"The Valet" Prov. Patent 30826. Pure bristle British Made.

Folding metal clothes hanger joined by stretch fabrichousehold items, clothes hangers

Thomas Samuel Bailey traded as a local merchant tailor in Williamstown from 1886 to 1926. He occupied premises in Parker Street, Nelson Place and Thompson Street. He was married with four daughters and two sons; one son was killed in WW1 in 1917. He sold his business in 1926 to H. Russ, a tailor from Ballarat and died in September 1926. Items like this coat hanger were usually offered free to advertise businesses. Folding wire clothes hanger, with canvas webbing strip"T.S. Bailey Merchant Tailor Williamstown"

Coat hangers were used to hang up trousers or skirts by the waist. This coat hanger was designed prior to clips with springs being used.Wooden coat hanger with wire fitted hook used to hang trousers (or skirts) by moving a steel plate along the wire (to tighten the grip). There are 2 rectangular pieces of wood with small padding attached on the inside outer edges. Each piece of wood has wire coming out of the centre. The wire is vertical before rounding to form a hook and is continuous. The wire has a small steel plate with 2 holes along the vertical section.coat hanger. clothes. skirts. trousers.

Around March to April 1994, the Arthritis Foundation of Victoria (AFV) opened a second oppportunity shop in Moonee Ponds. A woman impersonating satirist Barry Humphries' most well known character, Dame Edna Everage, was the special guest at the opening of the new op shop. In this photo, she is posing for a photo with some of the second-hand fashions that are available for sale.B&W photo of a woman holding up some clothes on hangers inside a shop. She is wearing a long evening gown, a long beaded necklace and novelty sunglasses in the shape of two swans. Behind her are some racks of clothes.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, opening, launch, dame edna everage, impersonator, second-hand clothing, second-hand clothes, moonee ponds, 1994

This suit was made to order in 1975 for Ted Henry at a Fletcher Jones factory, probably the one in Warrnambool. The other items were obtained at the same time. David Fletcher Jones began his business by opening shops in Liebig Street Warrnambool in the 1920s. His Man's Shop sold suits and overcoats and manufactured men's clothing on site. In 1946 a Fletcher Jones shop was opened in Melbourne and a factory was opened in Warrnambool in 1948. The Fletcher Jones and Staff Company expanded and became well known throughout Australia for the quality of its men's and women's clothing. The Company ceased business in 2011. The surname "Henry" is well known in Warrnambool and district. These items are important mementoes of Fletcher Jones and Staff one of the most significant Australian businesses originating in Warrnambool..1 Carry bag, oblong shaped made of pale orange cloth with full length white zip and dark brown edging and stitching It has a maker's label on the interior. .2 Black plastic clothes hanger with suit maker's name and logo .3 Silk and cotton tie in black, beige and tan broad stripes. It has two labels attached. .4 Man's trousers. The trousers are made of wool and polyester woven pattern in brown. grey and tan. There is a metal zip, The pockets have cream cloth lining . There are two labels. There are loops for a belt. .5 Man's suit coat made of the same material as the trousers (above). It has three butttons on each sleeve and two on the front. It is fully lined with brown cloth and cream lining on the sleeves. It has a maker's label. There is some padding in the shoulders. There are two internal pockets and three on the exterior.Celsius 30 A woolblendmark fabric developed for summer 80% new wool 20% polyester Henry L. 30.6.75 654 silk 35% cotton MADE IN ENGLAND.ted henry, fletcher jones and staff company, fletcher jones factory warrnambool, men's clothing

Items such as this clothes hanger were widely used throughout Australia from the late 19th Century onwards. Francis (Frank) Stuart (1844-1910), manufacturer and politician, was born on 21 May 1844 at Penrith, New South. At 13 Frank was apprenticed to a Sydney draper. In 1866 he moved to Melbourne where Stuart joined the fashionable Collins Street mercery store of Alston & Brown. In 1884 he joined McIvor & Lincoln; on the death of the senior partner, Lincoln Stuart & Co., clothiers, was registered as a limited company in February 1889; when Lincoln retired, Stuart became sole proprietor. Among the business’ early success was a contract to supply uniforms to the New South Wales Sudan contingent. Stuart recognized possibilities in the rubber industry and joined with Barnet Glass & Sons Co. to manufacture waterproof clothing; he became a director of the company which was later taken over by Dunlop. Stuart was president (1885) of the Victorian Chamber of Manufactures and chairman (1887) of the Clothing and Manufacturers' Association. In April 1889 he was elected to the Victorian Legislative Assembly serving until 1894. In June 1904 he was returned to the Legislative Council as member for North Melbourne. He resigned in May 1907 to have more time for business. Frank Stuart died in 1910 and the business was carried on by his son Frank Jr. The company was taken over by John Snow & Co. Ltd in 1926, but continued to trade under Lincoln Stuart & Co. until it was finally deregistered in 1994.This item is representative of a range of clothing items and accessories popular throughout Australia and provided by a renowned Australian clothier. A wooden, leather and metal trouser hanger. It is inscribed with information about the manufacturer on both sides. it is made of two lengths of wood, connected by a leather strap and a metal buckle.Side 1: Lincoln Stuart & Co. Pty. Ltd. Wholesale and Retail Clothier Side 2: Flinders St. Melbourne Made in Germanydomestic appliances, lincoln stuart & co.

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. The colourwork dogs from this design are a very popular motif, and were available in both wool and Orlon in multiple styles from at least 1961-1972, including a cardigan and a pullover, selling 4346 of these in winter 1961. This example most likely dates from 1962-1966. An Illustration depicting this style is catalogued under NWM-09026. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Red children’s machine-knit jumper with white dog motif and green grass colourwork, closes with three red plastic buttons at left shoulder .2 and .3 are sample tags with manufacturing information, including sizes and colours available .4 is a swing tag with manufacturer care instructions.1) [label stitched at back neck] KATHRYN REGD. / 100% ORLON / 24 .2) STYLE: 44/OP – ORLON PULLOVER – ANIMAL MOTIF / SIZE: 18” 20” 22” 24”/ PRICE: 18/6 21/3 25/- 27/6 / COLOR: 18” PALE BLUE. LEMON. WHITE. / 20” – 24” SKY BLUE. LEMON. WHITE. REDCOAT. BOTANY BLUE. SULTRY GREEN. NUTTY BROWN. OATMEAL .3) STYLE: 44/PW – WOOL PULLOVER – ANIMAL MOTIF / SIZE: 18” 20” 22” 24”/ PRICE: 18/6 21/3 25/- 27/6 / COLOR: 18” PALE BLUE. LEMON. / 20” – 24” SKY BLUE. LEMON. REDCOAT. BOTANY BLUE. / SULTRY GREEN. NUTTY BROWN. NED KELLY GREEN. / .4) Obverse: [handwritten] 5/10 (unintelligible) Kathryn / ORLON KNITWEAR / Style : 44/OP / DESIGNED & MANUFACTURED BY / Robert Blake / MELBOURNE Reverse: STANDARD MEASUREMENTS / FIT EXACTLY / LAUNDER PERFECTLY / HOT WATER WILL DAMAGE / THIS GARMENT / WASHING INSTRUCTIONS / 1. Use lukewarm water and mild soap. / 2. Squeeze water out by hand – DO / NOT WRING. / 3. DO NOT ROLL. Hang on / Clothes hanger to dry. / To keep brushed garments like / new, brush frequently with / Nylon brush. / IRONING [m (handwritten)] ORLON garments require little / or no ironing if drip-dried. If / ironing is necessary, it may be done damp or dry, using / a warm iron. / DO NOT USE / STEAM IRON /knitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set, dog motif, animal motif, colourwork

Wooden coat hanger covered with yellow knitted cover. Three white flowers embroidered in wool on one side of the cover. Metal hanger covered with yellow plastic tubing. Old box 524.costume accessories, clothes accessories, covered coat hanger

Handmade coat hanger accompanying baby clothes.A handmade baby coat hanger with floral padded, nylon quilted covering, lace lower edge and plastic covered steel hanging hook.Nilbaby clothes, handmade

Belonged to donor, possibly passed down from her motherRectangular cotton case covered in floral patterns, with green yellow and pink flowers. Contains two travelling coat hangers of wire, which are covered with green cotton coveredpersonal effects, travel goods, costume accessories, clothes accessories

Slightly curved wooden coat hanger with wire hanging hook. Hanger section has been painted cream, with black printed symbols and German text following the curve.Kein Flicken zu Hause!; Lapt die Jugend "Bleyle" fragen! Symbol of man with a B on his chest holding a flag with letters on it and underneath him the word schutzmark.costume accessories, clothes accessories, clothes, wood, hook, german, hanger.

Alfred Baulch was a tailor at 38 Sackville Street Port Fairy 1925-1926 and lived at 73 Cox Street from 1925 until 1927. This coat hanger was given away probably with a suit or other expensive item as an advertisement for the store.Wooden yellow washed coat hanger with advertising for local businessOne side: With compliments from Alf Baulch, Sackville St., Port Fairy; Other side: Beaucaire shirts a speciality. High grade underclothing always on hand. Boots and shoeslocal history, costume accessories, clothes accessories, alf baulch, sackville street

This coat hanger was donated with two items of clothing made by Pauline Nobelius while in Glen Waverly High School in 1967-8. While it has greater significance alongside those items, independently it is a good example of a style of coat hanger in use in the 1960s. Wooden hangers were often preferred over the wire version as their wider shape was less likely to crease or damage clothes. Colour has long been added to children's hangers to make them more visually appealing to their users.This coat hanger belonged to a member of the Nobelius family and was donated alongside two pieces of clothing made by Pauline Nobelius.This child's coat hanger has a 2cm wide wooden base painted teal, rising to a semi-circle in the centre. Its handle is made from steel and can freely rotate within the wood.nobelius family, clothing