Showing 113 items matching "colours of the country"
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Greensborough Historical SocietyNewspaper clipping, Beanies on display in exhibition, 03/12/2014
... ...colours of the country...Greensborough Historical Society 34A Glenauburn Road Lower Plenty Lower Plenty melbourne Discusses the 2014 craft exhibition at Bundoora Homestead, showing beanies from the Alice Springs Beanie Festival. bundoora homestead alice springs beanie festival colours of the country News clipping, black text, colour image. ...Discusses the 2014 craft exhibition at Bundoora Homestead, showing beanies from the Alice Springs Beanie Festival.News clipping, black text, colour image.bundoora homestead, alice springs beanie festival, colours of the country -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard with embroidered butterfly representing the flags and colours of different countries. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "FROM YOUR SOLDIER BOY" (embroidered) White rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Postcard Embroidered Postcard ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Front: "FROM YOUR SOLDIER BOY" (embroidered) wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard with embroidered numbers representing flags and colours of different countries. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered) White rectangular postcard with embroidered numbers representing flags and colours of different countries. Postcard Embroidered Postcard ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered numbers representing flags and colours of different countries. Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered)wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx" White rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Bendigo Military MuseumPhotograph - PHOTOGRAPH, FRAMED, W H Robinson, 1915
... On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. ...On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. ...Black & white group photo of large number of Australian Soldiers seated at 2 long tables bearing beer bottles, glasses & crockery. They are in a large tent. On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. Above photo: “Breakfast Given to Reinforcements Prior to their departure” Below photo: “By the Citizens Camp Committee” October 28th 1915photography-photographs, frame accessories, civic momentoes -
Wangaratta RSL Sub BranchCard - Embroidered Card, c. 1918
... White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. ...country Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops. wwi postcard embroidered postcard Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) White rectangular bi-fold card with window mounted embroidery of the colours ...Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops.White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. Inside is glossy paper with decorative flowers and printed and handwritten messages. Bound with yellow ribbon.Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) wwi, postcard, embroidered postcard -
Bendigo Military MuseumSouvenir - SOUVENIR, PAINTING ON SILK, 1914 - 1919
... Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree....Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree. ...Square painted cloth with silk fringe on all sides. Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree."God Save the King". "Heaven's light our Guide, Rule Britannia, Evil be to him who evil thinks, God Save the King" souvenir, egypt, ww1 -
Bendigo Historical Society Inc.Document - The Victorian Country Volleyball Council (VCVC) Correspondence and Country Championship Reports, 1979
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Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979...Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979 Document The Victorian Country Volleyball Council (VCVC) Correspondence and Country Championship Reports. ...Volleyball has been played in regional Victoria since the early-1960’s. During those early days, most competitions, like the founders of our great sport, were run by, or in conjunction with, the YMCA. Competitions were running at the Ballarat School of Mines and the YMCA’s of Bendigo, Geelong and Warrnambool. In August 1966, an invitation was extended by the Victorian Amateur Volleyball Association to play in the first State-wide event at Monash University. Geelong and Bendigo accepted the invitation with Melbourne represented by Sisu. For Bendigo players at least, this was the first exposure to ‘international rules’, which prevented upward scoops with open hands, introduced an action called a ‘dig’ and seemed to penalise most overhead actions using the fingers as ‘double hits’! Over the next few years, the sport expanded through the YMCA movement with weekly competitions starting up in Ararat, Warrnambool and Latrobe Valley. The Victorian Regional Council of YMCA’s proposed the first Victorian YMCA Championship in Warrnambool on 30th March 1968 with an entry fee of $4.00 per team. The sport continued to grow with additional regional associations affiliating with the Victorian Amateur Volleyball Association (now VVI) who provided the coaching and refereeing assistance needed to raise the standard of play. In 1970, the YMCA Championships started to give way to the Victorian Country Championships with the first ever event held in Bendigo. In 1973, a re-organisation of the VAVA saw the proposal to create separate Victorian Country and Metropolitan Volleyball Councils. The VCVC was established in 1974 and took over the organisation of the Victorian Country Championships. For the next 10-12 years, the Country Championships grew in stature with the inclusion of two divisions for open men and women and junior divisions for boys and girls. Representative teams successfully contested Australian Country Championships between Victoria, South Australia and New South Wales on several occasions. In October 1985, the VCVC voluntarily wound up the Council and handed the responsibility for the Country Championships back to Volleyball Victoria, who by that time had full-time State Executive and Coaching Directors. Since that time, the Long Weekend in June has continued to be the date of the major annual volleyball event for most regional associations, even though in 1986 the Junior Country Championships were wound up in favour of state and national schools events. A number of regional associations have ceased to exist, as have a number of regional tournaments. Regional leagues were created in both the Gippsland and Central, North-West regions, with Gippsland the only one to survive. Some associations have successfully competed in the State League competitions at various times. Following the experience gained by a number of regional administrators working on the Sydney Olympic Games, a proposal to revamp the Victorian Country Championship was put to VVI in early 2002. Later that year, the Volleyball Victoria Country Championships Commission was formed to implement the recommendations of the review and take control of the event into the future. These championships now provide regional players and officials an opportunity to participate in a consistently well-managed event, using many international protocols and a high standard of presentation. Without doubt, this event now ranks as one of the best volleyball events in Australia. Source: 2022 Country Championship regulations The management of the Country Championships by the Victorian Country Championship Commission certainly achieved the objective of raising the standard of presentation, and delivering a consistently high quality event. However, the demands on Host Associations began to take their toll, with several Associations declining the opportunity to host the event due to the high workload. Similarly, the workload of the volunteer Commissioners also took its toll, with the Commission unable to fill casual vacancies. In 2023, the Commission handed the organisation of the Championships back to VVI, who with paid staff, were better equipped to manage the event.This item contains Correspondence of the Council in 1979 and reports on the Country Championships for that year; it includes the following documents: 11171.8a Department of Youth Sport and Recreation Courses for 1979 11171.8b From VAVA General Coaches Course Level 2 11171.8c VAVA Executive Officers List 11171.8d Letter from Ballarat asking for promotional posters 11171.8e To Mildura Volleyball re affiliation 11171.8f To Wangaratta Volleyball re costs for Country Championships 11171.8g To all associations re tournament rules and registration fees 11171.8h To all associations re VCVC Meeting March 1979 11171.8i Calendar of events for the VAVA Referee's Commission 11171.8j To VAVA re possible grant for U17 Championships at Wangaratta 11171.8k To Ann Mansfield re Volleyball Equipment stock 11171.8l Estonia Sports Club South Australia notication of annual tournament 11171.8m Country Volleyball Championships Team Entry Form 11171.8n From Geelong Volleyball asking for promotional posters 11171.8o To Kyneton Volleyball information for affiliation 11171.8p Australian Volleyball Federation advertising for coaches 11171.8q Wangaratta Volleyball Executive Details 11171.8r From J. A. Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979victorian country volleyball council, vcvc, victorian amateur volleyball association, volleyball victoria -
Wodonga & District Historical Society IncFurniture - Secretaire with Bookcase - the Watson Family of Wodonga
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...This secretaire once stood proudly in the de Kerilleau homestead at Wodonga. The homestead had been built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill ‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA secretaire with bookcase made of cedar. The bottom section has two cupboards with shelves. These doors support the desk when it is fully opened. Above this section is one large drawer, the front of which opens by pressing a small internal button on each side. The open drawer reveals a desk with a leather writing mat and several compartments. The desk is topped by a book shelf with 3 adjustable shelves. It has lockable glass doors.watson family wodonga, de kerilleau homestead, john watson -
Wodonga & District Historical Society IncDecorative object - Silver Tray from John Kenneth Darnton Watson, Wodonga
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...This silver tray was donated by the family of John Watson and was used when they lived in de Kerilleau Homestead for three generations. de Kerilleau Homestead was built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College in Geelong, Victoria. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA circular silver tray with an embossed design around the outer edge.watson family wodonga, de kerilleau homestead, john watson, peter charlesworth -
Wodonga & District Historical Society IncMixed media - John Kenneth Darnton Watson and de Kerilleau Homestead
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...de Kerilleau was built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. The magnificent two storey brick homestead is built on ground above Wodonga Creek. The home of Georgian style consists of eleven rooms and a spacious cellar. At the rear of the main house in a separate single storey building was a large kitchen, pantry and accommodation for a cook and a housemaid. A feature of the homestead is the cast iron lace on the veranda and upper balcony, both supported by caste - iron pillars. The granite foundations of the home were quarried from the hill above the homestead. The enormous Moreton Bay Fig tree which stands to the side of the home was planted when Sir Charles Bowen visited de Kerilleau to mark the opening of the rail line that connects Victoria with New South Wales. Planted in 1873, it is still standing today. This painting was donated to the Wodonga Historical Society by George, Digby & Dugald Watson on behalf of the late John & Chris Watson. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College in Geelong, Victoria. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill ‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA coloured portrait of John Kenneth Darnton Watson and a painting of de Kerilleau Homestead, the Watson Family home for three generations. The portrait was taken by Peter Charlesworth. The painting is the work of D.K. Ross in 1991.watson family wodonga, de kerilleau homestead, john watson, peter charlesworth -
Warrnambool and District Historical Society Inc.Plaque, Mudeet, C 1990
... country rider and later trainer of jumps horses. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool Racecourse These items relate to a significant part of Warrnambool's sporting and social history. warrnambool grand annual steeplechase alex fullerton mudeet e byrne jockey warrnambool .1.Mudeet and Strasbourg written in red and black texta on the reverse. .2 Mr E.A.Alstergren MUDEET. Winner of the Grand Annual Steeplchase. .1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours ...This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Mudeet won the race in 1960 with Warrnambool jockey E Byrne. Mudeet was trained by Alex Fullarton ,a leading cross country rider and later trainer of jumps horses. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool RacecourseThese items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are black sleeves with light and dark green panels on the front with a light green cap. Fourteen holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1.Mudeet and Strasbourg written in red and black texta on the reverse. .2 Mr E.A.Alstergren MUDEET. Winner of the Grand Annual Steeplchase.warrnambool, grand annual steeplechase, alex fullerton, mudeet, e byrne jockey warrnambool -
Bendigo Military MuseumMap - ARMISTICE MAP, WW1, The Industrial Australian and Mining Standard, Melbourne and Sydney>, Post June 1919
... Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours....colours cover France, Belgium, Luxembourg, Alsace, Lorraine, The Rhine, Nuetral zone, Germany, Switzerland, Holland, Rhenish Prussia (Germany) Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. maps europe armistice mcquie At the top, "The Armistice map, Germany's new place in Europe" Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours. ...The different colours cover France, Belgium, Luxembourg, Alsace, Lorraine, The Rhine, Nuetral zone, Germany, Switzerland, Holland, Rhenish Prussia (Germany) Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details.Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours.At the top, "The Armistice map, Germany's new place in Europe"maps, europe, armistice, mcquie -
Kiewa Valley Historical SocietyBook - Autographs, Autographs, 16th Jan. 1915
... country This autograph book was a gift to a grand-daughter, Mary. This book indicates that taking people's autographs was a hobby for young girls in 1915. autograph, tasmania. 1915 "Autographs" on cover. Inside cover: "To Mary / From Grandma / Jan 16th 1915" Small brown hard covered book with title and 3 flowers, in gold, on the cover. The pages are faded but were different colours ...This autograph book was a gift to a grand-daughter, Mary. This book indicates that taking people's autographs was a hobby for young girls in 1915. Small brown hard covered book with title and 3 flowers, in gold, on the cover. The pages are faded but were different colours. The spine is bound but the pages are coming away. There are entries on many of the pages."Autographs" on cover. Inside cover: "To Mary / From Grandma / Jan 16th 1915"autograph, tasmania. 1915 -
Kiewa Valley Historical SocietyBook - Country Women's Association of Victoria, Warworkers Woolcraft - Compiled by the CWA of Victoria, c1940's
... country women's association of victoria. woolcraft. australian wool board. c.w.a. Cover: Warworkers Woolcraft / Compiled by the CWA / Knitting Spinning / Sponsored by the Australian Wool Board Small brown book with black writing. 32 pages held by 2 rusty staples.The book gives patterns and instructions for making woolcraft (knitting & spinning) eg. socks & scarves, for the Airforce, Navy and Army with specific colours, thickness of wool and notes eg. no frills. ...Tawonga CWA branch commenced on 7th Feb. 1946. Prior to this the ladies would have been involved in supporting the war effort with knitted and spun items as described in this book. The branch often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Getting together for the war effort would have succeeded in this aim perhaps encouraging the women to continue meeting under the banner of C.W.A.The Tawonga ladies would have been involved in assisting the war effort from home. Most of the ladies lived on remote farms so they may have got together, learnt together and felt happier while contributing to the war effort and supporting the men fighting overseas. Wool was available and easily made into useful items that could be shipped overseas. After the war, the ladies may have wanted to continue meeting and hence decided to form a C.W.A. branch.Small brown book with black writing. 32 pages held by 2 rusty staples.The book gives patterns and instructions for making woolcraft (knitting & spinning) eg. socks & scarves, for the Airforce, Navy and Army with specific colours, thickness of wool and notes eg. no frills. Price 3d. posted 4d. Sponsored by the Australian Wool BoardCover: Warworkers Woolcraft / Compiled by the CWA / Knitting Spinning / Sponsored by the Australian Wool Boardww11. warworkers. tawonga. country women's association of victoria. woolcraft. australian wool board. c.w.a. -
Kiewa Valley Historical SocietyBook - Country Women's Association of Victoria, Handbook of Country Crafts, 1973
... Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children. tawonga. country woman's association of australia. crafts. plant crafts.c.w.a. The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. ...The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The members achieved these aims by being involved in handcrafts of all kinds.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. It has 47 pages bound by 2 staples. The crafts involve the use of plants in creating decorations.tawonga. country woman's association of australia. crafts. plant crafts.c.w.a. -
Kiewa Valley Historical SocietyPatchwork Quilts- Hand-made x2
... country Patch work quilts were made by women to decorate a cot or bed and to use left over material. They were backed to increase the warmth of the bedding. It was a leisurely occupation sometimes done in the home or with a group. These two quilts are of a decorative nature using scrap material and do not have a theme or particular pattern to them. These two quilts were made by women in the Kiewa Valley and were hand stitched. patchwork quilts home sewing 1. Hand-made cotton patchwork of varying colours ...Patch work quilts were made by women to decorate a cot or bed and to use left over material. They were backed to increase the warmth of the bedding. It was a leisurely occupation sometimes done in the home or with a group. These two quilts are of a decorative nature using scrap material and do not have a theme or particular pattern to them. These two quilts were made by women in the Kiewa Valley and were hand stitched.1. Hand-made cotton patchwork of varying colours and shapes of squares and rectangles. Back by a flannel sheet of flowers on beige or blue background. Suitable for a cot. No filling and slightly damaged with a small tear. 2. Handmade cotton patchwork of a square whose sides have been extended with rectangular strips of material. The back is a coarse wool with a greenish tinge and thin colored strips along its length on the sides. Suitable for a cot. No filling.patchwork quilts, home sewing -
Bendigo Military MuseumCertificate - APPEALS 2005, Victorian RSL State Branch, 26.8.2005
... Bendigo Military Museum 37 - 39 Pall Mall Bendigo goldfields The ANZAC Appeal is conducted every year leading up to ANZAC Day April 25th. brsl smirsl anzac appeal "Awarded to - Bendigo RSL Sub - Branch Inc - Top seller 2005 ANZAC Appeal country area 25th April 2005" Certificate, frame is timber brown/gold colours, certificate in colour white background with ornate edge, RSL Logo at the top followed by "Returned & Service's League of Australia (Victorian Branch) Inc, under is details of the award, signed and dated with red seal in RH corner. ...The ANZAC Appeal is conducted every year leading up to ANZAC Day April 25th.Certificate, frame is timber brown/gold colours, certificate in colour white background with ornate edge, RSL Logo at the top followed by "Returned & Service's League of Australia (Victorian Branch) Inc, under is details of the award, signed and dated with red seal in RH corner."Awarded to - Bendigo RSL Sub - Branch Inc - Top seller 2005 ANZAC Appeal country area 25th April 2005"brsl, smirsl, anzac appeal -
Kiewa Valley Historical SocietyBlouse, circa 1920 - 1950
... Kiewa Valley Historical Society Mount Beauty Information Centre 31 Bogong High Plains Rd Mt Beauty high-country This garment provides a good example of the mode of dress that young girls (4yo) wore in the Kiewa Valley circa 1920's early 1940's Historically this blouse details the fashion of this era. The simplicity of the cut of the blouse is offset by cotton lace and anglais stitching and piping. piercing colours ...This garment provides a good example of the mode of dress that young girls (4yo) wore in the Kiewa Valley circa 1920's early 1940'sHistorically this blouse details the fashion of this era. The simplicity of the cut of the blouse is offset by cotton lace and anglais stitching and piping. piercing colours for youngsters was not in vogue and home made clothing was a greater necessity in the Kiewa ValleyBlouse white cotton/linen for girl. Front opening with four button holes, no buttons. Blouse has set in sleeves, top flares out over hips size approx four(will fit 4 year old), long sleeves with broderie anglais cotton lace on edge of cuffs, piping where sleeves join bodicelace, garment, blouse, broderie, anglais -
Kiewa Valley Historical SocietyDress
... country made locally circa 1910. Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative Historical significant to the period circa 1900 to circa 1950 when fashion was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. ...made locally circa 1910. Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relativeHistorical significant to the period circa 1900 to circa 1950 when fashion was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Photos in the KVHS collection show girls from Tawonga Primary School in a dress that could be this dress which is dated 1910. Dress brown cotton with long sleeves. Dress top and sleeves lined. Back of dress is open with metal hooks for fastening. Hand stitched eyelets and decorative strip down centre front bodice and around hips. Gathered skirt is joined at hip. One pocket on left side 6cm from waist band.Decorative strip at bottom of dress with a pleated hand and machine stitched frill.no inscriptions or markings suggesting locally made.dress, clothing, girl's dress, home made -
Kiewa Valley Historical SocietyBook - Reference Chemistry, Elements of Chemistry, first printed 1887 this item 1921
... country This item is a good example of a pre 1960's school science reference books. It contains sketches of experimental apparatus and not colored photographs of later text books. Although the sketches are very instructional they do not show the various colours ...This item is a good example of a pre 1960's school science reference books. It contains sketches of experimental apparatus and not colored photographs of later text books. Although the sketches are very instructional they do not show the various colours obtained when mixing some compounds. The history of reprints demonstrates the quality of the information and the ease of study for students using this book. The era of this publication was a time when sources for knowledge in schools was restricted to mainly school books and teacher demonstrations. The student in the 2 Millennium has a far greater reference source available e.g. the internet. This book is significant to the Kiewa Valley as the Davies family (Tas Davies, penned on the first page), belong to the early settlers of the valley. The book acknowledges that although the region was relatively isolated up to the mid 1900s, the good teaching methods of local schools did not suffer in this rural area. This region was not in the backwaters of scholarly development and modern progressive thought. As with "school of the air" distances in rural areas, between centres of learning and recipients, became irrelevant provided that the social stimulant to learn exists. The "local school" mind set within rural areas was, even before the improvement of the communication "explosion" of the early 1900s followed by the internet facilities of the late 1900s, the greatest drive in cutting the anomalies between city and rural learning facilities. Government decentralising higher education facilities into regional centres (Wodonga - Albury) provided greater access for the learned mind.This item (book) has a faded red colour, hard cover with black print and rectangular design. Within this design is an encircled double "M" and "&" (in the left inverted V of the M) and a "Co" (in the right inverted V of the M). On the front cover "MACMILLAN'S SCHOOL CLASS BOOKS CHEMISTRY" and on the spine "ELEMENTS OF CHEMISTRY" underneath "REMSEN" and at the bottom"MACMILLAN & Co"school, chemistry, text books, science experiments -
Bendigo Military MuseumMap - INVASION MAP, H.E.C Robinson PTY LTD, Post 1945
... Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsons...Bendigo Military Museum 37 - 39 Pall Mall Bendigo goldfields Maps invasion europe Robinsons Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsons Map INVASION MAP H.E.C Robinson PTY LTD ...Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsonsmaps, invasion europe, robinsons -
Bendigo Military MuseumCertificate - SHIRE OF MARONG, FRAMED, 1.4.1946
... country & Empire and extend to you the grateful thanks of this Municipality. Desmond Basil Pocock No VX66853 enlisted in the 2nd AIF on 3.12.1941 age 21 years. At discharge on 30.1.1945 he was a Pte in 6th Aust Hospial laundry. certificates Shire Marong Presented to "DESMOND B POCOCK" Printed Certificate in colours of yellow, red, pale green on white background with Rising Sun emblem, British & Australian flags & red seal of Shire of Marong. ...The President, Councillors & Ratepayers of The Shire of Marong desire you to accept this Certificate in appreciation of your services for our country & Empire and extend to you the grateful thanks of this Municipality. Desmond Basil Pocock No VX66853 enlisted in the 2nd AIF on 3.12.1941 age 21 years. At discharge on 30.1.1945 he was a Pte in 6th Aust Hospial laundry. Printed Certificate in colours of yellow, red, pale green on white background with Rising Sun emblem, British & Australian flags & red seal of Shire of Marong. Glass & gold coloured frame. Waxed paper on back of frame.Presented to "DESMOND B POCOCK"certificates, shire, marong, -
Kiewa Valley Historical SocietyTelephone - Wall Mounted 184, Circa mid 1900s
... country This handset appeared via Australia Post Office and was to some degree manufactured in Britain just prior to 1939. During and after World War II these handsets were made in Australia. The handset belonged to the SEC Victoria and later the Kiewa Hydro Electricity Scheme. As this unit has a winder arm (to notify the switchboard) it would have resided in a workshop/machine shop and not in an office. The durability of the bakelite covering gave good protection in any environment. In years later the bakelite came in colours ...This handset appeared via Australia Post Office and was to some degree manufactured in Britain just prior to 1939. During and after World War II these handsets were made in Australia. The handset belonged to the SEC Victoria and later the Kiewa Hydro Electricity Scheme. As this unit has a winder arm (to notify the switchboard) it would have resided in a workshop/machine shop and not in an office. The durability of the bakelite covering gave good protection in any environment. In years later the bakelite came in colours. This type of handset being able to endure rough handling was ideal for the surroundings of the alpine terrain. It would have been at the various outside outposts or foreman posts as swift communications was essential and communications with all sectors of work in the Hydro Electricity Scheme was mandatory, not only for safety reasons but also for efficient operational day to day progress. Also refer to article in "This Week" Newsletter 30th June 2023. Article attached to paper copy.This Australian Post Office 184 black coloured bakelite wall mounted phone was initially developed by Ericsson Telephones Ltd Britain. It was used by the SEC Office based at Mount Beauty and therefore has a winder (for power and notification to the switchboard. The hand piece (large ear and voice receptors)is placed vertically above the dial up winder.On the winder plate in hand writing is" turn handle lift handset" and below the handle "when finished replace handset turn handle"sec communications, wall telephone, internal communications kiewa hydro electricity scheme -
Kiewa Valley Historical SocietyBook - History, The Coronation Book of Queen Elizabeth II, Circa 1952
... colours. This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country ...This book was produced in a period of time when Australians, especially those in rural areas referred to Britain as "the mother" country. It was a time when the transition from a colonial dominion of Britain to the status of an individual State through the Australian Constitution was quite apparent, except for the affection and respect of the majority of the population towards "their" Queen. It was a time when the Governor General (Queen's representative) were British born and picked. Australia had grown from a colonial status to an individual state. The feeling towards the monarchy is aptly demonstrated by the words from the High Commissioner for Australia, Sir Thomas White K.B.E., proposal for Australia to adopt the royal title "Elizabeth the Second by the grace of God of the United Kingdom, Australia and her realms and territories Queen, Head of the Commonwealth, defender of the Faith" Here faith implies the christian (Church of England) religion. In rural Australia the respect and admiration for the Queen was very high and all public offices, clubs and halls displayed a well positioned, large photograph of the Queen. The respect for British royalty was quite pronounced by the royal toast, offered before "official" proceedings commenced, and in the military flying the royal "blessed" colours.This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country", in that order. After World War II the social texture through multi-culturalism (especially in the Cities)moved away from this "motherland" bondage but it had taken a longer period to penetrate those rural sectors within the Kiewa valley and high plains areas. The great post World War II immigration of European refugees started a shift of numbers of Australian families whose parents were not born in Australia or had British family ties. The book represents a period in time where ties to Britain where a lot strong and entrenched in the social fabric of the Australian rural sector. The growing push for a republic is becoming stronger and stronger as the level of rural royalists deminishes.This item is a hard covered book of 200 pages including 8 pages in full colour and over 250 photographs covering the British royal family and in particular Queen Elizabeth II and her coronation. The external protective paper dust-jacket is in colour. Specific references to Australia appear on pages 9,36 to 41 and 97. The hard cover has a "off" white cloth textured (glued reinforced) cover over thick cardboard . The front and back pages depict the Royal investiture carriage with guards and footmen. Little cherubs are portrayed around the sheath holding the Royal Crown. Crowned lion and stallion sit at attention on either side of the carriage, with the Royal shield supporting their front legs.,The dust jacket is in full colour with the wording "The CORONATION BOOK of QUEEN ELIZABETH II" With a Pictorial Record of the Ceremony" The spin of the jacket (in gold print on a regal red background) "THE CORONATION BOOK OF QUEEN ELIZABETH II" on the bottom "ODHAMS" The cover has a pressed oval shaped double lined border enclosing a crown and the words Elizabeth R, below which is pressed 1953. The spine has the following words in gold coloured print "THE CORONATION BOOK OF QUEEN ELIZABETH II. The front, inside flap, of the dust jacket details the significance of what is contained within the book and the back inside flap has the contents and those personages who contributed. The back of the dust jacket has a brief review of three other books covering other aspects of British royalty and they are titled "THE DUKE OF EDINBURGH" ( a pictorial biography), "QUEEN MARY" (her life and times) and "ROYAL HOMES ILLUSTRATED" (with an essay on the royal palaces by A.L. Rowse.modern australian history, british royalty, queen elizabeth ii, coronation of queen elizabeth ii, australia's "mother country" -
Kiewa Valley Historical SocietyTowel Tea CWA, circa mid to late 1900's
... COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above. This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours ...This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association -
Lara RSL Sub BranchBelt, Leather Belt
... Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt -
Lara RSL Sub BranchBelt, Webbing Belt
... Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties.This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Webbing Belt with Badges and Buttons WW1See Mediaarmy, australian army, western front, aif, s.w.ellis, service number 640, 2 m.g.c., buttons, badges, belt, stable belt -
Bright & District Historical Society operating the Bright MuseumTeapot
... Bright & District Historical Society operating the Bright Museum 2 Station Street Bright high-country teapot ceramic goldfields buckland valley aldo gios tableware On base of teapot : Ro. No. 113746 Black ceramic teapot. Highly decorated in faded colours ...Black ceramic teapot. Highly decorated in faded colours of yellow, white, blue and pink - storks and flowers.On base of teapot : Ro. No. 113746teapot, ceramic, goldfields, buckland valley, aldo gios, tableware -
Frankston RSL Sub BranchPatriotic Rosette
... colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. ...colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. ...Patriotic rosette made of cotton ribbon in various colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. There are coloured ribbons representing Britain, France, Netherlands, Belgium. The centrepiece of the rosette represents the United States of America and there is a piece of ribbon featuring the flags of the United Kingdom, France, The Netherlands and Belgium. The rosette has a small safety pin sewn to the rear for attachment to the wearers clothing. Some of the ribbon colours have faded noticeably.
