Showing 34 items
matching children's boots
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Numurkah & District Historical Society
children's leather boots
... children's leather boots... children's leather boots ...These boots were found under an old house that was being demolishedHardened / weathered leather boots. Soles missing and some stitching worn away. Leather on one boot is curled up and missing one side section shoes, boots, leather, child,, footwear -
Flagstaff Hill Maritime Museum and Village
Footwear - Boots, 1900s
... children's boots... pair of children's boots from the first quarter of the 20th ...Boots are believed to be one of the earliest shoes created when the evolution of footwear had begun. Boots form the building blocks of modern footwear which were merely a two-piece unit covering the foot and lower leg, a century ago. Throughout history, the importance of boots has been about fulfilling the needs of the wearer to be in sync with the prevailing culture. Boots were initially made of various materials like cotton, wool, silk, fur, felt, and leather (including caribou hide and sealskin. Around1000 B.C.E., men wore simple boots made of untanned leather with the fur turned in against the leg to keep it warm. These baglike boots were simple in design and then leashed to the leg by just a thong of leather. A mass produced pair of children's boots from the first quarter of the 20th century no significance other than the items age giving a snapshot into footwear of the period. Boots are unable to be linked to a significant person, family or event.One pair of Antique Victorian/Edwardian young boys-young girls shoes / boots. The boots are a black leather which lace up the front, laces missing bottom soles are leatherNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boots, children's boots, footware -
Kiewa Valley Historical Society
Boots, circa 1940s to 1950s
... The construction of these boots suggests that it was not purchased locally ...The construction of these boots suggests that it was not purchased locally or from any large town. It may have been introduced by a wandering caravan trader in clothes and shoes. In this era of rural development shoes, especially children footwear, were regarded as a longer term requirement that only required the soles and heels to be replaced. Multiple shoe types were not common only basics that could be handed down. The policy of one main work/play shoe and one church shoe (special occasion) was the norm at this point in history.Worn by Everil Fisher (girl) at Dederang in 1880. They have 'copper toes' and are 'Hob Nail' These items although very basic were what the region required and was applicable to all levels of society at this time. Durability and no fashion infiltration from larger cities resulted in a spartan attitude to basic living requirements. The rural regions of this area were more in focus to the character of the person rather than what was worn. The personal interactions of everyone in the region were more "true blue" than that of the cities. The concept of "mate-ship' far outweighed the type of fashion being wornBrown/Black ankle high boot for child age 4 (approx). Tongue and six eyelets with broken leather laces. Hob Nail visible on soles and heel. Copper Toes. costume, children's footwear, boots, anklets -
Ringwood and District Historical Society
Document, Ringwood Ladies Benevolent Society 1929-1939
The constitution states that the object of the Society is to relieve the wants of the poor -especially women and children- by suppyling them with clothing ,boots, food, fuel and other necessaries. The members of the Society to be councillors wives and representatives of Religious organisations.The President shall be the Mayoress. the positions of Treasurer and Secretary shall be Honorary. Mrs. McCaskill , whose husband was a Councillor at that time was the first President, a position she held for many years. There were 32 Ladies Benevolent Societies in the metropolitan area at this time. By the early 2000s there only a few left and Ringwood was one of the last to close about 2008 when it was absorbed into the Citizen's Advice Bureau. Various typed and hand written documents relating to the Ringwood Ladies Benevolent Society formed in 1929. 1- Constitution and Rules. 2- First Annual Report dated 1930. 3- Financial report submitted to The Charities Board of Victoria. 4- Receipts and expenditure for year ending 30th June 1930. 5- List of Societies affiliated with the Central Council of Victorian Ladies' Benevolent Societies. 6- Notification of first Annual Meeting of the Society in 1930. 7- Miscellaneous documents and newspaper clipping relating to the Ringwood Ladies Benevolent Society. -
Eltham District Historical Society Inc
Document - Folder, Watts
Family research queries John and Sarah Watts William and Mary Watts Both families were shoemakers. John and Sarah Watts arrived in Eltham circa 1850. John Watts was recorded in the initial 1858 Eltham Roads District Board rates book living in Little Eltham, also 1859 and 1860. The property then appears to be in the name of Thomas Watts from 1861 to 1863 at least. Thomas was married to Ann. According to a Facebook contact from family researcher Rosie Watts in Queensland, the children of John and Sara were Betsy aka Elizabeth, Ann, Maria, Robert and Sarah (later Jones). Sarah was born 1850, the only child born in Australia. Sarah Watts remained in Eltham and married a man by the name Meadows. On 24 January 1860 John Watts was asaulted by a beligerant drunk (John Castle) whilst sitting at the bar of the Fountain Hotel that evening. Castle without warning grabbed Watts by the throat, pushed him over and kicked him in the head with his heavy boots. Constable Lalor was called and Castle attempted to assault him as well. Watts was helped up, was sick and was taken home by his son and a Mr Wallace. He went to bed. Watts died April 11 and his wfe Sarah advised the Coroner's inquest held April 11 that he had never left his bed from that time. Castle was charged with manslaughter. He was found guilty by jury and sentenced to 18 months hard labour on the roads. John Watts is buried in Eltham Cemetery in an unmarked grave before records were kept. His wife, Sarah later Sarah Meadows (previously Watts, nee Tew) is buried there also along with her daughter Ann Southerly Head (nee Meadows). john watts, william watts, mary watts, john castle, manslaughter, fountain hotel, constable peter lalor, shoemaker, sarah meadows, sarah watts (nee tew) -
Phillip Island and District Historical Society Inc.
Photograph, McHaffie Children, Late 1800's or early 1900's
... - dressed in a dress and boots. McHaffie Children Photograph ...Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young child leaning on the arm of a chair - dressed in a dress and boots.On back: "David McHaffie"mchaffie family, david mchaffie, phillip island, bass valley historical society -
Derrinallum and Lismore Community Association - History Group
Boot, c.1870
This boot was found hidden in an alcove in a chimney in one of the first houses built in Lismore Victoria during the mid 1860's. The house belonged to scottish born George Ireland Skene who settled in Lismore in mid 1857 with his wife Elizabeth (nee Nelson) and two young children. November 1857 George had built the first blacksmith shop in Grey Street Lismore and then built his house behind the smithy's. Hiding boots in chimneys is well doucumented in folklore. Old brown leather left foot childs boot. In poor condition the leather has dried out and the front centre of the boot along the eyelets has curled into the inside of boot. The holes are in tact but the laces are missing so is the tounge. The leather is stained with a white powder mildrew. The sole and heel has perished and there is a hole in the toe area.boot, shoe, leather, folklore, concealed, chimneys, hidden, magic -
Kiewa Valley Historical Society
Photo - Family dressed in the fashion of the early 1900s
During the early 1900s little girls' dresses were fashioned on the style worn by older women. Girls dresses were knee length with trimmings of lace and ribbon. Collars were often removable for ease of washing. Leather lace-up boots and woollen stocking or socks were usually worn with these dresses. A pinafore or apron would be worn over the dresses to help keep them clean. Girls' hair was kept long, with curls and tied with ribbons.Boys' clothing was fashioned on sailor suits, blouses/shirts with a collar and trousers or knickerbockers. Woollen jackets, shirts and ties were suitable attire for older boys. Children's fashion of this time was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Because of the long distance to haberdashery stores, the majority of children's garments would have been hand made by a local seamstress, mother or relation.Black and white photo of a family with 5 children in the foreground with trees in the background.children's clothing -
Streatham and District Historical Society
Post Card, 1914-1918
Paper card with a picture of a house with a thatched roof. There is a stone wall and two trees that are beginning to blossom. There are four children two boys and two girls. One girl has no footwear. One boy is holding a goat. There are two goats a large pig and chicken in the picture. The words" An Irish Cabin" appears on the lower left side and a Orange ribbon has been attatched to the lower right side."Dear Bess I suppose you think I an never going to answer your pursuit but I thought I would do so while here in Belfast cause I know you have a lot of time for the Micks. How would you like a little home like this one no cows to milk only goats no horses to drive only donkies & it looks as though the girls have no boots to clean by this card but there is some first class sig hias this one has taken a purge he must be an Ulsty show. Love from Donald -
Orbost & District Historical Society
child's boots and hook, late 19th -early 20th century
These were probably worn by a young girl as most girls wore side-button boots while the boys wore front-laced ones. The buttonhook was used to facilitate the closing of shoes, gloves or other apparel that uses buttons as fasteners. To use, the hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening.This item reflects the footwear fashion worn by children in the late 19th to early 20th century.Two small black leather boots. They are side buttoning boots with seven buttons (left boot is missing two). The button hook is metal.On sole : size 6footwear shoes boots -
Blacksmith's Cottage and Forge
Ankle Boot
A sturdy child's black ankle boot size 7. Brown leather lace. Sole heavily studded. Six eyelets.U under instep.children, boot, leather, footwear, ankle, lace ups, hobnail, boots -
Flagstaff Hill Maritime Museum and Village
Clothing - Boots, Tony Lama, Early 20th century
The inscription "T L" on these early 20th century ladies button-up boots lead to the maker likely to be Tony Lama, a famous USA boot manufacturer, son of Italian immigrants. The "Rome" is the style of boot. The "6" is likely to be the soot size. Tony Lama began work at age 11 years in the leather trade industry, serving an apprenticeship as a shoemaker. He joined the US Cavalry when he was 16, after lying about his age, working as a cobbler to make boots for the soldiers. His workmanship became popular, particularly for the 'Western' style of boot. TONY LAMA boots In 1911 Lama established a company in Texas, first repairing boots, then adapting his shop to manufacture boots in order to meet the many orders he was receiving. He married and he and his wife Esther brought up six children who also went on to work in the family business. The business continued to grow through WWII. Part of the business included custom boot making and Tony's eldest son Joseph presented President Truman with a pair of kangaroo skin boots. The prosperous business became a company and eventually, in 1990, was sold to Justin Industries.This pair of boots is an example of women's footwear dating around the early 20th century. Pair of ladies leather button-up boots. Two-tone style: black bottom strong leather bottom and white, soft kid leather top. Boots have a curved fly fastened by 11 white buttons with metal shanks. Boots are constructed with cork filling. Inscriptions of both boots. "6 101" "TL" " Rome" "Cork Filled"flagstaff hill, warrnambool, maritime-museum, shipwreck-coast, flagstaff hill maritime museum & village, ladies button up boots, footwear, victorian era, granny boots, tony lama, ladie's boots, ladies' fashion, women's clothing, rome, kid leather, two-tone boots, leather boots, button-up boots -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Child's cream 'Seraph Shoes', c1928
‘Seraph Shoes’ possibly manufactured by the Badorf Shoe Company Inc. Pensylvania USA Badorf Shoe Company, Inc. has been producing and distributing the finest children’s footwear brands since 1928. Badorf Shoe Company, Inc. was started in Lititz, PA, by brothers Norman and Paul Badorf. The company was owned and operated by the Badorf family for nearly 40 years until its purchase by Ura Gingerich in 1967. Forty six years later, the family tradition has continued and the company is now operated by Ura’s son Duane Gingerich and grandsons, Justin and Brandon Gingerich. A pair of child's cream leather shoes.SERAPH SHOES / J.E. ROBERTSON / APPROVAL No. 2047boots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham -
Bendigo Historical Society Inc.
Document - TOWN HALL, THE BENDIGO CHORAL SOCIETY, 14 June, 1922
Town Hall, The Bendigo Choral Society. Souvenir program 3d. With and oval picture of Mr. W C Frazier A.R.C.O.-Conductor on front cover. Gounod's 'Faust'. For Bendigo Benevolent Asylum, 5000 pounds. Town Hall, Bendigo, Wednesday, June 14th, 1992, at 8pm. Principals: Miss Phyllis Hannaford (Mrs J R Clark); Miss Essa McSwiney, L.A.B. Mr E H Collett, Mr E A Miller, Mr Gerson Krost, Conductor: Mr W C Frazier, A.R.C.O. Pianiste: Miss Eileen Hains, A.T.C.L. Picture of Benevolent Asylum on front cover. J G Austen, Secretary Appeal Fund. J Hudspeth & Z S Martin Secretaries Choral Society. Concert to commence at 8pm. Artists; Mr Gerson Krost, Miss Essa McSwiney, Mr E A Miller, Miss Phyllis Hannaford. Cast; Mrs J R Clark, Miss Essa McSwiney, Mr E H Collett, Mr E A Miller. Choruses, etc. by Choral Society. In the Homeland Mr Frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. With characteristic generosity. He purchased the copies and presented them to the Choral Society. Bendigo has thus an opportunity to hear the latest idea. We are sure the musical public will appreciate this, though of course. . . . . It is interesting to note that when this great work was first performed in Paris, on March 19th, 1859, it was somewhat coldly received, to the composer's great grief, as he, with the instinct of genius, . . . . The Compact: Introduction: Faust, aged and worn, weary with long pondering over learned treatises, in a pessimistic mood wonders whether the work is worth while. Memories of an early love stir strangely in his being, and he, in his doubting mood, questions all things, In despair he would welcome death, and finding no answer from the heavens, he appeals to the powers of ill. To his great surprise, he is at once answered by Mephistopheles and a colloquy then ensues in which the Evil One promises him Gold? Glory? A Kingdom? No! No! It mist be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at is dubious, but on Mephistopheles be 'Youth!' That can be done also. Faust is dubious, but on Mephistopheles bringing a vision of beauteous Margarita at her wheel he agrees, and signs the compact. 'Up Here I am at thy command, Down There thou servest me!' At The Fair: Mephistopheles then asks Faust to the Fair where they mix with the revelry of the students, soldiers and merry maidens. He gets a glimpse of Margarita. The Evil One is again busy putting Suspicious and quarrelsome thoughts into good comrades minds. . . . The Wooing: Poor Siebel, the ardent, faithful lover of Margarita, finds himself somewhat overshadowed by the young and handsome Faust. Mephistopheles in a mocking mood tells him that every flower that he plucks will perish in his hands. He finds this prediction verified when he plucks the flowers for his lady love, but when in faith he scouts the Evil One, he conquers, and the spell is broken. Faust, filled with an ardent and pure passion, approaches the dwelling of Margarita, with an offering of priceless jewels, provided by the . . . . . The Return Of Valentine: Valentine, the soldier brother of Margarita, leaves for the wars, giving the care of his sister to her faithful lover, Siebel. On his return, covered with glory, and ardent to meet his people again, he hears the story of the flouting of Margarita by Faust. In this part the soldiers are welcomed home by their comrades in the male part of the song 'Fold the flag my brothers,' followed by the celebrated chorus (usually known as the 'Soldier's Chorus' Glory and love to the men of old.' It has been set, in this edition, for full choir. Mephistopheles, the evil genius, in a spirit of raillery, and exultant that his plans are working to . . . . The Price: Faust, repentant, desires to do justice to Margarita and again be her lover. Margarita is almost demented at the loss of her brother. Mephistopheles not to be cheated, thwarts the good impulse of Faust and demands his price. He also endeavors to make Margarita despair, but owing to the simple faith of the . . . . The End. A Question You give you name, your time, your pelf To ease your woe: But what do you give of your own self To pay the debt you owe? You open a Home for helpless ones, And you shut them in with care; Of what think you is their share? You talk and you write; you organise; All this, we know, is true; But how do you spread the spark divine, The deep-down soul of you? -A Simkins. Benevolent Asylum Appeal. The Committee of Management directing the works of the Asylum desire to bring before an always generous public the claims of the Instruction for financial support. The Appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. The work carried on by the Asylum covers a big field, extending as it does from Swan Hill in the north and Melbourne in the south. Inmates from all parts of the State are given a comfortable home, and properly cared for in the eventide of their lives. There are at present in the Asylum 164 old men and women. In addition to this work the Committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitious applicants. The recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread Miners' Complaint. The Committee in orgainising this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. It now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of Bendigo and District. 'Organized Charity is Love with Judgment.'Cambridge Press Printprogram, theatre, town hall, town hall, the bendigo choral society. souvenir program 3d. with and oval picture of mr. w c frazier a.r.c.o.-conductor on front cover. gounod's 'faust'. for bendigo benevolent asylum, 5000 pounds. town hall, bendigo, wednesday, june 14th, 1992, at 8pm. principals: miss phyllis hannaford (mrs j r clark); miss essa mcswiney, l.a.b. mr e h collett, mr e a miller, mr gerson krost, conductor: mr w c frazier, a.r.c.o. pianiste: miss eileen hains, a.t.c.l. picture of benevolent asylum on front cover. j g austen, secretary appeal fund. j hudspeth & z s martin secretaries choral society. concert to commence at 8pm. artists; mr gerson krost, miss essa mcswiney, mr e a miller, miss phyllis hannaford. cast; mrs j r clark, miss essa mcswiney, mr e h collett, mr e a miller. choruses, etc. by choral society. in the homeland mr frazier found it the increasing practice to take the great opera masterpieces and give them on the concert platform in more of less liberal excerpts. with characteristic generosity. he purchased the copies and presented them to the choral society. bendigo has thus an opportunity to hear the latest idea. we are sure the musical public will appreciate this, though of course. it is interesting to note that when this great work was first performed in paris, on march 19th, 1922. the compact. at the fair. the wooing. the return of valentine. the price. benevolent asylum appeal. the committee of management directing the works of the asylum desire to bring before an always generous public the claims of the instruction for financial support. the appeal for 5000 pounds has been launched in the full belief that the case is a good one, and in the confident hope that it will be successful. the work carried on by the asylum covers a big field, extending as it does from swan hill in the north and melbourne in the south. inmates from all parts of the state are given a comfortable home, and properly cared for in the eventide of their lives. there are at present in the asylum 164 old men and women. in addition to this work the committee thoroughly investigate and dispense relief in food to from 150 to 200 adults and from 300 to 400 children each week, and also issues a large number of blankets, boots and clothing garments to necessitious applicants. the recipients of this relief are principally widow and their little ones, and the wives and children who are dependents of miners suffering from the dread miners' complaint. the committee in orgainising this branch of its charity work, has, to a great extent, prevented a large amount of waste, through overlapping and duplication of effort. it now appeals to the public for the above amount in order that be may still be able to continue charity work among the poor and necessitous of bendigo and district. 'organized charity is love with judgment.' -
Bendigo Historical Society Inc.
Photograph - SUNDAY SCHOOL PICNIC, Approx., 1900 ?
Sepia photo of three rows of school children on Sunday School picnic, teacher at left. Child at front right on tricycle. 28 children, 1 adult. In background, bamboo blind hanging in front of weatherboard wall, brick chimney ? at right. Grapevine ? at right and top. In foreground lying on ground reed stalks ? Some girls in pinafores, black stockings and boots. Boys in sailor suits and boots.person, group, sunday school picnic -
Bendigo Historical Society Inc.
Photograph - FIVE GIRLS, 1910 ?
sepia toned photograph of five females, three children on left and two adolescents. Four with lace up boots, child on right with shoes. All wearing dark dresses, four with lace coillars. All are bareheaded. Eldest holds book at her lap. Stone fence ? And creeper in backgroundperson, group, girls -
Bendigo Historical Society Inc.
Photograph - CHILDREN PORTRAIT, 1910?
... , dark boots. Studio portrait Photograph CHILDREN PORTRAIT ...sepia photograph, mounted on grey board. Two small children - one boy standing at left, infant sitting in cane chair at right. Infant wearing large lace collar, frilled sleeves. Boy wearing suit with large lace collar, dark boots. Studio portraitAlan Spicer, Bendigocottage, miners -
Bendigo Historical Society Inc.
Photograph - CHILDRENS PORTRAIT
Sepia toned photo on fawn board. 2 small girls, one standing, the other seated on coach type chair. Large Sailor collar, white cuffs on one frock, large buttons on front, lace collar and smocking on the other, lace up boots. Plant stand with arrangement in background, tapestry screen top right, curtain folds on the left. One Girl holding open book, the other a 'whip' type object. Inscription: Below image 'G.L.Massingham View St, Bendigo'.G.L.Massingham View St Bendigoperson, family, 2 girls portrait -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BABY SHOES, Late 1800's
Clothing. Tiny kid(?) leather soles - just 11 cms long, with burgandy silk fabric uppers- having a centre front seam, and a centre back seam. These seams are machine stitched and then top stitched on both sides of the seam, with tiny machine stitches. A 'turn-back' of burgandy, fake-fur trims around the ankle high boots and two burgandy silk ribbon bows, fasten the boot at the outer ankle. Inners of the boots are lined with a canvas-like fabric. Soles appear to be a soft chamois type leather.costume, children's, baby shoes. -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Kasper (Punch), WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Wearing a blue and white check hat and matching top over a green and red top, skirt and trousers. Long sleeves have a white trim. He has a white frilled neck ruff. The legs are only material at top with wooden boots painted black. There is no body parts. He is wearing a loose leather belt.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, The Jester, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted fawn brown paper mache head with red lips and open mouth, green protruding eyes with red outline and big eye sockets. He is wearing a red pointed hat and matching red and gold and fur trimmed coat. There are no body parts. His legs are material with wooden fur boots and stubs for arms.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Book - Paperback Book, The Merry Mis-Adventures of Meg & Peg, 2021
Author Margot Warnett grew up on a Dairy farm just outside TaturaA4 size paperback book with predominantly blue sky and an illustration of two girls standing on a wire farm gate. One girls has a purple check dress on, black gum boots and holding a white rabbit. The other girls has a blue dress, gum boots and holding a black duck. A white and brown horse, a calf, a sheep and farm dog and a lizard are also in the picture. The two girls are also pictured on the back cover.Written by Margot Warnett Illustrated by Julie Haysomwarnett, book, children, meg and peg, dairy farm -
Stawell Historical Society Inc
Book, Education Department of Victoria, School Paper 1931 & 1933 & 3 Supplements, 1930's
The School Paper published monthly. Cost 1 Penny (2 Cents) Used in State Schools2 Paper booklets & 3, 4 page, supplements. 0682 has a photo of a boy holding a stick wearing unlaced boots, (after the painting by Bastien Lepage) 0682-1 is a supplement with a Picture of girls in a large room sitting in front of electric sewing machines. 0682-2 supplement: Contains photo of a certificate from the Victorian State Schools League of Kindness. 0682-3 Black and white drawing of two children in silhouette. on the beach with bucket and spade.0682-4 Supplement a picture of a variety of toys. 0682-5. drawing of children of different nationalities.0682: Midwinter. Days grow Longer. - Signs of Spring. Education Department. Victoria Australia The School Paper Grades VII and VIII. No 369. Melbourne Price 1d [July 1 1931. 0682-1: Supplement to the School Paper - Grades VII and VIII July 1931. 1. Made in Australia. 80. Girls and Womans Wear. 0682-2: Supplement to the School Paper - All Grades July 1931.1 The Protection of Animals. 0682-3: Hurrah for the Holidays Education Department. Victoria Australia The School Paper Grades III and IV. No 403. Melbourne Price 1d [Dec 1 1931. 0682-4: Supplement For the School Paper - Grades III and IV December 1931. 1.Made In Australia 85. Toys. 0682-5: No Cold, No Care, November Education Department. Victoria Australia The School Paper Grades V and VI. No 409. Melbourne Price 1d [Nov. 1 1931.stawell education -
Numurkah & District Historical Society
Wooden pull-a-long horse with soldier
Wooden pull-along horse painted white on red wheels. Horse has pink-orange fibre mane and tail. Blue saddle. Soldier is riding the horse - red jacket, black hat, light blue trousers, black boots. String attached to horse for pulling along. As you pull it along the head moves up & downtoys, children, pull-along toy, horse, soldier, presents -
Numurkah & District Historical Society
Plaster doll
Plaster doll (head, arms, feet). Stuffed body. Off-white dress with laced adorned bonnet. Paint on face is faded and cracked. Boots are broken. Blonde coloured hair is matted toys. children, presents, doll, plaster -
Southern Sherbrooke Historical Society Inc.
Photograph - Cissie and Percy Johns
B&W studio portrait of Percy and Minnie Agnes (Cissy) Johns, children of Edwin Johns of Selby. Percy is about 10 years old. He is wearing what appears to be a sailor suit comprising a dark, double-breasted jacket with a deep, pale collar which is squared off at the back, a dark waistcoat buttoned to the neck, with a pale bow and collar showing, and dark knee-length pants over dark stockings and ankle boots. The jacket is undone. Cissy looks to be about 3 or 4. She is wearing a dark, knee-length dress with a yoke, long sleeves, and a light, wide lace collar. She has dark stockings and calf-length buttoned boots. She has a bow in her hair. The children are standing in front of an ornate wicker chair with one arm resting on the arm of the chair. The name 'Melba' is written on the cardboard frame around the photo, and 'Melba [illegible but presumably '& Co.'] Melbourne' is embossed on the bottom right corner of the photo. The original photo is badly foxed. Dated c.1905. -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: GRAVEL HILL PRIMARY SCHOOL
Colour photograph. Children in costume. Hessian sack. Jeans. Boots. Kiandra. Center of the outback with dragons so go slow. Sweeney's general store and universal emporium. Painted scenery. Church. Gravel Hill Primary School. 1988 Production 'The Wallaby Track''.photo, group, children in costume -
Ararat Gallery TAMA
Clothing, Wittners (Made for), Italy, Boots - pair
The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995. -
Brighton Historical Society
Footwear - Shoes, Children's shoes, circa 1860
This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Leather, wood and metal ankle boots c.1860. Dark brown leather upper constructed of two pieces, the foot secures with a metal clasp at the centre front ankle. The upper is adhered to the wooden sole with metal nails. The sole of the forefoot has been reinforced with a metal horseshoe around the edge. On one shoe, a modern inscription (ball point pen) : From "Barone" 9 Moule Ave Brighton. Sept 1970 On other shoe, typewritten on paper: From "Barone", 9 Moule Ave., Brighton Pres. Aug 1970children's shoe, barone, seaview, brighton, 1860s -
Mont De Lancey
Baby shoes
Worn by Edna Sebire, and other children of Thomas and Linda Sebire. Circa 1909.Pair of cream leather child's boots with pink pompoms and pink laces.baby shoes, shoes