Cast iron lace was made in foundries in most cities. There were 42 such factories in Melbourne alone. It was cheaper to make than wrought iron. "Pig iron", iron ore was melted in a blast furnace, mixed with alloys and then poured into moulds usually made of sand. The alloys needed a minimum of 2% carbon.Black and White photos by A Doney of bench seats one showing fern detail and the other leaves and flowers.Photo A Doneyiron lace work, a doney, bench seats

A colour photograph of a mosaic bench seat that was positioned in front of Fraga's cafe restaurant in Marysville in Victoria.A colour photograph of a mosaic bench seat that was positioned in front of Fraga's cafe restaurant in Marysville in Victoria.marysville, victoria, fraga's cafe restaurant, fraga's cafe

View of Cato Lake showing the bench seats around the lake and the walkway. Trees line one side of the lake and people beside the lake. Black & White photo of Cato lake. The photo is of a post card of Cato Lake. "The Lake Cato Park" is written below the photo. The image shows a walking path around the lake with bench seats around the lake. There are 2 people in the photograph, one on a seat the other fishing. Willow trees line the far edge of the lake. stawell

Coloured photograph of workmen creating ABC playground Gold Reef Mall (Looking West) c 1978. Kaye Baxendale female near State Bank. Barry Neville, male seated on bench seat near brick plant box.Large coloured photo of workmen digging up an area in the Mall. Two people are walking towards the digging works and a young man is sitting on a bench seat near a large plant bed. Workmen are around the construction site with people in the background. Also in the folder is a smaller coloured print of the same photograph. stawell streetscape

Photograph, Bert Graham Collection, a man with a mower with 7 others standing near a white bench seat.bendigo, clubs, bendigo east swimming club

Studio Portrait of two children with bench seat and dog.stawell

This photograph is of a combined Sunday School group of children at the old showgrounds about 1905.Sunday School at that time involved a lot of commitment on the part of the teachers towards the children and this was reflected in the efforts they went to to make Sunday School an interesting and enjoyable event. Going to Sunday School was an important part of children's lives in the early 20th century in small towns such as Orbost. This item reflects the importance of Sunday Schools and the churches in Orbost in the early 20th century.A large soiled black / white photograph of many children sitting on bench seats, some standing in an outdoor area.on front - "Combined Sunday School Picnic - Old Show Grounds about 1905"orbost-churches orbost-sunday-school

Luna Park in St Kilda has been a popular tourist destination thoughout the times and Jack Kerr and friend visited the theme Park during a visit to Melbourne at some stage. At this stage it appears that a photographer studio was in place at the park. It was common for people to get photos done of their adventures to show friends and relatives and for a photographic memory.Shows the popular destinations during the time. Demonstrates typical dress in the period.Rectangular, Black & white. Jack Kerr & friend sitting on a bench seat both wearing hats, suits and ties.Back: In black ink stamped, Luna Park, St Kilda. Electric Studio M. D. True, Manager. Photos Finished while you wait. Day or Night. Written inpancil the word Kerr. park, jack, photography, st, kilda, luna, kerr

A black and white photograph of The Log Cabin in Marysville in Victoria.A black and white photograph of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist.Stan at the Log Cabin/ Maryville/ 1949thomas henry branchflower, gerald branchflower, marysville, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, photograph, the log cabin, kodak, red capstans cigarettes

A black and white photograph of The Log Cabin in Marysville in Victoria.A black and white photograph of The Log Cabin in Marysville in Victoria. The Log Cabin was built by Thomas Henry Branchflower who had arrived from England late in 1921. It was built for Gwendoline Pitman after the death of her father Clarence Pitman and the disappearance of her sister Olive in July 1926. Gwendoline operated an artist and souvenir shop in the newly built Log Cabin in partnership with Peter Mackey who was a Melbourne optician and artist.Dorothy at the Log Cabin/ Marysville/ 1949thomas henry branchflower, gerald branchflower, marysville, mary chain, gwendoline pitman, clarence pitman, kooringa guesthouse, olive pitman, wilbur anderson, peter mackey, photograph, the log cabin, kodak, red capstans cigarettes

Dark green LHD, open sided with soft top jeep. Two front seats & 1 rear bench seat.23489617; Airborne, 173 AB 2 502 C4.military jeep

1930 AA Ford 1.5 tonne (30cwt) truck. Originally owned by Blakiston & Company, Geelong. Built in 1930, this truck carried wool and general goods in Geelong and the Western District until the early 1940s. It was restored in 1989-1990 by David Malkit Automotive, Belmont, Geelong East Technical School. Specifications: 4 cyclinder side valve engine 201 cu.in. capacity 24 hp (R.A.C.) rating 40 bhp @2200rpm Optional 4 speed non-synchronised gearbox Heavy duty rear axle with torque rod Transverse front springs Cantilever back springs Coach built cab and tray bodyDark green truck with painted lettering on door and tray. The cabin has a black bench seat, and body has a wooden tray.printed: NATIONAL WOOL MUSEUM / GEELONG / BLAKISTON & Co. / Pty. Ltd. / CARRIERS / GEELONG / No 1 Licence plate: WOOL - 30ford, truck, transport, 1930s, vehicles

Two wooden forms. Flat rectangular bench seats and four individual legs; two on each end. The legs are cylindrical in shape and are splayed.furniture, domestic, forms, seat, bench, wooden

Moorabbin station was originally called South Brighton station and the name can be seen painted on the back of the bench seat on the platform. There are six men standing on the platform.Moorabbin station was opened on 19 December 1881 as South Brighton station. On 1 May 1907 it was renamed Moorabbin station and has maintained that name every since. Six men standing on the station at Moorabbin Railway Station.Stamped in blue ink on reverse: COPYRIGHT / Public Transport Corporation / For re-ordering photographs / Please quote negative No H3380 / Enquiries C/- PTC Photographic Unit / Telephone switchboard 619 111 Handwritten in red ink on reverse: 116 / ? % Handwritten in black ink on reverse: 50% Ch.4. Handwritten in blue pencil on reverse: H3380

Deep Lead School 1956 Mr Ian Johnson - Head Teacher Back Row: Robert Cray, Edwin Perry, Bruce Richards, Bill Shuttleworth. Centre Row: Tom Cray, Shirley Cornwell, Dawn Shuttleworth, Ian Cameron. Front Row: Ian Cooper B/W Photo 9 Students in 3 rows, 4 Standing, 4 sitting on bench seat, 1 sitting on ground, holding a sign, Adult Male to leftSign Reads: Deep Lead 1956deep lead school, education

This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage

Typical wooden school desks used c 1950 in Victoria Typical of school desks used by pupils in schools in Victoria c 19502 (two) wooden school desks with ink wells and lift up writing lids for 2 children A) Is on an iron frame with a bench seat b) is on an iron frame with 2 separate seats education, schools, early settlers, bentleigh, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards, state schools victoria, marriott c, whelan k, cochrane a, east bentleigh state school 2083,

This photograph shows the Protestant Hall on Nepean Highway Cheltenham, which at the time of the photograph was used by the Returned Sailors' Soldiers' and Aimen's Imperial Leage of Australia (RSSAILA). The building facade, World War I memorials, fire station building and road plantation are also in view. The Protestants Hall was built by the Cheltenham Protestant Hall Company Limited in 1886. The hall has been used for a wide variety of purposes; in earlier times it served as the Sunday School for the Methodist Home for Children, and later as a schoolhouse when the Beaumaris School (now Cheltenham State School) No 84 met with overcrowding problems. It was also a popular venue for annual balls and regular dances held by church groups and sporting organisations. The City of Moorabbin purchased the building in the 1920's for use by the Returned Soldiers and Sailors League, in whose hands it remained until the late 1970s when it was taken over by a catering firm. During the 1920s, and right up to the late 1950s, it also served as Cheltenham's picture theatre. The three memorial columns, one from the South African War, one from World War I and one from World War II previously located in front of the hall were relocated when Nepean Highway was widened. The Protestant Hall still stands at 1261 Nepean Highway CheltenhamBlack and white digital image depicting three buildings. The right hand building bears a sign that reads RSSAILA. There are trees and a bench seat in the foreground. There is a World War I memorial pictured. world war i, world war ii, protestant hall, cheltenham, returned sailors' soldiers' and aimen's imperial leage of australia (rssaila), returned and service's league (rsl)

Appears to be a Victorian Railways platform seat dated possibly from 1925 onwards when Victorian Railways assumed management of the Chalet. 4 other slatted bench seats are sited in the the games room which was built in 1925. '(Fig 43. Four bench seats like this example on the front verandah are in the Billiard Room. they resemble furnishings used by the Victorian Railways.' ( Pg56. Historica Cultural Heritage Project. Mount Buffalo Chalet Collection. Prepared for Parks victoria, 2011) Listed in Appendix A. Draft Inventory of significant Collection Items. (Pg 162 Historica.)Listed in Draft Inventory of Significant Collection ItemsLong green painted wooden seat. Made of slats with four leg supports (some are metal) at regular intervals. Slightly curved back.

Yellow yearbook with green image of three girls sitting on a bench seat. Green vertical writing reads GERONIMO down the left and text along the bottom reads Wangaratta Technical School Album 1988GERONIMO Wangaratta Technical School Album 1988

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

Black and white copy of original photograph of a lady in light clothing with broad brimmed hat, resting her hands on the shoulder of a man sitting on a bench seat. Man dressed in dark suit with white hat and dark ribbon."Henry and Edith Francis".henry francis, edith francis

Sir Bruce Small and Sir Hubert Opperman pedal along in a two man tricycle as part of the 1974 Sun-HSV7-3DB “Cycle for Sight” 24-hour Relay Ride. It consists of two bicycles, sharing the same front wheel, and a bench seat for two people.B/W photograph of Sir Bruce Small and Sir Hubert Opperman1974 Cycle for Sightassociation for the blind, hubert opperman, bruce small

Looking across Cato Lake to Stawell Swimming Club Changing Rooms. Black Range in the distance and Gazebo on the right. There are 2 bench seats beside the lake and a person sitting in one on the right hand side. "Cato Park Stawell" is printed on the right lower corner. c 1930-1940Black & white photo of Cato Lake with change rooms in the distance. The view shows one side of the lake with trees along the edge and Gazebo on the right. Cato Park Stawellstawell

Postcards began to be produced in Victoria from 1876. Between 1900 and 1920, picture postcards in Australia became an incredibly popular phenomenon. People could cheaply and easily send messages, without the formality of a letter, and they provided a cheap form of souvenir. Eventually, every event of significance was commemorated in some way with a postcard, and this led to the development of a ‘picture on one side and a message/stamp on the other’ postcard we are familiar with today. They were also a popular form of advertising. Sepia toned postcard featuring the Aspendale Post Office with the Austral Dining Rooms, for afternoon teas and summer drinks, located beside it. There are several people sitting on bench seats and in deck chairs infront of the building. A wooden sign post in front of the building points toward the beach.aspendale, beach, leisure, post office

Black and white photograph pasted on cardboard with caption and names handwritten below. Group of students standing seated on benches and seated on the ground in front of the ponds. Small Christmas tree in a pot beside them.On reverse, "from J.L. Provan Jan 1976."j.l. provan, student group 1944, christmas

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit seated with his legs crossed and his arms folded. The slatted timber bench seat upon which he sits, runs along the enclosed railing of what appears to be the deck of a boat. In the background is a forested mountain. The man is Frank Wright.frank wright, timber bench seat, conductor

No 1 Camp Garrison beer garden. The sergeant is from the Canteen Sgt's MessBlack and white photograph of the No 1 Camp Garrison Beer garden. Two hunts on the left of picture and and a partial glimpse of huts on the right. The huts are surrounded by gardens. In the centre of the garden is a table with two bench seats on either side. A man is standing off to the right of photo. A large tree behind him.camp 1, garrison, beer garden, sergeant, sergeants mess, canteen, tatura, danson