This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Bronze sculpture on a polished granite circular base. Female subject is wearing a long flowing dressclodagh holahan, 69 smith street gallery, artist-run space, artist-run initiative, sculpture, melbourne galleries, clodagh-holahan.com

Stained glass window from the Principal's Residence, Burnley (demolished 1980.) Two rectangular coloured stained glass panels constructed by leadlight in a wooden frame separated by a wooden panel. Leadlight in an Art Nouveau style. stained glass window, principal, burnley, art nouveau, leadlight window, principals residence

Typed letter on Kiel and Loveland letterhead (features a photograph of a driver in a car and Art Nouveau design). The letter relates to the closure of the bicycle business in Sturt Street, Ballarat and is signed by C.E. Kiel.Typed onto the letterhead: 'Dear Sir, Having disposed of our Motor Department we now beg to inform you that we are disposing of our Bicycle Business in Sturt Street so as to balance the books and terminate our partnership. We now take the opportunity of thanking you for your esteemed patronage to us during the past 14 years, and trust that our endeavours to please you have met with success. We would ask your assistance in clising down the books by an early remittance of all monies now due to us by your good self. again thanking you for past favours, We beg to remain, Yours faithfully, C.E. Kiel (overstamped 'Kiel and Loveland)bicycle, cycle, kiel and loveland, kiel, loveland, vulcanising, magneto, accumulator, motor cars, ferro engines, motor cycles, sporting goods, car duplicates, art nouveau, letterhead

Displayed in History House.Pewter lid (538.2) and cut-glass sugar bowl (538.1). Bowl has cut-glass design of geometric and rounded shapes. Pewter lid has designs of roses, in an art nouveau style.sugar bowl, decorative object, domestic item, art nouveau

Stained glass window from the Principal's Residence, Burnley (demolished 1980.)Stained glass window in the Art Nouveau style with country scene and cottage depicted in the centre panel surrounded by border panels. Wooden framed lead light panels and painted centre glass piece with two brass mounting brackets. stained glass window, principal, burnley, art nouveau, principal's residence, decorative arts

Nineteenth century household object employing an Aboriginal shape with art nouveau figurative designDiecast metal plate. Impressed with the figure of a naked figure with a wand in his or her hand touching the nose of a head (the moon?), causing it to sneeze. Lady lying on a bed of flowers. Three stoppers on the reverse to hold the plate above the surface.metal dish, art nouveau - australia

These two serving dishes or tureens have been made by the English firm of Myott, Son & Co. early in the 20th century (Art Nouveau design). Ashley Myott established the business in 1898 and later his brother joined the business. In 1976 the firm merged with the Alfred Meakin Company but today it is owned by the Churchill Pottery Group. The dishes have no known local provenance. These dishes are kept because they are attractive items in good order and examples of the type of dishes bought for use in the more affluent households early in the 20th century They will be useful for display purposes These are two identical china serving dishes with lids. The bases of the dishes are circular with the bowl section having twelve-sided edges and two handles with black patterns. The tops of the bowl have two black lines around the edges with two ornamental patterns in red, grey and black on the top edges. The lids also have twelve sided edges and have the same black lines, four of the coloured designs and handles with black patterning. On the bases are a gold-coloured crown with the maker’s details. ‘Myott, Son & Co. Ltd.’ myott & co, art nouveau, warrnambool, art nouveau serving dishes

non-fictionruby lindsay, naturalist, barrett, art nouveau, creswick, ballarat, australian naturalist

This is a simple wallet purse for daily use,leather was a popular material due to its durability and longevity. The decorative top corners show an art nouveau style which was popular in the 1890s.Small black leather purse with green hues and a silver chain. Circa 1890 decorative designs on front top with silver hallmarks. Inside is a kiss clasp coin purse and 4 compartments for cards. Also inside is a small purple pencil with string attached and a 'L.T.Piver No.11'French perfume sample card. There are very small hallmarks on the decorative frame and a small 'WJ' on the clasp.purse, silver, art nouveau, leather

The decorative art-nouveau style leadlight side and transom lights were a popular form of entrance lighting set into recessed panels in late Victorian homes at Ballarat. This home built by local architect/builder Thomas Turton features these popular glass lights.The side and transom lights at Hymettus form part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective and popular art and architecture movements at the turn of the 19th and 20th centuries. They contribute to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, art, architecture and social history themes.ballarat architects and architecture,, hymettus, taffe, art nouveau, leadlight

non-fictionballarat, horticulture, art nouveau, ballarat horticultural society, pansies

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers

Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. This bronze version of The Cloud was cast in 1987 from the original patinated plaster version from 1900 which is also in Bayside City Council's Collection. This work can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art NouveauCharles Douglas Richardson, The Cloud 1900 (cast 1987), bronze, 190 x 40 x 40 cm. Bayside City Council Art and Heritage Collection. Commissioned 1987Bonze sculpture of a classical female figure looking downwards with a vessel in her hand. The sculpture sits on a rendered pedestal within a pond.sculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers, public art, brighton

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

Colour photo of original art nouveau chimney of Flower Hotel in Bay St.built environment - commercial, flower hotel

The Ballarat School is a predecessor institution of Federation Univeristy AustraliaOriginal poster. Black in on cream paper showing a nude woman depicted in the Art Nouveau style.SMB Dance Corbould Hall 22 Julyballarat school of mines, dance, corbould hall, alumni, student activity

Robert Cochrane, 1843 - 1935, regarded as the "father" of Congregationalism in Victoria was chairman of directors of Brooks Ttnhinsnn Ptv.. Ltd.. and one of the leading personalities of the Congregational Union of Victoria. After having spent two years in Victoria as a member of Brooks Robinson Pty., Ltd., Mr. Cochrane returned to England in 1869. In 1883, he returned to Melbourne. On His return to Victoria he became interested in the work of the Congregational Church, and joined the Augustine Church, at Hawthorn in 1886; he was senior deacon when he died. For many years Mr. Cochrane was a senior member of the committee of the Congregational College of Victoria, and he took a leading part in the development of Congregationalism in this Victoria. Many benefited by his generosity and philanthropy, and his interest in the work of the church was combined with a generous assistance to child welfare organisations, including the Sunday School Union, the Kindergarten Union and the Boys Brigade. [Source: The Argus 4 Mar 1935, pg 8.]Silver plated brass double handle, lidded art nouveau-style sugar bowl with engraving on the front of the bowl."To Mr and Mrs Robert Cochrane A token of high esteem on the occasion of their Golden Wedding 1871 January 31st 1921 From the Firm of Henry Brooks & Company, with whom are associated two senior members from the London Staff Henry Aldridge and Walter Wiles"congregational union of victoria, brooks robinson pty ltd, melbourne chamber of commerce., robert cochrane 1843-1935

Green cloth hardcovered book with black leather spine, featuring the art deco work of Bernaux, Beligant and Feseau, Binquet, Bouchard, Bouraine, Bourdelle, Chassaing, De Bardyere, Gallerey, Gauvenet, Guenot, Hairon, Jallot, Lalique, Le Bourgeois, Malcles, Joel and Jan Martel, Max Blondat, Follot, Sad, Sue et Mare and Vera and J. Martin. Monochrome prints numbered 1 to 32, showing examples of modern wood and stone carving, all by named people. Text in French.non-fictionsculpture, carving, art nouveau, art deco, seguin, joel et jan martel, repousse, plaster, modelling

Music book titled "A'Right the Noo!" Scotch Cake Walk for the Pianoforte, by Mark Emrey. Cream coloured cover with green art nouveau design and text.

This gilt plate is from an era where master crockery manufacturers where either located in Britain or Europe.The cost of transportation and the time taken to receive items limited the availability of first class goods. This was an era that was "British is best" in all manufactured goods. With the slow influx of European immigrants European manufactured goods also became of high value. This social requirement was more of a prerequisite for the more affluent rural population, especially at a time when Australia "rode on the sheep's back". Fine British and European goods were a "status symbol", even in rural Australia. After World War II, the invasion of American and Japanese merchandise opened up the market place for cheaper "throw away" items. Longevity and quality of goods fell away as the "throw away" society rolled on.This item demonstrates the time when the rural sector was at its most affluent and influential in dictating the strong ties between Australia, Britain and Europe. The very influential "Country Party" ensured that the protection of the rural sector was well entrenched. The ability of the "well off" rural sector, in this period, were not only able to travel abroad but also to purchase expensive items "overseas" cutlery and crockery. The significance of this item is that it highlights a period in time when the "rural" affluence was at its peak.This hand painted floral gilt plate is a cream fluted china plate decorated with pink and yellow orchid flower arrangement. It is in the "Art Nouveau" period 1880-1920.underneath and within the circular base and in gold freehand script "4" underneath "1562". Pressed into the base is the manufacturer's monogram.Circled around the FAM mark is "* FRANZ ANT. MEHLEM*BONN A/RHEIN*"hand painted china, floral gilt plate, decorative china

Possibly associated with the Ballarat Technical Art School.Blue line sketch of a plant in Art Nouveu designblueline, art nouveau, plant

Digital images of the plaster ceiling at St Brigid's Catholic Church, Crossley, Victoria. victoria, crossley, st brigid's crossley, st brigid's, catholic church, catholic, church, religion, ceiling, decorative plaster, art nouveau

Arts Nouveau brass picture frame mounted on wood with a circular glazed insert for a photograph. The brass frame depicts a woman reaching towards a lily.picture frame, art nouveau

This clasp or morse shows the influence of the Art Nouveau style on liturgical decoration.Brass clasp, known as a morse for linking the front falls of a ecclesial cope.clasp, morse, art nouveau, decoration, brass.

This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

cake stand, art nouveau

fictionart nouveau

Red covered pattern book of needlework designs from Briggs of Manchester. Over 130 pages with inserts and advertising specific products in the Briggs range.non-fictionneedlework, tatting, embroidery, transfers, art nouveau

fictionredemptorist monastery wendouree, ballarat, library stamp, art nouveau