Program, lemon coloured document, gold and black print. On front " Bendigo Soldiers' Memorial Institute Revitalisation project. Souvenir Program. Official opening of the Bendigo soldiers' Memorial Institute Revitalisation and Military Museum. 10 a.m. Thursday November 15, 2018. Lansell Gardens, pall Mall, Bendigo. Program outlines the sequence of activities relating to the opening and provides an overview of the history of the Soldiers' Memorial. The site was formerly the location of the Hustlers Royal Reserve No. 2 Mine, Pall Mall, from 1871 - 1912.Bendigo Soldiers Memorial Institutebendigo, buildings, bendigo soldiers' memorial

Illuminations on the Bendigo Soldiers' Memorial during White Night Bendigo.white night bendigo, bendigo soldiers' memorial, bendigo, last post

Illuminations on the Bendigo Soldiers' Memorial during White Night Bendigo.white night bendigo, bendigo soldiers' memorial

Illuminations on the Bendigo Soldiers' Memorial during White Night Bendigo.white night bendigo, bendigo soldiers' memorial

Illuminations on the Bendigo Soldiers' Institute during White Night Bendigo.white night bendigo, bendigo soldiers' institute

Sheet of paper with six labels gummed to it. There are two of each, Salad Oil, Olive Oil and Castor Oil. The labels are blue on white paper for the Salad Oil and Olive Oil. The Castor Oil is green on white background. The top of the label has the trade mark which has a blue/green B and two white S's in front of it and Prop Ltd. Underneath.It has trade on one side and mark on the other. It has some floral work and a bullet on the left and right. Under this is the name of the contents. Under the contents is Bottled by Bendigo Soldiers' Stores Prop. Ltd. Head Store - corner Myers & Mitchell Streets, Phone 950 and Branch - corner. View & Rowan Streets Phone 830. Stamped Sample by Cambridge Press, Hargreaves St. Phone 130 Bendigo. Date 7/5/24. The labels are for 5 ozs Net and 10 ozs Net for each oil. Written at the bottom of each label is the quantity required.business, printers, cambridge press, cambridge press collection, bendigo soldiers' stores, oil labels

Pink sheet of paper with five labels gummed to it. They are for Vinegar, Petrol, Methylated Spirits, Turpentine and Phenyle. The labels are red on white paper. The top of the label has the trade mark which has a red B and two white S's in front of it and Prop Ltd. Underneath.It has trade on one side and mark on the other. It has some floral work and a bullet on the left and right. Under this is the name of the contents. Under the contents is Bottled by Bendigo Soldiers' Stores Prop. Ltd. Head Store - Corner. Myers & Mitchell Streets., Phone 950 and Branch - Corner. View & Rowan Streets. Phone 830. Stamped Sample by Cambridge Press, Hargreaves St. Phone 130 Bendigo. Number 104, Price per £2/2/6. Date 17/12/23.business, printers, cambridge press, cambridge press collection, bendigo soldier's stores, cambridge press

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Colour photograph of the Soldiers Memorial Hall.bendigo, streetscape, soldiers memorial hall

Colour photograph of the Soldiers Memorial Hall.bendigo, streetscape, soldiers memorial hall

Black and white photograph of the Soldiers Memorial and Post Office.bendigo, streetscape, soldiers memorial hall

This particular invite to Peter Ball Bendigo District RSL Sub Branch was involved with the first initial discussions with Council up to plans approved in 2015. Refer Cat No 8056.4 re project history and re opening.Invitation card Personal, light yellow colour, markings/text in gold and black, one sided. The card sets out the invitation by the Mayor of Bendigo to the re opening of the Bendigo Soldiers Memorial Institute project, time, place, date, rsvp and contact details.Main points, "Bendigo Soldiers Memorial Institute Revitalisation Project - Greater Bendigo Mayor Cr Margaret O'Rourke is pleased to invite Peter Ball - 10.am Thursday 15, 2018"brsl, smirsl, invitation, reviatalisation.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

When the SMI was opened in Nov 1921 the Bendigo RSL Sub - Branch had occupancy from that day on. The Building became a Museum opened to the public in 1998 by the RSL. The origins of this project goes back to 20.10.2011 with a letter to the City of Greater Bendigo of the possibility of an upgrade to the SMI from the Bendigo District RSL Sub - Branch Inc. Some renovations separate had already taken place and some structural work. After initial talks and planning a final sub - committee of 3 persons from the RSL was elected to work with the Council along with other bodies who would be involved. Plans eventuated by 2015 and were put to the RSL for approval. From there the fund raising began from the State/Federal Govt's, RSL, the Public and Council itself. This was achieved and finally in Sept 2016 the SMI/Museum was packed up completely and the Renovations began in 2017. Souvenir program, card yellow colour folding, front page is in gold and black writing with an image of the Dome on the SMI followed by in gold, "Bendigo Soldiers Memorial Institute Revitalisation Project" then in gold, "Souvenir Program", in the centre has details re time, date, place. At the bottom are the logo's of the Federal & State Governments, RSL and City of Greater Bendigo Page 2 is titled "About the Bendigo Soldiers Memorial Institute" with a photo showing the "Hustlers Royal Reserve Mine No 2" which was on the site where the SMI now stands. Page 3 has details of the program, music, Official welcome, speakers, ribbon cutting, the ODE, Last Post, National Anthem, close of formalities and light refreshments. Page 4 has a photo of the original souvenir pamphlet used at the original opening on November 15th 1921, 97 years to the day. at the bottom, "Thankyou section to all those involved in the project""Official opening of the Bendigo Soldiers Memorial Institute Revitalisation and Military Museum 10am Thursday November 15, 2018, Lansell gardens, Pall, Mall Bendigo"brsl, smirsl, program

Refer Cat No 8056.4 for more details of this project, history and re opening.Invitation card, one sided yellow colour to the "Bendigo Soldiers Memorial Institute Revitalisation Project. A space is blank for the person invited's name followed by time, place, date & RSVP, at the bottom are 4 logos representing State/Federal Govt's, RSL and City of Greater Bendigo.Main points; "Greater Bendigo Mayor Cr Margaret O'Rourke is pleased to invite - to the official opening of the Bendigo Soldiers Memorial Institute Revitalisation and Military Museum 10am Thursday 15, 2018 Lansell Gardens Pall Mall Bendigo".brsl, smirsl, invitaion

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Illuminations on the Bendigo Soldiers' Memorial during White Night Bendigo.white night bendigo, former bendigo post office

Illuminations on the Bendigo Soldiers' Memorial during White Night Bendigo.white night bendigo, former bendigo post office

Newspaper clipping Bendigo Advertiser Saturday August 2 2014.Articles of friends who enlisted for WWI together. Private George Every, son of W. H. Every enlisted in July 1915, and sailed for Egypt in January 1916, and his imminent return home wounded. Private S. H. R. Elliott No. 782, K.I.A. April 25 1915, aged 28 years. Son of the late Mr. & Mrs George Elliott of Peg leg Road Eaglehawk, enlisted in August 1914 and embarked from Melbourne. N. S. Draper enlisted at the same time. Sydney Elliott was a member of the Eaglehawk Fire Brigade, Rifle club and was chosen to do sniping duty. G. Of the Loyal Catherine lodge, M.U., Odd fellows band , Comrade's class connected with the Eaglehawk West Methodist Sunday School, Church Choir ,Lawn party , and the swastika club, esteem of the Eaglehawk mechanics institute, Foundry man at the Austral Drill foundry at Eaglehawk. He had one sister, Mrs W. Graham, of Peg leg Road and five brothers - Messrs George & Abe, Bootmakers of Eaglehawk, Fred of Vine Street Bendigo, William of Farnsworth Street Eaglehawk,Stanley of Eaglehawk, and well know in musical circles and as choirmaster at St. Pauls Church Bendigo.military, world war 1, bendigo soldiers

Document. Articles re Cornish in military (WW1): a. Copy taken from Bendigo Advertiser (no date) re Carne family with three sons at the front - Sergeant P R (Percy) Carne, Lance-Corporal W (William) Carne and Private F (Frank) Carne. Head and shoulders portraits of all three in uniform - very poor quality reproduction quality. Some detail re their postings and family.; Also attached is head and shoulders portrait of Private Albert Dunstan ''Military Medal Won'' inscription (no further details).; b. Copy of page (from book??) re Private Alfred E Hocking (prior to service was teaching t School No 877, Violet Street; Staff-Sergeant N S Trevena. Invalided to Australia on the transport 'Osterley' 24 Feb 1919. Prior to enlisting he was teaching at School No 3334, Bulga Tank. Service details re both men and head and shoulders portraits in uniform.military, world war 1, bendigo soldiers, p. r. carne. w. carne. f. carne. albert dunstan. alfred e. hocking. n. s. trevena

The Late Major Murdoch Nish Mackay was born in Bendigo and went to the Gravel Hill State School. He won many scholarships and honors during his studies to become a lawyer. He married Miss Margot Gordon Watson in 1915 and sailed to the front a week later. He was killed during the 1914 - 1918 War.military, world war 1, bendigo soldiers, the late major murdoch nish mackay, 6th infantry brigade, mr & mrs george mackay, gravel hill state school, st andrew’s college, waverley prize, ormond college, hastie exhibition, sir john madden, jessie leggatt, melbourne university, d company 22nd battalion, mr c e w bean, miss margot gordon watson, mr t g watson

1. and 2. Parade marching along Pall Mall, Bendigo, Survey Corps. Freedom of the City parade. "Major Robin Wilson" (21699) leading. Parade photo taken in 1977. Part of the "Kevin John Herdman" collection, No. 397661. See Cat No. 5942P for details of his service.1. & 2. Colour photographs of soldiers marching along a street. Buildings and spectators in background. Officers leading the parade, each carrying a sword. 3. Colour photograph of an Army band marching along a road. Cars and spectators lining route.kevin john herdman, major robin wilson, army parade, photograph, army band, survey corp, freedom of the city

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.