Christmas Gift to donorsNilUpright rectangular tin, maroon with silhouette outdoor café scene, gold coloured knob on lid.In middle of all 4 sides, three gold squares featuring a star, parcel and Christmas tree. Inscription beneath, Seasonal Greetings. Gold badge top and bottom of all four sidesand top. Ingredients and nutritional information on bottom as well as packed by "ontrack" and item codes and best by date, 20-11-05.wafer tin, collectable tin, tin collectable, biscuit tin.

This photograph depicts Cock's Pioneer G & T Sluicing site No. 4 in El Dorado. Looking eastwards, the photo captures a wooden and tin building with various mining equipment strewn in the foreground. Underneath the verandah, figures can be seen. These are believed to be a Mr. Hollister (left), Mrs. Breustedt (4th from left), children Min and Chris Breustedt, and Kate Timmons holding a girl's hand. The Cocks Pioneer Gold and Tin Mines N.L was one of El Dorado's two largest open-cut sluicing mines of the 20th Century. The other was named the Cocks El Dorado Gold Dredging Company. The Cocks Pioneer Mines operated from 1901 until 1941 and found a total of 117,378 ounces of Gold and 1,673 tones of tin concentrates over these years. The Cocks company was formed in 1898 and operated until 1941. Open cut sluicing involved the use of high-powered hoses which used the centrifugal sand pump system (known as hydraulic sluicing) which broke down the soil which was then processed for gold and other precious metals. From 1914, four years after this image was captured, the company reformed to Cocks Pioneer Gold and Tin Mines NL (previously it was known as Cocks Pioneer Sluicing Co) and undertook large-scale sluicing operations until 1929 and then 1934-1941. The Cocks Pioneer was an extremely successful mining company during the 20th century. In the Annual Report of the Secretary for Mines for the year 1915, the Cocks Pioneer was the largest producer of gold and tin collecting 5,535 ozs. of gold and £7,500 of tin. Twenty years later in 1935, Cocks Pioneer was still one of the most profitable mines in Victoria, ranking as the second-highest dividend paying mine. The company produced a total of 3,650 kg of gold. El Dorado is located on Reedy Creek and is surrounded by forested country to the north and east. It is 20 km east of Wangaratta in Victoria's regional northeast. John Cock was the son of a Cornish miner who arrived in El Dorado in 1858. Cock founded his gold and tin mining company which ran successfully for many years in the El Dorado region. It was an open-cut sluicing company because of the abandonment of underground mining after this was deemed too dangerous. In 1935 Cock's El Dorado Company commissioned the floating dredge which is still visible in El Dorado today. The dredge was built by the Thompson engineering works, Castlemaine, and weighed over 2,000 tones and today has a place on the Victorian Registers of historic buildings. Interestingly, the name El Dorado does not derive from the gold in the region, but from the Barambogie pastoral run completed by William Baker in 1840-1841. Gold was discovered in El Dorado in 1854 but the gold was too deep for individual prospectors to find, it required the use of heavy machinery.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. This image is important for current research into the history of El Dorado, a small regional location near Wangaratta in Victoria's North East. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to gold sluicing and El Dorado which can be analysed and studied alongside images like this one.A black and white copy of a sepia coloured rectangular photograph printed on matte photographic paper mounted on boardObverse: COCKS PIONEER G + T SL CO, N.L. / 1910 - 11 / NO 4 SITE LOOKING EAST / 4 Reverse: 1997.2508 / AUG 29 1909cocks pioneer gold and tin sluicing company, el dorado, mining, sluicing, hydraulic mining, hollister, breustedt, timmons, gold, tin, gold rush, victoria

This specimen is Cassiterite in Quartz. Cassiterite is a tin oxide metal that forms in thin crystals which can have a beautiful lustre. Quartz is made of silicon dioxide, also known as silica, and is one of the most common minerals on earth. Cassiterite has been a fundamental source of tin ore for humans throughout history, including today. Tin is an important metal that has a wide variety of human uses in different areas, from dying fabric, to making mirrors, and their most well-known use ‘tin’ cans. Tin cans are primarily made of steel and are coated with tin in order to take advantage of tin’s property of being non-corroding. This is a massive step in the history of food preservation. Tinned food first reached Australia in 1815 with early settlers, and it began to be manufactured here in the 1840s. It was incredibly popular, and was a highly exported product, which would be a contributing factor to the ‘tin mining boom’ of the early 1880s. This specimen was collected at Jingellic, New South Wales, in about 1852. Although the Goldfields of the 1800s are much more well-known, tin mines existed alongside the gold mines which began in the mid 19th century and extended almost one hundred years, to the mid 20th century. Specimens like this would have been used as evidence to justify tin mining operations in the region as an investment. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. The Geological Survey of Victoria was headed by British geologist, Alfred Richard Cecil Selwyn (1824-1902), who was responsible for issuing over 60 geological maps during his 17 years as director. These maps were all hand-drawn and coloured and became the benchmark for accuracy for geological mapping. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A fist-sized solid geological specimen made on one half of tin oxide, which is dark grey, and on the other side of silica, which is brown and cream.burke museum, beechworth, geological, geological specimen

George Milford, a long term staff member of Thompsons Foundry Castlemaine, remembers discussing Alexander Sinclair with this son, Alex Sinclair Jnr. "When Alex Jnr was a boy, his father, a senior design engineer, was sent to Malaya to oversee the erection on site of a suction cutter dredge for Thompsons. This was an adaptation of the idea of a bucket-dredge, where gold is won from alluvial gravels. In the 1915-1920 era, the Thompsons Engineering Department designed a suction-cutter dredge, by which hydraulic suction with a revolving cutter at the end of a long proboscis would collect the alluvial soil and deliver it into the dredge for recovery of the precious metals. Export marketing was then ‘all the go’, and the tin dredges were ordered from Thompsons, using the new cutter design. The dredges were, of course, shipped to Malaya in pieces, ready to be assembled on site. A number of Thompsons employees were selected to travel to Malaya to assemble the dredges. There were fourteen men in the gang. These men sailed on 1st July 1925, their number including Delmenico, McKay and Charles Albert Hauser, an engine driver. C A Hauser died of malaria in Malaya shortly after arrival. Components for a further three of these dredges were in transit or on site when the first suction-cutter dredge was assembled and tested. The designers had failed to take into account the fact that, in the jungle floor in Malaya, many trees grow up, and fall down, in tropical conditions, and become submerged still waterlogged in the floor of the jungle, and in the tin-bearing gravels. The suction-cutter dredge was found to be inefficient in these circumstances, the price of tin had fallen and the Malayan client reneged on the contract. Faced with an outlay of over £4,000 on which no money would be received, the company went bankrupt on 25th August 1925. Alex Sinclair Snr was at that stage in Malaya, and received the news of the bankruptcy by telegram. Upon telegraphing his employers for funds to return home, he received the reply that there were no such funds available. Alex Sinclair Jnr told the story of how his father worked as a labourer in Malaya for two years, while his mother took in washing and ironing during the same period, until together they had assembled enough money to pay for his father’s return Anyone who talks about “the good old days” is talking nonsense!"Large blue printed paper plan outlining the conditions of contract for the making of a steel boiler. The Blueprint includes design drawings and written contract specifying materials, time frame and costs. Signed on front 'Alec Sinclair Consulting Engineer, 31 Queen Street, Melbourne'. Stamped on verso 'Printed by Paterson & Co, Colonial Mutual Chambers, Collins St, Melbourne'. blueprint, designs and plans, yarrawee suction dredge, conditions of contract, thompsons foundry castlemaine, george milford

This specimen is from Broken Hill, NSW. Galena is a natural mineral form of lead sulphide and is often found associated with sphalerite, calcite, and fluorite. Galena is an important lead ore mineral, and, in some regions, it is also an important mineral associated with silver ore. Sphalerite is a sulphide mineral that is the main ore of zinc. Rhodonite is an uncommon mineral once used as an ore of manganese in India, however today the scarcity and fragility of the crystals mean it is primarily used as lapidary materials or mineral specimens. In 1883, Charles Rasp who was a boundary rider at the time, discovered what he thought were deposits of tin but were in fact samples of silver and lead. He and six others went on to set up the first mining company in Broken Hill (BHP). The ore body became the largest and richest of its kind in the world mining ore worth more than 42,000 pounds in its first year. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. Galena contains lead and silver, Sphalerite contains zinc. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized piece of Sphalerite and Galena with Rhodonite crystalsburke museum, beechworth, geological, geological specimen, galena, rhodonite, sphalerite, silver ore, manganese, lead sulphide, lead ore, zinc ore, lapidary, mineral specimen, broken hill, nsw

This specimen was recovered from Broken Hill, NSW. It was given the name Mangan Hedenbergite in 1819 by Jöns Jakob Berzelius in honor of Mr. Anders Ludvig of Hedenberg who was the first to define hedenbergite as a mineral. Hedenbergite, belongs in the pyroxene group having a monoclinic crystal system. The mineral is extremely rarely found as a pure substance. Mangan Hedenbergite is a manganese bearing variety of Hedenbergite. Manganese is the world’s fourth most used mineral after iron, aluminium, and copper primarily because it has no satisfactory substitute in its major applications. Globally, the steel industry is the primary user of manganese metal, utilizing it as an alloy to enhance the strength and workability of steel and in the manufacture of tin cans. Manganese is a key component of certain widely used aluminium alloys and, in oxide form, dry cell batteries used in electric vehicles. These batteries are in high demand. Another potential use for manganese may as an additive to help coat and protect a car’s engine. Manganese is also used for non-metallurgical purposes such as plant fertilizers, animal feed, and colorants for bricks. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized mineral specimen in shades of silver and blackmanganese, open cut mine, manganese ore processing, bell bay, tasmania, northern territory, steel industry, zinc-carbon batteries, alkaline batteries, tin cans

Printed and branded tins were one of the first marketing forms of advertising. After Huntley & Palmer introduced these tins in 1860, all biscuit makers were competing to develop original and novel tins to sell their products. They soon became a collectable item. The first biscuits to be made by Arnott’s were called ‘Thin Captains’ which were the biscuit maker’s version of the sea biscuit. This tin is typical of food tins bought not only for the contents but as a decorative reusable container in the home.Tall cylindrical tin. Extra Thin Captain Bisuits on paper label. Lid is push in type.Factory Port Melbourne Vic Aust Swallow & Ariellstin biscuits swallow-ariell container

3 Page Letter printed on A4 printer paper. Bearing the letterhead of the Bush Dance and Music Club of Bendigo Inc. Postal Address Secretary PO Box 922 Bendigo 3552 Telephone number (03) 5442 1153 email [email protected] Mark Maddock Case Officer Australian Honours and Awards Secretariat Government house Canberra ACT 2600 28th February 2011. Dear Mark, Thank you for giving us the opportunity to speak for Peter Ellis. We know Peter to be a worthy candidate for the award and I think that most people that know him would agree. I had been putting together a nomination for Peter that was suggested by a couple at our club meeting on a night when Peter was not present. Everyone felt that he should have recognition for all the work that he has done and it was unanimously voted on. I was given the job. As someone else has beaten me to it I now can speak for him on my own behalf and in my role as secretary of the Bush Dance & Music Club Inc. Peter Ellis is a very good friend of mine and I have known him since April 1975 when we met at a Saturday night dance. At that time there was a small group of us that went around the dances. We would go 100kms to find dances that were not on the average programme, dances such as The Lancers, Albert's, Waltz Cotillion and lots of Polkas. We bemoaned the fact that they appeared to be dying out in the Towns and Cities so we tried to get the Bendigo Old Time Dance Club of which we were members, to introduce these dances on to the programme, but they were not interested. After a lot of discussion Peter, Maurie Rayner, myself and several others decided to start our own dance club where we could do the dances that we liked, and to endeavour to keep them alive. We formed the Sandhurst Dance Club in June 1979 (renamed ten years later as the Bush Dance & Music Club of Bendigo Inc.) In 1981 Peter made two attempts to form a band for the club and in 1983 the 'Celebrated Emu Creek Bush Band' was born, with Peter as the leader. Later Peter set up a junior section of the Emu Creek Band and some of these children grew up to become competent musicians and leaders of their own bands/Groups. Peter's friendship with the late Harry McQueen of Castlemaine led to and increased knowledge of the dances, calls for the sets and the various tunes used. Peter joined the Wedderburn Old Timers Orchestra in late 1979 and travelling around Victoria and interstate with them was of immense help in learning to MC dances, call sets acoustically and in collecting new 'old dances' and tunes. He met elderly MC's who gave him information on the way that they ran the dances in the old days. It was also an introduction to playing items at concerts and in reviving much of the old traditions of the bush. Demand for the tunes for dances led to Peter compiling a series of three books called 'Collectors Choice' which were published by the Victorian Folk Music Club in 1986, 1987 and 1988. 1988 was a very busy year for Peter and The Emu Creek Bush Band as they recorded two double music tapes for the club 'The Merry Country Dance' and 'The Waltz the Polka and all Kinds of Dancing' which were in much demand at the time. Also in 1988 he collaborated with the late Shirley Andrews and they co-authored the book 'Two Hundred Dancing Years and how to celebrate them with a Colonial Ball' for the Bicentennial of 1988. this publication, was instigated by the Government backed Bicentenary Committee, and distributed free to every municipality in Australia. In 1996 The Emu Creek Bush Band and Peter recorded and produced a single CD called a Friday night at 'The Spring Valley Hop'. In 1998 The Bush Dance & Music Club again happily agreed to financially back Peter to produce a series of CDs. The first thing he did was to revive and update the 1988 music tapes for CD. The first of the Qadrille Mania series of double CDs with companion call books was launched in 1999 then in 2000 and 2001. then the triple CD called The Waltz Polka & all kinds of Dances in 2002 followed by the Merry Country Dance CDs in 2005, 2006 and 2007. There were six double CDs and one triple CD produced which was a major undertaking that went on for eight years. The CDs have a great many tunes that Peter collected over the years mixed in with well known tunes and there are very few repeats. During this time we applied for a Grant from the Victorian Government to publish a book on the social History of country dances and dance instructions with Peter as the author. We were successful and published it in 2005. Our CDs and book have all been lodged with the National Library of Canberra as has all Peter's sheet music, boxes of it, as well as everything he has produced. At the 2005 Canberra National Folk Festival, at a meeting of collectors, it was stated that Peter has the largest collection of dance related material in the National Library. Peter compiled and produced his own project a triple CD called 'Take Me Back to Bendigo' in 2002. 2006 Peter and Emu Creek Bush Band produced another single CD 'Bush Concert Vol one Back to Goornong'. 2008 A pet project of Peter's was compiling and producing a double CD for the Wedderburn Old Timers it was of all the recorded material performed by them at concerts and taped by friends and fans. It was funded by Gavan Holt a son of the late Lindsay Holt an original 'Old Timer'. Recent publications are a book mainly music 'Music Makes Me Smile' a tribute to Con Klippel and the music of the Nariel Valley near Corryong Victoria. Peter Ellis & Harry Gardner 1998. The Waltz, The Polka & All Kinds of Dancing' a sheet music book for musicians supported by the Folk Song & Dance Society of Victoria. 2007-8 not sure of year. Peter has been involved over the years in collecting music and dance by himself and also with Rob Willis and the late John Meredith for the National Library in Canberra. He is continually asked for information and to write articles for people and to verify points re dance and music. He corresponds with like minded people overseas and frequently goes off to Folk Festivals all over the country, usually running dance classes, musician's workshops or just playing for dances. He is an excellent musician and plays Piano, Button Accordion, Concertina, Mouth Organ, Tin Whistle, Ukulele, Spoons and the Bones. He is regarded as one of Australia's foremost collectors and presenters of Australian traditional dance tunes, dances and some musical instruments. Over the years I have heard him referred to as the Guru of folk dance and music. Peter lives and breathes for this passion of his and always has several irons in the fire. He is a life member of The Bush Dance & Music Club of Bendigo Inc. The Victorian Folk Music Club, and The Bendigo Field Naturalists Club. He was a recipient of the David Squance Award in 1994 presented by the Folk Song & Dance Society of Victoria. Over the last twelve months for the folk magazine 'Trad & Now' he has written articles on the old dances and music and this is an ongoing project. This has led to our clubs present project which is the filming of the dances to be shown on UTube as it is referred to in the magazine. This involves members in hours and hours of practising the dances then filming them, and all with Peter's expert teaching and watchful eye on everyone. The Bush Dance & Music Club are and always have been behind Peter wholeheartedly in everything that he does and we are extremely proud of what he has achieved. His drive and enthusiasm for the preservation of music and dance is catching. People like Peter are absolutely necessary in finding and preserving our Australian Heritage, without them it would be lost forever and Australia would be a great deal poorer for it. The Bush Dance and Music Club of Bendigo Inc. and I fully support this nomination for an award as he is truly deserving of it. Yours sincerely Mary E Smith. Secretary of the Bush Dance & Music Club Inc. Peter's Timeline. 1979 A Foundation Member of the Bush Dance & Music Club of Bendigo Inc. 1979 Joined the Wedderburn Old Timers Orchestra. 1983 The Celebrated Emu Creek Bush Band was formed. 1986 Collectors Choice. Volume one. 1987 Collectors Choice. Volume Two. 1988 Collectors Choice. Volume Three. 1988 Recorded Tapes - The Merry Country Dance & The Waltz Polka & all Kinds of Dances. 1988 A book with the late Shirley Andrews called Two Hundred years of Dancing. 1991 Across to Perth collecting for National Library with the Late John Meredith. 1996 Single CD A Friday Night at the Spring Gully Hop. 1998 Music Makes Me Smile. A tribute to Con Klippel 7 music of the Nariel Valley. 1999 Double CD Quadrille Mania 1&2 2000 Double CD Quadrille Mania 3&4 2001 Double CD Quadrille Mania 5&6 2002 His own project triple CD Take Me Back To Bendigo. (Goldrush to Federation and Beyond). 2002 Triple CD The Waltz The Polka & All kinds of Dances. 2005 Double CD The Merry Country Dance 1 & 2. 2002 Book, The Merry Country Dance. 2006 Single CD with Emu Creek 'Bush Concert Vol 1 Back to Goornong' 2006 Double CD The Merry Country Dance 3&4 2007 Double CD The Merry Country Dance 5&6 2007-8-? A book of music, The Waltz, The Polka & All Kinds of Dances. 2008 Double CD The Wedderburn Old Timers in Concert.person, individual, peter ellis oam

A children's toilet product to aide in relief of suffering from chafing caused by nappy rash. A far cry from the present day products as the item has no description of contents. This was before legislation was introduced making the listing of ingredients compulsory.Small cylindrical can for Pears' Precipitated Fuller's Earth. Sides printed with product details. Lid printed with coloured picture of nurse and child.Printed on base of side in black: A & F PEARS, Limited / LONDON and SYDNEYbaby product, a & f pears, tin, sydney, london, printed tin, round tin, children, mothers, nappy rash, powder product, medical, victorian, printing process, font, collectable

Photographed from left, Evgenia Raftopoulos and Nina Black (Mavrokefalos) collecting money for the 1943 - 44 Lord Mayor's Bush Fire Appeal. The bush fires raged across Victoria and in particular in areas very close to Melbourne's rural fringe such as Beaumaris. Members of the Ithacan Philanthropic Society joined other groups to collect funds for this worthy cause. Both ladies were very active in the community. Since it was established in 1917, the Ithacan Philanthropic Society has supported and continues to support many worthy causes both in Greece and Australia . A black and white photograph of two ladies dressed in Greek national costume collecting money for a cause. A little child is putting money in one of the tins while a lady watches on.

A series of sixty one articles written by Leighton Rawlings and published in the Bendigo Weekly between 2000 and 2003. Each article details a collectable item and its history. Each article includes a photograph. The articles are stored in a white vinyl covered two ring A5 folder. Index below. Collectors” Corner Number Article Name Date 1. Miner’s Food Tins 21/2/2003 2. Bendigo Girls High School Jubilee Magazine 28/03/2003 3. Bendigo’s Juvenile & Industrial Exhibition 28/02/2003 4. Bendigo’s 59TH Grand Spring Show Program 7/03/2003 5. Bendigo’s Mayfair Distributors 9/08/2002 6. Celebration of Bendigo’s 1951 Gold Centenary 31/01/2003 7. Souvenir of American Naval Visit to Bendigo 6/09/2002 8. Back Seat Driver’s Licence 4/04/2003 9. Antique Shearing Documents 19/07/2002 10. Angus Mackay’s Top Hat and Exquisite Hat Case 2/08/2002 11. Early Morse Code Key Set 9/02/2001 12. Antique Produce Weighing Scales 16/02/2001 13. Bendigo Aerated Water Containers 14. Bendigo’s “Poppet Head” Bottle 14/12/2001 15. 1901 Federal Parliament Medallion 18/05/2001 16. Queen Victoria Diamond Jubilee Medallion 1/06/2001 17. Prince of Wales Visit to Eaglehawk 8/06/2001 18. The Beehive Store Sales Docket 15/06/2001 19. Australia’s First Newspaper 22/06/2001 20. Australia’s First Newspaper 29/06/2001 21. Bendigo City Jubilee Ball 6/07/2001 22. Bendigo’s Busy Red Emporium 1 3/07/2001 23. “Saintly” Memorabillia (sic) of a Bygone Era 20/07/2002 24. Historical Bendigo Lodge Certificate 28/09/2001 25. Bendigo Agricultural Show 19/10/2001 26. Victorian Railway’s Smoke Social Invitation 5/10/2001 27. Early Award Medallions 6/03/1998 28. Home Delivery Grocer 26/10/2001 29. Swimming Proficiency Medallion 9/11/2001 30. 1950’s Road Travel Ticket Collection 27/07/2001 31. Glover’s Soft Drink Bottle 3/08/2001 32. Antique Leggo’s Bottles 10/08/2001 33. Collectable Documents 17/08/2001 34. Broadcast Listener’s Licence 31/08/2001 35. Antique Board Game 7/09/2001 36. Century Old Memorabilia Returns to Sacred Heart Cathedral 30/11/2001 37. California Hill Methodist Church Memorabilia 21/12/2001 38. Goldfield Wax Matched Tin Box 4/01/2002 39. Memorabilia of a Bendigo Lodge Member Nov 2001 40. Eaglehawk General Store Memorabilia Nov 2001 41. Bendigo’s Rescue Home Memorabilia 18/01/2002 42. Automobile Parts House Memorabilia 11/01/2002 43. Antique Insurance Certificates 1/02/2002 44. The Universal Self Instructor 8/02/2002 45. Automobile Parts House Memorabilia – Part 2 15/02/2002 46. Miner’s Hard Hat 1/03/2002 47. Antique Bendigo Medicine Bottle 8/03/2002 48. British Prime Ministers Visit Memorabilia 22/03/02 49. Bendigo’s Sun Newspaper 28/3/2002 50. Bendigo Grocer’s Memorabilia 5/04/2002 51. The Universal Self Instructor 52. Gold Mining Company Documents 31/05/2002 53. Bendigo Motoring Memorabilia 17/05/2002 54. Bendigo Carriage to Motoring Memorabilia 24/05/2002 55. Bendigo Easter Fair and Grand National Show Medals 13/09/2002 56. Official Trades Union Directory 1949 27/09/2002 57. The 1889 Pickles & Sons Challenge Cup 4/10/2002 58. Chico Roll goes “Gold” 21/12/2001 59. What’s It Worth by Ken Arnold. Money Box 28/09/2001 60. What’s It Worth by Ken Arnold. Bottle 5/10/2001 61. What’s It Worth by Ken Arnold. Jar 10/01/2003collectables, leighton rawlings

This vest was worn by Lynette Wekwerth when she worked as a volunteer in the National Wool Museum shop during the early 2000s. Lynette volunteered at the National Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread and milk delivered. There was a special tin for the bread and a big billy for the milk left of the front veranda to collect these items. My mother, elder sister, Wendy and my younger sister Zaidee, all went to “Physical Culture” held downstairs under the old Plaza Theatre building in Ryrie Street. We girls made our own sports clothes to do exercises (rods, dumbbells, and song and dance). It kept us fit, and we all won medals at some stage at the end-of-year concert. I was the only girl of my age in the street where I lived. There were boys my age, so I learned to play cricket and kick a football, all of which I did well. I attended Tate Street and then went on to Matthew Flinders Girls Secondary College in 1956. Matthew Flinders was a domestic arts school, where I learnt sewing, cookery, home management, and how to be a ‘good’ housekeeper. I enjoyed all the domestic subjects. Ray and I were engaged in August 1963. We purchased our engagement ring in Melbourne and went to dinner at the Playboy Club in Melbourne to celebrate. In preparation for our wedding, I spent many hours making my own wedding dress (with assistance from my mother). We were married at 11 am on Saturday, the 10th April 1965 at St. Matthew’s, Church of England, Geelong. When Ray retired, he responded to an advertisement for volunteers at the National Wool Museum to be a volunteer. He started in 1998. The year that the ‘Pharaohs exhibition’ started. That was fine by me, as he wouldn’t be getting under my feet. At this time I was playing golf regularly and didn’t want to miss out on this activity. I joined the volunteers in the Wool Museum in March/April 2001. I was allocated to the Museum Shop and thoroughly enjoyed being a member of the shop staff. I then became shop assistant. I enjoyed talking and serving the customers. I was soon asked if I would mind repairing some of the garments that may have pulled a thread or a minor fault. I also enjoyed doing ‘stock taking’ in the shop. (Not many staff enjoyed this job, but I did.) In those early days, the Museum staff wore the red blazer and the black wool cardigan." - Lynette WekwerthBlack woollen vest with four buttons at the front, and two pockets. Vest has National Wool Museum logo on left chest. printed [label]: BELLA / Collection / made in australia / WEKWERTH / TO FIT / SIZE / 12working life, volunteer, national wool museum, clothing, uniform, lynette wekwerth, staff, employment, wool clothing, geelong

This jacket was worn by Lynette Wekwerth when she worked as a volunteer in the National Wool Museum shop during the early 2000s. Lynette volunteered at the National Wool Museum for 25 years from 2001 until her passing in 2025, and was a much loved and respected member of the team. "I was born at Coonara Private Hospital at 173 Yarra Street, Geelong, on the 29th of March 1944, the third of five children. My father was in the RAAF when I was born, and on leaving the air force he became a carpenter/joiner. When I was young, we had the bread and milk delivered. There was a special tin for the bread and a big billy for the milk left of the front veranda to collect these items. My mother, elder sister, Wendy and my younger sister Zaidee, all went to “Physical Culture” held downstairs under the old Plaza Theatre building in Ryrie Street. We girls made our own sports clothes to do exercises (rods, dumbbells, and song and dance). It kept us fit, and we all won medals at some stage at the end-of-year concert. I was the only girl of my age in the street where I lived. There were boys my age, so I learned to play cricket and kick a football, all of which I did well. I attended Tate Street and then went on to Matthew Flinders Girls Secondary College in 1956. Matthew Flinders was a domestic arts school, where I learnt sewing, cookery, home management, and how to be a ‘good’ housekeeper. I enjoyed all the domestic subjects. Ray and I were engaged in August 1963. We purchased our engagement ring in Melbourne and went to dinner at the Playboy Club in Melbourne to celebrate. In preparation for our wedding, I spent many hours making my own wedding dress (with assistance from my mother). We were married at 11 am on Saturday, the 10th April 1965 at St. Matthew’s, Church of England, Geelong. When Ray retired, he responded to an advertisement for volunteers at the National Wool Museum to be a volunteer. He started in 1998. The year that the ‘Pharaohs exhibition’ started. That was fine by me, as he wouldn’t be getting under my feet. At this time I was playing golf regularly and didn’t want to miss out on this activity. I joined the volunteers in the Wool Museum in March/April 2001. I was allocated to the Museum Shop and thoroughly enjoyed being a member of the shop staff. I then became shop assistant. I enjoyed talking and serving the customers. I was soon asked if I would mind repairing some of the garments that may have pulled a thread or a minor fault. I also enjoyed doing ‘stock taking’ in the shop. (Not many staff enjoyed this job, but I did.) In those early days, the Museum staff wore the red blazer and the black wool cardigan." - Lynette WekwerthRed jacket with two buttons and two pockets at the front, and two decorative buttons on each cuff. Jacket has National Wool Museum logo on the left lapel. printed [label]: SABENA / 14working life, volunteer, national wool museum, clothing, uniform, lynette wekwerth, staff, employment, wool clothing, geelong

A photo of a group of defence force personnel with Volunteer Helper tags at Legacy House with a stack of Legacy Appeal tins. The slogan says "Legacy Cares for families of deceased servicemen". It appears to have been professionally taken to publicise Legacy Week in the newspapers. Labels found with a second copy say: "Fifty personnel from the RAAF's headquarters logistics command took to Melbourne's streets to collect on behalf of Legacy's Annual Badge Day Appeal. All were volunteers and were part of a tri-service effort." "Legacy is indebted to members of the Defence Force Services for their invaluable help to sell Legacy badges during "Legacy Week". The Annual Badge Day Appeal is the one time of the year that Legacy asks all Australians to remember the work of Legacy and to wear a Legacy badge with pride."A record of the defence forces help in promoting Legacy in Badge Week and selling badges.Black and white photo of defence force personnel with Legacy Appeal tins.Hand written Legacy Appeal 1990 in blue pen.fundraising, legacy appeal, legacy week, raaf, adf personnel

A photo of two badge sellers in school uniform with Legacy tins and a badge tray with an elderly lady holding her wallet to make a purchase. Likely to be a photo of Badge Week in September. One of these boys also collects for Legacy in 2004 (see 00703). Names and date unknown (it might be 2003 as other films were processed at Clarendon photos about that time with numbers in sequence near 26424).A record of fundraising during badge week.Colour photo of two badge sellers in school uniform and a lady.Printing on the back "legacy appeal, fundraising, badge week

Photos during Badge Week in September 2005 - poster says "Show your true colours" with an image of the different coloured badges available for sale. Photos of the preparations inside Legacy House for the badge sellers to collect their trays and collection tins. 007014.1 A Legatee briefing school children. 007014.2 The president Geoff Webb with a group of Navy personnel and their collection tins. 007014.3 School children's registering for their tins. 007014.4 The tins ready for collection. 007014.5 Navy personnel registering for their trays and tins. A record of the fundraising for the Legacy Appeal in 2005.Colour photo x 5 of preparation for selling badges, inside Legacy House.Printed on the back "legacy appeal, fundraising, badge week

collectables, ballarat rsl, ballarat

collectables, ballarat rsl, ballarat

collectables, ballarat rsl, ballarat

collectables, ballarat rsl, ballarat

collectables, ballarat rsl, ballarat

collectables, ballarat rsl, ballarat

Vintage Bushells Coffee jars from the 1950s are collectible items featuring a distinctive "beehive" design with ridges along the sides and a screw-top lid. These jars, often made of glass, had the Bushells name embossed on the bottom and "VACUUM PACKED Coffee" on the lid. Some jars from this era have a paper lining inside the lid, which may include a message indicating a wartime conservation effort, specifically noting the lack of vacuum seals due to tin being reserved for defense purposes. A medium sized squat clear glass jar, with a tin screw on lid. There are nine raised ridges along both sides of the jar. A paper red and black Bushell's 1lb net Pure Coffee Bushell's Pty Ltd label is glued to the front. 'Bushell's 1lb net Pure Coffee Bushell's Pty Ltd' label is glued to the front. On the lid is 'Bushell's Vacuum packed coffee' On the base of the jar is embossed 'Bushells. V641'containers, jars, domestic equipment, food storage jars, coffee

Nutmeg was highly coveted and revered by wealthy and fashionable people, so much so that they carried around their own pocket-sized nutmeg graters to add a dash of the spice to anything at any time, which was usually punch and other beverages. These graters are now valuable collectibles.A vintage tin v shaped half cylindrical nutmeg grater which has a hole at the top to hang it. It has a flip lid and is open at the bottom. cooking equipment, cooking, spices

1. State Express Ready Rubbed, produced by the Ardath Tobacco Company (est. 1895 London), was a popular Virginia tobacco, notably manufactured in Australia during the mid-20th century. The tins were typically small to mid-sized, featuring the "State Express" and "Ardath Fine Cut" branding, with "Ready Rubbed" indicating it was pre-shredded tobacco. Used widely by Australian soldiers in WWII, these compact tins are highly collectible today, appearing through the 1960s. 2. The Tilley Storm Lantern,company started in the early 19th century, with William Henry Tilley manufacturing gas lamps in the 1830s. By 1919, the company pivoted to kerosene (paraffin) pressure lamps, using a pressurized system for lighting, which was improved with incandescent mantles. The company expanded rapidly, securing major contracts to supply lamps to railway companies for track work and inspections. Tilley lamps were extensively used by British armed forces during both World Wars. In WWII, they were essential for field operations, guiding aircraft (RAF), and providing light in blackout conditions. 1. A red rectangular, State Express cigarette tin with a hinged lid. The company logo and other details are printed in gold lettering on the lid as well as Ready Rubbed Virginia Tobacco Ardath Fine Cut. There is an insignia with two crossed heraldic flags and an eagle on top. This information is printed in black lettering on a gold background inside the lid. 2. The tin contains a folded green paper instruction leaflet for the use of a Tilley Storm Lantern made in England with a black plastic branded Tilley Spare Part Dipstick used for measuring the fuel level. There is also a broken thin black ring fitting.1. On the front of the lid: 'State Express Ready Rubbed Absolutely unique in its quality Virginia Tobacco Ardath Fine Cut'. There is an insignia with two crossed heraldic flags and an eagle on top. 2oz. Net Weight. When packed is at the bottom in black print. Inside the lid: 'Every tin of genuine Star Express Ready Rubbed Ardath Fine Cut has the name of Ardath printed on the paper lining' The insignia is also printed. 2. Included is a green folded pamphlet 'Hints on the use of your Tilley Storm Lantern (Regd.)' Information in the leaflet is quite detailed. The dipstick has 'The Tilley Lamp Co. Ltd. Dipstick for Models named on reverse. E.X.100.,P.L.53.,10.,T.L.13., R. T.L.106.,T.L.136.,X246.K.L.80.,LIFE BUOY. USE ONLY GENUINE 'TILLEY' SPARE PARTS'smoking equipment, cigarette containers, tobacco

Vintage Droste’s Cacao pastille tins are highly collectible Dutch advertising items produced by the Droste factory in Haarlem, Netherlands. These tins are renowned for their iconic Art Nouveau style, often featuring the famous "Droste nurse" or traditional Dutch scenes, and are frequently used today for decorative kitchen storage or as collector's items. A tiny vintage lidded Pastille Droste Cacao tin featuring the lithographic art of Droste's Cacao and chocolate produced by the Droste factory in Haarlem, Netherlands. It has the famous Droste nurse on one side, a couple sitting inside a train carriage on another with the two remaining sides featuring the manufacturing details and a floral symbol on the other. These tins are estimated to be from the 1930's.As above the manufacturing and contents information is printed on the tin.containers, tins, domestic objects

State Express Ready Rubbed, produced by the Ardath Tobacco Company (est. 1895 London), was a popular Virginia tobacco, notably manufactured in Australia during the mid-20th century. The tins were typically small to mid-sized, featuring the "State Express" and "Ardath Fine Cut" branding, with "Ready Rubbed" indicating it was pre-shredded tobacco. Used widely by Australian soldiers in WWII, these compact tins are highly collectible today, appearing through the 1960s. A red rectangular, State Express tobacco tin with a hinged lid. The company logo and other details are printed in gold lettering on the lid as well as Ready Rubbed Virginia Tobacco Ardath Fine Cut. There is an insignia with two crossed heraldic flags and an eagle on top. This information is printed in black lettering on a gold background inside the lid. On lid in gold lettering: "State Express Ready Rubbed Virginia Tobacco" Also on the lid the company logo of a pair of crossed flags and 2 floral sprigs, surmounted by a bird with outstretched wings. Above the logo are the words: "Absolutely unique" and below the logo, on a wavy black background stripe, the words: "ARDATH FINE CUT". Inside the lid: "State Express Ready Rubbed" and "Ardath Fine Cut, with the logo in between. Underneath are printed the words: "has the name of ARDATH printed on the paper lining"tobacco containers, tobacco tins, smoking equipment

This photograph depicts Cocks Pioneer Gold & Tin Sluicing Company, N.L. (no liabilities) site No.3 and is looking from the east side of the site. The image is captured within a small valley creek bed and presents the conditions in which mining was evolving in the early 1900s. In the foreground are remnants of components such as flume pipes, timber and iron pieces, mixed with rocks and rubble. These appeared to have connections to the small processing sluice plant featured in the background. The scale of the processing plant appears to be relatively small with the structure resembling a shack or cottage built from iron and positioned upon a floating pontoon. This is known as dredge sluicing, essentially a floating factory, that was capable of covering large areas of the lake and dams. As this dredge was compact it could maneuver in tight spaces, which larger structure could not. The size of the figures at the front opening, which appears to be a doorway, indicate the scale of this very modest production plant. Scaffolding on the roof and to the left process alluvial from the stream floor into sluicing boxes, which filtered deposits passing over a series of ripples to collect the heavier material such as gold. A faded sepia rectangular photograph printed on matte photographic paper mounted on grey green cardCocks pioneer G&T S.L. Co. N.L./ 1910/ No.3 site looking eastsluicing, el dorado, beechworth, water race, flume pipes, cocks pioneer gold and tin sluicing company no liabilities, dredging