Elisabeth Adler was part of the World Council of Churches Program to Combat Racism's visit to Australian Aborigines, June 15-July 3 1981. Adler was the German DDR Director of the Evangelical Academy of Berlin Brandenburg.Black and white photograph. Head and shoulders portrait of Ms Elisabeth Adler with dark hair and wearing a white blouse.elizabeth adler, world council of churches

This item is one of a collection of clothing items that belonged to the Stephenson family who lived at 22 McCracken Street, Kensington, Melbourne. Matthew Stephenson (1861 – 1943) who had grown up on the Bendigo goldfields and shifted to Melbourne in the early 1900’s was a train driver and later, a fireman with the railways. His wife Elizabeth Jane (Betsy) Wigley (1865 – 1953) also grew up on the goldfields around Majorca and Bendigo. They married in 1885 in Bendigo. They had two daughters – Ethel Evelyn Stephenson (1886 – 1956) and Lillian or Lila (1891 – 1977) who were milliners and dressmakers and who continued to live in the family home after the death of their parents. The family are recorded as living at 22 McCracken Street, Kensington, as early as 1914. It is not known who made or owned the clothing that makes up this collection but as it appears to be from the late Victorian and early Edwardian era, the different pieces were probably made and worn by any of the three ladies of the house – Betsy, Ethel and/or Lila. During W.W.2, a local Warrnambool couple (Meryl and Tony Everard) boarded with them – Tony was in the airforce training paratroopers to jump into (and survive) enemy territory and his wife Meryl worked in the Methodist baby Home. The Everards developed a close friendship with the Stephensons and were responsible for clearing out the house (and finding this clothing collection) after Lila died in 1977. Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Victorian women's boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Edwardian boots were lace up or button up. The most remarkable thing about women's shoes in the 1920's was that they were visible! This led to an increase in demand for new styles every season which made ordering custom fit shoes a thing of the past. New shoes were made in standard sizes, ready to buy from local clothing stores or mail order catalogues. Working women, however, tended to wear sensible, lace up shoes and boots. These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion. They feature the brand name "adler" printed on the inner sole and have stamped letters and numbers suggesting ready-made sizes.This pair of boots are a significant example of a working woman's footwear dating around the early 20th century.Pair of lady's black leather, lace up boots featuring 3.75 cm heels, 14 pairs of lacing eyelets, a black leather tongue and black shoelaces. The leather soles have tacks on the heels and near the instep. The boots have a black leather inner sole and the inner shaft and upper part of the boots are lined with a durable cotton type fabric. Both boots have ink markings (handwritten and stamped) at the top of the shaft lining and the inner sole of the left hand boot is labelled "adler".Both boots - "0/128 /X" (handwritten) and "6MC200" (stamped). Left boot inner sole - "adler" left boot upper shaft lining - "X/8FH?" (handwritten)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, boots, lady's boots, footwear, leather boots, lace up boots, adler, stephenson family

Article with colour photograph of Michèle Adler standing in front of new Field Station gates in "The Age" 'Voice' 09.12.2013. Gates were to be named after Michèle Adler to remember her work to promote the Gardens through the Friends of Burnley Gardens but the The University of Melbourne guidelines did not allow this.michèle adler, the age, gates, field station gates, friends of burnley gardens, fobg, 150th anniversary of gardens

michèle adler, irrigation, burnley gardens

Portrait of Johann Gottlieb Adler, farmer, c1880. Adler came from Silesia in Germany to Port Phillip in 1848. His story is recorded in the Uebergang family history (The Uebergang Families in Australia 1848-1985, pp.43-48) which includes a list of descendants.Black & white photograph of barded man in suit with bowtie, mounted in oval mat in brown frame with plaster decorations.uebergang, allansford, adler, johann gottlieb, germany, farmers, farmers, costume, male, portraits, selectors

Portrait of Johanne Christiane Adler, nee Uebergang, c1880. Christiane's story is recorded in the Uebergang family history (The Uebergang Families in Australia 1848-1985, pp.43-48) and includes a list of descendants. A companion portrait of her husband Johann Gottlieb Adler is also in the collection.Black & white portrait of woman wearing a dark top with pale jabot and a close-fitting bonnet tied in a bow under the left ear. The photograph is mounted in an oval mat in a brown wooden frame with plaster decorations.allansford, murtoa, penshurst, penshurst, germany, costurme, female, costume, female headwear, portraits, farmers, selectors, uebergang

Photographs donated by Michèle Adler 2017 past FOBG PresidentThe first garden bench donated by the Friends of Burnley Gardens. (1)'Unveiling the seat in the grey garden,' L-R Back Row - Carol Sorrell, Julie-Ann Webster, Dorothy James, Jane Geeson, Barb Brockly. L-R Front Row - Phil Tulk, Elspeth Ferguson, Suzanne Borck (worked in Administration), Sandi Pullman, Greg Moore (Principal). (2, 3) Greg Moore cutting the ribbon. (4) Jane Geeson and baby, Barb Brockley (5) Jane Geeson and baby. (6) Julie-Ann Webster. (7, 8) Trish Mooney (Gardener).garden bench, friends of burnley gardens, fobg, unveiling, grey garden, carol sorrell, dorothy james, jane geeson, barbara brockley, phil tulk, elspeth ferguson, suzanne borck, sandra pullman, greg moore, julie-ann webster, trish mooney

Given by the Friends of Burnley Gardens on 17.04.2008 as part of a Chancellor's Circle event by The University of Melbourne. Contributor: Michele Adler19 colour photographs of a tour of the Burnley Gardens' trees The University of Melbourne Chancellor's Circle, by the Friends of Burnley Gardens Guides in 2008burnley gardens, trees, friends of burnley gardens, fobg, chancellor's circle, university of melbourne, guides

Sony microcassette-corder M-650VI560V. Includes: Operating instructions, 8 unused microcassettes, 1 cassette labelled, "Ellis Stones Garden 29 August 2002 Sandi Pullman. Sandi Pullman is giving a description of the garden. Also labelled 1 cassette, labelled, "Burnley Guides talks by Pam & James Adler 12/3/2003. (Pam Petchak.) Used by the Burnley Guides for a short time for training purposes. Instigated by Michele Adler.recorder, recording, audio, burnley guides, james adler, michele adler, sandi pullman, pam petchak, ellis stones, audio cassette, sony, microcassette

cuthbert bastow, ellie bastow, michele adler, student, 1891, henry bastow

Triumph Adler Gabrielle 100 DS/SC Electric Typewriter Grey-White body with large keyboard in the front half and blue auxiliary switches TA Triumph Adler Gabrielle 100 DS/SC

Softcoverwalsh st library

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DVD. Life on The Goldfields. Graeme Adler & Chris Hood. A Heritage Recording based on the songs of Charles Thatcher 1831 - 1878.life on the goldfields, charles tatcher

Triumph Adler Dario 286 Computer White-grey rectangular box with orange and blue text and a grey disk driveTA Dario 286

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Testimonial from AH Adler, Pharmaceutical Chemist; 145 Glenferrie Rd; Hawthorn; testifying to employment of A Miers; dated 1 May 1916arthur henry miers, ah adler pharmaceutical chemist -- glenferrie road -- hawthorn (vic.)

Twelve-page booklet including photographs and performance dates throughout August (1987), with full list of performers and production personnel.Presentation by arrangement with Chappell & Co. (Aust.) P/L, music & lyrics by Richard Adler & Jerry Ross, book by George Abbot & Richard Bissell.