred here in Queanbeyan a few weeks ago. The removal of this well-known black has left another big gap in all that remains distinctively Australian in character. He was one of the last remaining tribe of the Monaro district, and one of the most predominant personalities throughout the Commonwealth. ...he had lived through 80 years all told. He was on many occasions sought by artists for his splendid physique and personality as a model, and many a journey he has had to make to Sydney on that account. A more striking and pronounced type could not be found. ...A very fine cast in lifelike form is to be seen in the Australian Museum, Sydney ...his last important appearance in public was at the Commonwealth celebrations at Canberra, to which territory he partly belonged. ...we have no aborigine statue chiselled to the memory of their race, a more fitting and lasting memorial could not be undertaken than to have one modelled from this fine figure and erected to the memory of his race at Canberra... It would be a fitting adornment if planted with the Australian gumtrees for any avenue or garden. [King Billy] ...a very intelligent fellow, responding readily to kindness and common sense. Hoping yet to see a befitting testimonial and a lasting memorial to a race that is rapidly and I may say, unfortunately, disappearing, I am etc., SYDNEY R.OAKLEY, Queanbeyan." The “lifelike form” referred to by the correspondent was a sculpture that Jimmy Clements had posed for: “The Wunderlich Aboriginal Group” for The Australian Museum in Sydney. In 1925, Mr Ernest Wunderlich, director of Wunderlich Limited, manufacturer of building materials and President of the Board of Trustees at The Australian Museum, commissioned renowned sculptor George Rayner Hoff (sculptor of the Anzac Memorial in Hyde Park, Sydney, National War Memorial in Adelaide, and “Lion” the original Holden Motor Company car emblem) to sculpt a life sized Aboriginal family group diorama as a gift to the Museum. There was much concern at this time that the Aboriginal population and especially the “full blooded” were fading into oblivion so fast that they may soon become extinct. Three “full blooded” Aborigines were chosen for models. An article in The Australian Museum magazine, July/September 1926 about The Wunderlich Aboriginal Group explained “...it will not be many years before the aborigine, in New South Wales and Victoria at least, will be an entity of the past. Every year sees a shrinkage in their number, and the coastal tribes that once roamed the Sydney district are, unfortunately, no longer with us. ...the man, who is hurling a boomerang, is Yangar, or “Jimmy Clements,” son of Gayan-Bleuet-Galoom, the late “King of Orange,” western New South Wales. “Jimmy” is an old man, but well preserved. He has a very retentive memory and recollects the various tribal customs and initiation ceremonies, but regarding these he is extremely reticent and will not communicate his “honoured secrets.” The female figure is “Nellie Walker,” a daughter of Geri-Bungel, and a native of Bombala, Monaro district, southern New South Wales. The boy is Harold Marsh, aged nine years, who was born at Kinchela, Macleay River, northern New South Wales. He is now living at the Brewarrina settlement... In the selection of aborigines great care had to be taken to ensure that the individuals were pure bloods, and to the Aborigines’ Protection Board and the Police Department of this State thanks are due for the valuable assistance rendered by them.” Ngarigo woman, Nellie Bungil Walker (1867-1932) had five children, two died as babies and her remaining children were taken from her. She worked as a domestic and was living at La Perouse Aboriginal Community, Sydney at the time of her sculpture’s creation. In the years after the sculpture was made, Nellie and Rayner remained friends. Yaegl boy Harold “Harry” Marsh was from the Kinchela Aboriginal Training Home for boys near Kempsey, (1924-1970), an agricultural training institution under the jurisdiction of the Aboriginal Protection Board to house Aboriginal boys forcibly removed from their families “in the interest of the moral or physical welfare” of the boys. The boys at Kinchela were aged 5-15 years old and referred to as numbers, not names and any connection to Aboriginal culture or language was forbidden. Brutal and cruel physical punishment and sexual assaults were rampant. Survivors recall being flogged and chained naked to a huge Morton Bay fig tree overnight or “sent down the line” where every boy was ordered to punch the “wrong doer” as hard as possible for fear that they would be next. The Kinchela children are acknowledged as part of the Stolen Generation. In 1925, Rayner Hoff created a terracotta bust “Harry Marsh” which is in the collection of the Art Gallery of New South Wales. The figures of the trio were modelled in clay before being cast in plaster and hand-coloured by Museum artist Miss Ethel A. King. The finished figures were completed with wigs and fur pelts and with Jimmy hurling a boomerang and Nellie holding a dilly-bag. They were placed in a glass cabinet in the Australian Ethnology Gallery. The subjects were not named. The Sydney Morning Herald 1 July 1926 critiqued the sculptures. "A GROUP OF STATUARY. MUSEUM’S ACQUISITION. Artistically the group is very fine, for the sculptor has caught his subjects in attitudes that reveal all the stalwart athletic lines of their bodies... The man, who is depicted as about 60 years of age, is bearded, immense, and savagely primitive-is throwing a boomerang, and beside him a boy, aged about 11 years is following beneath a shading hand, the flight of birds at which the hunter aims. Behind them, patient, obedient, stand(s) the woman waiting with her dilly bag to gather the spoils.” In 1996, Nellie’s daughter, Victoria Kempsey née Walker, happened to visit The Australian Museum and saw the sculpture of her mother, displayed semi-naked in a glass cabinet, alongside glass cabinets of taxidermied animals. She had last seen her mother 62 years previously when Nellie was dying from tuberculosis. Greatly distressed, Victoria wrote to the Museum requesting that they remove the sculpture, which they did. In 2023, a documentary was produced called “Her Name Is Nanny Nellie” which follows the journey of Nellie Walker’s great-granddaughter Auntie Irene Ridgeway discovering Nellie’s story, honouring her life and restoring her sculpture. Irene told Refinery29 Australia that “It was about reclaiming her life, reclaiming her history and who she really was as a real person. She was not a naked and unnamed lady standing in a museum. It's giving them back their families, they weren't just there to be looked at as flora and fauna or as 'natives'." The documentary was written and directed by Irene’s son Daniel King and premiered at the 2023 Adelaide Film Festival and broadcast on NITV. The restored sculpture of Nellie, dressed in 1920s style clothing was displayed at The Australian Museum, Sydney in The Bayala Nura Gallery in 2023. Irene wanted Nellie to be depicted in the way she actually was when she posed for the sculpture in 1925. The other two sculptures were not displayed due to ongoing conversations with family members and the fragility of the sculptures. It is anticipated that they may be displayed in the future. Melbourne born William Beckwith (Bill) McInnes (1889-1939) studied drawing at National Gallery School in Melbourne from the age of 14 under the tuition of artist Frederick McCubbin before succeeding his former teacher as Master of Drawing at the School from 1916-1934. He was acting Director of the NGV and Head of the National Gallery School from 1934. In 1927, Bill and official war artist H. Septimus Power were commissioned to paint the opening of the new federal Parliament House in Canberra. Septimus painted the general scene of the arrival of the Royal entourage in front of Parliament House, while Bill depicted the ceremony inside the Senate chamber. Bill was widely acclaimed for his landscapes and lauded as the heir to great Australian landscape artist Arthur Streeton. He won the Archibald Prize seven times (including the inaugural, a portrait of architect Desbrowe Annear) which made him a highly sought after portrait painter and he earned kudos for his commission to paint the Duke of York. During the breaks in painting the portrait, the pair chatted and Bill was surprised by the Duke’s wide knowledge of Australian affairs. The Duke was particularly interested to hear how the rabbit crisis was being handled. Bill’s work is held in major Australian galleries including the NGV, which has 12 of his paintings in their collection. Bill was married to fellow artist Violet McInnes and they lived at “The Poplars” in Alphington with their six children. Violet painted still life of flowers and portraits. In 1941, she entered her portrait of fellow artist Sybil Craig into the Archibald Prize and in 1945 Violet was appointed an official war artist. Defending his traditional style Bill said “...we in Australia have not been bitten by Cubism or Futurism or other of the “isms”...and I am glad of it”. References: THE DUCHESS OF YORK. (1931, December 7). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article4427568 WAR NURSE (1930, March 11). The Sun (Sydney, NSW : 1910 - 1954), p. 1. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article223714728 The Royal Visit. (1927, April 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 9. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article205813465 Canberra. (1927, April 30). Advocate (Burnie, Tas. : 1890 - 1954), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article68233606 Australian Dictionary of Biography, Nangar, https://adb.anu.edu.au/biography/nangar-33736 Australian Dictionary of Biography, Jimmy Clements, https://en.wikipedia.org/wiki/Jimmy_Clements Wikipedia, George John Noble, https://en.wikipedia.org/wiki/George_John_Noble PARLIAMENT AT CANBERRA. (1927, May 14). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 37 (METROPOLITAN EDITION). Retrieved December 25, 2024, from http://nla.gov.au/nla.news-article140733921 CANBERRA CEREMONY (1927, May 10). The Argus (Melbourne, Vic. : 1848 - 1957), p. 19. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article3853643 CANBERRA. (1927, May 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved November 24, 2024, from http://nla.gov.au/nla.news-article3853897 THE FINAL SCENES (1927, May 11). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article236614453 TWIN SONS (1927, May 10). The Sun (Sydney, NSW : 1910 - 1954), p. 11. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article223616143 National Archives of Australia, Aboriginal [Jimmy Clements, a Wiradjuri elder] on steps of Parliament House (King Billy), https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=3050026 Sydney Morning Herald, The chant of Jimmy Clements: I’ll do the honours on my ground, thanks, https://www.smh.com.au/national/the-chant-of-jimmy-clements-i-ll-do-the-honours-on-my-ground-thanks-20241023-p5kkt5.html MET THE DUKE (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article275177101 PUBLIC MARCH PAST. (1927, May 11). The Register (Adelaide, SA : 1901 - 1929), p. 11. Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article54271512 A REAL AUSTRALIAN (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 12. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article1213124 THE PEOPLE'S DAY (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 3. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article1213105 KING BILLY" WAS THERE. (1927, May 12). Tweed Daily (Murwillumbah, NSW : 1914 - 1949), p. 2. Retrieved November 27, 2024, from http://nla.gov.au/nla.news-article190193273 A BUSY DAY. (1927, May 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 15. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article16374845 Nothing Wrong With Canberra Opening, Says "King Billy" (1927, May 13). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 2. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article245750627 THIS IS MARVELLOUS! (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 16. Retrieved December 9, 2024, from http://nla.gov.au/nla.news-article275177155 Mildenhall's Canberra, Royal Visit, May 1927. Canberra citizens passing the Royal Party on the front steps of Parliament House at the Civic Reception 1927 [photograph], https://mildenhall.moadoph.gov.au/rephoto/62 Australian Dictionary of Biography, 1927 - Jimmy Clements, John Noble, and the Opening of Parliament House, https://adb.anu.edu.au/the-quest-for-indigenous-recognition/jimmy-clements YouTube, The Birth of White Australia (1928), amateurish racism on the big screen [Jimmy Clements at 11.12 minutes in], https://www.youtube.com/watch?v=OByX4iPsTgo YouTube, We Were Just Little Boys, https://m.youtube.com/watch?v=u4Hw9d91k2E WASTE AT CANBERRA. (1927, May 20). The South Eastern Times (Millicent, SA : 1906 - 1954), p. 1. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article200058308 YouTube, Museum of Australian Democracy at Old Parliament House, Whispers in the Corridors-An Aboriginal Presence, https://www.youtube.com/watch?v=fwifXP61M5Y History Snoop, Air Fatality in Canberra Scars an Historic Day in Australia, https://www.historysnoop.com/air-fatality-in-canberra/ YouTube, NFSA Films, The Opening Of Canberra, Australia's Capital City, https://www.youtube.com/watch?v=pOA8llA0iE0 Pauline Conolly, Pudding & Pies at Parliament House, https://paulineconolly.com/2022/pudding-and-pies-at-parliament-house/ THE MENU (1927, May 5). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article223623278 PROMISING (1927, May 7). The Sun (Sydney, NSW : 1910 - 1954), p. 2. Retrieved December 15, 2024, from http://nla.gov.au/nla.news-article223616208 The Dead King -- His Only Mourner (1927, August 30). The Herald (Melbourne, Vic. : 1861 - 1954), p. 6. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article244196114 The VOICE of the CITY (1927, August 31). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved December 26, 2024, from http://nla.gov.au/nla.news-article246406061 THE LAST OF HIS TRIBE. (1927, September 2). Bairnsdale Advertiser and Tambo and Omeo Chronicle (Vic. : 1882 - 1946), p. 6. Retrieved December 24, 2024, from http://nla.gov.au/nla.news-article269318935 GONE WEST. (1927, September 17). The Irwin Index (Mingenew, WA : 1926 - 1956), p. 1. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article251554113 King Billy Dead. (1927, September 10). The Port Macquarie News and Hastings River Advocate (NSW : 1882 - 1950), p. 5. Retrieved December 1, 2024, from http://nla.gov.au/nla.news-article112534982 DEATH OF KING BILLY OF CANBERRA. (1927, September 16). Huon Times (Franklin, Tas. : 1910 - 1933), p. 5. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article136428435 OLD KING BILLY. (1927, September 19). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved November 19, 2024, from http://nla.gov.au/nla.news-article16404722 "Marvellous" is Dead. (1928, March 30). The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (NSW : 1868 - 1931), p. 2. Retrieved December 8, 2024, from http://nla.gov.au/nla.news-article122748136 LAST OF LACHLAN RIVER TRIBE (1926, May 3). Evening News (Sydney, NSW : 1869 - 1931), p. 7. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article117289515 Coal Strike Effects (1926, June 11). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 14. Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved November 29, 2024, from http://nla.gov.au/nla.news-article16302447 Wikipedia, Kinchela Aboriginal Boys Training Home, https://en.wikipedia.org/wiki/Kinchela_Aboriginal_Boys%27_Training_Home Art Gallery NSW, Harry Marsh by Rayner Hoff, https://www.artgallery.nsw.gov.au/collection/works/59.2000/ Art Gallery of South Australia, Lion (produced for the Holden Motor Company) by Rayner Hoff, https://www.agsa.sa.gov.au/collection-publications/collection/works/lion-produced-for-the-holden-motor-company/27253/ Wikipedia, William Beckwith McInnes, https://en.wikipedia.org/wiki/William_Beckwith_McInnes DUKE OF YORK PORTRAIT UNIVEILED IN CASTLEMAINE GALLERY (1933, December 4). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 18. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article276125581 Castlemaine Art Museum, Portrait of His Royal Majesty the Duke of York, https://collection.castlemaineartmuseum.org.au/objects/181/portrait-of-his-royal-majesty-the-duke-of-yorkPhotographer notations on slide: "Portrait of Duke of York by W.B. McInnes 1933 B4".1930-1939, aboriginal culture, royal visits, openings (events), sculpture, land rights, museums, museum displays -
Sunshine and District Historical Society IncorporatedArchive - Prue McGoldrick - When The Whistle Blew research material
... Albion St Albans Footscray|Advocate Index cards and sheets|Advocate photocopies pre 1927 1948-1948|Churches|Chronolgy|Contacts|Council Braybrook Shire City of Sunshine|Kororoit Creek Maribyrnong River Sunshine Gardens|Industries|Photographs|McKay File|Massey Ferguson Site Study 1 & 2|Maps|Melbourne's Living Museum of the West|Migrants|Planning|Photos Sunshine book|Newspaper cuttings photocopies inc Sunshine Advocate|Shops|Services|Notes for My Paddock|R.T.B. papers|Sport|Tapes - Audio interviews|Video - H.V. McKay from ABC|World War 2 WWII|Letter to Gwen Goedecke from Prue McGoldrick about book review 30th October 1994 From the Gwen Goedecke collection...Large collection of research material used by Prue McGoldrick when writing her book When The Whistle Blew Prue McGoldrick When The Whistle Blew Albion St Albans Footscray|Advocate Index cards and sheets|Advocate photocopies pre 1927 1948-1948|Churches|Chronolgy|Contacts|Council Braybrook Shire City of Sunshine|Kororoit Creek Maribyrnong River Sunshine Gardens|Industries|Photographs|McKay File|Massey Ferguson Site Study 1 & 2|Maps|Melbourne's Living Museum of the West|Migrants|Planning|Photos Sunshine book|Newspaper cuttings photocopies inc Sunshine Advocate|Shops|Services|Notes for My Paddock|R.T.B. papers|Sport|Tapes - Audio interviews|Video - H.V. McKay from ABC|World War 2 WWII|Letter to Gwen Goedecke from Prue McGoldrick about book review 30th October 1994 From the Gwen Goedecke collection Large collection of research material used by Prue McGoldrick Archive Prue McGoldrick - When The Whistle Blew research material ...Large collection of research material used by Prue McGoldrick when writing her book When The Whistle BlewAlbion St Albans Footscray|Advocate Index cards and sheets|Advocate photocopies pre 1927 1948-1948|Churches|Chronolgy|Contacts|Council Braybrook Shire City of Sunshine|Kororoit Creek Maribyrnong River Sunshine Gardens|Industries|Photographs|McKay File|Massey Ferguson Site Study 1 & 2|Maps|Melbourne's Living Museum of the West|Migrants|Planning|Photos Sunshine book|Newspaper cuttings photocopies inc Sunshine Advocate|Shops|Services|Notes for My Paddock|R.T.B. papers|Sport|Tapes - Audio interviews|Video - H.V. McKay from ABC|World War 2 WWII|Letter to Gwen Goedecke from Prue McGoldrick about book review 30th October 1994 From the Gwen Goedecke collectionprue mcgoldrick, when the whistle blew -
Tatura Irrigation & Wartime Camps MuseumAudio Tape, Eva De Jong Duldig
... Interview of Eva De Jong Duldig by Elaine Canty, ABC Radio on 50th anniversary of Singapore group interned in Australia....Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray Interview of Eva De Jong Duldig by Elaine Canty, ABC Radio on 50th anniversary of Singapore group interned in Australia. ...Interview of Eva De Jong Duldig by Elaine Canty, ABC Radio on 50th anniversary of Singapore group interned in Australia.TDK videeo tape D90eva de jong duldig, elaine canty, abc radio -
Tatura Irrigation & Wartime Camps MuseumAudio Tape, Taped interview with Lurline Knee for the National ABC "Summer All Over" program
... Taped interview with Lurline Knee for the National ABC "Summer All Over" program....Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray audio visual technology accessory Taped interview with Lurline Knee for the National ABC "Summer All Over" program. ...audio, visual, technology, accessory -
National Vietnam Veterans Museum (NVVM)Film - Film, Video, ABC TV News & Four Corners: Compilation of footage of Vietnam Veterans March followed by Kingscote Flag Presentation
... National Vietnam Veterans Museum (NVVM) 25 Veterans Drive Newhaven phillip-island-and-the-bass-coast Vietnam veterans Vietnam Veterans Parade Vietnam War (1961-1975) Noack Errol Normie Rowe Noack Collection On the front cover reads: To Walter Noack, ABC News Sept 1987 Black and white, and coloured footage of the March in Sydney (3 Oct 1987) and the demonstrations against the war. black and white footage of coffins arriving in Sydney from Vietnam; wounded soldiers in hospital; Also an interview with his father Walter plus Brian Edwards, Trish Gibbon, John Thompson & Graham Edwards. ...Black and white, and coloured footage of the March in Sydney (3 Oct 1987) and the demonstrations against the war. black and white footage of coffins arriving in Sydney from Vietnam; wounded soldiers in hospital; Also an interview with his father Walter plus Brian Edwards, Trish Gibbon, John Thompson & Graham Edwards. Normie Rowe singing the song, Only 19. The cassette is contained in its black plastic case with its labelOn the front cover reads: To Walter Noack, ABC News Sept 1987vietnam veterans, vietnam veterans parade, vietnam war (1961-1975), noack, errol, normie rowe, noack collection -
National Vietnam Veterans Museum (NVVM)Film - Film, DVD, Australian Story: the Rise of the Phoenix, 1 - 2
... National Vietnam Veterans Museum (NVVM) 25 Veterans Drive Newhaven phillip-island-and-the-bass-coast Grey Colin Interview with Colin Grey on the tv program, Australian Story. Australian Story: the Rise of the Phoenix, 1 - 2. Film Film, DVD ABC ...Interview with Colin Grey on the tv program, Australian Story.grey, colin -
National Vietnam Veterans Museum (NVVM)Film - Film, DVD, Australian Story: the Rise of the Phoenix, Copy 1
... National Vietnam Veterans Museum (NVVM) 25 Veterans Drive Newhaven phillip-island-and-the-bass-coast Grey Colin Interview with Colin Grey on the tv program, Australian Story. Australian Story: the Rise of the Phoenix, Copy 1. Film Film, DVD ABC ...Interview with Colin Grey on the tv program, Australian Story.grey, colin -
National Vietnam Veterans Museum (NVVM)Film - Film, DVD, Australian Story: the Rise of the Phoenix, Copy 2
... National Vietnam Veterans Museum (NVVM) 25 Veterans Drive Newhaven phillip-island-and-the-bass-coast Grey Colin Interview with Colin Grey on the tv program, Australian Story. Australian Story: the Rise of the Phoenix, Copy 2. Film Film, DVD ABC ...Interview with Colin Grey on the tv program, Australian Story.grey, colin -
Brighton Historical SocietySuit, 1940s
... ABC television program 'Music and Dance'. She left Australia in 1964 for a tour of the United States and Canada, ultimately settling in New York City. Interviewed...ABC television program 'Music and Dance'. She left Australia in 1964 for a tour of the United States and Canada, ultimately settling in New York City. Interviewed ...This suit was tailor-made for Latvian dancer, choreographer and dance teacher Vija Vetra, who lived at the Old Hall, 93-95 Bay Street, Brighton and ran a dance academy at 97 Bay Street during the late 1950s and early 1960s. Born in Riga, Latvia in 1923, at the age of sixteen Vija ran away from home in order to study classical, character and modern dance at the Vienna Academy of Music and Performing Arts. She spent several years performing on European stages. When Latvia was annexed by the Soviet Union in 1944, more than 100,000 Latvians fled, seeking refuge in neighbouring countries. Vija's sister, mother and aunt were among them, managing to join her in Vienna. The following year, all four had to flee again when the Soviets moved into Austria. Escaping to Bavaria, they spent three years in displaced person camps before emigrating to Sydney as refugees in 1948. Vija found success as a dancer in Sydney. She toured Australia and New Zealand with the Bodenwieser Ballet, formed a Latvian folk dancing group and established a dancing school. By the mid-1950s she had gained recognition as a recitalist in her own right. She developed a passion for Indian classical dance. In the late 1950s she moved to Victoria. She opened a dance school in Bay Street, Brighton, while continuing to perform on stage in productions such as the musical 'Kismet' and the ballet 'Corroboree'. In 1959 she starred in the four-part live ABC television program 'Music and Dance'. She left Australia in 1964 for a tour of the United States and Canada, ultimately settling in New York City. Interviewed in the 'ABC Weekly' in 1957, Vetra described her taste in clothing as minimalist, saying she preferred to own as few clothes as possible to save the trouble of deciding what to wear: "And no bows or extravagances, but always a simple line."Two-piece women's suit made of maroon corded silk; comprising fitted jacket (.1) and straight skirt (.2). Jacket fastens with one large black faceted glass button. Jacket lined with pink satin; skirt unlined. vija vetra, migration, brighton, refugee, dancer, 1940s -
Clunes MuseumFilm - VIDEO, AUSTRALIAN BROADCASTING CORPORATION
... Clunes Museum 36 Fraser Street enter building through Collins Place Clunes goldfields VIDEO OF CLUNES MADE BY THE AUSTRALIAN BROADCASTING CORPORATION IN 1965 - FEATURING LOCAL CITIZENS THEO HARDEN, ROBERT DOLAN & GOTTFRIED KELLER. local history performing arts television video ABC ARCHIVES - REBIRTH OF A GOLD TOWN TX: 1965 .1 VIDEO - TITLED "REBIRTH OF A GOLD TOWN" IN PLASTIC COVER .2 PHOTOCOPY OF LETTER TO THE EDITOR, WRITTEN BY W.C. FOULKES IN RESPONSE TO INTERVIEW ...VIDEO OF CLUNES MADE BY THE AUSTRALIAN BROADCASTING CORPORATION IN 1965 - FEATURING LOCAL CITIZENS THEO HARDEN, ROBERT DOLAN & GOTTFRIED KELLER..1 VIDEO - TITLED "REBIRTH OF A GOLD TOWN" IN PLASTIC COVER .2 PHOTOCOPY OF LETTER TO THE EDITOR, WRITTEN BY W.C. FOULKES IN RESPONSE TO INTERVIEW TECHNIQUES USED IN THE VIDEO "REBIRTH OF A GOLD TOWN" .3 PHOTOCOPY OF AN ARTICLE IN THE CLUNES-TALBOT GUARDIAN DATED FRIDAY, JUNE 11, 1965ABC ARCHIVES - REBIRTH OF A GOLD TOWN TX: 1965local history, performing arts, television, video -
Ballarat Tramway MuseumAudio - Launch of Gold tram and Interview with Arthur Reynolds, Alan Bradley, Jun. 2001
... Approximate 50 second item within the Goldfields Radio ABC News on 12/6/2001 regarding the launch of the Gold Tram that day. Contains an interview with Peter Winspur. ...Audio Launch of Gold tram and Interview with Arthur Reynolds Alan Bradley ABC News ...ABC Radio broadcast at the time of the launch of the Gold Tram - tram 45 - on loan from Bendigo,Demonstrates the work of the Ballarat Tramway MuseumAudio cassette tape containing 1. Approximate 50 second item within the Goldfields Radio ABC News on 12/6/2001 regarding the launch of the Gold Tram that day. Contains an interview with Peter Winspur. Read by Graham Knox? Recorded by Stephen Butler. 2. Interview (oral history) with Arthur Reynolds by Alan Bradley (see Reg. Item No. 2146 for transcript) concerning the use of the SEC Ballarat Scrubber Tram. Made 14/6/2001 and for audio extract. tramways, trams, gold tram, abc radio news, ballarat scrubber tram, interviews, tram 45 -
University of Melbourne, Burnley Campus ArchivesDocument - Photocopy, 1977
... interview...abc...Transcript of tape of interview with Dr. P. Law by Peter Couchman on ABC Radio, 18.5.1977, on education....University of Melbourne, Burnley Campus Archives 500 Yarra Boulevard Richmond melbourne interview abc radio peter couchman dr p. law education Transcript of tape of interview with Dr. ...Transcript of tape of interview with Dr. P. Law by Peter Couchman on ABC Radio, 18.5.1977, on education.interview, abc radio, peter couchman, dr p. law, education -
Victorian Aboriginal Corporation for LanguagesPeriodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2013
... This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. ...This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. ...We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement -
Vision AustraliaAudio (sub-item) - Sound recording, Marjorie West, Guest of the Week: Keith Glover, 13 December 2001
... Marjorie West interviews Keith Glover, a broadcaster with 3LO, ABC, Radio Australia and RPH. ...Vision Australia 454 Glenferrie Road Kooyong melbourne Marjorie West interviews Keith Glover, a broadcaster with 3LO, ABC, Radio Australia and RPH. ...Marjorie West interviews Keith Glover, a broadcaster with 3LO, ABC, Radio Australia and RPH. He speaks of his early life in Sydney and his passion for radio, slightly delayed with his father insisting that he obtain a tertiary education beforehand. War interrupted this plan, and he joined the Army and became a 2 man act with Happy Hammond, as part of the Entertainment Unit which was part of the platoon. After service in PNG, he returned home to a contract with the ABC in Queensland later joined by his wife Gwyneth. In 1955, the family moved to Melbourne and he was chosen to be one the announcers for the Melbourne Olympic Games. A small stint as a newsreader for the ABC, a compere for the ABC dance band on Songs that Sold a Million, a televised version of a Glee club, Kindergarten of the Year radio show with Ann Dryer, the popular Mailbag program which generated hundreds of letters each week, and talking magazine narrator are among the many and varied jobs he did during his career. Recorded on 13 December 2001.keith glover, marjorie west
