A black and white photo of a group of people holding camping items in the garden of a house. From other photos it appears to be a house often used for gatherings and may be on Stan Savige's Balnarring property. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring/Somers, close to the beach. Permanent camp buildings were built in 1930. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays. This photo was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934). Mention has been found that the Savige holiday house at Balnarring was next to the campsite and sometimes provided support to the campers.A photo of a group of founding legatees or some of the first junior legatees. Legatee Savige was an important figure in Legacy's history and his property at Balnarring became very important for Legacy providing outings and camps for junior legatees.Black and white photo of a group of people at a house with camping items.Stamped 'Kodak print S 856' on back in grey ink.camp, junior legatee, legacy somers camp, savige property

Passport photos of Frederick Gardner DAVEY to be used in a passport in case of escape from POW camp. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.1) & .2) Black / white passport sized head & shoulders photos of a man in civilian clothes..1) Handwritten on back in black ink: 1942 Escape photo for passportphotography, identification raaf

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

An article from an album of press clippings the relate to Melbourne Legacy in 1977. The photos and text show junior legatees were treated to a day on the water from the yachtsmen of Westernport, Somers and Merricks Yacht clubs. They queued for rides in Mirrors and Flying Dutchmen. One photo shows Junior Legatee Wayne Cowards on the trapeze of a Flying Dutchman. The boys were attending a legacy camp at Somers and the girls were at the Legacy Camp at Kew. The items were cut from the newspaper and pasted into a scrapbook with brown pages. For many years Legacy kept scrapbooks of press clippings that related to their work and publicity. Not all pages have been scanned but some are listed from 02164 to 02176.A record of outings and experiences that were provided for junior legatees and were published in the press in 1977.Newspaper article of Operation Float in 1977 pasted to brown page of a scrapbook.operation float, junior legatee outings, camp

This is a set of 12 photographs taken during Army’s occupation at Fortuna, Bendigo in WW2. On 1 Feb 1941, a Cartographic Section was reformed as the Land Headquarters (LHQ) Cartographic Company. Deputy Chief of the General Staff, Major General Sidney Rowell instructed Its OC - Major William Sarll, in the interests of security of plant and to provide against possible damage of air attack, to investigate suitable safer inland accommodation for LHQ Cartographic Company. Major William Sarll inspected many properties before finding one that would meet the requirements of the Cartographic Company. In late 1941, he came to inspect Fortuna, a rambling old mansion dating back to the gold rush, with about fifteen acres of ground in central Bendigo. On 23 March 1942, the Commonwealth of Australia, under the provisions of the National Security Act of 1939, took possession of the house, the old battery buildings and the fifteen acres of grounds. LHQ Cartographic Company moved to Bendigo on 11 Jun 1942, from Mitchell House, Melbourne. The responsibilities of this unit were map compilation, fair drawing and lithographic reproduction, including printing the work of other Units as well as their own. A decision of War Cabinet on 13 August 1941 had authorised the formation of the Australian Women's Army Service (AWAS), in order to release men from certain military duties for employment with fighting units. Originally their employment was restricted to traditional female areas and numbers were strictly limited, but the outbreak of the Pacific War in 1942 led to a broadening of employment categories and an increase in numbers. The first AWAS arrived at Fortuna on 26 November 1942 and immediately became an integral part of the unit. Seventy-five AWAS served with the Cartographic Company during the war and Major Sarll paid them a special tribute for their 'untiring efforts' in the Company's war report. The AWAS could not be accommodated at Fortuna, and a nearby house, Westend Hall, on the corner of Lily and Barnard Streets, provided the first barracks with Warrant Officer Durack in charge. The building, designed by Vahland and Getzchmann in 1868, has been described as the 'grandest house on the goldfields with elegant Corinthian columns supporting a balustraded portico.' The building was conveniently situated close to the front gates of Fortuna. The women appreciated their pleasant surroundings as a magazine article written a year after their arrival reveals. 'It was a stroke of luck which gave us West End Hall with its gardens and large airy rooms; and it is to Miss Durack that we must give thanks for the bright furnishings, the good food and ... the splendid atmosphere of comradeship. But not all could be accommodated in the house; some slept in tents through the freezing Bendigo winters. Local girls like Gwen McGown were able to live at home, but had to report for the Monday morning parade after which the women would march to work. Saturday afternoon was designated sports afternoon for the women. They formed teams among themselves for competitions in basketball and softball. The women participated in an active way in the recreational activities of the Company, including athletics sports days, marching contests, concerts and dances. In the later years of the war, the barracks at West End Hall were too cramped and the AWAS were transferred to Lansellstowe, a beautiful old home in Barkly Terrace built originally for Leonard Vere Lansell, the third son of George Lansell. Prior to the AWAS occupation the Army had used the spacious house as a camp hospital. Refer to Item 6099.17P for photos taken in 1942, the first year of LHQ Cartographic Company’s occupation at Fortuna, Bendigo in WW2. The Survey Corps’ occupation of Fortuna during WW2 is covered in more detail with additional historic photographs, in pages 17 to 27 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.Other items from Rosemary (Atkinson) Bowman are: 9209.12P, 9210.16P, 9212.6P, 9213.4P and 9214.12. This is a set of four photographs of AWAS Accommodation at ‘Westend Hall’, taken in 1943 during Army’s early years of occupation at Fortuna, Bendigo in WW2. The black and white photo, graphs are printed on photographic paper are contained in a photo album provided by the family of Rosemary (Atkinson) Bowman, a former member of RA Svy. The photographs were scanned at 600 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1943. AWAS Accommodation, Westend Hall. .2) - Photo, black & white, 1943. At front steps of Westend Hall. L to R: Norma Lewis, Tiny Lewis, Billie Hyatt, Norma Jeffrey, Betty Eyval, Peggy Priest. .3) - Photo, black & white, 1943. Hall and stairway inside the old barracks - Westend Hall. .4) - Photo, black & white, 1943. Recreation room inside the old barracks - Westend Hall.Some personnel are identified with dates in the photo album.royal australian survey corps, rasvy, army survey regiment, asr, fortuna

T & C Clark & Company Limited, based at Shakespeare Foundry, was founded in 1795 by Thomas and Charles Clark and grew to be one of the largest iron foundries in Wolverhampton. The firm was the pioneers of Enamelled Cast ironware and the founder Charles Clerk went on to became mayor of Wolverhampton in 1860 after also serving as a Councilor, Alderman, and later Chief Magistrate. The company exhibited many products at the International Exhibition of 1862 at South Kensington, alongside the gardens of the Royal Horticultural Society. The company was also awarded the silver medal for its products at the International Paris Exhibition in 1878. The company's product range included thousands of items, both domestic and industrial. T & C Clark pioneered the use of enamelled cast ironware, after taking out a patent in 1839 guaranteed to be free of lead or arsenic. In the late 1940s and 1950s the company produced acid-resisting enamelled cast iron boiling pans; steam-jacketed pans; stills; square and rectangular tanks; open and closed mixing vessels; flanged pipes; bends and tees; laboratory equipment; small scale plant; evaporating bowls; beakers; sulphonates; and glass-lined mild steel tanks for beer, mineral water, and food. The company is listed as enamelled chemical plant manufacturers in Kelly's 1962 Wolverhampton Directory, but within a few years, the company had ceased trading.The item is significant as it was used as a domestic kitchen or camp fire item used to cook food safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had. T C Clark innervates the first manufacturing process of cast iron cook ware to have enamel lining in his products to alleviate the possibility of lead or arsenic contamination of food.Oval cast iron boiler or cooking pot, with lid, pot is oval shaped lid is dented and handle buckled.Inscription on base "Clark & Co Patent", "Best Quality", "9 Gallons" and a Trade Mark of a "C" inside two triangles to side of potflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooking pot, stew pot, food, kitchen utensil, shakespeare foundry, tc clark

This chair is one of a set of three kitchen chairs once used by the Warrnambool Council. The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs that have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs.The set of chairs represents one of the most commonly used items providing comfort. It represents domestic furniture used in the late 19th and early 20th centuries in Australia, signified by its decoration of an Australian theme motif.Chair, wooden, varnished dark brown. Spokes for back support, front legs, and spokes joining legs are patterned turned wood. Backrest has a carved floral emblem with a kangaroo in the centre.Back rest: motif {floral emblem with a kangaroo in the centre]flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

This chair is one of a set of three kitchen chairs once used by the Warrnambool Council. The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs.The set of chairs represents one of the most commonly used items providing comfort. It represents domestic furniture used in the late 19th and early 20th centuries in Australia, signified by its decoration of an Australian theme motif.Chair, wooden, one of a set of three. The kitchen chair has a dark brown varnish. The spokes for the back support, front legs, and joining legs are patterned turned wood. The backrest has a carved floral emblem with a kangaroo in the centre.Back rest: motif {floral emblem with a kangaroo in the centre]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, chair, kitchen chair, dining chair, carpentry, carving, australian motif

This chair is one of a set of three kitchen chairs once used by the Warrnambool Council. The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs.The set of chairs represents one of the most commonly used items providing comfort. It represents domestic furniture used in the late 19th and early 20th centuries in Australia, signified by its decoration of an Australian theme motif.Chair, wooden, one of a set of three. The kitchen chair has a dark brown varnish. The spokes for the back support, front legs, and joining legs are patterned turned wood. The backrest has a carved floral emblem with a kangaroo in the centre.Back rest: motif {floral emblem with a kangaroo in the centre]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, chair, kitchen chair, dining chair, carpentry, carving, australian motif

Eight proof sheets accompanying photographic transparencies (29174). Some photographs were taken at WIN Television Studios, Ballarat. Others taken on campus at Camp Street. Possible photographer was Peter Swan.Item photographed by Elise Whetteruniversity of ballarat, federation university, graphic design, multimedia, camp street campus, new north

20 photographic transparencies, 18 individual student images and 2 group photos. The individual student photos were enlarged and mounted as lifesize, card-mounted cut-out display figures with stands. Fuji RHPIII 208 transparencies. Possible photographer was Peter Swan.Item photographed by Elise Whetteruniversity of ballarat, federation university, graphic design, multimedia, camp street campus, new north

Ballarat School of MInes was a predecessor of Federation University. Newspaper produced by students of Senior Secondary School age who attended courses at the SMB. Items include a visit to H.M. Pentridge Prison, Melbourne to see the Mess Hall Players production of "Comedians" by J Paynton, Marylin Rundle and Linda Smith; information on the camp to Lorne by Kathy Lund and Jack Begbie; film revue of "The Rock Horror Picture Show" by John Mitchell; and revue of Russell Morris and the Rubes at the Civic Hall in Ballarat. Cathy Lees wrote about the 1981 SMB Raft Race on Lake Wendouree. Resident Revoluntionary wrote about the Unions and strikes. Jeff Zilles printed the newspaper.Two A2 sheets folded -to create an 8 page student newspaper,ballarat school of mines, jailhouse news, senior secondary school students, h.m.pentridge prison, mess hall players, comedians, lorne camp, rocky horror picture show, russell morris and the rubes, civic hall ballarat, raft race, unions, j payton, marylin rundle, linda smith, john mitchell, kathy lund, jack begbie, cathy lees, debbie ward, matthew meenan, craig carr, greg walker, sherryn kieul, colleen broad, helen desert, fiona taxi, maurie gear, sue, pattie macnuttie, terry o'bow, g beanland, principal, zilles printers, graham beanland

Significant items relating to Albert Telfer White who entered Ballarat College April 1912 and left December 1918. Albert was born 29 June 1897 at his home 'Ashford Vale" farm, Cuthbert's Road, Cardigan. Albert, a second generation Australian, was the fourth son and sixth of eleven children born to dairy farmer John White and his wife Elizabeth, nee Douglas. Albert attended Bunker's Hill State School prior to enrolling at Ballarat College. After College he obtained employment with the engineering firm Ronaldson and Tippett in Ballarat. Following his eighteenth birthday Albert enlisted in the AIF in Ballarat with the rank of Private, No 2012. He embarked for the Middle East with 23rd Battalion on 26 August 1915 and was 'taken on strength at the Gallipoli Peninsular 25 October 1915". On 10 January 1916 Albert was posted to Alexandria, Egypt and during this time he was able to meet with his aunt Rose Douglas, an Australian Army Nursing Sister. This was a great comfort to his family. Albert was sent to France 19 March 1916 and transferred to the 22nd Battalion. He was mentioned in dispatches for 'good and gallant conduct' 5 August (1917?). Albert was hospitalised 30 March 1918, rejoined 22nd Battalion 3 June 1918, wounded in action 3 October 1918 but died of wounds at Rouen 10 October 1918. news of his death was received by his family n Australia just prior to the armistice. Albert Telfer White's sacrifice is commemorated at Ballarat College, Avenue of Honour Ballarat (Tree 1214), Ballarat Shire Honour Avenue Learmonth (Tree 163) and the Australian War Memorial Canberra. (These notes provided by family November 2016)Collections of items including: Bayonet, Carl Eickhorn, Solingen, (29.A.159 engraved on handle) Trench shovel The ANZAC book 1916 (flyleaf inscribed: No 2012 / Pte A T White / H Quarters / 22nd Battalion / 6th Inf Brigade / France) Gallipoli medal with documentation First World War Mothers’ and Widows’ Badge Next of Kin Memorial Plaque (Death Penny) and accompanying letter from King George V Imperial War Graves Commission documentation and photograph Australia Graves Services In Memory card and photograph Documentation relating to Australian War Memorial Roll of Honour, Learmonth Memorial Wall, Ballarat and Learmonth Avenues of Honours Documentation from the Australian Army Records office Documentation relating to Military Medal, 1914/15 Star, British War Medal and Victory Medal (whereabouts unknown, November 2016) Portraiture of Albert Telfer White as a child, as a young adult (civilian dress), in full kit (A I E F formal), and at camp 1915 Portraiture of sisters Cis, Addie, Bessie, Evelyn (with personal inscriptions) Four postcards (one with letter from Albert ‘at sea’ to his mother - undated) Death notice (unreferenced newspaper clipping) Biographical and family relationship details Photocopy of The White Family 1906 showing (standing) Adeline, Leslie, Harold (father), Muriel (mother), William; (seated) Albert, John (Grandfather), Elizabeth, Allan, Elizabeth (Grandmother), Evelyn (baby) and Benjamin The ANZAC book 1916 (flyleaf inscribed: No 2012 / Pte A T White / H Quarters / 22nd Battalion / 6th Inf Brigade / France) Gallipoli medal: engraved on reverse: A T WHITE Embossed lettering on death penny: ALBERT TELFER WHITE Handwritten on reverse of portraits: Lovingly yours / Cis / 21/11/17; your / loving sister / Addie; your loving / sister / Evelyn; Yours lovingly / Bessie Handwritten on back of postcard of ship H M A T 'Anchisis' 14.3.16: Dear Mother, I am sending you a card / of the boat we are on. Our deck is right / on the back. I have marked it with an X. / We are not allowed to put the date on or / where we are. I am sitting on the deck now / holding the card in my hand so it is hard / to write. We are together yet haven't been / separated Bill, Matt and myself. Haven't / had anything to do. I will write a couple / of letters now. Albert Handwritten on back of postcard photograph of Albert at camp: 30th September 1915 / Dear Mother / There is a studio at the / camp so Matt and I got our Photos / taken yesterday morning, & got them/ this morning. I am sending / Ciss one of Matt.albert-telfer-white, ballarat college, world-war-one, avenue-of-honour

The Arts Academy is the Camp Street campus of Federation University Australia, and was established in 2005A3 newsletter covering items of interest to the newly established Arts Academy, Camp Street Campus. arts academy, camp street, barnaby joyce, victorian students union, student media, art school funnies, swipe card system, post office gallery exhibition, anthony woodward, lefa singleton

Brown soft covered books featuring beautiful photographs featuring Federation University's historic landscape, and items from the Federation University Historical Collection. federation university, federation university historical collection, historic campuses, enrolment book, ballarat east plan, ballarat schhol of mines associates boards, assay kilns, stained glass, former ballarat gaol, smb campus, leather tools, camp st, arts academy, former ballarat post office, post office gallery, mace, federation university mace, former stawell school of mines, jacarandah restaurant, ballarat mechanics' institute

The Voyage of The 'Fox'. The Fate of Sir John Franklin Author: Sir F Leopold M'Clintock Publisher: John Murray, Albemarle Street, London. Publisher to the Admiralty Date: 1881 Blue embossed hardcover with a blue spine and lettering in gold. The spine has a Library label with an inscription.non-fictionThis classic 1859 maritime narrative with the subject copy being the 1881 fifth edition details one of the most significant moments in Arctic exploration. It follows the definitive discovery of what happened to Sir John Franklin’s lost expedition. The Voyage of the 'Fox' is a first-hand travel diary and official report written by Captain Francis Leopold McClintock.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the voyage of the 'fox'. the fate of sir john franklin, sir f leopold m'clintock, arctic exploration

T. & C. Clark & Company Limited was based at Shakespeare Foundry in Wolverhampton England and was founded in 1795 by Thomas and Charles Clark. The company grew to be one of the largest iron foundries in Wolverhampton and were pioneering in the manufacture of enamelled cast iron cookware and sanitary wares. The company's product range included thousands of items, both domestic and industrial. T. & C. Clark were pioneers in the use of enamelled cast ironware, after taking out a patent in 1839 guaranteeing their products to be free of lead or arsenic. The company became the largest employer in Wolverhampton employing between 600 to 700 people.The item is significant as it was used as a domestic kitchen or camp fire item used to cook food safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had. T C Clark innervates the first manufacturing process of cast iron cook ware to have enamel lining in his products to alleviate the possibility of lead or arsenic contamination of food.Cooking pot cast iron with lid and handle and lid pressed sheet steel oval shaped."T & C Clark and Co Ltd" (Star of David) "ENGLAND", "RD 455279" "3 GALLS" "FIRST QUALITY" Lid marked "CLARK" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, kettle, cooking pot, cook ware, kitchen ware, cast iron kettle, t c clark ltd, shakespeare foundry

Groups of soldiers at the beach, Moascar Isolation Camp, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt, moascar isolation camp

The Wallet has been issued to a member of the Australian Military Forces by the Geelong & District Soldiers Welfare Committee. It would appear the bank notes have been amassed by the owner of the Wallet and the post card and booklet have belonged the owner of the Wallet.All the items are originals from a member of the AIF.1 x Brown Leather Wallet, several bank notes, 1 x booklet 'Some Patience' - grey cover and white pages. A Sepia coloured post card of a tented camp in front of two of the Pyramids.Wallet - from the Geelong & District Soldiers Welfare Committee The booklet 'Some Patience' explained by H A H Carson The Bank Notes - mostly Marksleather wallet, bank notes, booklet, post card

This photograph shows George Temple's store which began operating C1888 in the main street of Orbost. The store stocked other stores at Bendoc supplying the gold fields. The men with their pack horses are on their way to the survey camp. George Temple, born in Yorkshire on 26/2/1832 was one of the earliest Orbost storekeepers. Temple's Store was on the corner of Ruskin and Nicholson Streets opposite the Post Office. He packed stores to the Bendoc area goldfields. The store building eventually became part of Herbert's store after Mr Temple died in May 1918.This item is associated with the very early history of Orbost. George and Mary Temple were early shopkeepers who operated a store opposite the Post Office for many years. Their daughters were very talented women, all were musical.A faded black / white photograph of men with pack horses standing outside George Temple's store, The Orbost Equitable, in the main street. It is on a cream coloured buff card.temple-george-orbost gold-fields-bendoc

This is a photograph of a railway camp, set up to house workers and their families when building the Bairnsdale to Orbost Railway in 1916. The Bairnsdale-Orbost railway was opened in 1916 to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987. Orbost Railway Station was opened on Monday 10 April 1916 as the terminus of the Orbost railway line, and closed in 1987. The station was located on the west side of the Snowy River despite the town of Orbost being on the east side of the river, in order to save on the costs of a bridge over the river, which at the time had highly variable levels.This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost.A black / white photograph of a campsite kitchen. The kitchen is outside against a roughly constructed hut. There are three women preparing food. Two men are drinking from tin mugs. a small child is crawling on the ground and another is seated.on back - "Railway Camp"orbost-railway newmerella-railway-camp transport

This item was used on P.C. Toby Nixon and Grace Nixon's farm, "Rolling Downs" at Bete Bolong. During WW11 the farm grew carrots, red beet, cabbages, beans and maize. Because of labour shortages the government built a Prisoner of War Camp on Russell's Hill. The manager, Dick Northrope, used three Italian prisoners to frill ring small trees and shrubs between crop harvesting. The introduction of ‘frill ringing’ and poisoning with arsenical tree killers in the 1940's and 1950's helped reduce the amount of labour required and trees on more country were treated. This enabled the hill country at Bete Bolong to become more productive. The dead trees and shrubs were later cleared by Erle Broome's D7 caterpillar bulldozer. This was the first big area of 230 acres to be cleared in the Orbost district. Soon after entering World War 11 Australia was asked by Britain to accept and guard large numbers of 'enemy aliens' and prisoners of war. The British government felt that it could not afford to feed large numbers of prisoners and it was believed that once in Australia the internees would have no chance of escape. Eager to show solidarity with Britain's cause, Australia readily agreed and decided to place the prisoners in a number of different camps scattered around the country and guard them with reservists and soldiers too unfit to serve overseas. There was an internment camp at Bete Bolong, Orbost. This item is an example of an item used by the Italian P.O.W.'s residing there. It is also an example of an agricultural tool not commonly used today.A galvanized iron watering can which has been used to hold poison for ring barking trees (possibly arsenic). It has a narrow spout. There is a handle at the back and a folding handle on the top. The top is conical with an opening for a cork. agriculture prisoner-of-war-camp tree-removal land-clearing

About 1912 work began at Newmerella on clearing the track for the railway line from Bairnsdale to Orbost. A canvas town sprang up on the higher land adjacent to the river flats. Local farmers supplied meat, milk and fresh produce to the camp, as well as gaining employment carting and labouring. The line opened in 1916, the Orbost railway station being built on the Newmerella side of the river. This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. On April 10 1916, the first scheduled train service left Orbost for Bairnsdale. The Bairnsdale-Orbost railway was opened to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987.A black / white photograph of a group of people standing next to a train carriage.orbost-railway east-gippsland-railway celebration-opening-of railway

This family history book was published as a family record of the Ah Chow family. A limited number of copies were printed. Thomas William (Bill) Ah Chow was a Chinese-Australian soldier, farmer, fire lookout and legendary bushman of East Gippsland in Victoria. Many Chinese came to the Victorian gold rush in the 1850s to seek their fortune at the Omeo and Cassilis diggings. Many of the immigrants later settled and integrated into their local communities working as farm labourers, tending market gardens, making furniture, running grocery stores and cafes or practising Chinese medicine. Thomas William "Bill" Ah Chow of Bruthen, Victoria attempted to enlist early in the War but was rejected for being "not substantially of European origin". Undeterred, he reapplied and was accepted in June 1917. During his service with the 5th Battalion, he was wounded at least three times. After the War, Bill returned to Bruthen where he drove sheep, worked cattle and eventually assisted in the building of roads through the area. He became a Forestry Commission fire-spotter and built a hut called 'Moscow Villa' in 1942. He lived in the hut during the summer months and in winter, returned to his family in Ensay. Whenever there was fire danger, he rode his horse up to the fire tower on Mt Nugong and acted as look-out. Bill worked for the Forestry Commission for more than twenty years and came out of retirement to continue his duties when no suitable replacement could be found. Bill died in 1967 and is buried in Omeo. Moscow Villa still stands and is a popular camping site This is a useful reference item. As a family history it is detailed and contains useful copies of personal documents. Bill Ah Chow, along with the Ah Chow family were well known in Orbost and East Gippsland. This booklet is a testament to his life. A soft covered 97pp book with a cream cover. On the front is a coloured photograph of a Chinese man in traditional robe and hat. On the back cover is Moscow Villa. It contains information, copies of 1949 photographs, documents, hand -written letters and a will. There is an envelope attached to the inside cover containing a CD, photos and family tree.ah-chow-william-thomas family-history-ah-chow

William Hunter (1893-1971), resident of Tatura and Mallacoota was a soldier, surveyor and amateur naturalist.This item is associated with William Hunter.A black covered book of astronomical observations and results handwritten on lined pages. Inside is a blotter - "Reed Bros Tomato Sauce" ; an envelope addressed to "William Hunter Esquire Survey Camp Tubbut" and three stamps.hunter-william astronomy science