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Federation University Art Collection
Artwork, other, 'Eel Trap with Emu Feathers' by Bronwyn Razem, 2013
"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available -
Federation University Art Collection
Drawing - x, Zerbst, Bronwyn, Untitled [Olgas] by Bronwyn Zerbst, 1991
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of The Olgas, Central Australia.art, artwork, the olgas, wimmera campus, horsham campus, bronwyn zerbst, available, central australia, horsham campus art collection -
Melton City Libraries
Photograph, Bronwyn Jenkins, 1970
Bronwyn Jenkins being presented with a award. Jenkins was a pupil at Melton State school.local identities -
Federation University Bookplate Collection
Work on paper - Bookplate, bronwyn vost her book
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Goanna on pole forming left border of plate with graving tools lower right framed in loose black border on three sides with MK in block.Signed in pencil beneath block Mary Keep.goanna, gravure -
Bendigo Military Museum
Booklet - BOOKLET WW2, Bronwyn Ambrose, The Story Behind The Stories, Post WW2
For ex POW's Association. 1941-45, Pacific War. Oral history transcriptions of ex POW's.White cardboard cover, black plastic spiral binding. Stylised map of Australia in centre. Title is in small print at top. 63 pages with no illustrations.Handwritten inside cover: “Mel? Koch”histories, oral, pow’s -
Footscray Community Arts
Toolum Boat, Bronwyn Bain, (exact); 2005
MEDIUM: Oil on canvas DESCRIPTION: Blue and white oil painting on canvas, no outer frame. An abstract interpretation of a boat in what appears to be the waters of the coast of Toolum, Mexico. The landscape of Toolum in Central America is dotted with the stark white washed remains of the ruins and temples of the Mayans. This depiction of a Toolum Boat reflects these relics of the land here on its watery gulf. "BB" signature; bottom proper right corneroil, bain, toolum, boat -
Footscray Community Arts
Painting - Painting, Fresco-Strappo, Leaf, 2005
Large, unframed canvas with image of leaf suspended in centre using pink and gold tones. Signature and date appear in yellow on lower right quadrant.Bain 05leaf, bain, fresco, strappo -
Footscray Community Arts
Beautiful Sregnarts, Johnathan Apple, Bronwyn G Evans, (exact); 2005
MEDIUM: Oil and acrylic on paper DESCRIPTION: Oil and acrylic painting, pink and blue No frameSigned and dated; proper left corner on underside of frame; signed, dated, titled on reverse of frameoil, evans, acrylic, sregnarts, jonathan, apple, paper -
Mission to Seafarers Victoria
Book, Australian Scholarly Publishing, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes -
Mission to Seafarers Victoria
Article - Survey, Bronwyn Hughes, The Art of Light: a survey of stained glass in Victoria, December 1990
Introduction Early Stained Glass in Victoria "Marvellous Melbourne" The Aftermath of the First World War Post-1945: Australian Modernism Conclusionnon-fictionIntroduction Early Stained Glass in Victoria "Marvellous Melbourne" The Aftermath of the First World War Post-1945: Australian Modernism Conclusionla trobe journal, state library of victoria, bronwyn hughes, stained glass window -
Greensborough Historical Society
Book, Susie Cooper et al, The Happy Hermits and Diary of a trip to Evelyn, 1908o
The "Hermits" were a group of young men from Collingwood who had camping holidays at Evelyn (now Mount Evelyn) between 1908 and 1911. They took photographs, and were mentioned in a diary kept by two girls who spent their holidays in the area in 1911. The diary and photos were found in a collection belonging to Dorothy Higgs, a sister of one of the Hermits, following her death in 1978. Some of the photos and a facsimile of the diary form this publication.The photos and diary provides direct evidence of turn-of-the-century holiday and tourist activity32 p. black & white and colour illus.mount evelyn, tourism -
Victorian Aboriginal Corporation for Languages
Book, Peter Beveridge et al, The Aborigines of Victoria and Riverina, 2008
The Beveridges pioneered the Swan Hill area on the Murray River and lived among the People of the Murray River. They learned the Aboriginal dialects, lore and customs. Peter Beveridge faithfully recorded these and his book was published posthumously by his family.maps, b&w illustrations, b&w photographsvictorian history, murray river -
Victorian Aboriginal Corporation for Languages
Book, Private lives, public records : family history resources at Public Record Office Victoria, 2003
Intended as a key resource for both first-time and experienced genealogists. It offers an introduction to the role, services and collection of Public Record Office Victoria, and a guide for family history researchers using the archives.colour photographs, b&w photographs, charts, letters, records, maps, plansgenealogy, local history, family history, public records, bibliographies, catalogues, victorian history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Quint Bronwyn, Path Among the Years History of Shire of Bairnsdale, 1999
A collection of stories of convict ancestors written by their descendants, members of the The Descendants of Convicts Group. The stories outline their lives prior to crime and convictions,transportation and lives in Australia.convicts, genealogy -
Ararat Gallery TAMA
Sculpture, Bronwyn Oliver, Slough, 1992
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Gippsland Art Gallery
Work on Paper, Pigot, Bronwyn, Untitled, 1994
Donated by the artist, 1998Charcoal on papergippsland, artwork, permanent collection -
Surrey Hills Historical Society Collection
Book, Looking to the future: the collection of cultural material by historical societies, c2000
This booklet aims to encourage you to discuss and actively explore the collection of present-day material within your society. General information relating to the care and management of your collection is addressed.21cm; 16p; This booklet aims to encourage you to discuss and actively explore the collection of present-day material within your society. General information relating to the care and management of your collection is addressed.local history, collectors and collecting, historical societies -
Federation University Art Collection
Painting - Oil on canvas, Untitled
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, bronwyn dogshun -
Canterbury History Group
Book, Bronwyn Hughes, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty.255 pages with colour and black and white illustrations; notes, bibliography, indexnon-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. world war 1914-1918, boer war, stained glass, monuments and memorials -
The Celtic Club
Book, Bronwyn Fensham, Ten Victorian women, 1999
This book summarises various sources available in the PROV used to build a picture of the lives of ten women whose records are available. it highlights the information that can be found.Plates, ill, map, p.51.non-fictionThis book summarises various sources available in the PROV used to build a picture of the lives of ten women whose records are available. it highlights the information that can be found.women - victoria - history - sources, women pioneers - victoria - history -
St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/05/1996 12:00:00 AM
Also a black and white photograph of Leann Edwards at an exhibition at Anchorage Coffee Lounge Myers Street Lakes EntranceBlack and white photograph at graphic design workshop of Leann Edwards Bronwyn Bancroft and Valetta Fentonaboriginals -
Australian Nursing & Midwifery Federation
Victorian 2002 state election campaign coaster signed by Steve Bracks, BR Printing, 2002
Campaign material for the Victorian Labor Party ahead of the 2002 Victorian State Election, campaigning for Bronwyn Pike in the seat of Melbourne. Education and health polled as key issues ahead of the election. Labor comfortably won the election, gaining 20 seats, returning Steve Bracks as Premier. Robert Doyle was the opposition leader. Despite a heavy loss and lacking popularity with the Victorian community, Doyle continued as opposition leader following the election.Double-sided square white coaster with blue and red text. Printed on front with Australian Labor Party logo and authorisation, along with the following text: 'BRACKS LABOR healthy meal ♢ more nurses ♢ more teachers ♢ more police ♢ more jobs ♢ more services ♢ decent government Bronwyn Pike MELBOURNE' Printed on rear with blue decorative border and the following text: 'LIBERAL DOYLE-Y ♢ take away schools ♢ take away nurses ♢ take away jobs ♢ take away services ♢ take away democracy'Signed in blue pen by Steve Bracks, the 44th Premier of Victoria (1999-2007). Stained on bottom corner. Printed by BR Printing, 30 Albermarle St, Kensington, Victoria.victoria, election, campaign, education, health, politics, labor party, state politics, 2002 state election, steve bracks, robert doyle, nurses, nursing -
Whitehorse Historical Society Inc.
Headwear - Hat, 1955-1965
Hat belonged to Leslie Ricketson's mother.Small blue pillbox hat lined with black silk rayon. Hat is covered in royal blue wool crepe which is almost completely covered in royal blue velvet simulated astracan. A fine blue velvet spotted veil is held in place at back of the hat by a large blue voile bow. Also a black elastic band.Makers Label ' Bronwyn Hats 45 main street Box Hill wx33'.costume, female headwear, trades, millinery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/05/1996 12:00:00 AM
Black and white photograph of Bronwyn Thompson staff of Lakes Foodarama Myer Street with customer Edith Paterson Lakes Entrance Victoriabusinesses -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: BIKES, 1994
Photograph -Two pedal Power Bikes. Label on photo says 'BSSC' Science Awareness 19 May 1994 - Bronwyn Shirley and Melonie Thomas try the pedal Power Bikes. On Rear of photo; 19/5/94 BSSC Science Awareness, Bronwyn Shirley (14) Melonie Thomas (15) Try the pedal power bikes.recreations, sports, cycling, bendigo advertiser -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/05/1996 12:00:00 AM
Black and white photograph showing Bronwyn Thompson of Lakes Foodarama with customer Dianne Whelan and children Courtney and Waylon Lakes Entrance Victoriabusinesses -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Blackburn State School
Black and white class photograph of Blackburn State School 1961 Class 6B. Students E;inor Scambler, Annette Todd, Bronwyn Meaby, Gail Cockroft, Heather MacDonald, Susan Woolley, Bronwyn Thiele.Black and white class photograph of Blackburn State School 1961 Class 6B.blackburn state school, 1961, class 6b -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - GSPS GRADE 4 NETBALL TEAM 1993
Coloured photograph of the GSPS Grade 4 Netball Team. Their names are:- Monica McHugh, Bronwyn Bourke, Janae Treble, Rebecca Tremain, Taneka Ruschmeyer and Danielle Martin.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - gsps grade 4 netball, monica mchugh, bronwyn bourke, janae treble, rebecca tremain, taneka ruschmeyer, danielle martin