Till relates to Maggs, Cook & HardidgeBlack & White postcard of man standing at opening in picket fence on front of wooden house with watertank - Clive Street, Mitchamclive street mitcham, till clive street, mitcham

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Small slip of note paper with a printed header containing a hand written reference, from Clive Carey for Frank Wright.Hand written and signedfrank wright, clive carey, reference, musician

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley.Marble sculpture of Hygia, the Greek goddess of health and healing. Daughter of Asciepius the God of Medicine, Hygeia symbolises the preservation of good heallth and prevention of illness. Presented to the Gippsland Medical School from the Campus. churchill, gippslands campus, clive murray white, sculpture, clive murray-white

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00751 and 00753). The event was reported in The Answer in March 1993. 00752.1 Weary Dunlop and Clive James 00752.2 A colour photo of the high table at the event, including Weary Dunlop and Clive James with President J. D. Stevenson on the far right.A record of a function to commemorate the 70th Anniversary and launch Clive James as 'Personality of the Year' in 1993.Black and white photo of Weary Dunlop and Clive James and a colour photo of the Legacy breakfast.70th anniversary, dunlop, clive james

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Clive Road, Hawthorn East by Margaret Picken.14 Clive Road, Haw E, Margaret Picken '98 Woodards - Hawthorn. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 18 Clive Road, Hawthorn East by Margaret Picken.18 Clive Road, Haw E, Margaret Picken '96 Woodards - Hawthorn. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 21 Clive Road, Hawthorn East by Margaret Picken.21 Clive Road, Hawthorn E, Margaret Picken '88 Woodards - Hawthorn. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Clive Road, Hawthorn East by Margaret Picken.25 Clive Road, Haw E, Margaret Picken '96 Woodards - Haw. artist - margaret picken 1950-

This is an example of Melbourne Legacy promotional material. Clive James was Personality of the Year in 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". Clive had been a junior legatee as a boy. This A4 page could be used as a poster to promote badge week. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional leaflet with a photo of Clive James.legacy promotion, legacy week, 70th anniversary, clive james

This is an example of Melbourne Legacy promotional material from 1993, which was the 70th anniversary of Legacy. The logo said "Seventy years of constant caring 1923-1993". Legacy hosted a breakfast at the regent Hotel on 19 February 1993, with Clive James as a special guest. This is a brochure and an invitation to the event. During the event Clive was revealed as Legacy's Personality of the Year for 1993 (see 00751, 00752, 00753). The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. In this case a special event was held to promote the 70th anniversaryColour promotional brochure and an invitation from a breakfast with Clive James during the 70th anniversary, and an article from the Answer. legacy promotion, legacy week, answer, 70th anniversary, clive james

Yields information about a Melbourne tramcar that was to be later collected by the Museum, when it was operating in Melbourne.Colour print of MMTB W3 661 entering Malvern Depot from Glenferrie Road, 1960's? Photo Clive Gibson. Tram has route No. 8 showing. Printed on Kodak Paper.On rear in ink "On behalf of Clive M Gibson & Ron Scholten"trams, tramways, w class trams, malvern depot, tram 661

Yields information about a Melbourne tramcar that was to be later collected by the Museum, when it was operating in Melbourne.Colour print of MMTB W3 661 in Glenferrie Road, at intersection with Burwood Road, Hawthorn 1960's? Photo Clive Gibson. Tram does not have a destination box - possibly being transferred to Preston or another depot. Has the Oscar Prowse building in the background. Printed on Kodak Paper.On rear in ink "On behalf of Clive M Gibson & Ron Scholten"trams, tramways, w class trams, glenferrie rd, tram 661

One disc of the landing ship "Clive Steele" un-named. In white cover.film, dvd, clive steele (a v1356)

Black and white photograph of the Till house in Clive Street, Mitcham. Picket fence, unmade road and a small boy at the gate.clive street, mitcham, till family.

Studio Portrait Clive Nankivell Campbell of Warranookestawell

Clive enlisted in August 1914 in the Public Schools Company of the 5th Battalion. He was killed in the Landing at Gallipoli on April 25, 1915 and is commemorated at the Lone Pine Memorial, Gallipoli. He was 26. To honour his memory, the Clive Wellington Were Cricket Trophy for 'the boy who plays the game' was presented to Mentone Grammar in 1936, by his sister, Jessie, wife of Headmaster, Charles Campbell Thorold. It was awarded to Henry Watson Leslie, in his first year at the school.Silver cricket bats on silver dome mounted on bakelite basefor 'the boy who plays the game'

Clive Hearne Shield Donor: Will Merritt / Graham Noel The trophy was donated in memory of Clive Hearne who sailed the yacht Leading Lady, and was one of the original supporters of the Wednesday afternoon racing which became known as the Hearnes’ Heroes Series covering alternate fleet and pursuit races. Prior to the donation of the original Hearne's Shield, Wednesday afternoon races were known as the "Mid-week Muddlers", as introduced by Will Merritt. Four series are held each year commencing in July and finishing the following June. At the end of June the four series are then combined with the best result winning the J. Bryan Linacre Award. When the original board donated by Will Merritt filled up, Graham Noel donated a new board in he shape of a Shield. First Winner: Chindrina, Will Merritt 2002 wednesday afternoon, graham noel, clive hearne, will merritt, shield

Painting depicting two male figures wearing glasses and a female in an abstract composition with shadow and cracked glass. Signed (L. r) 'Clifton' and dated L.l) 'Apr '78'. On reverse Label 'Artmet Ltd Rudy Komon Gallery Retrospective/ 26th April - 21 May 1988/ Assassination (Clive Cameron) 1978 No. 31'.clifton pugh, painting, assassination, clive cameron

BLACK AND WHITE PHOTOGRAPH OF PUPILS OUTSIDE GLENDARUEL SCHOOL NO. 281 MOUNTED ON MOSS GREEN CARDBOARD Printed on the reverse in coloured ink, Clive Cleaver, Pine Grove, Glendarual local history, photography, photographs, schools, glendaruel

Note attached from Clive Sorrell dated 4/3/02 states that the photograph was found in the bottom of an old desk and that Barry Dimelow is kneeling bottom left.Group of students with Barry Dimelow (bottom left).tatura, 1963, students, barry dimelow, clive sorrell, vice-principal

This is a book review by Clive Turnbull of 'Victorian Modern' by Robin Boyd and 'Art Appreciation" by R Haughton James. The review of Boyd's book ends with a high complement - Turnbull wishes the book could have been longer!Handwritten in pen the date at the topclive turnbull, victorian modern, walsh st library

Letter from Clive Gibson to a Mr Caurran regarding the structure and history of some of the destinations on the roll including a change in the size of the letters, eg "CITY" a change made during 1943/44. Includes two lists dated 1958 for Malvern Depot.Yields information about the history of the Malvern Depot destination roll.One page letter with two photocopied A4 sheets dated 8-9-1987tramways, mmtb, destinations, malvern depot, destination rolls

ALEC H CHISHOLM COLLECTION. 38 page hardback book of poems by Clive Turnbull. They appeared in 'Art in Australia', June-July 1930. Published by Transition Press, Melbourne in June 1933. Printed by Bright Printing Service, Glen Iris, Vic. Library Catalogue sticker '2034 TUR' on spine. Handwritten in ink on title page, 'Dear Alec: Put this with your collection of literary relics - the tooth of Hy. Lawson and the horsecollar that Adam Lindsay Gordon ?? looked through. Clive Turnbull August 21st 1939.'Clive Turnbullbooks, collections, poetry, alec h chisholm collection, clive turnbull, poetry

Black and white photograph reproduced on p102 of 'Pioneers & Painters'pioneers and painters, clive nield, koornung, school

+Additional Keywords: Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson".(incorrect list)Written on backing sheet, "Ringwood High School. 1956?" No children are identified.Paper list with photographs reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 1C. Reading from Left to Right. Back row boys: 1. ?, 2. Keith Anderson, 3. Peter Zaff, 4. Jim Ord, 5. ?, 6. ?, 7. ?, 8. Bernard Whitney, 9. ?, 10. ?, 11. ? 12, ?. Boys sitting front: Robert Crutchfield, 2. ?, 3. ?, 4. ?, 5. John Smart, 6. Ronald Crutchfield. Girls standing: 1. ?, 2. Norma Walsh, 3. ?, 4. ?, 5. ?, 6. ?, 7. Sandra Davenport, 8. Margaret Williams, 9. Margaret Norwood, 10. ?. Girls sitting: 1. Kathleen Lower, 2. Valma McLean, 3. Sandra Tindall, 4. Gilliam Morris, 5. Esma Bradley, 6. Jill Pump, 7. Judy Byrne, 8. Shirley Kofeod, 9. Marlene Mangels, 10. ?, 11. Myrna Cooper, 12. Elizabeth Hinchcliffe.