Showing 43 items matching cluny
-
Kew Historical Society Inc
Document, Allan Willingham, Cluny (Formerly Fairview) 34 Wrixon Street, Kew 3101: A cultural and architectural history and assessment of cultural heritage significance / Allan Willingham, 2006
Research Report on Fairview, Cluny, held in the KHS Reference Files. Research report, prepared by Allan Willingham for Carey Baptist Grammar School in 2006, into Cluny (formerly Fairview) 34 Wrixon Street, Kew 3101. The cultural and architectural history and assessment of cultural heritage includes a summary of the building's current heritage status, a history of the property, biographical portraits of the principal owners, an architectural history, an assessment of its cultural heritage significance, a statement of conservation policy and appendices.fairview -- wrixon avenue -- kew (vic.) -
Churchill Island Heritage Farm
Textile - Lace Trim
This is a machine made length of lace which has been executed in the Cluny style. Cluny lace is a bobbin style lace which is worked in a continuous piece and is heavily plaited in geometric designs. It is believed to have originated from copies of designs in the Musee de Cluny in Paris. There is a company in Ilkeston in the United Kingdom called The Cluny Lace Company which is still making both Cluny and Valenciennes lace using Leavers machines. The Mason family started making lace in the 1760s at the start of the Industrial Revolution. For two centuries the five generations of the family have paid close attention to detail and have brought the company to the forefront of new technology. Many of the lace patterns still used today were designed and draughted by Frank Maltby Mason and Francis Bowler Mason, the sixth and seventh generations of the family. They have developed a data bank of designs over this time and by combining the best of old traditions with new technology the firm is able to produce a wide range of exquisite designs of Leavers Cluny style lace allovers, edgings and insertions. This lovely insertion would be well suited to decorate a mob cap or on bed linen and nightwear.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. Length of machine made Cluny-style lace trim with repeating diamond pattern on the border, and a central geometric/floral motifchurchill island, lace, janet amess lace collection, machine, amess, cluny -
Mortlake and District Historical Society
Photograph - Montgomery Pavillion, Montgomery Pagoda or Pavillion, 1924
In July 1922 Rev. W. McBride of the St Andrews Presbyterian Church, Mortlake had a meeting with the Garden sub-committee to discuss how the 500 pounds sterling bequest from the Late Thomas Montgomery could best be spent. His suggestion was that the money should be spent on either a kiosk, pavillion or recreation hall and pavillion combines with kitchen and fireplace was agreed to with exact site to decided at a public meeting. Cr Montgomery, a local businessman and a councillor, had loved the gardens and had assisted to transform the area from a swamp into a thing of beauty. The design was chosed by his widow who had seen a smilar design in King's Park whilst in Perth so the plans were obtained from that City. The work was carried out by Archibald Cluny McDonald and completed in September 1924. In December 1924 the Montgomery Pagado was unveiled to the public by Cr Wells Brumley after which the Red Cross ladies served tea.THIS TABLET IS DESIGNED TO COMMEMORATE THE GENEROSITY OF THE LATE COUNCILLOR THOMAS MONTGOMERY BY WHOM THIS PAVILLION WAS GRACIOUSLY BEQUEATHED TO THE TOWN OF MORTLAKE AND TO PERPETUATE THE MEMORY OF HIS NOBILITY OF CHARACTER AND EXTREME WORTH AS A CITIZENpagoda -
Churchill Island Heritage Farm
Textile - Lace Trim
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width, it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era, the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed, the restrictions lessened gradually and in the late Georgian and Victorian eras, ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularise it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria (1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.machine made Torchon and Cluny lace trim with both edges similar, v shape design and 8 braid geometric design in centrechurchill island, lace, janet amess lace collection, amess, trim, torchon, cluny -
International House, The University of Melbourne
Photograph (Item), Australian News and Information Bureau, Group of people including first Warden Brian Jones walking near the recently-completed first accommodation building (llater named the Ian Clunies Ross Wing) at International House Melbourne, c. 1957
International House at the University of Melbourne was the first residence of its type in Australia. The first accommodation building, which opened to residents in 1957, was later named in honour of Ian Clunies Ross (1899-1959), the first chair of the International House Council. 1950s melbourne, international house -
International House, The University of Melbourne
Photograph (Item), Four people walking near the recently completed Ian Clunies Ross Wing at International House, c. 1957
International House at the University of Melbourne was Australia's first 'international house'. Its first purpose-built accommodation wing opened to residents in 1957, with the official opening the following year. The building was later named the Ian Clunies Ross Wing in honour of the first chair of the International House Council. buildings -
Churchill Island Heritage Farm
Clothing - Lace Collar
Although well-worn and somewhat damaged, this elegant lace collar is handmade and is a combination of some different styles. Bedfordshire lace, or simply Beds lace, and also known as Bedfordshire Maltese lace, was based on local lace forms traditionally produced in the English Midlands and on the Maltese lace that was developed in the early nineteenth century and on show at the Great Exhibition in London in 1851. Maltese lace, and Bedfordshire lace, are forms of guipure, bobbin lace. The Maltese lace in particular gave the Bedfordshire lace its rounded leaf patterns and in this case its delicate brides and edging. The motifs appear to have been added and are most likely to be examples of Cluny lace which is of French origin and is a heavy plaited bobbin lace which is geometric in design often with radiating wheat ears. The motifs in this lace collar bear a very strong resemblance to Carrickmacross lace which is Irish in origin and is crafted by placing first the pattern, then fine muslin through which the pattern can be seen and then stitching around the pattern and finally cutting the excess muslin away. The pattern is decorated further with needle run stitches.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Maltese bobbin (NGV) Bedfordshire Cluny style hand made plaited lace janet amess lace collection, lace, churchill island, amess, collar, garment, clothing, maltese, bobbin, handmade, plaited, bedfordshire cluny -
Churchill Island Heritage Farm
Textile - Lace Trim
This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed the restrictions lessened gradually and in the late Georgian and Victorian eras ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularize it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria.(1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made Torchon lace in Cluny style, with geometric patterns and wheat design, probably on a Barman (Swiss) machine. janet amess lace collection, churchill island, lace, trim, amess, barman, machine -
Flagstaff Hill Maritime Museum and Village
Print - Vessel - Sailing Ship, A.V. Gregory, ca. 1899-1922
This photograph is a print from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The four-masted iron barque 'Rowena' was built in 1883 by Barclay, Curle & Co. of Glasgow as the 'Cluny Castle', and renamed about 1890 as 'Rowena' by owners Rowena Ship Co.. After consequent owners, the ship was converted to a hulk in 1922 at Port Adelaide. The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Photograph of a print, black and white, mounted onto card. It depicts the four-masted iron barque ship 'Rowena', originally named 'Cluny Castle'. The original painting was by marine artist A V Gregory.Painted on bow "ROWENA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, photograph of rowena, gregory, cluny castle, a v gregory, rowena, iron baque, rowena ship co., barclay, curle & co, glasgow -
International House, The University of Melbourne
Photograph (Item), Clunies Ross Wing at International House under construction, c. 1956
Historic1950s melbourne, construction -
International House, The University of Melbourne
Photograph (Item) - Dr N.R. Srinivgsan with Sir Ian Clunies Ross
-
Australian Lace Guild - Victorian Branch
Mixed lace, 19th Century
This cloth belonged to Anna Sptiz (the donor's mother in law) and was part of her trousseau in the late 1800s.Mixed lace cloth with cutwork and insertions of Needlelace and of Filet. There is a border of Cluny style bobbin lace. -
International House, The University of Melbourne
Photograph (item), Australian News and Information Bureau, Newly constructed Ian Clunies Ross building at International House Melbourne, 1957
This building was the first residential housing for the newly established International House in Melbourne, which had been in its planning stages since 1954. The building housed both domestic and international students.residential college, international house, architecture -
Kew Historical Society Inc
Photograph - Cluny Convent (formerly 'Fairview'), 34 Wrixon Street, 1988
Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear -
Kew Historical Society Inc
Photograph - Cluny Convent (formerly 'Fairview'), 34 Wrixon Street, 1988
Frederick J. Robinson, a manufacturer, was the owner and occupier of a nine-roomed brick house by at least 1934. At that date the N.A.V. for the property was £270 while in the following year the N.A.V. increased to £350 with a note of 'additions' being made, recorded in the Rate Books. By December 1936 Robinson's house was being described as having twelve rooms and an N.A.V. of £295. The works were undertaken for Robinson by the leadng architect, Harold Desbrowe Annear, and appear to have been a comprehensive remodelling of the Victorian house on the site, the outline of which was clearly depicted in the MMBW plan of 1903. 'Fairview' is of significance as a comprehensive remodelling of a Vietorian house undertaken in the 1930s by the leading architect of the time, Harold Desbrowe Annear. The 1930s are integral to the significance of the whole. (Kew Conservation Study, 1988)Colour photographic positive of Cluny Convent (formerly 'Fairview') remodelled by the architect Harold Desbrowe Annear in the mid 1930s. cluny convent -- kew (vic.), fairview -- 34 wrixon street -- kew (vic.), harold desbrowe annear -
International House, The University of Melbourne
Photograph (Sub-Item), Victorian house on the site of International House at the University of Melbourne, c. 1957
buildings, royal parade, architecture -
International House, The University of Melbourne
Photograph (Item), Student Harry Leong dressed in a suit and academic gown standing at the foot of the Clunies Ross building, 1962
Inscribed in black ink on reverse (possibly in Harry Leong's writing): '1962 First Year University - International House'.student life, 1960s -
International House, The University of Melbourne
Photograph (Item), Four students relaxing in a room in the Clunies Ross wing
This photo was published in the 1961 edition of the International House magazine, Satadal, with the caption, 'Get-togethers over coffee provide welcome breaks from study, and give opportunity for relaxed discussion'.1961 Satadal inscribed in pen on reversestudents, accommodation -
Kew Historical Society Inc
Clothing, Cream Nightdress, Cotton & Lace, 1940s
Full-length long sleeved cream coloured cotton nightdress. The nightdress includes Cluny lace on the collar and at the end of the sleeves. It also has tucking and spoke stitching at the front. The nightdress has been dated to the 1940s.women's clothing, nightwear, nightdress, betty adeney -
National Wool Museum
Book, The grazing of sheep on improved pastures: its effect on superfine wool
"The grazing of sheep on improved pastures: its effect on superfine wool" - I. Clunies Ross, N.P.H. Graham et al, Council for Scientific and Industrial Research, Pamphlet no 71,1937.merino sheep wool - superfine wool - research, council for scientific and industrial research, merino sheep, wool - superfine, wool - research -
International House, The University of Melbourne
Photograph (Item), Australian News and Information Bureau, Brian Jones (Warden) and Paul Foo Yoon Sen (resident) in a study-bedroom in the Clunies Ross Wing, International House, 1958
Brian Jones, pictured sitting on the desk, was the first Warden at International House, from 1957 to 1959. Paul Foo Yoon Sen was one of the first students at International House. This photograph features one of the forty-two study-bedrooms in the Clunies Ross Wing, the first building to house IH residents.students, brian jones, accommodation -
National Wool Museum
Letter
Series of six letters from various officers of the Council for Scientific and Industrial Research to W.R. Lang between 1938 and 1950 re: issues to do with wool testing and requests for an expert opinion. Two are from I. Clunies Ross and include a copy of a speech titled "The Relationship of Textile Research to the Problems of the Wool Grower".wool - research wool - testing textile testing world war ii, council for scientific and industrial research, lang, dr w. roy clunies ross, mr ian, wool - research, wool - testing, textile testing, world war ii -
International House, The University of Melbourne
Photograph (Item), Cliff Bottomley, Australian News and Information Bureau, Warden Brian Jones introducing Minister for External Affairs Richard Casey to student James Yapp, 10 January 1957
James Yapp, pictured here, was a second year Arts student from North Borneo studying under the Colombo Plan, and among the first residents of International House in 1957. He was President of the Borneo Students' Association in Melbourne, and took part in the IH Student Club, formed in the first year of student residence. At the time of Casey's visit, IH was preparing to take forty-two students, twenty-four of whom were international scholars on the Colombo Plan, who would all be housed in the Clunies Ross Wing.Short descriptive typed article from the Australian News and Information Bureau attached to photograph, entitled "Mr. Casey Visits Australia's First International House"richard casey, students, colombo plan -
Wangaratta RSL Sub Branch
Honor Book, Docker's Plains
This is a velvet covered book with gold edged pages beautifully written in fine calligraphy depicting the history of all the pupils who offered for War service in the 1914-1918 war. Nurse Alice M Byrne, William Thomas Byrne, Richard Cummins, George Delaney, William George Elliot (Military Medal), Stanley William Grossman,29th Battalion; Alexander Cluny McDonald, Albert Arthur Perkins,KIA 1/10/1917; Harry Perkins,37th and 38th Battalions; Frederick Perkins,37th Battalion; Sydney Spencer Plum, Leslie George Richardson,trained at Wangaratta before contracting menigitis and died 25/6/1916; John Claude Smith,18th Battalion KIA 18/4/1916; This is a velvet covered book with gold edged pages beautifully written in fine calligraphy by Docker's Plains Head Teacher Mr Thomas Kidman, recording the military history of all the pupils at Docker's Plains State School who offered for War service in the 1914-1918 war. . Fixed inside the book's back cover are four original newspaper articles, two relating to the unveiling of the Honour Roll and Book at the children's annual picnic held on 17/10/1921 and dated 19/10/1921. The other two articles relate to the death and funeral of Albert D Lowerson VC of Myrtleford in 1946.The school was closed in 1949 and no longer existsA brown velvet covered book with gold edged pages written in fine calligraphy depicting the history of past pupils who offered for War service in the 1914-1918 war.Docker's Plains Honor Bookdocker's plains, ww1, honour book -
Kew Historical Society Inc
Plan, Melbourne & Metropolitan Board of Works : Borough of Kew : Detail Plan No.1563, 1905
The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). This plan covers the area between Barkers Road, Wrixon Street, Sackville Street and Brougham Place, much of it now occupied by Carey Baptist Grammar and Preshil schools. This was an area of large and prestigious homes in 1903, some with formally laid-out gardens, such as ‘Tower Hill’ and ‘Opawa’. ‘Kalimna’ was built in 1890-91 for William H. Jarman, an accountant, and ‘Blackhall’ at the same time for W.H. Roberts. Blackhall was to be acquired by the Salvation Army in 1915 and renamed ‘Catherine Booth Girls’ Home’. The Home accommodated girls, aged between 4 and 16. Kalimna and Blackhall are of significance as typical and intact late Victorian mansions and as such are two key Victorian buildings to have been built in Kew. Both Blackhall and Kalimna are now part of Preshil. ‘Fairview’ was for a long time occupied by the Sisters of St. Joseph of Cluny as a care home for the elderly, but it is now part of Carey Grammar School, as are the grounds of ‘Wagga Merne’, ‘Weemutta’, ‘Blakely’, ‘Daheim’ and ‘Mildura’ (later ‘Urangeline’), the last being particularly impressive in 1903, with a tennis court, conservatory, outhouses, and two bathrooms!melbourne and metropolitan board of works, detail plans, mmbw 1563, cartography -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, 'Fairview', 34 Wrixon Street (Kew), 1979
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing information about Fairview (built 1924 for F.F. Robinson, proprietor of Yarra Falls Mills). The house replaced an earlier single-storey brick house, also called Fairview. A comprehensive report prepared by Alan Willingham in 2006 found that there was no evidence that the architect Desbrowe-Annear incorporated parts of the original building in the new construction. The work by Willingham is a ‘Cultural and Architectural History and Assessment of the Cultural Heritage Significance’ of the building, prepared for Carey Grammar School. The Willingham report was donated by Sr Ruth Anderson.kew (vic) - history, fairview - 34 wrixon street - kew (vic), cluny house - 34 wrixon street - kew (vic), f.f. robinson, alan willingham, harold desbrowe-annearkew (vic) - history, fairview - 34 wrixon street - kew (vic), cluny house - 34 wrixon street - kew (vic), f.f. robinson, alan willingham, harold desbrowe-annear -
Australian Lace Guild - Victorian Branch
Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Cluny Lace, Late 19th or early 20th Century
Use: Domestic. Household trimmingBobbin lace edging. Sample