Black lined blouse front/lousette or modesty vest with jet beadingcostume, female

From the collection of Bette JonesCream filet crochet blousette/blouse front, worn under low cut front of dresscostume, female underwear

From the collection of Bette JonesA cream lace blouse front with five self fabric buttons below a collar with points. Hem has waistcoat points. Front joined to back at shoulders. Cotton ties on front only. Back is of artificial silk.Small tape with 46 on front.costume, female

Blousettes were popular for ladies wear under suits and cardigans in the 1930's and 1940's. Part of the Bette Jones collection.Fine voile and net blousette (blouse front and back); cream coloured. Ties at side- elastic at waist and back, satin ribbon at front and back. Front panel of three vertical panels of petit-point coloured flowers, centre panel flanked, each side, by four rows of cotton edging lace. Stand-up net collar of three rows of same edging lace. Back neck opening fastened with metal hooks and eyes.costume, female underwear

Dark beige georgette front, tied at sides and worn as an imitation blouse. Has a crochet insert in centre front with three 5.5cm tucks each side of insert stitched with a lighter colour rayon thread. Small up-standing collar also stitched with two rows of the same thread referred to above. Short pieces of white cotton at back of neck and at waist with ties.costume, female

- Collar attributed to Mrs Alice Caldwell (Poole) 1894, grandmother of Isobel McNamara.Lace 'dicky front' (false front)Nillace, collar, handmade, mcnamara, blouse front

Part of McNamara collection- False peaked collar - Cream pique cotton - Shell buttons - Press studsclothing, false front, dickie front, blouse front

Black and white photograph of Irene Burrowes Morton, daughter of Louise & Thomas Morton (T.R.B.Morton), outside Dundas School (in white blouse - front row on right).|Dundas School was located where the present Box Hill Town Hall stands.morton thomas richards burrowes, morton, louise, dundas school, box hill town hall

Clothing. Woman's cream coloured long sleeved linen smock blouse. Front opening with V shaped front neckline. RHS of front opening edged with 3 cm floral lace that continues around neckline to crossover point. Blouse is yoked front and back with floral lace inserts and vertical pin tucks. Below the yoke is a horizontal band of ribbon insert lace (3cm). Lower sections of the blouse are gathered into the lace insert. The front sections have vertical strips of inserted lace alternating with vertical pin tucks. The front opening is fastened with five press-studs covered by a placket. Long sleeves are gathered into the arm holes and gathered at the wrist into two bands of lace - one floral and one ribbon insert lace. At the wrist the hem has a 5 cm lace frill.costume, female, woman's cream coloured blouse

Pattern 1949 Khaki woollen battle dress blouse. Five front buttons. Two front pockets, one on the left and one on the right.Two buttoned epaulets with embroidered crowns signifying rank of Captain.Royal Australian Regiment patches sewn on the left and right shoulders. Belted at the waist..Two red patches on each shoulder embroidered with Royal Australian Regiment. Identification tag sewn on the inside at the back of the neck - Docket number - 39614-14. Size - J K + M Serge KH. Garment no. - 209. Remarks - Vanzwol or Vanswol, J handwritten on tag. Tag sewn inside left front panel - A.G.C.F. VIC 1988 ARMY NO. NAME B34 handwritten. Care states - dry clean only, crease upper half of lapels only.battle jacket, royal australian regiment, van swol, van zwol, vanswol, vanzwol

White Embroidered Muslin Blouse. Open Down front. Long Sleeves. Square Neckline. Trimmed with insertion & Tatting Edging. Glass Buttons. Machined Gold Coloured. stawell clothing material

Sarah Wright was married to a gold miner named William. They lived at Laura Villa, Smeaton. Their family won many singing and instrumental awards. Frank Wright their son was born and attended Smeaton State School and was a renown resident of Smeaton. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a woman in a long dark skirt and white blouse standing in front of steps leading to the verandah of a weatherboard cottage. The woman is Sarah Wright and the cottage is Laura Villa, SmeatonWritten in pen on the back - Mrs W. Wright, "Laura Villa", Smeaton, March 1923, F.W.sarah wright, frank wright, cornet, smeaton, laura villa

Black & White studio photograph. Woman seated on brick staircase. Aged approx thirty. Black period pleated bustled dress and hat. Buttoned blouse. Printed on front. Stewart & Co 217-219 Bourke Street East, Melbourne.Stewart & Co 217 & 219 Bourke st East Melbournephotograph, person, female

Black and white head and shoulders photo of Barbara Fulton. She is wearing a sports blazer and blouse. On the front of the photo is written: 1955 Barbara Fulton Junior Womens 110yds B/K 2nd Vic Countrys. On the back of the photo is written: Swimming Champ.recreations, sports, swimming

Young woman 3/4 length standing studio study. Dark dress with bustle, buttoned up front blouse. Long sleeves, closed neck with white lace handkerchief at neck. Yeoman & Co , 213 Chapel Street Windsor printed on front. Probably England address.Yeoman & Cophotograph, person, female

Cream Lady Pelaco blouse. Size 12. Five front covered buttons with 6 rows of stitching on either side of opening. Peaked collar with tie front.Long sleeves with covered button at wrist.Pelaco Ladycostume, female

Shaw family collection. This outfit was Mrs Shaw's 'going away' outfit for her wedding in 1972. Ricki Reed was a Melbourne-based label founded by designer Dorothy Rabinov.Two-piece hot pants outfit made from cream synthetic 'Estacel' (Courtaulds acetate fibre) and rayon with red dots and plain red synthetic fabric. .1 - Blouse: fastens centre front with five red plastic buttons. .2 - Hot pants: fastens centre back with zip.Label woven, metallic gold on white acetate, centre back blouse and shorts: ricki reed / ALL RAYON Label printed, black on beige acetate, centre back blouse and shorts: Estacel and / RAYON / COURTAULDS ACETATE FIBREhot pants, 1970s fashion, going away outfit, dorothy rabinov, ricki reed, melbourne designers

Clothing. Camisole/Blouse. Cotton, embroidered on front on either side of front opening. Three buttons - modern pearl buttons. Lace top with a band of 2 cms wide broderie anglaise around the square neckline. Darts on either side of bodice front.costume, female, underwear

This girl's white long sleeved blouse made from lace,voile and net and was probably made for a special occasion c1900. The delicate needlework flowers on the net insert on front of blouse and the over sleeves exhibit a high standard of skill. The fine pintucks on the front, collar and cuffs are finished by small white beads sewn around the edges. The eyes for the hooks on back opening seam are hand-sewn The women of the early settler families were skilled dressmakers and made the clothes for their families as they established market gardens and farms in Moorabbin Shire This girl's blouse made from lace,voile and net is an example of the high needle work skill of the women of the early settler families in Moorabbin Shire c1900 A girl's white,long sleeved, tulle blouse,with a high collar stiffened by 4 metal wires. The tulle has pintucks front and back with inserted decorated net panels and sleeves . The long lace outer sleeves have lace edging at the cuffs. The whole blouse is lined with tulle. .The high collar has horizontal pintucks and has small white beading along top and base. The lining tulle has horizontal pintucks and beading and lace edging on the cuffs of the inner sleeves. Hooks and eyes fasten the back of the blouse and ribbon is inserted at waist to produce a flared effect over hips clothing, brighton, moorabbin, bentleigh, cheltenham, pioneers, dressmaking,lacework, craftwork, tulle, net, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire , dairy farms, fruit orchards

White fine cotton short sleeved blouse. The front is made of two pieces with a front opening. Each side has two darts from the waist and are slightly gathered at centre front. The front has a V shaped neckline with a border from the shoulder. The border is made up of three rows of cotton featuring drawn work patterns and embroidered flowers. The back is made of two pieces with a centre seam. The front and back pieces are attached to a casing that is attached to a peplum. The neckline is edged with lace at front and back. The front opening is fastened with three buttons and buttonholes plus three cotton tapes threaded through casings around the neckline and around the waist above the peplum.costume, female daywear, cotton blouse

1980's Cream blouse. Zebra and giraffe printed in black on cotton. Black trim down each side and across middle. Prints of Zebras and giraffe on front of blouse and back. Two black buttons close back of neck opening, which is round. Extended shoulder lines. Slit up on each side of garment a base.MAYEELOKcostume, female

These bows would have been attached to either the front of a blouse or back of a long dress as an accessory to change an outfit or give it style. It was probably worn by Mrs Whiteman and passed on to her daughter Marjorie Burton.This item is an example of a handcrafted item and reflects the handcraft skills of women in the first half of the twentieth century.Two hand-made bows - accessories for a dress or blouse. 2483.14 is a yellow/gold colour made of satin or rayon. It is a bow with a long hanging tail. 2483.15 consists of 4 strips of green, red and black material gathered together with a safety pin.dress-accessories fashion burton-marjorie clothing

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995 This item was made by Mrs Whiteman, Marjorie Burton's mother. Her mother was a milliner who made most of Marjorie’s clothes, hats and outfits.Marjorie Burton wore it to work with a skirt when she worked in Brittannia Insurance as a comptometrist earning 12/6 per week. She stopped working when she was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11 . This item is an example of a home-made item and reflects the handcraft skills of women during the first half of the 20th century.A lady's blouse - probably silk. It has a square neckline, long sleeves with press studs on the cuffs. An pleated inset is attached with press studs. There are 3 large brown buttons to open the front.women's-clothing blouse burton-marjorie

The photograph provides details relating to the student's dress and deportment in 1909. The girls wear full-length dark skirts with wide belts and white blouses. The blouses are not uniform but feature high necks, cuffed sleeves and lace decoration. Their hair is elaborately coiffured and adorned with large bows. The teacher is wearing a mortar-board and academic gown. Her skirt of light-coloured. The photograph has social significance due to its representation of fashions for young ladies in 1909. Black and white photograph with grey mount featuring the Clarendon Ladies College Form VI (Intermediate and leaving) class in 1909. Students are arramnged in three rows - first row on floor, second row seated and third row standing. 18 students and one staff.Printed on bottom left corner of front of mount: Richards & Co/Ballarat; Handwritten on back of mount: Clarendon/Form VI (Inter & leaving)/1909/E.L.R.1909, clarendon ladies college, richards co

This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon

This young lady was to be the bride of George Bailey JACKSON. See Cat No 3460P & 3446P.Black & white photo of a young lady wearing a light shade hat with decorations & a light blouse with large collar. Her jacket has a single row of buttons, 2 large pockets at hip line & a belt of the same material. A Rising Sun brooch can be seen on the jacket L lapel.On front: “Yours sincerely Louise”photography-photographs, military history - souvenirs

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

The couple are May & David Mitchell in the front room of their holiday shack called "The Holiday Hut" - built by E.C. Mitchell of Stawell at the site of the Borough Huts. See Rec 586 for more information.The photo shows a man and a woman standing in a room. The walls have been papered. A double shelf behind the man has a china jug/vase on the top section and glasses on the lower one. Two lamps stand on the mantle shelf behind the couple. Both people are wearing glasses and the woman is wearing a cardigan with a cream blouse with a brooch. The man is wearing a tie, shirt and zipped cardigan.buildings, houses