Final saleable Monaro, but, the second last produced The last Monaro was sold by Holden on E-Bay to a Queensland collector, collecting $187600 for the leukaemia foundationTurismo (Blue) painted body, alloy wheels air scoops bonnet centreGM lion emblem grille centre and boot centre also. Monaro logo rear quarter panel both sides CV8Z stamped into all alloy wheels.holden, monaro, cv8z

Maroon hard covered book of 490 pages. Includes metallurgical analysis, assay, laaboratortm experiments, fuels, alloys, reduction, cupellation, arsenic, wet methods, amalgamation.metallurgy, brook, assay, silver, gold, sulphides, alloys, experiments, reagents, arthur h. hiorns

Used in Physics Laboratory at Ballarat School of Mines for calculating/confirming relative density (or the specific gravity) of given metal samples. This would have been in Elementary physics experiments.A set of seven 2-cm cubes, individually numbered 1 - 7, in a hinged-lid storage box with black surface finish.Number and metal of cubes: 1) Brass; 2) Lead; 3) Steel; 4) Copper; 5) Aluminium; 6) ? a ferrous alloy; 7) ? a ferrous alloy.physics, laboratory, ballarat school of mines, relative density, specific gravity, metal, elementary physics, brass, lead, steel, copper, aluminium, ferrous alloy

A Gregsteel Plugging cold chisel which is sought after due to excellent edge-holding properties. Used by bricklayers (Gregsteel 279) to remove mortar from between bricks to allow for a timber plug to be inserted to allow skirtings and architraves to be fixed to it. This object may have been used as a timber paling knife.GREGSTEEL - on handle ALLOY STEEL - on other side of handleknife, alloy steel, plugging cold chisel, gregsteel

Victoria once had well over one hundred fire lookouts and firetowers. Fire lookouts, or observation posts, were often just a clearing on a hill or a vantage point, whereas firetowers were definite structures. Many were established by the Forests Commission Victoria (FCV) in the 1920s, but the network was expanded rapidly in response to recommendations of the Stretton Royal Commission after the 1939 Black Friday bushfires. When a fire or smoke was spotted from the tower a bearing was taken with the alidade and radioed or telephoned into the district office. It was then cross referenced with bearings from other towers on a large wall map to give a "fix" on the fire location Alidades and telescopes were used in the post war period but were replaced with a much simpler map table and reference string suspended from the centre of the tower cabin.Uncommon usageAlidade Sight TubeFCV and bearing markers on the alloy base. Very simple design. bushfire, forests commission victoria (fcv)

worn by soldiers within the first Polish armoured division in Europeremaining elements of soldiers uniforms worn during world War twometal alloyworld war ii, first polish armoured division, eagle, beret

Tulle-bi-telli or Assuit – a textile which marries cotton or linen with small strips of metal. The name translates roughly as "net with metal". It is heavy, and retains heat, but is favoured for its ability to drape. The embroidery is applied by hand. Thin strips of alloy are threaded onto a flat, wide needle with a flat, wide eye. Alloy is used because pure silver would blacken with age and would be impossible to clean, and gold would be too costly. Each strip is approximately 1/8" wide and 18" to 24" long. The strips are threaded into the mesh, criss-crossed, flattened with the fingernails, and cut. The fabric is then stamped down, and when the designs are finished, the fabric is passed through a roller to flatten the metal even more. References are made to its use with Egyptian linen in the Bible and there is a 3000 year old example with gold strips in a Berlin Museum. Assuit has been used in Hollywood productions such as the 1934 Cecil B DeMille film Cleopatra. It was draped on Hedy Lamaar in Samson and Delilah in 1949; and the geometric designs were popular with the Art Deco movement, beginning around 1925Metal thread embroidery using silver coloured alloy metal plate on cotton/linen net. Creating geometric patterns and motifs. Velvet ribbon on neckline and hemline and shoulder seams.clothing, art deco, egypt

Tulle-bi-telli or Assuit shawl – a textile which marries cotton or linen with small strips of metal. The name translates roughly as "net with metal". It is heavy, and retains heat, but is favoured for its ability to drape. The embroidery is applied by hand. Thin strips of alloy are threaded onto a flat, wide needle with a flat, wide eye. Alloy is used because pure silver would blacken with age and would be impossible to clean, and gold would be too costly. Each strip is approximately 1/8" wide and 18" to 24" long. The strips are threaded into the mesh, criss-crossed, flattened with the fingernails, and cut. The fabric is then stamped down, and when the designs are finished, the fabric is passed through a roller to flatten the metal even more. References are made to its use with Egyptian linen in the Bible and there is a 3000 year old example with gold strips in a Berlin Museum. Assuit has been used in Hollywood productions such as the 1934 Cecil B DeMille film Cleopatra. It was draped on Hedy Lamaar in Samson and Delilah in 1949; and the geometric designs were popular with the Art Deco movement, beginning around 1925Metal thread embroidery using silver coloured alloy metal plate on cream coloured cotton/linen net. Creating geometric patterns and motifs of ladies, camels, birds and tree of Life.

In 2005, to mark the 60th anniversary of the end of WWII, the Australian Government presented the medallion to Veterans who served in 1939-1945. This one was presented to the St Kilda Town Clerk at that time, WH Greaves.Gold coloured alloy medallion.One side shows the Commonwealth coat of arms and the words 'WORLD WAR II SERVICE TO AUSTRALIA'. On the other side is a map of Australia and patterns representing the three arms of the Defence Force: Navy (sea), Army (land) and Airforce (sky). Above the map are the words 'WORLD WAR II'; superimposed on the map is '60 years'; and at the base is '1945 2005'.wh greaves collection, wwii recognition of service

It is believed this ash tray was cast by Howard James 'Jim' Learmonth in the H.V. McKay Massey Ferguson factory.Cast alloy ash trayH.V. McKay Pty Ltd Sunshinehoward james 'jim' learmonth, h.v. mckay, massey harris, h.v. mckay massey ferguson

Donated by Margaret ScarlettCopper alloy commemorative medal.Hide and De Carle Grocers and Wine Merchants Elizabeth Street, Melbournenumismatics, medals - commemorative

cast alloy award on timber standholden foundry DISA, 1996 to 2006award, plaque

cast alloy award on timber standholden family 2 and foundry operations, 1981 - 2009award, plaque

The Pilatus B4 is an all metal intermediate sailplane meeting Standard Class rules that was designed in 1966 by Ingo Herbst, Manfred Küppers and Rudolf Reinke. It did not immediately go into production. In 1972 Pilatus Aircraft of Switzerland acquired a licence to build the aircraft and began production. The PCII and PCIIA versions were semi-aerobatic. The PC11AF released in 1975 was rated as fully aerobatic. By 1980, when Pilatus sold the rights to manufacture of the aircraft to Nippi Aircraft of Japan, 322 of the Pilatus B4 had been produced. Nippi Aircraft built a further 13 and also one two seat version. The Pilatus B4 proved popular in Australia with 26 appearing on the Australian register. The Museum’s example is a basic semi-aerobatic type (Serial Number 092) that was built in 1974. It is registered as VH-GID on 8 July 1974 by H.G. Sutton of Mandura, Western Australia and flown out of the Narrogin Gliding Club in Western Australia until September 1986 when it was sold to the Albury – Corowa Gliding Club, New South Wales. In 1999 it was acquired by Michael Green and moved to Townsville, Queensland. The aircraft changed ownership again in 2004 and fell out of use for nearly 4 years. By then it had recorded 4377 hours in the air from 4304 flights. It returned to service briefly in January 2008 (5 flights totalling about 5 hours). It was donated to the Museum by David Millward of the Geelong Gliding Club, Victoria, on 10 April 2017. The aircraft is representative of a popular imported 1970s intermediate single seat sailplane design of aluminium alloy construction.Single seat sailplane of metal alloy constructionWhite colour scheme with yellow fuselage underside highlighted by blue stripe – “Pilatus B4” in black lettering on starboard side of cockpit – black anti-glare paint on the fuselage nose – Registration “GID” on the underside of port wing.australian gliding, glider, sailplane, pilatus b4, sutton, narrogin, albury, corowa, green, townsville, millward, geelong

RAAF enlisted hat badge. Copper- alloy. Crown over Laurel Wreath with RAAF in centre.

engraved brushed alloy plate on timber basemurray fm radio in conjunction with the 1991 ici red cross murray marathon gratefully acknowledge the generous sponsorship by holden's engine companyplaque, dedication

Said to be brought home as a souvenir by Private Sweatman 22nd Battalion AIF.WW1 German Belt Buckle rectangle alloy GOTT MIT UNS with crown

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to imigrate from South Australia to Wodonga in the 1860s.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. An antique, alloy stop watch with white face jewellery, watch, clock, timepiece, wodonga, haeusler collection, social history, stop watch