Showing 404 items
matching australian identity
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Moorabbin Air Museum
Medal (Item) - Australian WW1 Identity Disc No.4655 A.L Bacon 24th Battalion AIF
... Australian WW1 Identity Disc No.4655 A.L Bacon 24th...Australian WW1 Identity Disc No.4655 A.L Bacon 24th... from war wounds before 1921. Australian WW1 Identity Disc ...Identity Disc originally possessed by Lieutenant Alfred Leonard Bacon from Warrnambool, Victoria. He served in the First AIF from 1915-1918 and appears to have died of complications from war wounds before 1921. -
Port Melbourne Historical & Preservation Society
Card (Item) - Australian WW2 Identity Card, c.1940
... Australian WW2 Identity Card...Buff coloured Australian WW2 identity card in a plastic...The WW2 identity card was issued to Norma Madeline WATTERS ...The WW2 identity card was issued to Norma Madeline WATTERS who lived at 400 Williamstown Road, Port Melbourne and was employed at the Myer Emporium, Bourke Street , Melbourne.norma madeline watters, war - world war ii -
Unions Ballarat
Understanding multiculturalism and Australian identity, Theophanous, Andrew, 1995
... Understanding multiculturalism and Australian identity... Understanding multiculturalism and Australian identity Paper; book ...A collection of speeches and papers about multiculturalism in Australia by Andrew Theophanous. Includes some analysis of foreign policy, education, media, and equity policy.Pertinent to national identity in Australia. The author, Andrew Theophanous, was an ALP member of parliament and served as Parliamentary Secretary to Prime Minister, Paul Keating.Paper; book. Front cover: yellow, black and white; map of Australia with black illustrations; black text.Front cover: descriptors to the illustrations; author's name and title.btlc, ballarat trades and labour council, ballarat trades hall, speeches - andrew theophanous, papers - andrew theophanous, foreign policy, foreign relations, education, media, social equity, race relations, multiculturalism, citizenship, national identity, minorities - australia, australian labor party, alp -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, ("Your problem a fragment…")
... Australian identity... the question of Australian identity: whether it exists, what can... uncertain. Considers the question of Australian identity: whether ...Handwritten draft for a speech, date uncertain. Considers the question of Australian identity: whether it exists, what can be done to foster it in the arts, design and culture as a whole. Boyd argues that the only route to a distinctive Australian identity is to develop and foster new ideas rather than taking cultural cues Britain or America.Handwritten, quarto, 3 pagessydney opera house, australian identity, australian culture, robin boyd, manuscript -
National Vietnam Veterans Museum (NVVM)
Card - Card, ID, Australian Forces Identity Certificate
... Australian Forces Identity Certificate... Newhaven gippsland Identity Certificate Australian Forces Joseph ...A laminated Identity Certificate for Joseph Charles Mercieca. Service Number A316866. Rank LAC, outlining what to do if captured by the enemyidentity certificate, australian forces, joseph charles mercieca -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The State of the Arts
... Australian identity... in the arts and moving to an Australian identity rather than relying... to an Australian identity rather than relying on overseas influences art ...Discusses the state of art and culture in Australia, in particular the artists, the art boom, art appreciation and cultural maturity. Beginnings of Australia's own sense of direction in the arts and moving to an Australian identity rather than relying on overseas influencesTypewritten, quarto, (carbon copy), 7 pages. (Two copies)art, culture, artists, painters, australia, australiana, australian identity, sydney opera house, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Round Table: On Being Australian in 1959, 1959
... Australian identity... in pencil Boyd comments on Australian life and culture in the first ...Boyd comments on Australian life and culture in the first half of the twentieth century up until 1959. He reflects on changes - is it progress? - from the pastoral to the industrial, briefly on housing and construction, and emphasises US influences in design (especially cars) and politics, and the lingering, conservative influence of the UK. Robin Boyd wrote this article anonymously. He was a member of the 'Round Table', a English based group on imperial and commonwealth matters.Original manuscript of an article published in The Round Table, "The Commonwealth Journal of International Affairs", Vol 50, Issue 159, pp 26-31, 1959.Typewritten, quarto, 6 pagesAnnotations and corrections in pencilaustralian identity, taste, automobile design, they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript -
Robin Boyd Foundation
Newspaper - Clipping, Chris Anderson, The Blowfly the Wave - and Us, 21.05.1972
... Australian identity... Australian identity Walsh St library Chris Anderson The Sun-Herald ...This is a review of Robin Boyd's book 'The Great, Great Australian Dream'.Article on page 48great, great australian dream, blowfly, blowey, australian identity, walsh st library -
Darebin Art Collection
Banner - Raquel Ormella, Raquel Ormella, Wealth for Toil #2, 2014
... Australian Identity... Australian Identity Raquel Ormella ...In Wealth for Toil #2, Raquel Ormella continues her ongoing exploration of Australian identity and our relationship to winning and money. It is one in a series of banners which explores gold as both a precious metal and as a metaphor. The artwork’s title references the Australian National Anthem. Raquel critiques some of the less desirable aspects of Australian patriotism – specifically the national public outcry when the Australian swimming team did not come back with gold at the 2012 London Olympics, despite thousands of dollars being poured into the Australian Institute of Sport. Australian currency incorporated into the workaustralian identity -
Bendigo Military Museum
Card - IDENTITY CARD, AUSTRALIAN WITH COVER, Aust Govt
... IDENTITY CARD, AUSTRALIAN WITH COVER... to be filled out. Card IDENTITY CARD, AUSTRALIAN WITH COVER Aust Govt ...See Cat 4867.2This is a khaki, cardboard cover, single sheet of cardboard, printed on both sides. Front side is like a postcard with some Govt information ad lines for name and address. Rear side - many lines of Govt instructions. Lines for holder and the signature witness to be filled out.Stamped “Bendigo PO - 1942” Front side has written - “married on 1 Jan 1943 at Bendigo to Robert Charles Letts. Emma Olsson, 34 Calum St. Bendigo NR V4 F18 22248” Rear side - “Witness E L Hood, 34 Calum St, Bendigo, E Olsson Signature, 179 Mitchell Street. With lots Officer NRS”identity card, ww2 -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Imported Archi…
... Australian national identity.... Boyd argues the Australian dream of individual identity... of a national identity. Confidence in creative thinking Australian ...Boyd argues that Australia needs confidence in creative thinking so our products can cut through established formulas to contribute to our growth as a nation. He outlines four stages of architectural development in every community, and describes Canada in these terms. He posits that Australia overall is only at stage two (imported sophisticated), Brisbane/Hobart/Adelaide at stage one. Boyd argues the Australian dream of individual identity is impossible now, to move to stage 3 Australia needs to be encouraged to have confidence in Australian artists of all kinds, allowing creative people to flourish, be themselves. He indicates that Canberra is close to third stage, with architecture designed by international figures in 1960s but now Australian John Andrews brought out to do an architecturally creative office complex in Belconnen - Canberra, signalling growth of a national identity.Typewritten (c copy), pencil edits and additions, quarto, 7 pages - p12-18confidence in creative thinking, australian national identity, four stages in architectural development, canberra architecture, john andrews, robin boyd, manuscript -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Memorabilia of Leslie Graham Newton
... Contains the Australian Army Identity card for Leslie... RAR Contains the Australian Army Identity card for Leslie ...Contains the Australian Army Identity card for Leslie Newtonvietnam war, 1961-1975 - veterans - australia, 3 rar -
Bendigo Military Museum
Accessory - IDENTITY DISCS, c.1939-1945
... Set of 2 Australian Identity discs, held together by tape... goldfields IDENTITY DISCS Accessory Set of 2 Australian Identity ...W F R.BUDGE VX48105, refer Cat No 2721 for his service details.Set of 2 Australian Identity discs, held together by tape, cotton. .1) Metal ID disc, round shape. .2) Metal ID disc, octagonal shape..1) & .2) Engraved front: VX48105 - BUDGE WFR, C-E. Rear side: 0-4. identity, discs, passchendaele barracks trust -
Numurkah & District Historical Society
Administrative record - Identification disc
... Australian Soldier's identity disc from Vietnam war... Australian Soldier's identity disc from Vietnam war ...Australian Soldier's identity disc from Vietnam war -
National Vietnam Veterans Museum (NVVM)
Document, Identity Card, 1965-1966
... Australian Military Forces Identity Card. Plastic... Newhaven gippsland Identity card 161 Reconnaissance Flight 3787247 ...Australian Military Forces Identity Card. Plastic covered.Orange coloured. Photograph of Quentin Leslie Sell.3787247 Sell, Quentin Leslie 22 August 1966 No. 38795identity card, 161 reconnaissance flight -
Merri-bek City Council
Photograph - Archival inkjet print, Janelle Low, Untitled 8, 2016
... interests around Australian identity and multiculturalism. Using... interests around Australian identity and multiculturalism. Using ...“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience. -
Merri-bek City Council
Photograph - Archival inkjet print, Janelle Low, Untitled #9, 2016
... interests around Australian identity and multiculturalism. Using... interests around Australian identity and multiculturalism. Using ...“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience. -
Merri-bek City Council
Photograph - Archival inkjet print, Janelle Low, Untitled #1, 2016
... interests around Australian identity and multiculturalism. Using... interests around Australian identity and multiculturalism. Using ...“Maybe here” is a constant thought running through the back of my mind that something might happen where I’m standing. Tension builds at the slightest sound or suggestion of movement. How much of this fear is self-perpetuated and how much of it is warranted. How different would my experience be if I was someone else.This series is a departure from Janelle Low’s conceptual interests around Australian identity and multiculturalism. Using the project as a vehicle to confront and challenge her own personal concerns as well as a means to represent a more universal female experience.Donated by the artist -
Montmorency/Eltham RSL Sub Branch
Headwear - Slouch Hat, Hat, khaki, fur felt, 1986
... with Australian identity and was introduced into the Australian military... associated with Australian identity and was introduced ...The slouch hat is an object strongly associated with Australian identity and was introduced into the Australian military in the second half of the 19th. This hat was used by a member of the Royal Australian Army Medical Corps. An inside inscription (most likely referring to the owner) reads 'Griffin 49443'.The slouch hat is historically significant in the wider context of Australian army and more particularly in Australia's military involvement in the Gulf War. It also has social significance as a strong symbol of the 'Australian fighting man' and more generally for its link with Australian identity. Khaki Australian army slouch hat with left brim pinned to the side; pale green band around circumference of hat; two golden metallic badges (one in front and one on left side); four metallic rivets on top. Leather band inside and brown leather strap attached with six metallic staples. The left side badge displays a crown with the word 'Australia' under it (also known as the Commonwealth 'rising sun' pattern). The front badge displays a crown on top, a snake in the middle and the inscription 'Royal Australian Army Medical Corps'. At the bottom, another inscription reads 'Paulatim'. Inside the leather strap, a handwritten black ink inscription reads 'Griffin 49443'. Hat made by Latiners in 1986, size 55cm. army, hat, slouch hat, australian army, medical corps -
Unions Ballarat
The golden Holden : the story of General Motors in Australia, Arrowsmith, John et al, Melbourne
... of Australian national identity.... Holden and the Holden car as part of Australian national identity ...History of General Motors Holden and the Holden car as part of Australian national identity.Relevant to employment at General Motors Holden and the history of the automobile industry in Australia. Co-author, Zangalis, was a Greek migrant who started employment (and union membership) at Holden in 1951. Paper; book. Front cover: images of newsprint, US flag and an old model Holden; indicated price is 2/6; yellow and black lettering.Front cover: title and author's name.btlc, ballarat trades hall, ballarat trades and labour council, gmh, general motors holden, history, history - automobiles, employment, culture, national identity, manufacturing -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International Blender, 1964
... an Australian identity and a homogenising cultural force reinforced... an Australian identity and a homogenising cultural force reinforced ...Robin Boyd was involved in creating several television programmes, as author and presenter. 'Design in Australia' was an eight part series for the ABC television series 'University of the Air'. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force reinforced by technology and mass production is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D191 is the revised version.Typewritten (c copy), foolscap, 12 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International blender. Working Script, 06.11.1964
... the relationship between an Australian identity and a homogenising cultural... the relationship between an Australian identity and a homogenising cultural ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force, reinforced by technology and mass production, is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values. (Same content as item D184, differing Video cues of LHS of page.)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D184 is the draft version.Typewritten (c copy), foolscap, 9 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript, ohm2022, ohm2022_30 -
Orbost & District Historical Society
calendar, 1988 200 YEAR CALENDAR, 1988
... on Australian national identity, Aboriginal rights, historical.... The event triggered debate on Australian national identity ...The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. The event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. The calendar was one of many types of souvenirs created to celebrate the occasion.The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. The calendar was one of many types of souvenirs created to celebrate the occasion.1988 200 YEAR CALENDAR. It has a cream and red cover with a large photo of an old painting of a coach and bushranger. Inside are photos of events and paintings.1988 200 YEAR CALENDARcalendar bicentenary 1988 -
Conservation Volunteers
Echidna: Taxidermal Animal, To be established, Echidna - real and stylised: Taxidermal Animal - overseas visitors to CVA's head office clamour to be photographed with it, To be advised
... to capture a unique Australian identity (a combination of uniqueness... to capture a unique Australian identity (a combination of uniqueness ...ACRONYMS: The name of the organisation is Australian Trust for Conservation of Nature (ATCV) from 1981 to 1999 and Conservation Volunteers Australia (CVA) from 2000 onwards.............................................Last used in 1999 the Echidna logo was used for 17 years. It was designed by John Zulic, then a young graphic designer at Sovereign Hill Outdoor Museum in Ballarat, and by 2010 the longest serving employee. John was briefed by Peter Hiscock, then director of Sovereign Hill and also President of ATCV, in 1982 to design ATCV’s first logo. Through the image of the echidna John Zulic tried to capture a unique Australian identity (a combination of uniqueness, strength, resilience, role in a balanced habitat and a national feel) for a fledgling local group with big plans. John presented concept to Tim Cox and Peter Hiscock – both were enthusiastic: the rest is history. For many years newly arriving volunteers were photographed with the mascot.The echidna was synonymous with ATCV for many years. The logo appeared on team vehicles and buses and on all publications until 2000. For many years new volunteers had their photograph taken with "Eddy". Even today overseas visitors to CVA's head office clamour to be photographed with it.This item is a taxidermal (preserved and stuffed) echidna. The echidna is an Australian marsupial animal resembling the porcupine or hedgehog found in other continents. It is a nocturnal, burrowing, egg-laying mammal of the genera Tachyglossus and Zaglossus of Australia, Tasmania, and New Guinea, having a spiny coat, slender snout, and an extensible sticky tongue used for catching insects. NOTE: The provenance of this item is not yet established but it has been the unofficial "mascot" of ATCV/CVA from soon after foundation till the present.australian, echidna, mascot, logo, wildlife -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Skyline and Houses, c. 1963
... Boyd's view of the development of Australian architecture's...), quarto, 5 pages Boyd's view of the development of Australian ...Boyd's view of the development of Australian architecture's progression over the years and the slowly forming identity of Australian architecture.Typewritten (c copy), quarto, 5 pagesmodern australia, o-y-o (on your own) flats, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The State of Australian Architecture, 1967
... the identity of Australian architecture, similar to the contents... in the shaping the identity of Australian architecture, similar ...In this article, requested by Architecture in Australia, Boyd condemns the lack of development in the shaping the identity of Australian architecture, similar to the contents of Texas Quarterly 'Architecture in Australia' Vol.5 (see D092), Boyd writes about the need for designers and architects to create a new design language rather than recycling and reminiscing on old British aesthetics despite wanting to gain international recognition.Original manuscript of an article published in Architecture in Australia, Vol.56, No.3, June 1967 pp.454-465.Typewritten (c copy), pencil edits, quarto, 26 pagesPencil corrections and edits in textaustralian architecture, sydney school, architecture in australia, robin boyd, manuscript -
Lara RSL Sub Branch
Identity Card, Kenneth Simons
... , change of rank Australian Military Forces Identity Card... of rank Australian Military Forces Identity Card with rising sun ...This card belonged to the president of thde Lara RSL for 25 yearsMade of card, two pieces with a plastic cover Kenneth George Simons, Cpl. No 1753,There is a picture attached to first card, with number 37228. Personal Description, change of rank Australian Military Forces Identity Card with rising sun emblem in between, with 4 points Second card, card no name, MIL Service Noor 1173 Card No. N8 240 284,UNIT and APO AUST ARMY,, next line NA, Signature of authorising signature identity, card -
Flagstaff Hill Maritime Museum and Village
Memorabilia - Horseshoe Case, 1906 – 1907
... Australia’s national identity and was a training ground... in Victoria and sought to shape Australia’s national identity ...The horseshoes in this purpose-built display case were made by Thomas Alfred Chapman in 1906-1907. Chapman operated a blacksmith’s shop in Mortlake Rd, Purnim, about 15 mins drive from Warrnambool. Chapman made this horseshoe case especially for the 3rd Exhibition of Australian Manufacturers and Products, held in the Exhibition Building in Melbourne, which was organised and promoted by the Australian Natives Association (ANA). Reference is made to the horseshoe case in the Exhibition’s Souvenir Catalogue of 1907 on page 85, under the heading 'In the Machinery Section the following exhibits are also shown … 'CHAPMAN, T.A. , Woolsthorpe, via Warrnambool, Case of Horseshoes'. The Australian Natives’ Association (ANA) were a non-partisan and non-sectarian, friendly society founded in Melbourne, Australia in April 1871. It was set-up for the benefit of Australian-born white men, and membership was restricted exclusively to that group. Men of other races including the Chinese and Indigenous people were not allowed to join. The ANA had relatively progressive views on women (for the time) and attracted suffragists seeking support for their cause, and in 1894, the ANA advocated for women’s enfranchisement. Although, white women were only admitted as members from 1964. The organisation was most prominent in Victoria and sought to shape Australia’s national identity and was a training ground for businessmen, trade unionists and politicians including many of Australia’s early prime ministers such as Edmund Barton, Alfred Deakin, James Scullin and Francis Forde, and the first Australian-born governor-general, Isaac Isaacs, was a member. By 1910 it had developed into a nationwide association with real political and social influence, and members would participate in many activities. The ANA lobbied strongly for anti-Chinese legislation and were an ardent believer of colonial unification. Its mission and efforts are largely credited for the successful referendums that resulted in Federation of the six Australian colonies into a new nation, the association’s most important legacy. The ANA was also a supporter of trade protection, and were a staunch advocate of the first act of Australia's new parliament, the Immigration Restriction Act 1901 (cth) or commonly known as the White Australia Policy, which became one of the central pillars of Australian nationalism in the 20th-century. The ANA campaigned against the Australian Federal Government's new immigration policy after the Second World War (non-British immigration from southern and central Europe) in order to maintain a 'white Australia', and resisted changes when the Labor government during the 1970s fully dismantled and abandoned the White Australia Policy. The ANA merged with Manchester Unity Independent Order of Oddfellows, in 1993 to become Australian Unity Ltd. The display case of horseshoes changed hands several times, going from its maker Thomas Chapman to his mother then various other members of his family. The case was also displayed at the Lee Family’s butcher shop at 188 Liebig St Warrnambool, and in the Purnim Hotel during the Warrnambool May Races. In the late 1950s the horseshoe case went to Thomas’s son, Brian. He was a Master Farrier and completed his apprenticeship at Flemington Racecourse, and in Warrnambool he owned a blacksmith business at the Warrnambool Racecourse Grounds. Brian later operated a blacksmith’s at Flagstaff Hill, where his customers would bring their horses to be shod. Brian passed away in August 2017. The horseshoe case is significant as an example of trades in the early 20th century in Western Victoria, Australia. It is also significant as an example of horseshoes from the early 20th century. The horseshoe display case is also significant for its association with the Australian Exhibition of 1907, showcasing Australian produce and manufacturing to the world. The horseshoe display case is locally significant for its association with local families, essential businesses and community events. Display case of homemade horseshoes. Wooden case with glass front containing 16 horse shoes grouped in sets, each set with a label: Made 1906-1907 for Australian Exhibition of 1907 by Thomas Alfred Chapman of Warrnambool. The case contains (a) complete chrome set each of Trotting Shoes, Hunting Shoes and Racing Plates, and (b) one pair of Hind Polo Shoes and one pair of Front Aluminium Shoes. The wooden frame has gold lettering on each side proclaiming “Australian Natives Association, T.A. Chapman, horse shoer, Warrnambool” and is topped by a painted Australian coat of arms. Gold lettering on frame, in the order of top/bottom/ left/right “AUSTRALIAN.NATIVES.ASSOCIATION / T.A. CHAPMAN / Horse Shoer / Warrnambool”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, horseshoe display case 1906-1907, chromed set of trotting shoes 1906-1907, chrome set of hunting shoes 1906-1907, chrome set of racing plates 1906-1907, pair of hind polo shoes 1906-1907, pair of front aluminium shoes 1906-1907, australian exhibition 1907, australian natives association (ana), t.a. chapman horse shoer warrnambool, thomas alfred chapman, brian chapman, brian “snacks” chapman, blacksmith warrnambool, warrnambool may races, warrnambool racecourse, purnim hotel, lee family’s butcher shop warrnambool -
Waverley RSL Sub Branch
Painting Roy Longmore, RoyLongmore
... Anzac to die.[2] At his death, Australia honored him one final... of Australia's national identity and character".[4] Longmore lived ...Longmore set aside his life as a farm-hand in Geelong, Victoria, when he enlisted in the Australian Imperial Force at age 21. Private (Pte) Roy Longmore, 3rd Reinforcements, 21st Battalion, of Bannockburn, Victoria enlisted on 13 July 1915; and he embarked from Melbourne aboard HMAT Anchises on 26 August 1915.[2] After training in Egypt, was sent to the Battle of Gallipoli where he was a tunnel digger with the 2nd Division, burrowing underneath the Turkish positions and laying mines. After evacuation from Turkey, he fought at Pozières, Armentières, and Villers-Bretonneux.[1] He was wounded three times in France and was momentarily given up for dead when he was shot as the Armistice in November 1918, approached. He later recalled, "We were patrolling in a gully when suddenly half a dozen Germans appeared over a hill armed with machine guns and opened fire. Jerry riddled me, knocking me flat on my back, and the last I heard was 'Longy's had it, they got him.'" Fortunately, his fellow soldiers saw him move and rescued him.[3] Lance Sergeant (LSgt) and returned to Australia on 16 March 1919 as a member of the 2nd Pioneer Battalion.[2] Civilian life[edit] After returning to Australia in 1919, his injuries made returning to farm work impossible, so he drove a taxi in Melbourne. Another change caused by the war was more telling. Before, he had hunted rabbits; but he later explained that when he returned home, he no longer had an appetite for firing at anything alive.[3] Longmore married and had one son, Eric.[1] The one-time LSgt Longmore died peacefully in his sleep at a Burwood Nursing Home aged 107 on 21 June 2001. He was the second last Anzac to die.[2] At his death, Australia honored him one final time with a state funeral.[3] Australian "legend"[edit] In 2000, Longmore was recognized as one of the "Australian Legends." His name and photograph were honored as part of an annual series of commemorative postage stamps issued by Australia Post since 1997. The stamps commemorate living Australians "who have made lifetime contributions to the development of Australia's national identity and character".[4] Longmore lived to fully enjoy this honor.[3] Longmore's 45-cent Legend stamp displays the soldier's portrait as a young man, photographed just prior to his departure for Gallipoli. Formal photographs of the other two ANZAC centenarians complete this stamp set. In addition, a fourth stamp features the 1914-15 star medal which was presented to all those who fought in campaigns during those war years.[5] These stamps, designed by Cathleen Cram of the Australia Post Design Studio, commemorate the story of events and people shaping contemporary Australia.[6] The Longmore stamp honors him as an individual and as a representative of all 68,000 soldiers at Gallipoli whose actions affected Australia's evolving self-image.[7] http://en.wikipedia.org/wiki/Roy_LongmoreFramed painting of Roy Longmore wooden frame glass fronted -
The Beechworth Burke Museum
Photograph
... . Australia, unlike most other Commonwealth countries, did not adopt... identity. The Australian War Memorial has a number of World War I ...Taken some time between 1914-18, depicted is a large group of unidentified males. Four of them are dressed in Australian military uniforms. The remaining 19 men are dressed in striped uniforms. The male in the centre of the front row is cradling a football, suggesting that the group was part of a football or rugby league team. It is believed that the soldiers in this photograph were part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on their uniforms. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Additionally, they are also wearing 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Sport has always been entwined with war. Both sport and war demand peak physical fitness, camaraderie, strategy, and allegiance to a team collaboratively working towards a common goal: to win. The connection between sport and war is especially strong in Australia since these two concepts form the basis of our national identity. The Australian War Memorial has a number of World War I recruitment posters linking war and sport in its collection. One of the posters produced in 1915 by the State Parliamentary Recruiting Committee in Victoria attempted to shame young men into enlisting by juxtaposing the image of an Australian soldier standing guard over his deceased mate with a photograph of a Victorian Football League match. Another poster, produced in 1917, features vignettes of different sports including cricket, bowling, boxing, kayaking and golf. Its slogan reads, "Join Together - Train Together - Embark Together - Fight Together: Enlist in the Sportman's 1000".The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, the record presents a unique opportunity to further explore the relationship between the arts, sport and war. This statement of significance has already established that war is integral to Australia's national identity - and sport is of equal importance. Specifically, the record begs to question how the peak physical fitness and camaraderie valued in team sports were creatively translated into military recruitment campaigns during World War I. Evidently, this record and its historic context demonstrates that there is potential here, and if further research is completed on this topic, it may provide insight into Australian military recruitment tactics used in the past and present, and into the future.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 6529 / hyossest (?) / (?)1/11/1 /military album, army, military, war, wwi, world war i, sport, football, rugby, aif, australian imperial force