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This photograph was taken at Wooragee Landcare workshop (Quoll), field day in Mt Pilot park on Bush Recovery: After the Fires. This is part of the Biodiversity Month on September 2004. The Bush Recovery workshop was held on Sunday 12th September 2-4pm with Christine Watson, Sue Berwick and Natasha Schedvin, and another workshop on Wednesday, 15th September, 9am to 12 noon with local biologist Glen Johnson and botanists Gill Earl and Christine Watson. The topics involved in the training involved what species have returned, what species haven't, what recovery studies are being carried out, how are the barking owls and phascogales faring, and why is Mt Pilot important. The photograph shows L-R: Colin Payne; Jerry Alexander; Geoff Galbraith. Bush fires are common in Australia due to several reasons. One is due to the geographic spread of fire's seasons, secondly, the absence of El Nino conditions are also linked to fires. Climate change also affected Australia's hot and dry seasons. Australia's climate began warming since the 1970s. Human-induced fires also contributed to this increase in temperatures across the nation. Bush fires happened in Mt Pilot in 2003 but it has recovered well since. This makes Mt Pilot an important site to understand bushfire recovery. This photograph contributes to the scientific and historical records on bushfire recovery in Victoria. It creates a picture of Victorian community activities and efforts on biodiversity, climate change, and environmental care.Landscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NN2 0 163 / (No. 2)wooragee, wooragee landcare group, wooragee landcare, bush fires, bush recover, mt pilot, biodiversity month, botany, botanists, bush recovery, quoll, foxy, fox, forest, environment, climate change, bushfire recovery, bushfires, 2004 bushfire, field work, after the fires, fire, biodiversity

Digital photographs of Marysville after the 2009 'Black Saturday' bushfires.marysville, bushfire, recovery, black saturday

Relates to the Black Saturday bushfires in Victoria in February 2009A4 certifcate on paperbushfire, recovery, agriculture, farming, rural community

The irresistible appeal of our unique Terrestrial orchids will often find native plant enthusiasts down on hands and knees following a hot summer bushfire surveying the forest floor where flowering colonies may emerge stimulated by the ‘Ash Bed’ effect and the symbiotic relationship with a particular soil Hyphae. Many like the small Hare orchid and Red Beaks depicted in this work may not be seen flowering again on the site until the next fire event.This work is one of a number painted by the artist after bushfires in the Grampians. Roger Edwards was a Forest Officer, posted to Cavendish, in SW corner of the Grampians, in 1975. He retired in 2018, enabling him to devote more time to his art.Environment, Wildflowers, Landscape, Botanic artGift of Rob Youl to commemorate artist, Betty Conabere.This painting shows orchids and other native plants regrowing densely in an ashbed after a Grampians bushfire. It is an aesthetic depiction of important ecological processes. wildflowers, lanscape, orchids, bushfire, grampians, environment, recovery after fire, botanic art

Since moving on from tonal pen and pencil work many years ago watercolour has been my medium preference for painting Flora and Fauna. Although better known for my Australian bird studies I do like to portray remnant grassland featuring the terrestrial orchids that occur there. As a Forest Officer for the past 40 odd years working in and around the Grampians area I have been blessed with the opportunity to observe and study much of the wildlife of the area. If you can imagine a peregrine falcon swooping down from a ledge, echidna playing trains, goanna striding to a tree or a sittella placing shingles on the nest This has been much of my life as a forester and artist. This work is one of a number painted by the artist after bushfires in the Grampians. Roger Edwards was a Forest Officer, posted to Cavendish, in SW corner of the Grampians, in 1975. In the 1980s he photographed details of the wildflowers and their recovery after fire. He retired in 2018, enabling him to devote more time to his art.Environment, Wildflowers, Landscape, Botanic artGift of Rob Youl to commemorate artist, Betty Conabere.This painting shows orchids and other native plants regrowing after Grampians bushfire. It is an aesthetic depiction of important ecological processes. wildflowers, lanscape, orchids, bushfire, grampians, environment, recovery after fire, botanic art

The history of how and why the Triangle Community Steelbands were formed Paperback. Front cover has a drawing of a steelband.ABOUT THIS BOOK Following the Black Saturday bushfires of February 2009 in/ Victoria, the Triangle Community Steelbands were formed/ in late 2009 as a way to assist in the recovery process. This book documents the First 5 Years of Triangle/ Community Steelbands, from is genesis in mid-2009 till/ the end of the 2013-14 concert season, including the/ formation of four individuals steelbands, Pans on Fire, Hot/ Pans, Jammin' and the Buxton Primary Steelband.triangle community, steelband

Community update on rehabilitation of the section of Plenty Gorge Park affected by a bushfire in December 20196 p. text and colour photographs and mapplenty gorge park, bushfires, blue lake, yellow gum park, plenty

An eerie, blackened landscape remains after a bushfire ripped through more than 40 ha of the Plenty Gorge parklands.News article 2 pages, black text and colour images.plenty gorge park, bushfire

In February 2009 bushfires devastated Marysville, resulting in in nation-wide support enabling a rebuilding programme. A number of colour photographs documenting the remarkable recovery of Marysville after the 2009 Black Saturday Bushfires. Badly burnt trees reshoot, houses are rebuilt, but black scars remain on hillsides where the heat was at its hotest.marysville, bushfire, regrowth

'Black Saturday' Bushfire Memorial Sculpture.Commissioned by the Hepburn Shire with funds provided by the Commonwealth and State Governments through the Bushfire Community Recovery Fund. Large scale tree-inspired steel and bronze sculpture incorporating two drinking fountains. Artist's name is laser cut onto the base of the 'trunk' of the tree.hepburn shire, hepburn shire public art collection, public art, bushfire memorial, sculpture, memorial, public art commissions, anton hassell, australian bell pty ltd, daylesford, art

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

A publication by the CFA giving detailed information, images, maps and photographs about the bush fires which blazed across Victoria and southern New South Wales from November 2019 until brought under control in February 2020.non-fictionThe 2019 - 2020 fire season, which became known as "Black SUmmer" was long and difficult for the CFA, emergency services and communities across the eastern seaboard of Australia, especially in northeastern and eastern Victoria. By its conclusion more than 8,200 CFA volunteers had contributed to the fire response in Victoria and another 2,288 CFA volunteers had been deployed interstate. THe bushfires burned 1.5 million hectares, destroyed more than 400 homes, 6,800 livestock and thousands of native animals. Tragically 5 people also lost their lives. The fires took their toll physically and psychologically.This book provides an insight into the challenges faced by so many in their efforts to protect communities and was produced as part of the recovery process from this horrific event.black summer bushfires, cfa volunteers, bushfires australia