non-fiction

Gustave Auguste Besson and his family manufactured brass musical instruments in France from 1837 and in England from 1857. In England the instruments were stamped "Besson & Co" between 1895 and 1904. The word ‘Prototype’ was stamped on all Besson instruments manufactured after 1885-86 and referred to the method of manufacture. This mouthpiece was found by Warren Bowen in 2017, in the vicinity of the former Linton Railway Station.Metal mouthpiece for a brass musical instrument, probably a cornet or trumpet. Consists of a "U"-shaped cup attached to a tapering shank. "BESSON & Co" and "Prototype" stamped on the shank.brass instruments, musical instruments, besson & co.

Frank Wright was a one time conductor of this band. Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Shiny paper flier with coloured photographs and a black background with white writing. The flier shows 5 photographs of different brass instruments, as well as written information about the Ballarat Memorial Concert Band and its meeting times.frank wright, ballarat memorial concert band, flier, brass instruments, wilkinson hall

This photograph contains an array of different musical instruments being used by a band in a performance. The instruments visible in the photo include the Cymbals, Double bass, Trumpets, Trumbones, Tuba and Clarinets. Given the assortment of instruments present it is clear that this ensemble is an orchestral band. All of these instruments require the musician to be sitting while performing as depicted in the photograph. This photo was taken in 1997 and highlights the diversity of the band members, which includes both young and old men and women all working together to deliver a performance. While the details of the event are still unknown, it is safe to assume that this was taken during a formal performance due to the formal attire worn by the band members. This photo captures a specific time and event in amazing detail while showcasing the historic use of these intruments in a social setting. This photograph carries great historic significance as it depicts the historic use of these instruments within the context of an orchestral band performance. With this knowledge, one can track the importance and use of these instruments across time as well as understand the type of events and activities associated with the people and communities that attended these gatherings, as both performers and audience members. Black and white rectangular photograph printed on matte photographic paper, unmounted.reverse: 2671 / 1997.00007 / Agfo [watermark]band, band members, instruments, musical instruments, trumpet, black and white, formal attire, musical performance, 1997, brass instruments, percussion instruments, woodwind instruments, orchestra

WWIA b/w photograph of an army band showing the men in their uniforms with their brass instruments.armed forces, uniforms, clothing and dress, military bands, george evans collection

The All Purpose Band Graduation with the conductor Warren Tiller. Lloyd Stinton is on the cornet, back row, fourth from the right.Formal grouping of students and conductor Warren Tiller. They are standing on the stage in the Mt Helen Campus Founders Hall, with the Ballarat College of of Advanced Education weaving in the background. all purpose band, warren tiller, lloyd stinton, music, band, brass instruments

Identified by inscription as three Prout brothers, and their father (bandmaster). Prout's band was active in the early 1900s.Black and white photograph of three boys and a man dressed in uniform and playing brass instruments."3 Prout brothers and father bandmaster, Prouts band".prout's band, brass bands, musicians

Mr E. Knight was the president of the Orbost Municipal Band from 1972 - 1978. The photographer, Peter Fagg, worked as a scientist with the Department of Sustainability and Environment (now DELWP) to study dieback in eucalypts. He specialised in the silviculture of the eucalypt forest types of South-East Australia for most of his 40-year career, which started with the Forests Commission Victoria. He was in Orbost from 1968 - 1973. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A coloured photograph of a man in a band uniform holding a brass instrument ( a french horn?). It is under glass framed in a white and gold wooden frame.on back - ".....E. Knight.......Dec 1978"music recreation orbost-municipal-band knight-g.

On December 16 1940 the 2/24th Battalion arrived at Dimra Camp in Palestine where they were based prior to and following the Siege of Tobruk in 1941. Whilst in camp the band entertained the troops.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced black and white photograph depicts soldiers playing brass instruments seated in two rows in a semi circle facing conductor in the open.Handwritten on rear 2/24 Band"Dimra Camp" prior to Tobruk 19412/24th battalion, ww2, middle east, palestine

This is a photograph of Alf R. Barling who was the bandmaster of the Orbost Municipal Band from 1961 - 1978. He played bass and cornet. This photographer, Peter Fagg, worked as a scientist with the Department of Sustainability and Environment (now DELWP) to study dieback in eucalypts. He specialised in the silviculture of the eucalypt forest types of South-East Australia for most of his 40-year career, which started with the Forests Commission Victoria. He was in Orbost from 1968 - 1973. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. Further info and Ref: In Times Gone By - Deborah Hall The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A coloured photograph of a man in a band uniform holding a brass instrument ( a cornet?). The photograph has been taken outdoors. The photograph is in a frame with gold esges.on back - Alf R. Barling 1977barling-alf orbost-municipal-band

This is a photograph of Mr Clem Heather, band leader. Clem Heather was a Forestry employee in Orbost, The Orbost Workers' Band was started in 1889 by Donald and Archie Munro. The band folded after the town was devastated by floods in 1893. Charles Spink reformed the group in 1905. It split in 1908 and the breakaway band was named the Orbost Workers Band. The two bands, The Orbost Workers and Orbost Town Band would often compete against each other. Eventually, in 1913, the two bands amalgamated to form the Orbost Municipal band. The old Orbost Municipal Band recorded its last meeting in 1941 -a lack of effort and membership. The new Orbost Municipal Band was restarted by Clem Heather (a previous member) on Wednesday 20th September, 1961 and continued into the late 1980s when lack of interest caused it to become defunct.This is a pictorial record associated with the Orbost Brass Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many membersA black / white photograph of a man in a brass band uniform. He is holding a brass instrument (French horn?). It is under glass in a white wooden frame.on front -????????? Orbostheather-clem orbost-brass-band music recreation

Played by Harry Henderson, a member of the Wandin Brass Band. Harry Henderson was the Grandson of Henry and Martha Sebire.Brass Euphonium or Tenor Hornbrass musical instruments

The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. This photo, taken in 1907, is probably of the orbost Town Band. In the photo are : Percy Watt, Geoff Beattie, Bill Gluth, Charles Spink, Bert McCay, R. Cotterill, Fred Smooker, George Draffin and Jin Lynn. The various Orbost bands have played a major role in the Orbost community activities as well as providing entertainment and musical experiences for the many members. A black and white photograph of two rows of men,front row kneeling and back row standing. The men are dressed in suits with waistcoats and are wearing hats.Each is holding a brass instrument.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit standing in front of the door of a brick building. The man, Frank Wright, is holding a brass instrument called an Ophicleide. The place is Chesterfield.Written in pencil on back - Frank Wright with Ophiceide, Chesterfield Aug 1934frank wright, ophicleide, chersterfield, brass instrument

The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artifacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artifacts from Loch Ard and its collection is significant for being one of the largest accumulation of artifacts from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Pressure gauge; round brass instrument with brass fittings: gate valve and handle. The two separate parts include a small bracket. Encrustations are on the surface. The flat side has been lacquered. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, pressure gauge, mechanical instrument

Brass scientific instrument used by students at the Ballarat School of Mines. Made specially for H B Selby & Co Pty Ltd (Melbourne)magnetic dip needle, scientific instruments

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and military history. A booklet of war songs printed during the Great War (c.1914) titled "A Soldier's Greeting: A Happy Christmas". The cover features an illustration of a soldier on a horse. He is blowing into a brass instrument. ww1, world war one, the great war, military history

One of two engine room telegraphs used on the bridge of HMVS Cerberus, one of Autralia's most important colonial warships. Cerberus was built in England and was launched in 1868, arriving in Port Philip in 1871 to guard the entrance to the bay. Cerberus was decommissioned in 1924 and was scuttled near Black Rock to become a breakwater, and is now protected under the Commonwealth Underwater Heritage Act. Engine room telegraphs were located on a ships bridge and indicated changes of course to the ships engine room, typically by sounding a bell and moving a dial in the engine room to 'telegraph' a change of course to the engineers. Engine-room telegraph - comprising a large cast iron pedestal on which is mounted a circular white enamelled brass instrument face. A lever on the side of the dial can be moved to indicate changes of course. On dial: AHEAD - FULL HALF SLOW STOP ASTERN - STANDBY HALF FULL MECHAN & SONS/SCOTSTOUN/GLASGOW

Brass Band Instrument - Cornet On horn Gautrot Brevete A Paris Mouthpiece missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Sepia photograph of a group of men wearing suits and hats, most holding a brass instrument, one a drum, in an outdoor setting with children beside and behind them. Photograph has been mounted onto a piece of dark grey card.linton brass band, muscians

non-fictionmusic, musical instruments, brass bands,

The cornet was owned and used by W H Nicholls, a member of the Linton Brass Band, most likely in the 1890s or early 1900s. The cornet was donated to Linton & District Historical Society in 2017 by Robyn Nicholls, of Blackburn. It is understood in the Nicholls family that Robyn's late husband, Graeme Nicholls, inherited the cornet from his great-grandfather, William Henry Nicholls (1845-1902). However it is also possible that the cornet was owned and played by Graeme's grandfather, also named William Henry Nicholls (1880-1943).Brass cornet with mouthpieces, in original dark wooden case which has red fabric lining. Instrument is approximately 30cm in length, has a 12 cm bell and three valves. A small portable sheet-music holder is also in the carrying case. The manufacturer's name "Gautrot Brevete, Paris" is imprinted on the bell, along with the inscription "Exposition Universelle de Paris, 1889, Medaille d'Or". EXHIBITION / UNIVERSELLE / DE PARIS / 1889 / MEDAILLE D'OR / Gautrot Brevete / PARIS.linton brass band, musical instruments

Used by Ballarat School of Mines Geology Department. Probably a second generation purchase by SMB Geology department. Earlier references to "Petrological microscope", SMB Calendar for 1908-9, p 35Boxed optical microscope - Petrographic type. It has a rigid (upright) frame and twin objective lens turret and a black enameled frame with brass-finish components. Stored in blonde finished wooden box. Manufacturers certificate inside box door dated "1. ii. 1912" Three other objectives in metal casesEye piece - "Reichert Wien" Microscope - E.Leitz Wetzlar No140283 Made for Kilpatrick & Co Melbourne Objective x 2 R & J BECK. LTD, Objective H. Crouch. London ballarat school of mines, geology, petrography, microscope, leitz, scientific instruments, brass, lens, r & j beck, reichert

Bugle, copper with brass trimming, chrome mouth piece, brass eyelets for cord shoulder strap.musical instruments - brass section, metalcraft - copperware, military history, bugle

Donors listed the original owner as Frank FITZGERALD of Moonee Ponds.Two Tone brass & copper coloured brass bugle with silver coloured metal mouth piece. Mouth piece is secured to bugle with a loop of cored.At top of bugle: Etched: “Rolestone Lark Hill” At top of bugle: Stamped: “Henry Potter & Co, 38 West St, Charing Cross Road London 1915” At side of bugle: Etched: “R Jacobson”musical instruments - brass section, bugle

The 2nd Light Horse Regiment was raised at Enoggera in Queensland on 18 August 1914. Its recruits came mainly from Queensland but some hailed from the northern rivers district of New South Wales. The 2nd was one of three regiments of the 1st Light Horse Brigade – the first Australian mounted formation raised by Australia during the First World War. The regiment sailed from Brisbane on 25 September and disembarked in Egypt on 9 December. The 2nd Light Horse Regiment deployed to Gallipoli without its horses and landed there on 12 May 1915, joining the New Zealand and Australian Division. It played a defensive role for most of the campaign but did attack the Turkish trenches opposite Quinn’s Post, one of the most contested positions along the ANZAC Line. The first assault wave was mown down and fortunately the officer commanding the attack had the wisdom and courage to call it off. The 2nd was withdrawn from the front line in September and left the peninsula on 18 December. Back in Egypt, the 2nd Light Horse joined the ANZAC Mounted Division. Between January and May 1916, the regiment was deployed to protect the Nile valley from bands of pro-Turkish Senussi Arabs. On 18 May, as part of its parent brigade, it joined the forces defending the Suez Canal. The 1st Light Horse Brigade played a significant role in turning back the Turkish advance on the canal at the battle of Romani on 4 August. In ensuing days the regiments of the brigade participated in the immediate follow-up of the defeated Turks, but were soon withdrawn to rest. The 2nd Light Horse Regiment rejoined the Allied advance across the Sinai in November and was subsequently involved in the fighting to secure the Turkish outposts on the Palestine frontier – Maghdaba on 23 December 1916 and Rafa on 9 January 1917. A stint of protective duty along the line of communications through the Sinai followed. The 2nd’s next major engagement was the abortive second battle of Gaza on 19 April. Gaza finally fell on 7 November, after a wide outflanking move via Beersheba, in which the 1st Light Horse Brigade played a part. With the capture of Gaza, the Turkish position in southern Palestine collapsed. The 2nd Light Horse Regiment participated in the advance to Jaffa that followed, and was then committed to operations to clear and occupy the west bank of the Jordan River. It was involved in the Amman (24–27 February) and Es Salt (30 April–4 May) raids and the repulse of a major German and Turkish attack on 14 July 1918. The final British offensive of the campaign was launched along the Mediterranean coast on 19 September 1918, with the ANZAC Mounted Division taking part in a subsidiary effort east of the Jordan aimed at Amman. Turkey surrendered on 30 October 1918. The 2nd Light Horse Regiment sailed for Australia on 13 March 1919 without their horses, which were either shot or transferred to Indian cavalry units. Events in the daily routine of the soldier were signalled by bugle and trumpet calls. This trumpet is signicant because historically, it was issued to the 2nd Australian Light Horse Regiment in 1912. This Regiment served with distinction in Gallipoli and Palestine in World War 1. It is probable, but not confirmed, that tthe trumpet was used by the Regiment during these operations. Each light horse regiment was divided into four squadrons. Each squadron had a trumpeter sergeant, equipped with a cavalry trumpet, who was employed at the Squadron Headquarters Technically called a cavalry trumpet, this brass instrument can be described as a "simple trumpet" ie. the direct forerunner of the modern valve trumpet. It is in E flat not B flat as is the bugle. Both were carried slung over the player's body by means of green tasselled cords.Crest with inscription: "Exposition Universelle De Paris" with circular logo with inscribed "1900". "Hors Concours Membre De Jury". Logo formed of initials (not deciphered). "Couesnon Cie 94 Rue Dangouleme Paris". Bomb burst type logo with "01" in centre. "W H Paling & Co Ltd Sydney NSW Brisbane" On bell: "Mounted Rifles (2nd ALH)" trumpet, cavalry, musical instrument, 2nd light horse, mounted rifles