Colour photograph of Rocky Mountain opposite Rogers old house Black Mountain Gelantipy Victoria. Also a second photograph taken from a sl ightly different angle topography, vegetation, mountains

O'Rourke family believed to be the first settlers in Buchan area, faving runs at Suggan Buggan Black Mountain WulgulmerangColour photograph of the O'Rourke family grave at the old Black Mountaine homestead Black Mountain Victoriaalpine region, headstones

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the Cora Lynn Falls which are in Cambarville. These falls are located on the Marysville-Wood's Point Road. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville - Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria. Kitchener House,/ Marysville/ Monday Dear Gwen,/ Just a line now/ as it's nearly dinnertime./ We went to these falls/ last week & also to the/ Cumberland falls. I took/ some photos but it was/ too dark with all the/ ferns in the gullies./ We went to the Eildon/ Weir on Friday - do you/ remember what part that is/ in? We also went to the/ Rubicon Power Station & to/ 2 of the big timber mills that/ were burnt out 2 yrs ago./ Well I must stop/ now & write to Bub/ Love from Joan Love from Auntie Mimacora lynn falls, cambarville, marysville, victoria, waterfalls, p. 2327, rose series postcard, postcard, souvenir, a cameron, fj barton, black saturday bushfires, mountain ash, mining, timber mills, 1939 bushfires

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the Cora Lynn Falls which are in Cambarville. These falls are located on the Marysville-Wood's Point Road. Cambarville is notable for its giant mountain ash (Eucalyptus regnans) trees within the Cumberland Memorial Scenic Reserve, and relics from former sawmills and gold mining. The Big Culvert is located nearby on the Marysville - Woods Point Road, which was historically part of the Yarra Track. Cambarville was established as a timber mill town in the 1940s. Timber mill owners A Cameron and FJ Barton named Cambarville. They established the mill to salvage timber from trees destroyed in the 1939 bushfires. Cambarville was impacted by the 2009 Black Saturday bushfires and any remaining structures were destroyed. POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.cora lynn falls, cambarville, marysville, victoria, waterfalls, p. 2327, rose series postcard, postcard, souvenir, a cameron, fj barton, black saturday bushfires, mountain ash, mining, timber mills, 1939 bushfires

In 1969 RMIT lecturer Gerard Herbst arranged an exhibition the work of his Industrial Design students at the NGV’s Design Centre. In ‘Design with Paper' the students explored the characteristics of a sheet of paper, an exercise based on similar ones set by Josef Albers at the Bauhaus, Germany and Black Mountain College, USA. The exhibition attracted press attention, Bulletin critic Brian Hoad noting You are told that in the tradition of Gropius and his Bauhaus experiments of the ‘twenties they are attempting to bridge the gulf between the fine arts and the technical crafts to produce one day from among their numbers a new type of creative thinker. Photograph featuring students in 'Designs Performing' exhibit. Students are from the RMIT Industrial Design course.design, rmit university, bauhaus, industrial design

The Snowy River Shire was a local government area in the Australian Alps region of New South Wales, Australia from 1939 until May 2016. It was named after the Snowy River that runs through it. Prior to 1936, it had been named as Dalgety Shire since establishment in 1906. This opening of the Monaro - Gippsland Road took place on 4th May 1961. There had long been a movement in Monaro for the construction of a road to connect Monaro and Gippsland, via Inglebyra and Black Mountain. The only track was for stock, made by pioneers many years ago, and it was very circuitous. It was stated at a meeting at Dalgety that the road would open up large areas for settlement for grazing, and for timber suitable for bridgé building. The road would assist stock deal ing between Monaro and Gippsland. It would also considerably shorten the distance from Victoria for tourists visiting Canberra and Kosciusko. A committee was formed to put the proposal before the Dalgety Shire Council in the 1930s.This item is a useful research tool.Four copies of a road opening program. It has black print on white. There are black / white photographs, historical details and details of the official opening.program monaro-road snowy-river-shire

Heatherlie Quarry. B/W photo Mountain Scene. Many people around a rock pool.Black and White Photo - Mountain Scene. many people around a rock pool. Oval Shaped photo in black background.stawell grampians industry

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Three black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Black Sheep. / [printed] There are two kinds of black in sheep. The / usual one is recessive to white, while in the Kar- / akul (Persian), the Piebald, and Black Welsh / Mountain breeds the black colour is dominant to / white. The first photograph shows a recessive / black Wensleydale, the middle a dominant Welsh black. / Sometimes the black is modified into a grey as / the sheep gets older. This is seen in the last / photograph of a Black Welsh Sheep. Back: [handwritten] Black / Sheep / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

Kiewa Valley Line Dancers meet regularly to move in unison to music while standing in lines. There are certain moves that are memorised to the music creating the effect of everyone moving together while facing one direction and dancing on their own. Line dancing has been around for a long time possibly originating from round & square dancing in the 1800s. In the 1990s country western music was influenced by the popularity of line dancing. Then ballroom rhythms and technique took line dancing to the next level. Line dancing reached Europe and in 2008 gained the attention of the French government. Line dancers dance to most styles of music and is popular throughout the world.This shirt belonged to Lorna Reid who lived in Tawonga in the Kiewa Valley. Line dancing began with Jim Budd in Mt Beauty in 1994 at the old Guide Hall with the assistance of the Neighbourhood Centre. Isla, a visiting teacher, with her husband Peter, continued classes at the Community Centre followed by Yvonne Sutton. At this time Social events were held with clubs from Myrtleford, Wodonga, Albury and Wangaratta. The next teacher was Joy Keith who held classes twice a week (Tuesday and Wednesday), with Eileen Speechly, from Gippsland, who held a class on Saturdays. In 2007, Robyn Quick took classes. An Intermediate class on Wednesday and Beginners on Friday. She visits Myrtleford once a week to learn from a teacher there. Line dancing is still (2018) enjoyed by many women in the Kiewa Valley giving them the opportunity to socialize and exercise together.Red polo shirt with collar and two red buttons at top front. Short sleeves. Front and back - black print of two 'mountains' with "High Country / Line Dancers / Kiewa Valley. Label size 18 "Player"kiewa valley line dancers, music, kiewa valley, tawonga, lorna reid

.1) Black & white group photo of the Officers of 38th Infantry Battalion in uniform. Officers are seated & standing with a number of trees in the background. Attached printed label includes the office's names. Dated 1950's. Photo mounted on cardboard. .2) Black & white photo of WO2 Jack Gerdsen in uniform, standing in front of a water landing craft & mountains. .3) Black & white photo of 6 soldiers in uniform, tents in background.On printed labels: .1) “ Officers of 38th Infantry Battalion, Northern Victorian Regiment Puckapunyal 1950's. Includes Officer's names” .2) “WO2 Jack Gerdsen 38th Infantry Battalion, Northern Victoria Regiment, 1 Battalion Royal Australian Regiment, Korea 1952” .3) “Royal Camp Canberra 1954, Ray Gilbert, Maurie Robertson, Maurie Jorgenson, Len Bliss Don Ruxton, Ken Buchanan”photograpy - photographs-mount accessories, military history - army, passchendaele barracks trust

It is assumed that a member of the Ballarat School of Mines attended the commencement of work at the Snowy Mountains hydro-electric centre.Burgundy cover with gold printing. Black print, photos and diagrams on white paper (31 pages). Bound by 3 staples. The contents include the story of the Snowy. Images include W.J. McKell, J.B. (Ben) Chifley, J. McGirr, Nelson Lemmon, Hume Weir, Jindabyne valley (now flooded), Jindabyne township (now flooded), illustration of water Power, survey team at Adaminaby, Snowy Mountains Relief Plan, Horseman crossing the Eucumbene River, Mildura, Burrinjuck Dam under construction, transmission lines, W. Hudson.snowy mountains hydro-electricty scheme, snowy mountains hydro-electric authority

Black and white photographic postcard showing a lake with mountains in the background. The view is in the Northern Italy pre-Alps.This card was purchased by an Australian soldier, probably Henry Smerdon Holmes, during World War One. chatham-holmes family collection, sogno, alps, italy, lombardy

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of an oval and spectators in the foreground and houses beyond the far fence, with mountains in the distance. On the oval are several bands in different areas. The place is Basin Reserve, Wellington and the occasion is the band contest. 2). Newspaper photograph and caption of an oval with spectators in the foreground and brass bands formed in a square around a raised platform on which is standing the conductor. The place is Wellington and the conductor is Frank Wright.1). Written in pencil on the back - Band contest at Basin Reserve Wellington, Feb 1940 2). Written in pencil on left side - Free Lance Feb 1940frank wright, conductor, brass band, basin reserve, wellington, adjudicator

Volcanic activity in this region ceased about 50 million years ago, after which the landscape was shaped by glaciation from about 1.8 million years ago to the end of the Great Ice Age about 10,000 years ago. The U-shaped glen of Glen Docherty is typical of a glen formed by the action of glaciers. (wikipedia)Black and white photographic postcard showing a road running between Glen Docherty and Loch Maree. The A832 road runs through the glen.chatham-holmes family collection, rosshire, glen docherty, loch maree, mountains, scotland

The Myths and Monsters conference was something of a landmark in Australian mystery animal research. It was the first cryptozoological conference held in Australia, and the first time Australia's leading researchers had been able to present their findings and meet with others working in the same field. 82 page proceedings of the Myths and Monsters Conference printed onto white paper. The following topics were presented: * A brief History of Australian Cryptozoology (Paul Cropper) * Would the Real Orang-Utan Please Stand Up and be Counted? In search of unidentified relic hominoids in Southeast Asia (Helmut Loofs-Wissowa) * Strange Creatures on the Antipodean UFO trail (Bill Chalker) * The Bunyip (Gary Opit) * Sightings of Some Anomolous Sea Creatures (Malcolm Smith) * Investigating Cryptic Hominids (Yowies) in the Blue Mountains of New South Wales (MIchael Hallett & David McBean) * "High Strangeness" in Yowie Reports (Tony Healy) * The Mystery of the Australian Big Cat: A Brief Summary (Peter Chapple) * Quest for the Thylacine (Peter Chapple) [Australian Animal Folklore Collection]Signed on cover "Simon Townsend"australian animal folklore collection, paul cropper, ruby lang, helmut loofs wissowa, bill chalker, gary opit, malcolm smith, michael hallett, david mcbean, tony healy, peter chapple, bunyip, blue montains, yowie, thylacine, big cat, puma, panther, ufo, goolma, woodenbong, narrabeen lakes, cecil mcgann, dorothy middleton, lee kelly, brown bittern, bay monster, simon moir, footprints, blue mountains cryptid, prehistoric bipedal primates, gigantopithecus, meganthropus, homo rudolfensis, homo habilis, homo erectus, homo ergaster, hominid, bigfoot, psychic phenomena, black panther, lake monster, blue labyrinth, australian rare fauna research association, marsupial lion, thylocoleo carnifex, australian big cat, tasmanian devil, sarcophilus harrisi, eric guiler, yellingbo, thylacinus cynocephalus, tantanoola tiger, rilla martin, mundrabilla, predatory animal, mythical, myth, folklore

Blaclk and white photographic postcard showing a lake and mountains and Mt Gambier, South Australia.Verso: 'The Valley Lake Mt. Gambierchatham family archive, chatham, mt gambier, blue lake, valley lake

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.1). A black and white photograph of a man dressed in a suit, overcoat and hat, standing on a wooden pier over a stretch of water which is Loch Lomond. There are mountains to be seen in the distance. The man is Frank Wright. 2). Black and white photograph of a lake. In the foreground is a grassed area with four trees. a small boat is at anchor just offshore. The place is Loch Lomond.Written in pencil on the reverse side of the photograph is 1). "Frank Wright at Loch Lomond 1933" 2). Loch Lomond 1933frank wright, loch lomond, musician, composer

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and Wright photograph of a man in a light coloured suit standing on a flat platform (probably stone work). In the background can be seen a water system with what appears to be a dam, surrounded by mountains . The man is Frank Wright and the place is Aden in Abrabia (Yemen).Written in pencil on back - Frank Wright at tanks in Aden (Arabia) which were built by the Persians in 600 B.C., Photo taken by Dr Rob Piachaud (from Ceylon)frank wright, dr rob piachaud, aden, tanks at aden

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit seated with his legs crossed and his arms folded. The slatted timber bench seat upon which he sits, runs along the enclosed railing of what appears to be the deck of a boat. In the background is a forested mountain. The man is Frank Wright.frank wright, timber bench seat, conductor

Set between the Atlantic Ocean, 12 Ben Mountains and preserved boglands, lies the town of Clifden on the Coast of Connemara.A man stands beside a donkey carry two baskets. It is possibly on the Derrygimlagh Bogchatham-holmes family collection, clifden, derrygimlagh, bog

Garmisch (in the west) and Partenkirchen (in the east) were separate German towns for many centuries, and still maintain quite separate identities. Partenkirchen originated as the Roman town of Partanum on the trade route from Venice to Augsburg and is first mentioned in the year A.D. 15. Its main street, Ludwigsstrasse, follows the original Roman road. (Wikipedia)A church stands before large mountains in Garmisch-Partenkirchen, Bavaria, Southern Germanychatham family collection, garmisch-partenkirchen, bavaria, germany, church, alps

This slide shows a train proceeding along the Beechworth rail trail in approximately 1900. The rail line to Beechworth was the subject of significant lobbying by local officials such as John Orr and G.B. Kerferd in the 1860s, as it was recognised that the poor quality of roads to Melbourne and Albury hindered trade and formed a barrier to the social development of the town. The subsequent positioning of Beechworth on a branch rather than a main line was not considered ideal to achieve these aims, but the Everton-to-Beechworth and Beechworth-to-Yackandandah components of the line cost an average of £7,277 per mile and State Government officials felt the need in the area did not justify the cost of a direct line. The Beechworth Railway Station was officially opened on the 29th of September 1876 and ran services twice daily to Melbourne, transporting nearly 12,000 passengers and around 6,500 tons of cargo in 1900. It closed in 1976 and is today used as a cycling trail used by locals and promoted as a feature of the area to tourists. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and transport infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, rail trail, beechworth rail trail, beechworth station, everton, wangaratta, wodonga, albury, rail transport, cargo transport, g.b. kerferd, john orr, murray to mountains rail trail, cycling, biking, railway

A tin trunk used by the Rocky Mountain Extended Sluicing Company (Limited).Mining played an important role in the history of Beechworth, for the township was established in the mid-1850s after gold was discovered in the area. The success of goldmining lead to the growth and development of early Beechworth. The Rocky Mountain Company was a very successful gold mining company and had a big impact on the people and landscape of early Beechworth.A tin trunk painted in black with gold script painted on the front.The Rocky Mountain Extended / Gold Slucing Company. (Limited / BMM 8068

The Bassian Thrush is a secretive bird, often difficult to see, as it is an unobtrusive species that forages among dense vegetation. When disturbed, it sometimes crouches on the ground and freezes, relying on its scalloped plumage to conceal its presence. The Bassian Thrush feeds on the ground, scratching under the leaf-litter for small invertebrates. This specimen has been mounted in an accurate and yet stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The plumage of this Bassian Thrush specimen is a mottled brown to olive-brown colour, heavily scalloped with black crescent-shaped bars on the back, rump and head. The paler underparts all have brown-black scalloping. It has a white eye-ring which surrounds glass eyes which have been included by the taxidermist to replace the originals. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing Tag: 44a / mountain Thrush / See Catalogue Page 15 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, bassian thrush, thrush, zoothera lunulata

The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush

This specimen was recovered from Moonambel, Donkey Hill, Victoria. Established in the early 1860's, Moonambel is a small town in the Pyrenees region of the Australian state of Victoria. In the 1850s the location of Moonambel was part of the ‘Mountain Creek’ pastoral run, but in 1860 reports began to appear of a gold-rush at McKinnon’s ‘Mountain Creek’ station. By 1861, a township had developed on the diggings site, and on 21 October 1861 the “municipal district of Moonambel, on Mountain Creek” was proclaimed. The name 'Moonambel' is believed to be an aboriginal word meaning 'hollow in the hills'. Slate is a stone with a fine grain that is noted for its persistent strength and ability to naturally split into slabs. It forms under low temperatures and is most often created from clay. Pyrite is a crystallising compound that occurs naturally in grey and blue-black slate that is colloquially referred to as slate-rust as it resembles regular rust. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Pyrite is iron sulphide (also known as “fool's gold”) which is commonly found in slates.Existing label: 53 /moonambel, slate, pyrite, burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, victoria