This clock face was recovered from the wreck of the Falls of Halladale. There were twenty boxes of clocks carried on the ship as cargo, destined for the ports of Melbourne and Sydney. The Falls of Halladale was an iron-hulled, four-masted barque, used as a bulk carrier of general cargo. She left New York in August 1908 bound for Melbourne and Sydney. In her hold was general cargo consisting of roofing tiles, barbed wire, stoves, oil, and benzene as well as many other manufactured items. After three months at sea and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland on the 15th of November, 1908. The captain and 29 crew members survived, but her cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson's navigational error, not too technical failure of the Clyde-built ship. The Falls of Halladale was built in1886 by Russell & Co., at Greenock shipyards on the River Clyde, Scotland for Wright, Breakenridge & Co of Glasgow. She was one of several designs of Falls Line of ships named after waterfalls in Scotland. The company had been founded between 1870- 1873 as a partnership between Joseph Russell, Anderson Rodger, and William Todd Lithgow. During the period 1882-92 Russell & Co. standardised designs, which sped up their building process so much that they were able to build 271 ships during that time. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the 'windjammers' that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new raised catwalk-type decking allowed the crew to move above the deck in stormy conditions. Twenty cases of clocks were carried amongst the cargo of the Falls of Halladale, an example of the need for people in the early 20th century to have easy access to the current time. The Falls of Halladale shipwreck is listed on the Victorian Heritage (No. S255). She was one of the last ships to sail the Trade Routes from Europe and the Americas. Also of significance is that the vessel was one of the first ships to have fore and aft lifting bridges as a significant safety feature still in use on modern vessels today. The subject model is an example of an International Cargo Ship used during the 19th and early 20th centuries to transport goods around the world and represents aspects of Victoria’s shipping industry. Section of a clock frame, brass, with drilled holes and cutout shapes and an arched base. It was recovered from the wreck of the Falls of Halladale. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock frame, russell & co., falls of halladale wreck, artifact, clock part, time keeper

Casine dressing table set, cream-coloured. Including clock, two photo frames with glass fronts, container with lid, cosmetics stand with 2 small removable makeup containers, both with fitted lids.On clock face: eagle with spread wings on circle with letters F, M, Scostume accessories, female, casine, clock, dressing table, frame, cosmetics, container, accessories

When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility for the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office, built in 1887 and is situated on Pall Mall, it was the central distribution centre for receiving and delivering communication and postal services until 1997 and is now the Bendigo Visitor Centre. Clocks such as these were issued by the Post Master General's Department which was a department of the Australian federal government, established at Federation in 1901, whose responsibilities included the provision of postal and telegraphic services throughout Australia. It was abolished in December 1975 and replaced by the Postal and Telecommunications Department.Wall clock with ceramic face consisting of twelve Roman numerals with hand and minute hand. Clock has a wooden body with glass viewing panel in centre and brass internal mechanism and pendulum. The clock is fitted into a wooden display case and held in place by wooden pegs. The lower case has a small drawer which opens and holds the winding key. PMG on ceramic face centre upper. '146' and 'PMG' stamped into wooden clock frame below the number six. Key is stamped front; '8' verso; 'Made in England / Popular / Progress' and an ace of spades with a "P" in the centre. Clock mechanism stamped verso; 146 / PMG / PMGcity of greater bendigo post office

The clock has been at Athenaeum since it was donated by Mr. Robert Chamberlain in 1892. Restored by George Premm in 2000 when the clock face was replaced.Octagonal wooden framed wall clockRoman numerals for time and 31 numbers on the outer face for days of the month

Keith Charles Hofmaier (1927 - 1994) was one of Ballarat College's most distinguished sons. He attended the school from 1941 - 1945 serving as librarian, school prefect (1945) and member of the Rowing Firsts (1945). After school he became a successful farmer, well-known historian, organist, Freemason, philanthropist and community worker. He continued to give generously to the school and the Weatherly Library throughout his life. He endowed poetry and music prizes in memory of his daughter Ann who died in an accident. The Students' Representative Council gave a clock tot he school library in memory of his contribution to the school in 1994. Wooden surround, glass front roman numerals on pale yellow face, battery operated; clock accompanied by frame description. Plaque on clock glass: Keith Hofmaier 1927 - 1994keith charles hofmaier, weatherly library, ballarat college

This clock was originally in the front Office of the Soldiers Memorial Institute Bendigo on the mantlepiece of the fireplace. Original donor or date of being placed is unknown. It was last used in 2005 by Jack Barnes OAM who wound it every day he was in the Office, he was Secretary for 43 years of the BRSL. After the renovations to the SMI in 2016 - 18 it was placed on the mantlepiece of the fireplace in what is now called "The Building and RSL History Room"Mantle Piece Clock, timber frame, hinged glass cover over the face is missing, numbers are 1 - 12 on clock face, rear door to the mechanism, a pendulum weight is taped to the inside, no wind up key.On Clock face, "Gilbert". Around clock face, "Made in Winsted Conn United States of America"brsl, smirsl, mantle

This clock was placed in what was called the "Writing Room" of the Soldiers Memorial Institute when it was opened in 1921. After the renovations to the SMI in 2016 - 18 the clock was placed back in the same position in what is now called "The Building and RSL History Room".Pendulum Wall Clock, timber frame with glass front insets in door, clock face has Roman Numerals, chimes on the hour and half hour, wind up key inside. A small silver plaque is on the front bottom space.On clock face under hands, "J.T. Knowlton & Co watch makers Bendigo". Around edge of clock face, "W.M.L Gilbert Clock Co Winsted Conn U.S.A" On small Plaque, "Presented by Pioneer Comforts Fund 15.11.1921"brsl, smirsl, domestic

This clock was placed originally in what was called the "Billiard Room" of the Soldiers Memorial Institute Bendigo. There is no apparent connection to the RSL or Military service of F. Prescott. Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Mr Prescott died in 1913. After the renovations to the SMI 2016 - 18 this clock was placed in what is now called the "Building and RSL History Room"Pendulum wall clock timber frame with door on front, door has glass inset, each side has a glass inset, clock numbered 1 - 12, wind up key is inside, a small silver plaque is on the bottom front face.On clock face, "Prescott & Dawe". On plaque, " Presented by Mrs F Prescott in memory of F Prescott"brsl, smirsl, domestic

Document on foolscap paper some notes on Dudley House Bendigo Victoria, Australia courtesy of Mr Geoffrey, C. Ingleton father was the former Town Clerk of Bendigo, appointed 1 January 1924. The layout of the building at ground floor level involved the removal of walls along the left side from the entrance creating one large room. Alterations required replacement of doors, 1920's style , with decorative glass panels and door knobs of the period. This report contains excellent descriptions of furniture installed at the house, including a grandfather clock, framed etchings, easy chairs with loose floral covers, and a number of 'occasional chairs' of Rose-wood or Cedar in Edwardian design. The furniture was purchased from Morley Johnson of Bendigo and Sydney. There were also china cabinets, a gramophone in a large upright rose-wood cabriole-shaped cabinet. The name Dudley house may have been earned by reputation, or had a connection to a former tenant - perhaps a State Official or a caretaker.bendigo, history, dudley house

This series of photos depicts appliances and equipment kept within easy reach in a kitchen. The photos, date-stamped "89 1 5", were taken during a visit to the home of Arthritis Foundation of Victoria member, Margaret. They were taken to accompany an article by Occupational Therapist, Pat Dwyer. Titled, 'Suggestions for independent living', the article appears on page 10 of the Vol 2 No 1, March 1989 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. It outlines the steps taken by Margaret to facilitate the daily challenges of living independently with arthritis. This is the only photo from the series which appears with the article. It depicts saucepans, a kettle, and other items commonly found in a kitchen kept within easy reach on a kitchen stove, bench and shelves.B&W photo of some saucepans, a kettle, a plate and carry tray, canisters, and other items commonly found in a kitchen are placed next to or stacked on top of one another on a kitchen bench and stove. Also on the kitchen bench are a small portable television set and a small benchtop oven. Above the bench and stove is a small shelf beneath some wall-mounted cupboards. On the shelf are two small clocks, a photo frame or mirror, and some ornaments.[In light blue ink on the Photograph] 80% [In pencil & green ink, on a yellow sticky note] 10A [In blue ink on a yellow sticky note] Frequently used equipment is kept within easy reach.arthritis foundation of victoria, afv, rheumatism and arthritis association of victoria, raav, pat dwyer, occupational therapist, ot, arthritic aids, kitchen aids, kitchen gadgets, home-made aids, living with arthritis, living independently, pain management, arthritis update, 1989

This clock has no known provenance but has been in the Warrnambool and District Historical Society collection for many years. This clock is a good example of a 19th century (or perhaps early 20th century?) wall clock and is an attractive display item. This is a wooden- frame clock for hanging on a wall. The face is tin painted cream with some paint missing. The numbers on the face are Roman numerals and the hands have Maltese crosses at the ends and are painted. The face is inlaid with 6 small circular dots of mother-of-pearl and there are seven similar inlaid circles on the wooden base. The glass covering the dial is hinged and brass-edged. The wooden base has fretwork and scroll sections and carved decorative edges and a rounded bottom. One side piece of the decoration is missing. The fretwork piece opens to show a brass pendulum. At the back of the clock are two pegs and a metal clip for hanging the clock. ‘Phillip Hunter & Co. London’ history of warrnambool, wall clock

This clock is believed to have come from the Warrnambool Railway Station. The Railway commenced in 1890 and the station was opened in 1897. The clock was made by Wilson Brothers, a prominent manufacturing watch and clock- making business in Timor Street, Warrnambool in the second half of the 19th Century.This item is of considerable significance as an early Railway Clock in Warrnambool. Railway Clocks were important in the 19th century as prominent time pieces for the general community to use to establish the time of day.This is a clock with a circular face behind glass enclosed in a metal frame with wood surrounds The wooden frame is attached to a wooden rectangular box with a curved bottom. The box has a metal clip for attachment to a wall or a board. The metal face is white with black painted Roman numerals, which are damaged, and black printing. Minute markers are indicated. The hands are metal. All the metal is rusted.Wilson Bros Warrnamboolwarrnambool railway station, wilson brothers warrnambool

This clock was over the door of the shop of Sambell’s pharmacy at 90 Fairy Street. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous experience in Great Britain and Victoria. His shop had been conducted by Edward Griffiths in the 1880s. By 1919 John Sambell’s son, Herbert, had joined the business, trading as Sambell and Son, though John Sambell had died in 1906. This shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s the Sambell business moved to 90 Fairy Street and the business was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. This Sambell clock had previously been at the shops of Brocks and Mainlands, both jewellers. This clock is of considerable importance as it was connected to the pharmacy business of the Sambell family, a business that was prominent in Warrnambool for many years. It is an example of the 19th and early 20th centuries practice of placing a large clock outside a business. This is a large oval clock with a gilded wooden frame and a metal face. The hour and second hands and the Roman figures are made of metal. The clock is designed to be placed on a wall or frame of some sort and to be used outside on a shop or other commercial building. The outside frame is somewhat dented.sambell pharmacy, warrnambool

Following the closure of the RAAF Air Base after the Second World War an auction sale was held. Mr Goldsworthy, mechanic and garage owner of Kaniva purchased the clock and hung it on the wall of the garage where it remained when the business was sold to Mr Eddy Rowe of Kaniva. The clock remained in action until the 17th October 2009 when Mr Rowe disconnected the power supply to the clock, and donated it to the Nhill Aviation Heritage Centre (NAHC) to be kept as memorabilia of the Second World War. On completion of the building of a new hangar/exhibition centre at the Nhill Aerodrome, the clock will be hung on the wall and once again connected to the power supply.Clock was used at the air school at Nhill during WW224 hour electric wall clock with Telechron brand on face. It has a pair of hour hands, one red one black and a black minute hand and second hand. A domed shaped Perspex front. The clock face has 24 hour markings. The glass and clock face are set within a steel frame.The clock has Telechron and twenty-four hour numbers written on the clock face. Pasted on the back side is "instructions for setting the clock which is marked WARREN TELECHRON COMPANY/Ashland Mass. U.S.A world war two, clock, electric clock,twenty four hour clock, nhill aerodrome, raaf air base, warren telechron, goldsworthy, eddy rowe

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp

Sepia postcard, brown rectangular frame. Image enclosed in oval shape. On bottom of image 'Town hall, Bendigo' Image shows two storey Town Hall building, clock tower. LH Top corner words ''Greetings from Bendigo''. Receipt number 355/16Bendigo C & L Seriesbendigo, business, carwardine soap and candle

Black and white postcard, brown frame. Written on bottom 'Queen's Reserve, Bendigo' Image shows Town Hall clock in background, Hustler's Royal Reserve mine poppet head and chimney and statue of Queen Victoria front LH side. Written on back in black ink: 'Warragamba July 2nd. 1912. Dear Susan, Please accept out best wishes for a happy birthday, from Father, Mother, Mip, Cleave and Ruth.' Receipt number 355/16J.E Barker, Kew, Meyer's Seriesbendigo, business, carwardine soap and candle

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

BENDIGO. Golden Square State school choir won three of the principal shields at the recent Bendigo musical and elocutionary competitions. The choir's victories were celebrated by a social at which the prizes were presented. In presenting the trophies, Mr. R. S. V. Cocking, president of the competitions committee, referred to the popularity of the children's choir contests, which the musical adjudicator, .Mr, James, had characterised as the most important sections on the programme. Of the whole of the competitions held throughout Australia none had a school section to equal that at Bendigo. The head master of the school, Mr. A. M. Parratt,. who conducted the choirs, was presented with a grandfather's clock and photographs of the choirs, by the residents of Golden Square. The Age 23 June 1927Black and white photo of thirty children - twenty five girls and five boys, and one adult male. The girls appear to be all dressed in white dresses and long white socks, and the boys and adult are dressed in suits with white shirts and ties. The adult male is seated centre front with a shield propped in front of his feet. Joan McDonald Collection. Bendigo Competitions 1927 Golden Square State School Senior Choir Winner of the Advertiser ShieldPrinted on the cardboard frame "Bendigo Competitions 1927 Golden Square State School Senior Choir - Winners of the Advertiser Shield" "Kalman 57 & 59 Pall Mall Bendigo".golden square primary school, choir, bendigo competitions

Black and white photo of Craig Barker sitting in front of a piano playing a mandolin. Many framed photos and an old clock in the background. Craig Barker Emu Creek written on the back.photo, individual, craig barker, peter ellis collection, craig barker, emu creek

The original replica Fire Station at Flagstaff Hill was constructed in 2006 by members of the CVA Warrnambool Fire Brigade. It was rebuilt in 2015, ironically due to damage from fire in the adjacent building, and now includes a locked display. The fire station faithfully replicates the designs of the late 1800s fire stations found across Victoria. Every detail, including the type of nails used, adheres to period-correct specifications. The objects on display are on loan from the CFA. They provide a glimpse into the history and evolution of firefighting in Victoria, preserving the heritage and legacy of the brave men and women who have served their communities. Fire Brigade Collection highlights: . Hose reels and equipment: essential firefighting equipment used during the late 19th and early 20th centuries. . Brass helmets: symbolic headgear worn by firefighters for protection and identification. . Photographs: historical images capturing the evolution of firefighting in the region. . Certificates: awards highlighting the skill and dedication of firefighters. A BRIEF HISTORY OF THE WARRNAMBOOL FIRE BRIGADE - [Ref: Quarrell, A, 2013, The Warrnambool Fire Brigade: 1863-2013, Amazon Printing, Warrnambool]: “Since the township of Warrnambool was established in the 1840s, there were several attempts at forming a Fire Brigade. However, many issues hindered progress. Firstly, minimal fires were recorded. Secondly, the town had no money to purchase expensive equipment, including a fire engine, and thirdly and most importantly, there was no infrastructure for accessible running water from pipes, as we know today. But after the expansion and growth of the township, it was time for action. The Warrnambool Fire Brigade was formed in 1863. The Brigade has served Warrnambool on a daily basis ever since. The volunteers of the Brigade were required to fill their water carts each evening from a spring on Cannon Hill and be on standby to deliver water to fire scenes. In 1889, the Warrnambool Council built a new Fire Station at 25 Liebig Street. Today, the Civic Centre is located on this site.” The objects on loan from the Warrnambool Fire Brigade are significant to local history since its establishment in 1863. They tell the story of the Brigade’s history, which is part of Warrnambool and the district’s history.Warrnambool Fire Brigade Collection: a variety of historic objects and equipment used by the firemen of the brigade since 1863. The items are kindly on loan from the Warrnambool Fire Brigade in a building originally erected in the Village by the Fire Brigade to house their historic collection. The items include: EQUIPMENT: 2 fire reels, 3 leather buckets, 1 wooden ladder, 2 old pumps, 2 fire extinguishers, 1 foam nozzle, 2 hydrants, 1 red chest with breathing apparatus, 1 large grey chest, 1 red metal thread gauges box, 2 copper and brass extinguishers, 3 copper and brass branches, 1 canvas bucket, assorted reels of hose, assorted couplings and branches, PHOTOGRAPHS/CERTIFICATES: 3 Discipline Certificates dated 1894, 1893, 1911, Mounted photo of members of the Warrnambool Fire Brigade Football Club, Mounted photos of members of the Warrnambool Fire Brigade in uniform, framed photo of LC Marshall UNIFORMS: 1 Officer’s jacket, 1 blazer, 1 turnout jacket, 1 harness belt, 1 leather helmet, 1 pair of boots, 1 brass helmet, 1 axe belt with axe and plug spanner TROPHIES: 1 clock flagstaff hill maritime museum and village, great ocean road, shipwreck coast, flagstaff hill, warrnambool, maritime village, maritime museum, cfa, fire brigade, warrnambool fire brigade, fire reel, leather bucket, wooden ladder, pump, fire extinguisher, foam nozzle, fireman’s hydrant, breathing apparatus, copper and brass extinguishers, copper and brass branches, canvas bucket, discipline certificates, warrnambool fire brigade football club, l c marshall, officer’s jacket, blazer, turnout jacket, harness belt, leather helmet, pair of boots, brass helmet, axe belt with axe and plug spanner, clock, mantle clock

The timber display case was presented to Mr Richard Standcombe Harris of Warrnambool (1831-1923). He was a councillor (1875-1891) and predominant businessman. Mr C F Loggin had met Mr Harris while on a trip to Stratford upon Avon in the United Kingdom. Upon his return to Warrnambool, Mr Harris donated the item to the Warrnambool Museum and Art Gallery, (established 1886) where Joseph Archibald was Curator: he catalogued the case in 1894. THE LETTERS IN THE CASE The two letters contained within the display case confirm the authenticity of the oak wood sample. The first letter in the case includes the text; "[Stamped Header on banner] High Street, Stratford on Avon [Hand written] Sept. 22nd / 91. Mr. R. S. Harris, Dear Sir, Enclosed you will find [underlined next 3 words] every authentic proof of the Oak from Shakespeare's House (Birth place). I regret very much Sir, that you made a short-day at S. on A. I should have been delighted to have had the honour, & pleasure, of showing you around our Beautiful Country. You did not give [next 3 words underlined] me or yourself a fair chance. But however I hope that we may again some day have more time to go quietly around. With kind regards, and wishing you, Sir, a pleasant voyage, I remain, Dear Sir, Yours very truly, C.F. Loggin. P.S. A paper will be always acceptable to be as how you Jolly Warrnamboolites are desporting yourselves. “ The second letter includes text; “[Printed Letterhead with stamped impression] The Trustees and Guardians of Shakespeare’s Birthplace Incorporated by Act of 54 and 55, Vict. 1891 Secretary and Librarian - Richard Savage Shakespeare’s Birthplace Stratford-upon-Avon [handwritten] 22 Sept 1891 This piece of oak is a portion of what was cut away at at the restoration of Shakespeare’s Birthplace in 1857-58. C. F. Loggins Chemist 3 High Street Richard Savage Sec. – Shakespeare’s Birthplace Mr C F Loggin was connected with the Shakespeare Trust as the person who had originally donated a scion of Shakespeare's mulberry tree to the "Shakespearean Birthday Committee" in 1842. (The scion that was given to the Shakespearean Birthday Committee, from which the Mulberry sample is derived, still grows today in "New Place" garden.) Mr Richard Savage was the Secretary and Liberian of the then renamed “Trustees and Guardians of Shakespeare’s Birthplace when the display case was given to Mr Harris in 1891 by Mr Loggin. WILLIAM SHAKESPEARE Shakespeare was born in 1564 in Stratford-upon-Avon, where he also grew up. He married at 18 years and he and his wife, Anne Hathaway, had three children: They moved to London where he became successful as an actor, writer, and part-owner of a playing company. He later returned to Stratford and purchased his last home, which he called "New Place" in 1602 where he later died in 1616. For the next 150 years, it was known that there existed a black mulberry tree in the garden. At the time there was a fashion for planting mulberry trees. It was the early 17th century after King James had come to the throne, and he imported tens of thousands of saplings in an attempt to get landowners to start a silk industry in England. Unfortunately for posterity, Shakespeare's mulberry was felled around 1756, by the then owner of “New Place" the Reverend Francis Gastrell, who was apparently tired of continual visits by pilgrims asking to see the tree, so he chopped it down. Gastrell had applied for local permission to extend the garden but the application was rejected and his tax was increased. Gastrell retaliated by demolishing the house in 1759, this greatly outraged the local inhabitants. Gastrell was eventually forced to leave town having provoked the wrath of Stratford residents for committing such an act. Today only the garden remains where “New House" used to stand with a scion from the original mulberry tree still growing there. The wood from the felled mulberry tree at “New House" was purchased by an enterprising local clock-maker Thomas Sharp and he spent the next 40 years or so years making souvenirs from the wood. These became early tourist souvenirs and subsequently developed into a profitable sideline for various other makers, including George Cooper and John Marshall. These objects range from relatively small domestic wooden objects, such as snuff boxes and weight scales to large tea caddies and even tables. C. F. Loggin donated a scion or cutting from Shakespeare's mulberry tree to the Shakespeare Birthplace Trust in 1862, he was a chemist who lived and worked in Stratford. There is a note on the frame of the donation that the mulberry sample is from this scion, research shows that from Richard Savage's diary notes that there must have been a lot of wood taken from that scion over the years which was planted in the garden of “New Place” and is still growing there today. The "Trustees and Guardians of Shakespeare’s Birthplace" (1847 -1964) was formed after the house where Shakespeare is believed to have been born fell into disrepair. Subsequently in 1846 after the death of Thomas Court's widow the last owner. Interest in the house was revived when PT Barnum, the American showman, wanted to buy it and ship the house back to America. In response to this, the Shakespeare Birthday Committee was established (by a private Act of Parliament) with the help of such luminaries as Charles Dickens, the Committee of Trustees raised the necessary £3,000 and purchased the house the following year. Once the Committee had acquired the building, restoration work began. Originally the Birthplace formed part of a terrace with later houses built either side. The first stage in its conservation was their destruction. At the time it was thought necessary to avoid the risk of fire spreading to Shakespeare's birthplace. Reconstruction was carried out by the Shakespeare Trust between 1857 and 1864 that restored the outside of the building to its original 16th-century state. It is from this restoration that the donated piece of oak is derived, originally from a beam that was in the house. Communication from The Shakespeare Birthplace Trust, dated April 11th, 2019, confirms that the pieces displayed in this case have good provenance. The wood samples are significant for their association with the history of William Shakespeare. The display case and its content is significant to Warrnambool local history for its association with the establishment in 1886 of the Warrnambool Museum and Art Gallery. However, it should be noted that the letters of authentication that accompany the wood samples are only applicable to the oak sample. None the less, all the pieces have very good provenance, with Richard Savage's certificate of authenticity for the oak, and the mulberry sample with the letter to Mr Harris from Mr CF Loggin having also been the donor of the scion of mulberry in 1862 to the Shakespeare Birthplace Trust. This scion was then established at Shakespeare's garden at "New Home" that had been demolished by Rev Francis Gastrell in 1759. Two wood samples associated with William Shakespeare, presented in a hanging, timber and glass display case with metal trim around the frame. The case also contains two letters and a label printed on a card that refers to the contents, their origins and the donor. A card label with a printed number and a round adhesive label are attached on the back of the case. The left round section of wood is from a donated scion (or shoot) derived from the original mulberry tree planted by William Shakespeare at his last home "New Place", Stratford-upon-Avon. The outer section is light brown coloured while the centre is dark grain. The right wood sample in the case is a section of oak rafter from the house where Shakespeare was born in 1564. The wood is mid brown with a distinct grain. The included letters, each dated 22/9/1891, refer to only the oak sample. - The letter on the left comprises two handwritten pages from Mr CF Loggin to Mr Richard Standcombe Harris. The paper has the printed letterhead address of High Street, Stratford on Avon. - The letter on the right is a handwritten certificate of authenticity signed by Mr CF Loggin and counter signed by Mr Richard Savage, Secretary and Liberian of the Shakespeare Trust. It is on the printed letterhead of The Trustees and Guardians of Shakespeare’s Birthplace Cardboard label inside the glass case “Shakespeare Section of Mulberry Tree, traditionally said to have been planted by Shakespeare in his garden, “New Place,” Stratford-on-Avon. PORTION OF OAK RAFTER from the house in which Shakespeare was born. (Presented by R S Harris 1891.) Printed label on the back of the case “3 2 “ The handwritten adhesive label “0566” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shakespeare display case, wood samples, oak from shakespeare's birthplace, mulberry from shakespeare's home "new place", stratford-upon-avon, shakespeare's birthplace, the trustees and guardians of shakespeare's birthplace &c., shakespeare trust, shakespeare birthday committee, r.s. harris, brunswick, victoria, richard s harris, brunswick, victoria, c.f. loggins, chemist, 3 high street stratford-on-avon, richard savage, warrnambool museum and art gallery, thomas court, pt barnum, charles dickins, anne hathaway, black mulberry tree, reverend francis gastrell

This vintage-era clock case has a curved top and two doors, one at the side, and the other at the top. It could have had another frame for the front with a window or fitted space for the clock mechanism. The doors may have given access for winding the clock with a key and to set the time or perhaps an alarm or chime. It is possible that the arched shape was the bottom of the clock case and not the top, in which case, there would be more space for a pendulum to swing. The wooden case would amplify the sound of the tick of the clock.The wooden clock case is connected to domestic life in the late 19th and early 20th centuries when households could afford at least one clock for their furnishings.Wooden clock case with open front and arched top, which may be the bottom of the case. It has a hinged door on the side and another door on the top with a small brass knob. This case is ready to be fitted with a clock mechanism.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, clock case, clock case with two doors, pendulum clock case, vintage, horology, time keeping, clock maker, domestic clock, furnishing

The large, early, manual, ‘Punch-Clock’, (also known as a Time Clock), used by the Shire of Moorabbin employees to “clock-on and off” each working day circa late 1800s early 1900s.This 'Punch-Clock' was used by employees of the Shire of Moorabbin circa 1880 - 1900 and was donated to the City of Moorabbin Historical Society by the now defunct Moorabbin City Council in 1984.The large manual, ‘Punch-Clock’, (also known as a Time Clock), used by the Shire of Moorabbin employees to “clock-on and off” each working day circa late 1800s early 1900s. The clock face is exposed and the internal mechanism is encased in a wooden cupboard with two glass framed side panels. Right side panel is a door that accesses the clock mechanism.Around Centre of Clock face " DEY TIME REGISTERS LTD"/ "HOWARD BROS./ made in USA/ 75 Queen Victoria St./ LONDON E.C."/ On Brass plate at base are Patent registrations moorabbin, clocks, wages, punch clock

Art Collection. William Anderson is an Australian printer and sculptor. He was born in Scotland in 1951.The painting depicts a white background with a dark circle in the centre. In this dark circle are white-outlined circles and lines, as well as cogs and mechanical parts. These parts vary in shades of grey. The frame is dark timber with a white mount and glass covered.Front: 7/18 Visual Diagram of a Clock William Anderson 69' (Starting from lower left side of clock, progressing to right, lead pencil.) Back: (no inscriptions)

Stained wood frame (round/circular), paint/print is chipping from the face. Metal casing on back for clockwork.[verso] MADE IN GERMANY/ [recto] I, II, III, V, VI, VII, VIII, IX, X, XI, XIIclock, timepiece, measurement, coal creek, korumburra

Colour group portrait photograph of the members of the RNZCOG Council. The group consists of nine men and one woman, arranged in two rows. Six men stand at the back, while three men and a woman sit in chairs in the front row. The group is pictured in front of a beige coloured wall. The wall features a gold coloured Roman numeral clock at centre behind the group, and a painting/print of a landscape on the right hand side. There are vertical blinds visible at the left of the image, and the roof of the room in which the photograph is taken can be seen to be sloped on the right hand side of the image. The photograph is framed in a brown wooden frame with gold trim. Handwriting on the back of the frame reads 'RNZCOG COUNCIL NAPIER MASTING CONFERENCE'. There is a cord stapled to the back of the frame for hanging.

Colour group portrait photograph of the members of the RNZCOG Council. The group consists of nine men and one woman, arranged in two rows. Six men stand at the back, while three men and a woman sit in chairs in the front row. The group is pictured in front of a beige coloured wall. The wall features a gold coloured Roman numeral clock at centre behind the group, and a painting/print of a landscape on the right hand side. There are vertical blinds visible at the left of the image, and the roof of the room in which the photograph is taken can be seen to be sloped on the right hand side of the image. The photograph is framed in a brown wooden frame with gold trim. Handwriting on the back of the frame reads 'RNZCOG COUNCIL NAPIER MASTING CONFERENCE'. There is a cord stapled to the back of the frame for hanging.

Photograph taken from the footbridge over the railway lines adjacent to the Sunshine Station. The photograph gives a perspective view of Sunshine Gardens, Bendigo railway line, H.V. McKay Clock Tower, Businesses & Shops in Hampshire Road, motor vehicles, Tramway buses and the Sunshine Picture Theatre billboard featuring Merry Mad MARX Bros A Night In Casablanca, Paulette Gollard Diary of a Chamber Maid.Sunshine Railway Gates Looking North C1946 Photograph.jpgrailways, hampshire road, sunshine, h.v. mckay clock tower, sunshine picture theatre