Showing 440 items matching "as i see it"
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Tatura Irrigation & Wartime Camps MuseumBooklet, Life As I See It
... Life As I See It...life as i see it...Life As I See It Booklet Booklet ...Selected verse by G Leamon, a resident at Warramunda Village Retirement Hostel, Kyabram. Proceeds to Warramunda residents bus fund.Pale pink cover, black writing. life as i see it, leamon g, kyabram, tatura, warramunda village -
Tatura Irrigation & Wartime Camps Museum
Book, As I See It, 2000
... As I See It...as i see it...Yellow and Black text As I See It Book ...Written by Karl BeilharzPale blue soft cover book. Yellow and Black textas i see it, beilharz k, camp 3, tatura, ww2, books, history, local -
Bendigo Historical Society Inc.Book - STRAUCH COLLECTION: AS I SEE IT BEILHARZ FAMILY
... STRAUCH COLLECTION: AS I SEE IT BEILHARZ FAMILY...Soft cover book As I See It, history of the Bailharx Family, 368 pages with black and white photographs also contains a loose letter from Author....Book STRAUCH COLLECTION: AS I SEE IT BEILHARZ FAMILY ...Soft cover book As I See It, history of the Bailharx Family, 368 pages with black and white photographs also contains a loose letter from Author.Kurt Beilharzgenealogy, family, beilharz, bendigo-history-family- beilharz -
Creswick MuseumCalico Teacher's Aid, circa 1880s
... I see a hat/is it a big hat?/no it is not a big hat/pin/I see a pin/the pin is in the hat/is it a big pin"...I see a hat/is it a big hat?/no it is not a big hat/pin/I see a pin/the pin is in the hat/is it a big pin" Printed calico cloth Calico Teacher's Aid ...Used as a teacher aid mid 1880s by teacher Miss Catherine Hanrahan at St Joseph's Catholic School, Blampied.This is the only example of this type of teaching aid in our collection. It is intact and unrestored but not in good condition.Printed calico cloth"I see the sun/it is up in the sky/the sun is hot/the sun is red/hat/it is a hat. I see a hat/is it a big hat?/no it is not a big hat/pin/I see a pin/the pin is in the hat/is it a big pin"st joseph's, catholic, blampied, teaching aid, school -
Wangaratta RSL Sub BranchPostcard, 1917
... Front: "Can I see the master of the house? / Just wait a fe minutes, Me and the old girl's in the middle of settling that question!"...See also 207 and 220. album photo album newspaper clippings postcard wwi Front: "Can I see the master of the house? / Just wait a fe minutes, Me and the old girl's in the middle of settling that question!" ...From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard of two men in front of a house. Handwritten message on back.Front: "Can I see the master of the house? / Just wait a fe minutes, Me and the old girl's in the middle of settling that question!"album, photo album, newspaper clippings, postcard, wwi -
Bendigo Historical Society Inc.Ephemera - Bookmark
... Bookmark "Winnie Wattle", "You're tired of reading, I see by your face, so put down your book and I'll mark your place". ...Bookmark Adverising Hughan Bookmark "Winnie Wattle", "You're tired of reading, I see by your face, so put down your book and I'll mark your place". ..."Winnie Wattle" was a radio announcer who conducted shows specifically for children. H R Hughan was originally from Tasmania and started his first news agency in Prahran before opening his establishment in View Point Bendigo. He was advertising as an importer of books, magazines and school requisites in 1923 . Whilst in Bendigo, he was active in the Chamber of Commerce. He left the area in 1926.Bookmark "Winnie Wattle", "You're tired of reading, I see by your face, so put down your book and I'll mark your place". Advertising item produced by "H. R. Hughan, Bibles, Hymn gifts, Presentation and Library gifts, school requirements.bookmark, adverising, hughan -
Phillip Island and District Historical Society Inc.Photograph
... Photograph of a Koala climbing a tree trunk - comment in album underneath three photos of a koala - "Teddy looks for a grandstand" under this photo - "I must see this"...Phillip Island and District Historical Society Inc. phillip-island-and-the-bass-coast One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island local history photography koala black & white photograph wildlife wildlife - koala john jenner bryant west Photograph of a Koala climbing a tree trunk - comment in album underneath three photos of a koala - "Teddy looks for a grandstand" under this photo - "I must see this" Photograph Bryant West ...One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Koala climbing a tree trunk - comment in album underneath three photos of a koala - "Teddy looks for a grandstand" under this photo - "I must see this"local history, photography, koala, black & white photograph, wildlife, wildlife - koala, john jenner, bryant west -
Melbourne Tram MuseumSlide - MMTB tram 980 decorated for Royal Visit, Keith Kings, 24/2/1954
... Has Keith Kings notes on the image - K(l)(i). See image HBM151 for a night photo of the tram when decorated. ...Has Keith Kings notes on the image - K(l)(i). See image HBM151 for a night photo of the tram when decorated. ...HBM080 - MMTB Tram 980, 24/02/1954, Malvern depot, Decorated for Royal Visit, original image part double exposed, image reworked to give a repaired copy. Orignal image included. Has Keith Kings notes on the image - K(l)(i). See image HBM151 for a night photo of the tram when decorated. Yields information about MMTB tram 980, decorated for the Royal Visit in 1954.Kodachrome cardboard mounts with hand written notes on the slide and a piece of tape on the left hand side of the film.No. K(l)(i) in ink, MMTB 980 decorated for Royal visit, Malvern Depot 24/2/1954"tramways, tram 980, royal visit, decorated trams, trams, pcc class, malvern depot, mmtb -
Ringwood and District Historical SocietyNewspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
... Ms Tessa Melland suggested that concerned people should maybe form an association which led to the formation of Ringwood Residents' and Ratepayers' Association. "I see it as being a communications forum where people can get together and discuss things locally, things they want to change or initiate", Ms Melland said....Ms Tessa Melland suggested that concerned people should maybe form an association which led to the formation of Ringwood Residents' and Ratepayers' Association. "I see it as being a communications forum where people can get together and discuss things locally, things they want to change or initiate", Ms Melland said. ...``Newspaper clipping from The Post , 20-09-93 P5. Opening lines of communicationCommunication lines between residents and Ringwood Council or even Councillors have not always been straightforward and clear cut. Ms Tessa Melland suggested that concerned people should maybe form an association which led to the formation of Ringwood Residents' and Ratepayers' Association. "I see it as being a communications forum where people can get together and discuss things locally, things they want to change or initiate", Ms Melland said.` -
Vision AustraliaAdministrative record - Text, 98th Annual Report Royal Blind Society of N.S.W. (1978), 1978
... Articles in annual report include: the handing over from former President Sir Alexis Albert to Paul Cullen, the implementation of Project 5000 (increasing C77 Talking Book Machines to that number as well as book titles), new fitness groups and CB clubs supported by John Simon and Norman Healey, new course that teaches Braille at home via cassette developed by Louise Long, continued success in supporting children to attend integrated kindergartens rather than an segregated one, introduction of music therapy and Father's Groups, loss of beloved reader John Dease, 3rd RBS Arts Festival at the Grace Gallery, Chatswood, sales increase for workshop products particularly bicycles, the success of the Black and White Ball (held since 1936), and the production of two films sponsored by OPSM and depicting the impact of RBS "I see, I see" and "Future Sight". It also updates on the Braille Writers Association, the RBS Literary Contest (inaugurated 6 years ago by Max Nisbett) and the successful production of some works by the Mitchell Street Theatre group, name change of William Street Blind Women's Bowling Club to Blind Society Women's Bowling Club, Enfield and Blind Sporting Association formed just over a year ago and competed in the Leeton Rowathon....Articles in annual report include: the handing over from former President Sir Alexis Albert to Paul Cullen, the implementation of Project 5000 (increasing C77 Talking Book Machines to that number as well as book titles), new fitness groups and CB clubs supported by John Simon and Norman Healey, new course that teaches Braille at home via cassette developed by Louise Long, continued success in supporting children to attend integrated kindergartens rather than an segregated one, introduction of music therapy and Father's Groups, loss of beloved reader John Dease, 3rd RBS Arts Festival at the Grace Gallery, Chatswood, sales increase for workshop products particularly bicycles, the success of the Black and White Ball (held since 1936), and the production of two films sponsored by OPSM and depicting the impact of RBS "I see, I see" and "Future Sight". It also updates on the Braille Writers Association, the RBS Literary Contest (inaugurated 6 years ago by Max Nisbett) and the successful production of some works by the Mitchell Street Theatre group, name change of William Street Blind Women's Bowling Club to Blind Society Women's Bowling Club, Enfield and Blind Sporting Association formed just over a year ago and competed in the Leeton Rowathon. ...An overview of activities and achievements during the past financial year. Articles in annual report include: the handing over from former President Sir Alexis Albert to Paul Cullen, the implementation of Project 5000 (increasing C77 Talking Book Machines to that number as well as book titles), new fitness groups and CB clubs supported by John Simon and Norman Healey, new course that teaches Braille at home via cassette developed by Louise Long, continued success in supporting children to attend integrated kindergartens rather than an segregated one, introduction of music therapy and Father's Groups, loss of beloved reader John Dease, 3rd RBS Arts Festival at the Grace Gallery, Chatswood, sales increase for workshop products particularly bicycles, the success of the Black and White Ball (held since 1936), and the production of two films sponsored by OPSM and depicting the impact of RBS "I see, I see" and "Future Sight". It also updates on the Braille Writers Association, the RBS Literary Contest (inaugurated 6 years ago by Max Nisbett) and the successful production of some works by the Mitchell Street Theatre group, name change of William Street Blind Women's Bowling Club to Blind Society Women's Bowling Club, Enfield and Blind Sporting Association formed just over a year ago and competed in the Leeton Rowathon.1 volume of text and imagesroyal blind society of new south wales, corporation records, alexis albert, paul cullen, sir robert drew, laurel brennan, john simon, norman healey, carol lausch, margaret smallwood, louise long, sylvia manuel, loreen rosser, diana palmer, anne palfrey, john dease, mitchell manufacturing, ken martin, sueann wilson, duncan archbold, cath littlefair, gai wibberley, jack chamberlain, des lean-fore, michael simpson, ron black, john mountford, marno parsons, black and white committee, graham laurence, w. cannington, films, lee smith, matt ponsonby, ray hunter, joan ledermann, mitchell street theatre, max nisbett, vivian hargrove, australian national council of and for the blind, braille writers association of new south wales, blind sporting association, william street blind women's bowling club, balmain blind bowling combination -
Marysville & District Historical SocietyPostcard (item) - Colour postcard, Nicholas John Caire, River Watts, Fernshaw, Victoria, Austr, 1858-1918
... The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vic...The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vic An early colour postcard of the Watts River at Fernshaw. ...An early colour postcard of the Watts River at Fernshaw. The original photograph was taken by Nicholas John Caire. This is one of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. An early colour postcard of the Watts River at Fernshaw. The original photograph was taken by Nicholas John Caire.POST CARD This Space may be used for Correspondence. The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vicmarysville, victoria, nicholas john caire, watts river, fernshaw, 95686, postcard, souvenir -
Marysville & District Historical SocietyPostcard (item) - Colour postcard, Nicholas John Caire, River Watts, Fernshaw, Victoria, Austr, 1858-1918
... The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vic...The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vic An early colour postcard of the Watts River at Fernshaw. ...An early colour postcard of the Watts River at Fernshaw. The original photograph was taken by Nicholas John Caire. This is one of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. An early colour postcard of the Watts River at Fernshaw. The original photograph was taken by Nicholas John Caire.POST CARD This Space may be used for Correspondence. The Address only to be written he (rest obscured by postage stamp) Date stamp / MAR 4 Orange postage stamp with portrait depicting Queen Victoria 95686 To Bessie/ Hope you are enjoying yourself/ I see there was some excitement/ at the Marysville Races/ Kind regards and/ best wishes/ & love from all of/ us at 384/ Punt Road/ & William Miss Bessie Taylor/ The Chestnuts/ Marysville Vicmarysville, victoria, nicholas john caire, watts river, fernshaw, 95686, postcard, souvenir -
Bialik CollegePhotograph - Staff, 1960s, 1960s
... Staff, 1960s. See I/00736 for names. Some unidentified. ...Bialik College 429 Auburn Road Hawthorn East 3123 melbourne Staff, 1960s. See I/00736 for names. Some unidentified. ...Staff, 1960s. See I/00736 for names. Some unidentified. Please contact [email protected] to request access to this record.shakespeare grove -
Bialik College
Audio - Bialik College Choir recording, 1977, 1977
... Produced as the record 'Hear our Voices' (see I/01186)....Produced as the record 'Hear our Voices' (see I/01186). music 1970s Audio Bialik College Choir recording, 1977 ...Two audio reels of Bialik College Choir recordings, 1977. Produced as the record 'Hear our Voices' (see I/01186).music, 1970s -
Vision AustraliaAdministrative record - Text, Royal Blind Society Annual Report 1998 "Vision Grows in a Very Special Garden", 1998
... Articles in annual report include: launch of telephone based talking newspaper 'Today's News Now', pilot project in Canberra to obtain apprenticeships for 11 clients, development of computer-based training module, involvement in DAISY Consortium, completion of 'As I See It' - a video and handbook training package, achieved goal of $1M to upgrade RBS studios to digital technology, discussion with RVIB to create a national talking book library, the decision to sell the Paul Cullen Centre nursing home due to cost of compliance with new legislation, and client profiles of Lolita, Shayne Allen, Krystel, Tim, Nona and Xen and images of clients Callum, Sam, Lachlan and Debbie....Articles in annual report include: launch of telephone based talking newspaper 'Today's News Now', pilot project in Canberra to obtain apprenticeships for 11 clients, development of computer-based training module, involvement in DAISY Consortium, completion of 'As I See It' - a video and handbook training package, achieved goal of $1M to upgrade RBS studios to digital technology, discussion with RVIB to create a national talking book library, the decision to sell the Paul Cullen Centre nursing home due to cost of compliance with new legislation, and client profiles of Lolita, Shayne Allen, Krystel, Tim, Nona and Xen and images of clients Callum, Sam, Lachlan and Debbie. ...An overview of activities and achievements during the past financial year. Articles in annual report include: launch of telephone based talking newspaper 'Today's News Now', pilot project in Canberra to obtain apprenticeships for 11 clients, development of computer-based training module, involvement in DAISY Consortium, completion of 'As I See It' - a video and handbook training package, achieved goal of $1M to upgrade RBS studios to digital technology, discussion with RVIB to create a national talking book library, the decision to sell the Paul Cullen Centre nursing home due to cost of compliance with new legislation, and client profiles of Lolita, Shayne Allen, Krystel, Tim, Nona and Xen and images of clients Callum, Sam, Lachlan and Debbie.1 printed volume of information about the RBS during the financial yearroyal blind society of nsw, annual reports, shayne allen, krystal keller, tim noonan, talking newspaper service, john landau, carol ireland, richard miller, katherine purcell, mike fryer, mark walker, justice windeyer, keith barton, roslyn lambert, chris cullen, frank martin, ivan cribb, averil legg, gai wibberley, lina jabbour, mike brown, john chatterton, barry chapman, john valder, angelo loukakis, nicholas opolski, scott monk, emma steele -
Kew Historical Society IncPostcard, Meissner & Buch, In Der Schonen Natur, 1902-1910
... Reverse: (To) Dear Alica. I will see you soon I will be home on Saturday week. ...However, other postcards produced after this date do not always conform to this print layout. postcards German postcards sentimental post cards Reverse: (To) Dear Alica. I will see you soon I will be home on Saturday week. ...The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Coloured postcard, produced in Germany, showing a girl feeding ducks beside a stream. The postcard was sent by Willie Feely to his cousin Alica (Alice Porter).Reverse: (To) Dear Alica. I will see you soon I will be home on Saturday week. I hope you are better. Give my love to your Mother and Father and Grandma I remain your loving Cousin, Wille Feely xxxxxxxxxx kissespostcards, german postcards, sentimental post cards -
Bialik College
Document (Item) - Memos regarding Melton classes, 2004
... Manila folder of memos regarding Melton classes at Bialik in 2004. See I/00697 for information on Bialik's partnership with the Melton Centre for Jewish Education. ...Bialik College 429 Auburn Road Hawthorn East 3123 melbourne Manila folder of memos regarding Melton classes at Bialik in 2004. See I/00697 for information on Bialik's partnership with the Melton Centre for Jewish Education. ...Manila folder of memos regarding Melton classes at Bialik in 2004. See I/00697 for information on Bialik's partnership with the Melton Centre for Jewish Education. Please contact [email protected] to request access to this record.2000s, professional development -
Federation University Art CollectionOil, Jacqueline Slaymaker, Untitled Nude by Jacqueline Slaymaker, 1993
... I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. ...I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. ...Jacqueline SLAYMAKER This work was undertaken in 1992 when Jacqueline Slaymaker was a 3rd Year student at Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. More recently I am interested in the draftsmanship of Jim Dine and monoprints of May Frank.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life painting of a female nude. art, artwork, jacqueline slaymaker, nude, life study, oil on canvas, alumni, end of year exhibition -
Nillumbik Shire CouncilPainting: Melinda Harper, 'Untitled'
... Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015....Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015. ...This work was completed during Harper's Laughing Waters residency at Boomerang House, 2001. The Laughing Waters Artist in Residence Program was run by Nillumbik Shire Council (in partnership with Parks Victoria) 2001-2015. "This painting is a part of a series based on Rudolph Steiner form drawings. The lines are meant to be drawn in a single continuous and rhythmic movement. I have made the composition a bit more complicated by dividing up the painting into small blocks. The 'form drawing' is the organic looping shape that is a continuous organic line. It becomes meshed into small coloured blocks almost disguising the form." Melinda Harper was the first artist-resident at Boomerang House through this program. Formerly the house was the home and studio of Sue Ford and Gordon Ford. "My painting is about colour and form, and their relationship. I am interested in what one colour does to another colour, the weight of a colour and the feeling of a colour. Colour is very complex; I am looking and responding to what I see and what interests me." Melinda Harper in Artist Profile journal article by Melissa Pesa, 2015.The painting is representative of Harper's artistic practice and the vivid colours and abstraction particular to her work. Small-medium sized oil painting of vivid, bold, coloured shapes arranged in a kaleidoscope pattern. There is an array of colours each placed in proximity to each other to create a vibrant, lively atmosphere. Anna Schwartz sticker on back of canvas. harper, untitled, 2002, contemporary, laughing waters, boomerang, abstract -
Ballarat Tramway MuseumSlide - SECV Ballarat tram 40 in depot at night, Graeme Cleak, 5-4-1969
... Taken during the AETA Easter tour to Ballarat - see reference. I ...Taken during the AETA Easter tour to Ballarat - see reference. I Yields information about the AETA 1969 Ballarat tour and tram 40. ...The photo shows SECV Ballarat tram 40 in the depot at night along with other trams. Taken during the AETA Easter tour to Ballarat - see reference. I Yields information about the AETA 1969 Ballarat tour and tram 40.Colour slide - AGFA Cardboard mount with handwritten notes.In ink "No 40 Depot 5-4-69, EK20"tramways, tramcars, aeta tours, tram 40, depot, night photo -
Federation University Art CollectionSculpture - Artwork - Sculpture, Badger Bates, "Gitji Woman' by Badger Bates
... The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. ...The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. ...William Brian (Badger) BATES (1947- ) Born Wilcannia Barkantji Badger Bates is a Barkantji Elder, political activist and contemporary artist. Known primarily for printmaking, wood and stone carving, his work is intrinsically linked to his lifelong fight for the safety and health of the Barka (the Darling River).'Gitji Woman' is carved from a very old piece of log found at Wittabrinna Creek near Tibooburra, Western New South Wales. The tree was dead for 60-80 years, and was hollow inside. "I could see a figure in the wood so I folowed the shapes already three. The woman has a drawn out figure with long fingers and is coming out of the log, she is an ancestral spirit. I put the pink cockatoo and emu feathers in the leg in the way people used to decorate themselves for corroborees."badger bates, paakantyi, wilcannia, timber, aboriginal, barkantji -
Bendigo Military MuseumLetter - PERSONAL LETTER, 15.5.1918
... Letter also is incomplete as the last sentence is “I went to see the 38th Battn and I saw”. Refer Cat No 4183.3P for Alf’s service details. ...Letter also is incomplete as the last sentence is “I went to see the 38th Battn and I saw”. Refer Cat No 4183.3P for Alf’s service details. ...The letter written to “Jim” (Joseph ?) from France on “15.5.1918”. Believed to be from his brother Alf Ferris. Letter also is incomplete as the last sentence is “I went to see the 38th Battn and I saw”. Refer Cat No 4183.3P for Alf’s service details. Refer Cat No 4196.3 for Joseph’s details.Hand written letter on faintly lined yellowish paper with writing on both sides.letters, personal, ww1 -
Mission to Seafarers Victoria
Letter - Correspondence, 14/01/1950
... I am enjoying my stay in Calcutta but I am sorry I am unable to see more of India. Conditions are unsettled and it isn't very safe travelling around and most uncomfortable.'...I am enjoying my stay in Calcutta but I am sorry I am unable to see more of India. Conditions are unsettled and it isn't very safe travelling around and most uncomfortable.' ...Vera writes ..'I am enjoying my stay in Calcutta but I am sorry I am unable to see more of India. Conditions are unsettled and it isn't very safe travelling around and most uncomfortable.'Quinn CollectionA self-folding letter (0834.a) written in blue ink on buff coloured paper headed Calcutta and dated 14/01/50. The outer right-hand side of the letter is blue and addressed to Allen Quinn Esq. 10 Blanche Street, Elsternwick, Melbourne.Letter commences 'My Dear Allen, How pleased I am to hear from your Father that you will be in Melbourne on Jan. 20th.....' and concludes '..My love to your Mother. From Vera' letters-from-abroad, quinn, 1950, calcutta, vera south -
Mentone Grammar SchoolHeadmaster (1933-1939) Charles Thorold teaching Shakespeare, 1924
... Lines written on the black board are from Richard II, Act IV, Scene 1: Mine eyes are full of tears, I cannot see: And yet salt water blinds them not so much But they can see a sort of traitors here. ...Lines written on the black board are from Richard II, Act IV, Scene 1: Mine eyes are full of tears, I cannot see: And yet salt water blinds them not so much But they can see a sort of traitors here. ...C.C. Thorold in the main classrooms with the Tasmanina blackwood honour board above the door. Lines written on the black board are from Richard II, Act IV, Scene 1: Mine eyes are full of tears, I cannot see: And yet salt water blinds them not so much But they can see a sort of traitors here. Nay, if I turn mine eyes upon myself, I find myself a traitor with the rest; For I have given here my soul's consent To undeck the pompous body of a king; Made glory base and sovereignty a slave, Proud majesty a subject, state a peasant. -
Federation University Art CollectionWork on paper - Photocollage, 'Being Ultra Light' by Rochelle Summerfield
... Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. ...Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. ...Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia -
Marysville & District Historical SocietyPostcard (Item) - Black and white postcard, Valentine Publishing Co. Pty. Ltd, "MARYSVILLE CHALET," MARYSVILLE, 1923-1963
... Anyway I'll be/ tellling you all about it when I see you again if/ ever says you. I hope you all well including/ Mrs Mac. ...Anyway I'll be/ tellling you all about it when I see you again if/ ever says you. I hope you all well including/ Mrs Mac. ...A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.V.6. VALENTINE'S/ POST CARD A GENUINE PHOTOGRAPH The Chalet/ Tues 3rd Dear Jean + Lloyd/ This is where Bev & I have got to/ we are staying at this place & having a great old/ time, especially Bev. She was out riding all the afternoon/ yesterday with a crowd of young folk. At night they/ make whoop-ee & dance & everything & all the old dears/ including yours truly sit by the fire & knit & listen/ We have been two trips in the bus one all day/ trip staying for dinner on the way. Anyway I'll be/ tellling you all about it when I see you again if/ ever says you. I hope you all well including/ Mrs Mac. We are going home on Sunday, so I'll be/ seeing you as soon after as I can./ Your loving cousin Mgrt XXmarysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, valentine publishing co pty ltd, postcard, souvenir, v.6. -
Port Melbourne Historical & Preservation SocietyDocument - James CONDER Journal, James Brycanne Conder, NOTES FROM A SAILORS LOG - UNDER CANVAS - PART I THE MERCHANT SERVICE
... Under Canvas - Part I The Merchant Service. See Under Steam - Part II The Navy (Cat No 2700.02)...Under Canvas - Part I The Merchant Service. See Under Steam - Part II The Navy (Cat No 2700.02) NOTES FROM A SAILORS LOG - UNDER CANVAS - PART I THE MERCHANT SERVICE Document James CONDER Journal James Brycanne Conder Roma's Secretarial ...James Bryance CONDER (aka James Brycanne CONDER) Artist, poet and four-navy veteran, 1872 - 1954. In 1889 he served in the Merchant Marine Service sailing on the ships ‘Ellora’ and ‘Avenger’. in 1891, aged 19, he joined the Royal Navy in Australia serving on the flagship of the Australian Station, ‘HMS Orlando’, when it escorted ships of the new Australasian Auxiliary Squadron in coastal voyages. After serving 6 months he returned to family in Melbourne rather than sign on for 12 years. Instead he joined the Victorian Colonial Navy and was posted, in succession, to the ‘HMVS Cerberus’, ‘HMVS Nelson’ and the gunboat ‘HMVS Albert’. In 1896 he left the navy, married Victoria Agnes NIHILL and joined the Victorian Police Force. In 1904 CONDOR returned to the sea as part of the Commonwealth Naval Forces, an amalgamation of the colonial navies formed after federation and later becoming the Royal Australian Navy. On his first ship, ‘HMS Katoomba’, as bosun yeoman, he helped train new recruits. He later served on ‘HMS Challenger’ and ‘HMS Psyche’ which included voyages to Fiji, the New Hebrides, Singapore and New Zealand as well as regular cruises to Australian ports. In 1909, CONDER left the Navy and undertook shored-based civilian work until 1913 when he joined the Royal Australian Naval College at Osborne House in Geelong. He remained with the Naval College until 1937 through its moves to Jervis Bay, NSW and then to Crib Point, Victoria training midshipmen according to the practices of the Royal Navy. In later life, CONDER produced two handwritten journals for his family illustrated with his own paintings and drawings. Two original sets were made. One remains in the family while the other is held by the Australian National Maritime Museum in Sydney. PMHPS hold several items relating to James CONDER including photocopies of his journals ‘Notes from a Sailors Log - Under Canvas - Part I The Merchant Service’ (Cat No 2700.01) and ‘Notes from a Sailors Log - Under Steam - Part II The Navy’ (Cat No 2700.02), a photocopy of his Certificate of Service (Cat No 2700.03), a booklet of his life story (Cat No 2700.04) and several digital items (Cat No 2476.01 - 2476.09).A spiral bound photocopy of a sailor's log; dark red marbled covers; front cover has tan inset with title in and around a sketch of a lifebuoy. Under Canvas - Part I The Merchant Service. See Under Steam - Part II The Navy (Cat No 2700.02)transport - shipping, james bryance conder, merchant navy -
![Artwork, other - artwork, Josh Muir, [Portrait] by Josh Muir, 2014](/media/collectors/530576742162ef0fa09a2288/items/5a583f9321ea6811d47e173d/item-media/5b67ad2d21ea6b0344f6a8e0/item-fit-380x285.jpg?cb=6)
Federation University Art CollectionArtwork, other - artwork, Josh Muir, [Portrait] by Josh Muir, 2014
... When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.A computer generated artwork on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
![Artwork, other - Artwork, Josh Muir, [Eye] by Josh Muir, 2014](/media/collectors/530576742162ef0fa09a2288/items/5a58423321ea6811d480bfdf/item-media/5b67ace421ea6a0344f0061b/item-fit-380x285.jpg?cb=6)
Federation University Art CollectionArtwork, other - Artwork, Josh Muir, [Eye] by Josh Muir, 2014
... When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art CollectionArtwork - Painting, [Welcome] by Josh Muir, 2014
... When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." ...Josh MUIR (1991- 2022) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. Computer generated image on canvas.josh muir, aboriginal, artwork, artist, hutchinson indigenous fellowship
