This summaries the key points of the recently held National Architectural Convention, the first of its kind to be held in Australia, which brought many visiting architects.Typewritten, foolscap, 3 pagesSeveral small ink correctionsarchitecture melbourne; national architecture convention; century of architecture; building industry productivity; city plan for melbourne; australian style; school of architecture melbourne university; international students, robin boyd, manuscript

Hardcover w/ Dust Jacketarchitecture, victoria, melbourne, buildings of historical importance, architectural features, buildings, structures, walsh st library

Limited edition architectural history of Melbourne's churchesLimited edition170 p. : ill. 25 cmPublished in 1963 in an edition limited to 950 copies which this is no. 248churches - melbourne (vic), church architecture - melbourne - victoria

Image from Westgarth's 'Port Phillip Settlement" (1883)Image of John Batman's huts at Indented Heads, Victoria. john batman, settlement, huts, architecture, melbourne, john wedge, indented heads, first contact

Discussion of three important changes in Australian architecture in the past ten years: loss of supremacy of Melbourne, the greater confidence and determination to build well, and greater experimentation and individual expression.Typewritten (c copy), quarto, 6 pagesaustralian architecture, melbourne, australian style, robin boyd, manuscript

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101, in 2001. The transparency shows the grey rendered entry, viewed from the east, looking west. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba 2001 / Les Littlechild photo"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered tower and entrance, viewed from the east, looking west. The bay window of the drawing room is in the foreground."Villa Alba Exterior 1987"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered rear of the building, viewed from the east, looking west. A two storey wing of the Mount Royal Hospital, facing Nolan Avenue is at the right. The slide shows a set of wire gates separating the east garden of Villa Alba from the main house."Villa Alba"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the earliest known photograph of Villa Alba, 44 Walmer Street, Kew, 3101. "Villa Alba photo / 1800s"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.)

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered tower, viewed from the east, looking west. At this stage a wing of the hospital abutted the south facade. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba exterior"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the west, looking east. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the west, looking east. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the east, looking west. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital

The National Trust (Victoria) citation on the Heritage Victoria Database describes Lalla Rookh as charming and rare example of a substantial domestic building from the depths of the depression of the 1890s. It was Classified by the Trust on 22/04/1971. The first Kew Urban Conservation Study established that the house was built in 1897 for John Duncan, civil servant. By 1910 William Robert Frayne, chemist, had purchased the property. When the building was listed by the National Estate the building was described as: '... Single-storied, the symmetrical, stuccoed house features a central porch with an arched opening and pedimented consoles and a bull-nose verandah which returns down both sides and is constructed with cast iron columns and friezes. A balustraded parapet crowns the main walls of the house. The encaustic tiled verandah is distinctive.'"Lalla Rookh", 41 Fellows Street, Kew, is of architectural interest as a representative example of a villa house of the period and also forms pan of the townscape of Kew. In a late version of Boom Style Classicism, the basically modest and conventionally planned house is proportioned to emphasise the porch and heavy balustrade, contrasting with the verandah and plain wall surfaces. The parapet may have had urns originally. The encaustic tiled verandah is of note. ... Of local significance.'Photographic print positive of the facade of Lalla Rookh at 41 Fellows Street, Kew.lalla rookh, houses -- fellows street -- kew (vic.), boom style architecture, architecture -- melbourne -- 1890s

Photographs of Melbourne's grand architecture, mainly built following the gold rush boom.Digital copy of 10 page booklet of black and white photographs of Melbournemelbourne history, melbourne architecture

A number of buildings were demolished along the south side of Little Lonsdale Street between St Francis Street and Elizabeth Street for the construction of the new Monastery for the Blessed Sacrament Congregation including a former school building and Advocate Press building. Demolition of the Advocate begun 6 July 1937 and was completed by mid-August. Construction works for the Monastery began soon after and was officially opened by Archbishop Mannix on 1 May 1938.Elevated view from south-west corner of St Francis Church, across roof top towards the partially demolished Advocate Press Building. In background, Coop's Shot Tower to the left, State Library to the right. Photographer unknown. Faded black and white photograph. Yellowing.church buildings, historic buildings, lost architecture, wrecking, melbourne, st francis' church

A number of buildings were demolished along the south side of Little Lonsdale Street between St Francis Street and Elizabeth Street for the construction of the new Monastery for the Blessed Sacrament Congregation including a former school building and Advocate Press building. Demolition of the Advocate begun 6 July 1937 and was completed by mid-August. Construction works for the Monastery began soon after and was officially opened by Archbishop Mannix on 1 May 1938.Man pushing a wheelbarrow of rubble with the Advocate Press Building partially demolished in the background. Photographer unknown. Faded black and white photograph. Yellowing.church buildings, historic buildings, lost architecture, wrecking, melbourne, st francis' church

A number of buildings were demolished along the south side of Little Lonsdale Street between St Francis Street and Elizabeth Street for the construction of the new Monastery for the Blessed Sacrament Congregation including a former school building and Advocate Press building. Demolition of the Advocate begun 6 July 1937 and was completed by mid-August. Construction works for the Monastery began soon after and was officially opened by Archbishop Mannix on 1 May 1938.Advocate Press Building being demolished by hand. Shows men on the upper storey, dismantling the building. Photographer unknown. Faded black and white photograph. Yellowing.church buildings, historic buildings, lost architecture, wrecking, melbourne, st francis' church

Embroidered by Lesley Uren for an exhibition at The Meat Market Craft Centre in 1998The Princess Theatre was built in 1854 and rebuilt in 1886 to a design by noted Melbourne architect William Pitt. The Princess Theatre is the oldest surviving entertainment venue on mainland Australia. The theatre is built in an elaborate Second Empire style, reflecting the opulence of the "Marvellous Melbourne" boom period. Lesley Uren is an important exponent of metal thread embroidery (Goldwork) and a founding member of the Embroiderers Guild Victoria and was awarded an OAM in 2013. Lesley is a prolific embroiderer with many of her works hanging in exhibitions, museums, schools and churches across Australia.Embroidered picture of the front of The Princess Theatre, Melbourne: worked in gold metal threads on grey silk fabric.Princess Theatrearchitecture, building, melbourne

A listing of National Trust listed buildings from around Victoria in 1966. Each entry has a photograph and caption with some history of the building. Arranged by region.The development of architectural style in Victoria.278 pages, black and white illustrations. Hard cover. Dust jacket has illustration of interior of the Library of the Supreme Courtmelbourne architecture, victoria architecture, historic buildings victoria, national trust of australia, victoria

Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript

melbourne, architecture, residential tower, building

Colour photograph of the interior of St Paul's Cathedral, Melbournemelbourne, architecture, st paul's, cathedral

melbourne, architecture, manchester unity, lighting, interior detail

Article, Bendigo Advertiser 16th October 1970, on speech given by Professor Brian Lewis, lecturer in architecture, Melbourne University when addressing the Rotary Club of South Bendigo. He believed that ' Bendigo with its genuine gold history and availability of gold mining equipment was ideally situated to deveop this asset as a tourist attraction'.bendigo, mining, tourism

This is a letter in response to Robin Boyd's synopsis of 'The Puzzle of Architecture'. Melbourne University Press is keen to publish it and also suggests interest by international markets (through Cambridge University Press). It discusses possible book formats and royalties.Blue paper, typewritten