Linocut print on paper. Printer's Proof.'P/P' bottom left under printed image, 'Bu bu (tides)' centred under printed area, signed and dated in bottom right corner of image. cultural reference, linocut, cultural symbolism, patterns, waves, tides

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, donna blackall

Leather boot laces as sold by Holden and FrostLeather boot laces sold by Holden and Frost circa 1900Black leather boot laces as sold bu Holden and Frostleather, boot laces

Bronze sculpture of a group depicting Sailor Airman Nurse Soldier whit out streched hands to two childrenIN Safe Hands bu William FEEZ

Brown and red softcover. Front cover has image of a soldier climbing a steep flights of steps.Written on first page "Donated by Len Bu(?) family", with signature. books, military history

Invicta Razors were high-quality cut-throat razors made in Sheffield, England, a city famous for its steel, particularly around the late 19th to early 20th centuries.An empty brown vintage Invicta Cut Throat Razor case with the brand and manufacturer details printed in sliver lettering on the front.' W3/4 Invicta Razor' 'manufactured bu E.M.Dickinson. Ltd.. Sheffield-England'razors, shaving equipment, barbers

Gilt and white metal, this is thought to be an officers belt buckle. It has the imperial crown embossed in the centre surrounded bu a wreath at the bottom and the words 'GOTT MIT UNS' (God with us) above.

used on horse tackle during 19th century bu Holden and FrostUsed in manufacture and sold by Holden and frost Circa 1900Small rectangular full roller buckleequine military, agriculture, civilian ca1900, buckle

Used on horse tackle during 19th and 20th centuries and imported bu Holden and FrostSol by Holden and Frost for military, agricultural and civilian use C1900Brass full buckle used on horse tacklehorse, military, agriculture, civilian c1900, buckle

The Eureka Stockade took place on 03 December 1854. The 1997 exhibition commemorating the Eureka Stockade toured over six venues. Soft covered booklet of 6 pages, with an image of the Eureka Flag on the cover. It is a catalogue of a joint exhibition between the Ballarat Fine Art Gallery and the Public Record Office Victoria, and includes an essay "Eureka - The First repubic?" bu Anne Beggs Sunter.eureka, eureka stockade, ballarat, ballarat fine art gallery, beggs sunter, republic, democracy

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Front loose endpaper has a sticker from Corangamite Regional Library Service With notes on the methods to be adopted to check and extirpate them. Prepared bu order of the Victorian Department of Agriculture Author: Charles French Publisher: Government Printer Melbourne Date: 1900Label on spine cover with typed text RA 632.70994 FRE Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, front loose endpaper has a sticker from corangamite regional library service, charles french

Around 100 men were welcomed on the grounds of Riversdale bu Mr and Mrs Edward Duckett for Boxing Day 1920. The party went to the house by boat on the Yarra.Small black and white photograph with thin white border depicting 3 ladies standing and handing over some glasses to men sitting on the ground.Handwritten on verson in pencil: Handing lemon drinks - Boxing Day 1920 and the number "893"picnic, wwi, first world war, great war, lhlg, picnics, social events, entertainments, boxing day, 1920, edward duckett, riversdale

Sign was used for the exhidition display Sunshine photographs bu Nora O'Connor & is part of that collection. Possibility from Bruce White who was manager of Westpac Bank and used in association withgroup.Colored advertising sign with Sunshine Central printed in front of an image of the sunSunshine Centralsunshine plaza, hampshire road, sunshine

As well as having a guided tour of the Polly Woodside, the children from Bulla Primary School also enjoyed a ferry ride around the Port of Melbourne where they saw the port at work different vessels in port. On this day they were able to see a large naval ship although it was not docked at Station Pier where a lot of navy vessels often dock. A non-digital coloured photograph of a group of children enjoying a trip on a ferry while observing a large naval vessel docked in the harbour.school excursions, ferry trips, yarra river, port of melbourne, navy vessels, bu, bulla primary schooil

Part of the 'Mann' collection, used for time keeping by employees in the J. Mann & Sons General Store in Wodonga High Street in the c 1960s. J. Mann and Sons was first established as a farm produce store in 1921. The range of products was extended in the 1930s and included groceries and hardware, as well as the first petrol bowser in Wodonga outside the store. After WWII, the premises were extended and the range of products continued to increase. In the 1960s the Mann Family opened a new supermarket in Wodonga, in addition to the hardware business, providing steel, plumbing and industrial supplies, and they employed over 100 people at one stage. With changes in the retail industry, the Mann Family sold the main hardware business to Bunnings and the steel and rural produce business to the Kelly brothers in 2006.The Amano time clock has local significance due to its use in the J. Mann & Sons General Store in High St, Wodonga and the association with the prominent Mann family.Green metal electronic Amano time clock used by employees in the J. Mann & Sons General Store in Wodonga, with a brown clock face and light coloured numbers. Two labels on the lower part of the front surface with a horizontal lock between them, and a small metal plate on the proper left side with the model and serial numbers, plus "S 422" written in black marker below. Slot in the top surface of the time clock for the employees' time cards."AMANO" - on the clock face "TIMETEK SYSTEMS / Phone or Fax: / BU..NESS / BISCOM / COMMUNICATIONS" - on the lower front "Model 6733 Serial No 23229 / Volts /240 / Watts 5 / Hz 50 / AMANO CORPORATION / MADE IN JAPAN / S 422" - on the lower proper left sidemann, general store, wodonga, time clock, commerce, local business, high street, j. mann & sons

Photographe of a metal plaque located in the Ballarat School of Mines Botanical Gardens1879-1979 These botanical gardens were established in 1879 in connection with the materia media course of the Ballarat School of Mines. They were inspired bu Baron Ferdinand von Mueller K.C.M.G., Ph.D., F.R.S., who examined students in Botany from 1880 - 1888. Early lecturers were J.F. Usher and E. Guthiel, M.D.ballarat school of mines botanical gardens, materia medica, ferdinand von mueller, botany, j.f. usher, emil gutheil

Colour photographs of a stone memorial commeorating the first overseas wireless message sent from Australia. From this spot on twlfth July 1906 The first overseas wireless messages from Australia were sent by Lord Northcote Governor-General Sir R. Talbot Governor Hon. A. Deakin Prime Minister Hon. A Chapman Postmaster General Hon. R.A. Crouch M.P, For Corio Equipment supplied and operated bu Marconi Wireless Coy Ltdwireless, telegram, queenscliff, lord northcote, alfred deakin, a. chapman, r.a. crouch, r. talbot, marconi wireless company

In the foreword the Chairman and General Manager, W.H. Connolly, wrote: "Australia's progress since the Second World War has been remarkable - and nowhere more so than in Victoria. Although the smallest pf the mainland States, Victoria is today the most highly industrialised, the second most populous and the most rapidly developing State in the Commonwealth. Many factors have contributed to this growth, bu the one of greatest importance is the vast wealth of easily extractable brown coal in the Latrobe Valley which is the source of Victoria's electricity and a major part of its solid fuel. ... "White and green soft covered book of 34 pages with black & white and coloured illustrations. The book includes starts with an historical section, and includes information the open cut, Yallourn Power Station, Yallourn Briquette Works, the town, Morwell Open Cut, and includes a map of the Latrobe Valley Brown Coal resources.yallourn, connolly, open cut, power station, kernot, coal, briquette, lyle, monash, yallourn open cut, yallourn power station, yallourn briquette works, morwell open cut, hazelwood, brown coal, gippsland, horses, turning sod

.1 Document outlining the purchase of Lot No. 39: 16 acres, 3 roods, 9 perches situated in the County of Talbot, Parish of Glendaruel by Edward Ager Wynne of Melbourne for the sum of Seventeen Pounds Thirteen Shillings .2 Document outlining the purchase of Lot No. 30: 50 acres, 2 roods, 38 perches situated in the County of Talbot, Parish of Glendaruel bu Edward Ager Wynne of Melbourne for the sum of Fifty Pounds Fourteen Shillings and Nine Pence Both documents were witnessed by Major-General Edward Macarthur the Senior, Officer in Command of Our Land Forces Thick cream paper, hand writtenDate: 23 January 1856 Signature: E Macarthur - Major General of Our Land Forces Official Seal county of talbot, parish of glenaruel, acres, roods, perches, edward ager wynne, major-general, edward macarthue, land purchase agreement

W.S. Vogt Photographer of Main Street Bairnsdale 1920s Dear Ruby No doubt you would know this spot, & this is the boat we went for our trip on Sunday & we did enjoy it, no doubt Lakes Entrance is some place. I did enjoy it. Yesterday we went to Eagle Point for a ?? and it was good oh. & we have been out motoring all the morning some swank us. Hope bu? is good, & how are the cats & George. Regards to Bert, home ??? Jack & self, your loved sister Maud How is the euchr?s Home on Thurs on ???tom fielding collection, postcard, bairnsdale, boat, mitchell river

'The Spectator' (Methodist Weekly Magazine), a. Special Issue of 6/2/1903. 48 pages Vol; XXX, No. 6: p.204 Bendigo Laymen; p-. 212 Photo of Bendigo Parsonage. Missing pp. 227-228 and front page; b. As for a bu has pp 227-228 and front cover; c. Special Issue, 1/11/1912 p 1750-1751 article and photos re Quarry Hill Sunday School; p. 1796 (back cover) : Bendigo Advertisement Section - Robt. George, Merchant Tailor; Geo. Forster, Saddler and Harness Maker; Bartlett Bros ( R W Bugg) Art Photographers and Portrait Painters; Ewings & Kronk, Butchers; Mason & Hart, Cash Storemagazine, methodist

This postcard was sent to Australia by a member of the AIF serving in France. Photograph of an embroidered card sent from the Western Front during World War One from Ewan Grant of Beulah to his sister Jess who married Jessie who married Donald Wright. 7.6.17 Dear Jess, Just a card leting [sic] you know that I am well, + hope you + Don + the children are the same. I almost forgot when your Birthday is, ut, I have an idea that its in July sometime, so I will wish you many happy returns of the day in case I am right. I sent you a photo I hope you get it all right. It is not very good bu I spose it will so. I remain your aff. Bro. Ewanworld war, world war one, embroidered card, ewan grant, jessie grant, jessie wright, don wright, donald wright, beulah, mmm

Three military operation and maintenance handbooks including Mechanical Vehicle Training, Tractors, Artillery and Tyres Care and Maintenance.1. "Notified in G.O's, dated 31st July, 1942/ *NOT TO BE PUBLISHED/The information given in this document is not to be communicated, either directly or indirectly, to the Press or to any person not holding an official position in His Majesty's Service/ MECHANICAL VEHICLE TRAINING/PAMPHLET No.1/DRIVER'S ROUTINE MAINTENANCE/1942/Crown Copyright Reserved/*A.M.R. & O 1588 B./Allied Land Forces Headquarters,/May 1942/ By Authority: W.A Hamer Pty. Ltd, Printers." 2. "NOT TO BE PUBLISHED Notified in A.A.Os, October 1939/AUSTRALIAN MILITARY FORCES/ Mechanization Pamphlet No.2/Tractors, Artillery, F.W.D., L.P (Ford V8)/DESCRIPTION, OPERATION/AND MAINTENANCE/1939/ (Reprinted with Amendments, 1940)/ Prepared by the Directorate of Mechanization, Army Headquarters, October 1939./ *A.M.R and O. 1588 B./ Bu Authority: The Specialty Press Pty Ltd., 174 Little Collins Street, Melbourne" 3. "NOT TO BE PUBLISHED/ (A.M.R. & O. 1588B)/Notified in G.O's dated 31st July, 1942/ AUSTRALIAN MILITARY FORCES/ TYRES/CARE & MAINTENANCE/ Including Tyres used on Armoured Fighting Vehicles and other Vehicles with Split Wheels/ MECHANIZATION PAMPHLET No. 19/1942/ Prepared by/ DIRECTORIATE OF ARMOURED FIGHTING VEHICLES PRODUCTION/in collaboration with/DEPARTMENT OF THE ARMY"handbooks, maintenance, mechanical, training

1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture