Showing 66 items matching "colours of the country"
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Greensborough Historical SocietyNewspaper clipping, Beanies on display in exhibition, 03/12/2014
... ...colours of the country...Discusses the 2014 craft exhibition at Bundoora Homestead, showing beanies from the Alice Springs Beanie Festival. bundoora homestead alice springs beanie festival colours of the country News clipping, black text, colour image. ...Discusses the 2014 craft exhibition at Bundoora Homestead, showing beanies from the Alice Springs Beanie Festival.News clipping, black text, colour image.bundoora homestead, alice springs beanie festival, colours of the country -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard with embroidered butterfly representing the flags and colours of different countries. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "FROM YOUR SOLDIER BOY" (embroidered) White rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Postcard Embroidered Postcard ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Front: "FROM YOUR SOLDIER BOY" (embroidered) wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard with embroidered numbers representing flags and colours of different countries. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered) White rectangular postcard with embroidered numbers representing flags and colours of different countries. Postcard Embroidered Postcard ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered numbers representing flags and colours of different countries. Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered)wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub BranchPostcard - Embroidered Postcard, c. 1917
... White rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. ...During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back home wwi postcard embroidered postcard carte postale Front: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx" White rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. ...Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Bendigo Military MuseumPhotograph - PHOTOGRAPH, FRAMED, W H Robinson, 1915
... On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. ...On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. ...Black & white group photo of large number of Australian Soldiers seated at 2 long tables bearing beer bottles, glasses & crockery. They are in a large tent. On the tent poles are shields with colours & names of allied countries, Serbia, Canada can be seen. Above photo: “Breakfast Given to Reinforcements Prior to their departure” Below photo: “By the Citizens Camp Committee” October 28th 1915photography-photographs, frame accessories, civic momentoes -
Wangaratta RSL Sub BranchCard - Embroidered Card, c. 1918
... White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. ...Designs endorsing patriotism and unity were popular amongst Allied troops. wwi postcard embroidered postcard Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. ...Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops.White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. Inside is glossy paper with decorative flowers and printed and handwritten messages. Bound with yellow ribbon.Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) wwi, postcard, embroidered postcard -
Bendigo Military MuseumSouvenir - SOUVENIR, PAINTING ON SILK, 1914 - 1919
... Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree....Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree. ...Square painted cloth with silk fringe on all sides. Painted in multi colours. King's photo over their country's flag. Centre has a Pyramid, Sphinx, man on a camel, a man standing under a palm tree."God Save the King". "Heaven's light our Guide, Rule Britannia, Evil be to him who evil thinks, God Save the King" souvenir, egypt, ww1 -
Bendigo Historical Society Inc.Document - The Victorian Country Volleyball Council (VCVC) Correspondence and Country Championship Reports, 1979
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Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979...Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979 Document The Victorian Country Volleyball Council (VCVC) Correspondence and Country Championship Reports. ...Volleyball has been played in regional Victoria since the early-1960’s. During those early days, most competitions, like the founders of our great sport, were run by, or in conjunction with, the YMCA. Competitions were running at the Ballarat School of Mines and the YMCA’s of Bendigo, Geelong and Warrnambool. In August 1966, an invitation was extended by the Victorian Amateur Volleyball Association to play in the first State-wide event at Monash University. Geelong and Bendigo accepted the invitation with Melbourne represented by Sisu. For Bendigo players at least, this was the first exposure to ‘international rules’, which prevented upward scoops with open hands, introduced an action called a ‘dig’ and seemed to penalise most overhead actions using the fingers as ‘double hits’! Over the next few years, the sport expanded through the YMCA movement with weekly competitions starting up in Ararat, Warrnambool and Latrobe Valley. The Victorian Regional Council of YMCA’s proposed the first Victorian YMCA Championship in Warrnambool on 30th March 1968 with an entry fee of $4.00 per team. The sport continued to grow with additional regional associations affiliating with the Victorian Amateur Volleyball Association (now VVI) who provided the coaching and refereeing assistance needed to raise the standard of play. In 1970, the YMCA Championships started to give way to the Victorian Country Championships with the first ever event held in Bendigo. In 1973, a re-organisation of the VAVA saw the proposal to create separate Victorian Country and Metropolitan Volleyball Councils. The VCVC was established in 1974 and took over the organisation of the Victorian Country Championships. For the next 10-12 years, the Country Championships grew in stature with the inclusion of two divisions for open men and women and junior divisions for boys and girls. Representative teams successfully contested Australian Country Championships between Victoria, South Australia and New South Wales on several occasions. In October 1985, the VCVC voluntarily wound up the Council and handed the responsibility for the Country Championships back to Volleyball Victoria, who by that time had full-time State Executive and Coaching Directors. Since that time, the Long Weekend in June has continued to be the date of the major annual volleyball event for most regional associations, even though in 1986 the Junior Country Championships were wound up in favour of state and national schools events. A number of regional associations have ceased to exist, as have a number of regional tournaments. Regional leagues were created in both the Gippsland and Central, North-West regions, with Gippsland the only one to survive. Some associations have successfully competed in the State League competitions at various times. Following the experience gained by a number of regional administrators working on the Sydney Olympic Games, a proposal to revamp the Victorian Country Championship was put to VVI in early 2002. Later that year, the Volleyball Victoria Country Championships Commission was formed to implement the recommendations of the review and take control of the event into the future. These championships now provide regional players and officials an opportunity to participate in a consistently well-managed event, using many international protocols and a high standard of presentation. Without doubt, this event now ranks as one of the best volleyball events in Australia. Source: 2022 Country Championship regulations The management of the Country Championships by the Victorian Country Championship Commission certainly achieved the objective of raising the standard of presentation, and delivering a consistently high quality event. However, the demands on Host Associations began to take their toll, with several Associations declining the opportunity to host the event due to the high workload. Similarly, the workload of the volunteer Commissioners also took its toll, with the Commission unable to fill casual vacancies. In 2023, the Commission handed the organisation of the Championships back to VVI, who with paid staff, were better equipped to manage the event.This item contains Correspondence of the Council in 1979 and reports on the Country Championships for that year; it includes the following documents: 11171.8a Department of Youth Sport and Recreation Courses for 1979 11171.8b From VAVA General Coaches Course Level 2 11171.8c VAVA Executive Officers List 11171.8d Letter from Ballarat asking for promotional posters 11171.8e To Mildura Volleyball re affiliation 11171.8f To Wangaratta Volleyball re costs for Country Championships 11171.8g To all associations re tournament rules and registration fees 11171.8h To all associations re VCVC Meeting March 1979 11171.8i Calendar of events for the VAVA Referee's Commission 11171.8j To VAVA re possible grant for U17 Championships at Wangaratta 11171.8k To Ann Mansfield re Volleyball Equipment stock 11171.8l Estonia Sports Club South Australia notication of annual tournament 11171.8m Country Volleyball Championships Team Entry Form 11171.8n From Geelong Volleyball asking for promotional posters 11171.8o To Kyneton Volleyball information for affiliation 11171.8p Australian Volleyball Federation advertising for coaches 11171.8q Wangaratta Volleyball Executive Details 11171.8r From J. A. Sporting Goods Price list 11171.8s To Horsham Volleyball re affiliation 11171.8t To Ararat Volleyball re affiliation 11171.8u Wangaratta U7 Championship referee's list and accomodation 11171.8v Notice of change of date of General Meeting 11171.8w Latrobe Valley Volleyball Association team colours 11171.8x 1979 Country Championships Shepparton list of accomodation 11171.8y Warrnambool Country Championships Team Entry Form 11171.8z From Goulburn Valley Volleyball contact details 11171.8aa From Kyneton Volleyball deference of affiliation 11171.8ab Notice of General Meeting at Wangaratta 11171.8ac Stawell Volleyball possible affiliation 11171.8ad Men's Volleyball draw 21-22 April 11171.8ae Wangaratta Volleyball U17 Championships Costs and schedule 11171.8af To Stawell Association re affiliation 11171.8ag VCVC Financial Statement 1978-79 11171.8ah VCVC Letter to the Shire of Nathalia 11171.8ai Letter re Fort Street Volleyball Club poaching players 11171.8aj Letter re Fort Street Volleyball Club poaching players 11171.8ak Letter to Coaches Commission re tournament 11171.8al VCVC Notice of general meeting in April 11171.8am VCVC re AGM Dates 1979 11171.8an VCVC re AGM Dates 1979 11171.8ao VCVC re AGM Dates 1979 11171.8ap Letter to Sports Services re design for tracksuit badge 11171.8aq VAVA Minutes of Executive Meeting Nov 1979 11171.8ar Country Championships Shaepparton Report 1979victorian country volleyball council, vcvc, victorian amateur volleyball association, volleyball victoria -
Wodonga & District Historical Society IncFurniture - Secretaire with Bookcase - the Watson Family of Wodonga
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...This secretaire once stood proudly in the de Kerilleau homestead at Wodonga. The homestead had been built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill ‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA secretaire with bookcase made of cedar. The bottom section has two cupboards with shelves. These doors support the desk when it is fully opened. Above this section is one large drawer, the front of which opens by pressing a small internal button on each side. The open drawer reveals a desk with a leather writing mat and several compartments. The desk is topped by a book shelf with 3 adjustable shelves. It has lockable glass doors.watson family wodonga, de kerilleau homestead, john watson -
Wodonga & District Historical Society IncDecorative object - Silver Tray from John Kenneth Darnton Watson, Wodonga
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...This silver tray was donated by the family of John Watson and was used when they lived in de Kerilleau Homestead for three generations. de Kerilleau Homestead was built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College in Geelong, Victoria. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA circular silver tray with an embossed design around the outer edge.watson family wodonga, de kerilleau homestead, john watson, peter charlesworth -
Wodonga & District Historical Society IncMixed media - John Kenneth Darnton Watson and de Kerilleau Homestead
... He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. ...de Kerilleau was built for William Huon, son of the early pastoralist Paul Huon, in 1870 and named after the family's ancestral estate in France. The original lease of the Wodonga Run was granted to Paul Huon as No. 202 on 7th February 1837, about a year after his cousin Charles Huon had squatted on the land. Kenneth Darnton Watson bought de Kerilleau homestead in 1922 where the Watson family lived for three generations, caring for the land and serving the Wodonga community. Kenneth, his son Ian Darnton Watson and his grandson John Kenneth Darnton Watson all served on the Wodonga Council. The magnificent two storey brick homestead is built on ground above Wodonga Creek. The home of Georgian style consists of eleven rooms and a spacious cellar. At the rear of the main house in a separate single storey building was a large kitchen, pantry and accommodation for a cook and a housemaid. A feature of the homestead is the cast iron lace on the veranda and upper balcony, both supported by caste - iron pillars. The granite foundations of the home were quarried from the hill above the homestead. The enormous Moreton Bay Fig tree which stands to the side of the home was planted when Sir Charles Bowen visited de Kerilleau to mark the opening of the rail line that connects Victoria with New South Wales. Planted in 1873, it is still standing today. This painting was donated to the Wodonga Historical Society by George, Digby & Dugald Watson on behalf of the late John & Chris Watson. John Kenneth Darnton Watson was born on 28 August 1960 in Wodonga. After completing his primary schooling locally, he boarded at Geelong College from 1973. John joined the rowing crews, starting in the 8th VIII crew and reaching the 1st VIII crew in 1978. He received multiple House colours awards for cross country, athletics and rowing and received School colours for rowing. On completion of his schooling, John spent some time jackarooing before studying farm management at Marcus Oldham College in Geelong, Victoria. He then returned home to de Kerilleau, Wodonga to manage the family property. In 1984 John married Christine Honybun, daughter of David Lewis Honybun and Marian Josephine Edkins. John and Christine had three sons. John was community minded and involved in a number of local organisations such as Apex and agricultural societies. He was elected to Wodonga City Council in 1997, serving until 2004. Due to increased pressure on available land to cater for the growth of Wodonga, some of the property was sold and in 2003 John donated 200 ha of Huon Hill ‘s western slopes to the City of Wodonga. After this time, he moved away from farming to become a Hungry Jack's franchisee. In 2009, the hard decision was made to sell de Kerilleau and John and his family moved into Wodonga. After sadly losing Christine to cancer in 2017, John became a member and Deputy Chairperson of the Albury Wodonga Regional Cancer Centre Trust Fund Board and Ambassador for the Sunshine Walk. Tragically after his own cancer battle, John Kenneth Darnton Watson passed away on 24 August 2023, aged 62 years following a life of service to the Wodonga community.This item is significant because it was owned by a prominent Wodonga family and came from a Historic Homestead in WodongaA coloured portrait of John Kenneth Darnton Watson and a painting of de Kerilleau Homestead, the Watson Family home for three generations. The portrait was taken by Peter Charlesworth. The painting is the work of D.K. Ross in 1991.watson family wodonga, de kerilleau homestead, john watson, peter charlesworth -
Flagstaff Hill Maritime Museum and VillageEquipment - Navigation Lamp, W. T George and Co. Ltd, ca 1941
... Countries began passing laws and regulations in the 1830s that required ships to show navigation lights at night or in poor weather. From the late 1840s colours ...William Thomas George was born in Birmingham in 1884 and was a tin plate worker. He and his wife Ellene had a son Leslie Thomas George. The firm W T George & Co was formed sometime later. In 1939 his firm produced ship lamps. The Patent Number GB546575 on the lamp's plate was assigned to Leslie Thomas George in 1941 for improvements in, or relating to, ships' lanterns. From that time the patent number was affixed to their namufactured Meteorite lights. The ship navigation lamp is important as an example of the evolution of marine safety technology. Countries began passing laws and regulations in the 1830s that required ships to show navigation lights at night or in poor weather. From the late 1840s colours were standardised; red for portside of the vessel and green for starboard, a white masthead light, and a white light at anchor. By 1914 the International Convention for the Safety of Life at Sea was formed and continues, with decisions and notifications on improvements and changes.. Lamp; Portside ship's lamp is rounded in the front with two flat sides coming to a point at the rear. Glass has circular ridging. Metal handle with lid and clasp. The reflector has red colouring. Inscribed on fixed plates on the front, with maker's details and Patent number. This Meteorite lantern was made by W T George and Co Ltd, of Birmingham. "Port" "W T George and Co Ltd" "Sherlock Street Birmingham" "Meteorite 68990 Patented No 546575 and others pending"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, portside ships lamp, portside, port lamp, ship's lamp, marine lamp, navigation lamp, w t george & co, coloured lens, red lens, ship fitting, marine technology, navigation light, signal lamp, leslie thomas george, gb546575, patent gb546575, meteorite, lantern, lamp, light -
Alexandra Timber Tramway & MuseumHandkerchief Purse, Souvenirs of France 1914 - 1918, 1919 (estimated)
... Panel embroidered with British and French flag in their country's colours in the shapes of 1919. SOUVENIR DE FRANCE embroidered in panel in green faded silk. ...Panel embroidered with British and French flag in their country's colours in the shapes of 1919. SOUVENIR DE FRANCE embroidered in panel in green faded silk. ...During the 1914-1918 war these souvenirs were sent by a soldier to his sweetheart, his fiancee. The pocket handkerchief holder was made of pure silk. Sadly the soldier was killed on the battlefield. His fiancee remained true to his love for the rest of her life laughing away other proposals of many admirers. Her name was Ada. She is 97 year old and now living in Tasmania and was once a close friend of Beannie Cummins (dec) of Alexandra. This information was given in 1994.Part of our World War One collection.This Handkerchief purse was once used by ladies to store their beautiful handkerchiefs. It is made of white silk (now faded.)Padded with cotton padding front and back. It has an embroidered cord around the outside with bows of cord on four corners and in the middle and top, and across the top of the opening of the purse. It has an embroidered panel 13cm x 8 cm with bows of ribbon on the two bottom corners, lace and cord around the panel. Panel embroidered with British and French flag in their country's colours in the shapes of 1919. SOUVENIR DE FRANCE embroidered in panel in green faded silk. 1919 SOUVENIR DE FRANCElace, embroidery, french, france, british, 1914 1918, souvenir, purse, and, de, silk, handkerchief, flags, panel, bows, ribbons -
Marysville & District Historical SocietyPostcard (item) - Colour postcard, Imagine That! Promotions, Marysville-Victoria, 2002
... Marysville is a beautiful small country town approximately 100 km's from Melbourne. It is/ well known for its amazing autumn colours, prolific wildlife and is only half an hours drive/ from Lake Mountain, Australia's largest Cross Country Skiing Resort./ Featured is (Main Picture) Marysville with the picturesque Cathedral Range in the back-/ ground as seen from Keppel Lookout. ...promotions postcard souvenir Marysville is a beautiful small country town approximately 100 km's from Melbourne. It is/ well known for its amazing autumn colours, prolific wildlife and is only half an hours drive/ from Lake Mountain, Australia's largest Cross Country Skiing Resort./ Featured is (Main Picture) Marysville with the picturesque Cathedral Range in the back-/ ground as seen from Keppel Lookout. ...A colour photograph of the view from Keppel Lookout of Marysville and the Cathedral Range along with photographs of the main street in Marysville, Steavenson Falls, birdlife and snow in Marysville. A colour photograph of the view from Keppel Lookout of Marysville and the Cathedral Range along with photographs of the main street in Marysville, Steavenson Falls, birdlife and snow in Marysville. This postcard was produced by Imagine That! Promotions as a souvenir of Marysville.Marysville is a beautiful small country town approximately 100 km's from Melbourne. It is/ well known for its amazing autumn colours, prolific wildlife and is only half an hours drive/ from Lake Mountain, Australia's largest Cross Country Skiing Resort./ Featured is (Main Picture) Marysville with the picturesque Cathedral Range in the back-/ ground as seen from Keppel Lookout. From the left is Marysville's main street during/ Autumn, Steavenson Falls, Crimson Rosellas and Marysville covered by a low snowfall. Imagine That!/ Post Cards Imagine That! Promotions/ Country Victoria Collection/ Landscape 1/ c 2002/ Ph: (03) 5966 8523 Fax: (03) 5966 8458 Mob: 0418 593 534 Place/ Stamp/ Heremarysville, keppel lookout, cathedral range, murchison street, steavenson falls, scarlet rosella, snow, imagine that! promotions, postcard, souvenir -
Lara RSL Sub BranchBelt, Leather Belt
... Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt -
Lara RSL Sub BranchBelt, Webbing Belt
... Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties.This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Webbing Belt with Badges and Buttons WW1See Mediaarmy, australian army, western front, aif, s.w.ellis, service number 640, 2 m.g.c., buttons, badges, belt, stable belt -
Flagstaff Hill Maritime Museum and VillagePrint - Portrait, Australian Town and Country Journal, c. 1886
... Flagstaff Hill Warrnambool Flagstaff Hill Maritime Village Flagstaff Hill Maritime Museum Maritime Museum Shipwreck coast Great Ocean Road Queen Victoria Princess Alexandrina Victoria of Kent Portrait of Queen Victoria Australian Town and Country Journal Presented to subscribers 1885 "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R” Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours ...This print was an 1885 Christmas gift from the publishers of the Australian Town and Country Journal to their subscribers. At that time Queen Victoria was 65 years old although she may not have been that age when the portrait was painted. The print shows Queen Victoria’s signature in the bottom right corner. It cost sixpence per copy and operated from 1870-1919. The Australian Town and Country Journal was printed weekly, on Saturdays, in Sydney. The edition on December 26, 1885, contained 51 pages. The Journal claimed “Circulation Ten Thousand Copies, Greater than any other Weekly in Australia.” The frame of the print has a solid back of thick timber panels and is crudely made. The edges of the frame appear to have an underlying plaster base that has been covered with a layer of wood. The corners are reinforced with metal protectors. The subject of the print is Queen Victoria, Queen of the United Kingdom of Britain and Ireland. She was born as Princess Alexandrina Victoria of Kent on May 24, 1819. She became Queen on June 24, 1837 when King William IV died. She married Prince Albert of Saxe-Coburg and Gotha on February 10, 1840. Queen Victoria lived and reigned until her death on January 22, 1901, at age 82 years, after reigning for sixty-three years and seven months. This portrait is significant historically for its origin as an inclusion the Australian Town and Country Journal, a late 19th century Australian weekly newspaper, in circulation for almost fifty years. The portrait gifted to the newspaper’s subscribers is historically significant as an example of the connection between the people in the British Colony of Australia, with the value and respect held for the Queen of the Colony. The frame of the portrait, of solid and protective construction, shows the value that the owners placed on this portrait.Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours. Text is printed outside the border, as a title above and a signature below, in the lower right corner. The back of the frame is made of heavy timber panels with holes for attaching wire. The timber frame is over a white layer of soft substance, perhaps plaster. "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R”flagstaff hill, warrnambool, flagstaff hill maritime village, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, queen victoria, princess alexandrina victoria of kent, portrait of queen victoria, australian town and country journal, presented to subscribers, 1885 -
Glenelg Shire Council Cultural CollectionPainting, W.V. Tippel (?), English Farm Scene, 1853
... Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). Scene of a man herding cattle and sheep down a country lane. ...Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). -
Ringwood and District Historical SocietyBooklet, Record of Sales of Properties in Victoria 1973-1979 (missing 1977)
... colours of buff and green. Containing addresses, number of rooms, age, selling agents and the price of houses in Melbourne. Country...colours of buff and green. Containing addresses, number of rooms, age, selling agents and the price of houses in Melbourne. Country ...Multiple listing Bureau of Victoria compiled the booklets. Carter Real Estate Agents were members of the multiple listing bureau and were issued with the booklets11 spiral bound booklets with covers of various colours of buff and green. Containing addresses, number of rooms, age, selling agents and the price of houses in Melbourne. Country areas included - Geelong, Ballarat, Bendigo Mornington and South Western."RECORD OF SALES OF PROPERTIES ... This Booklet is compiled by the Multiple Listing Bureau of Victoria for issue to Bureau members only. It must not be made available to non-member agents or the public." -
Bendigo Military MuseumCertificate - APPEALS 2005, Victorian RSL State Branch, 26.8.2005
... The ANZAC Appeal is conducted every year leading up to ANZAC Day April 25th. brsl smirsl anzac appeal "Awarded to - Bendigo RSL Sub - Branch Inc - Top seller 2005 ANZAC Appeal country area 25th April 2005" Certificate, frame is timber brown/gold colours, certificate in colour white background with ornate edge, RSL Logo at the top followed by "Returned & Service's League of Australia (Victorian Branch) Inc, under is details of the award, signed and dated with red seal in RH corner. ...The ANZAC Appeal is conducted every year leading up to ANZAC Day April 25th.Certificate, frame is timber brown/gold colours, certificate in colour white background with ornate edge, RSL Logo at the top followed by "Returned & Service's League of Australia (Victorian Branch) Inc, under is details of the award, signed and dated with red seal in RH corner."Awarded to - Bendigo RSL Sub - Branch Inc - Top seller 2005 ANZAC Appeal country area 25th April 2005"brsl, smirsl, anzac appeal -
Bendigo Military MuseumMap - ARMISTICE MAP, WW1, The Industrial Australian and Mining Standard, Melbourne and Sydney>, Post June 1919
... Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours....colours cover France, Belgium, Luxembourg, Alsace, Lorraine, The Rhine, Nuetral zone, Germany, Switzerland, Holland, Rhenish Prussia (Germany) Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. maps europe armistice mcquie At the top, "The Armistice map, Germany's new place in Europe" Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours. ...The different colours cover France, Belgium, Luxembourg, Alsace, Lorraine, The Rhine, Nuetral zone, Germany, Switzerland, Holland, Rhenish Prussia (Germany) Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details.Map in colour showing a large section of Europe, the boundaries set up after the Armistice in 1919, countries are in different colours.At the top, "The Armistice map, Germany's new place in Europe"maps, europe, armistice, mcquie -
Kiewa Valley Historical SocietyBook - History, The Coronation Book of Queen Elizabeth II, Circa 1952
... colours. This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country ...This book was produced in a period of time when Australians, especially those in rural areas referred to Britain as "the mother" country. It was a time when the transition from a colonial dominion of Britain to the status of an individual State through the Australian Constitution was quite apparent, except for the affection and respect of the majority of the population towards "their" Queen. It was a time when the Governor General (Queen's representative) were British born and picked. Australia had grown from a colonial status to an individual state. The feeling towards the monarchy is aptly demonstrated by the words from the High Commissioner for Australia, Sir Thomas White K.B.E., proposal for Australia to adopt the royal title "Elizabeth the Second by the grace of God of the United Kingdom, Australia and her realms and territories Queen, Head of the Commonwealth, defender of the Faith" Here faith implies the christian (Church of England) religion. In rural Australia the respect and admiration for the Queen was very high and all public offices, clubs and halls displayed a well positioned, large photograph of the Queen. The respect for British royalty was quite pronounced by the royal toast, offered before "official" proceedings commenced, and in the military flying the royal "blessed" colours.This book was donated by one of the founding families residing in the Kiewa Valley and is typical of the general feeling of respect and admiration felt by the rural communities towards the British Royal Family, especially towards Queen Elizabeth II. The rural slant towards any form of patriotism was along the lines of "Queen and Country", in that order. After World War II the social texture through multi-culturalism (especially in the Cities)moved away from this "motherland" bondage but it had taken a longer period to penetrate those rural sectors within the Kiewa valley and high plains areas. The great post World War II immigration of European refugees started a shift of numbers of Australian families whose parents were not born in Australia or had British family ties. The book represents a period in time where ties to Britain where a lot strong and entrenched in the social fabric of the Australian rural sector. The growing push for a republic is becoming stronger and stronger as the level of rural royalists deminishes.This item is a hard covered book of 200 pages including 8 pages in full colour and over 250 photographs covering the British royal family and in particular Queen Elizabeth II and her coronation. The external protective paper dust-jacket is in colour. Specific references to Australia appear on pages 9,36 to 41 and 97. The hard cover has a "off" white cloth textured (glued reinforced) cover over thick cardboard . The front and back pages depict the Royal investiture carriage with guards and footmen. Little cherubs are portrayed around the sheath holding the Royal Crown. Crowned lion and stallion sit at attention on either side of the carriage, with the Royal shield supporting their front legs.,The dust jacket is in full colour with the wording "The CORONATION BOOK of QUEEN ELIZABETH II" With a Pictorial Record of the Ceremony" The spin of the jacket (in gold print on a regal red background) "THE CORONATION BOOK OF QUEEN ELIZABETH II" on the bottom "ODHAMS" The cover has a pressed oval shaped double lined border enclosing a crown and the words Elizabeth R, below which is pressed 1953. The spine has the following words in gold coloured print "THE CORONATION BOOK OF QUEEN ELIZABETH II. The front, inside flap, of the dust jacket details the significance of what is contained within the book and the back inside flap has the contents and those personages who contributed. The back of the dust jacket has a brief review of three other books covering other aspects of British royalty and they are titled "THE DUKE OF EDINBURGH" ( a pictorial biography), "QUEEN MARY" (her life and times) and "ROYAL HOMES ILLUSTRATED" (with an essay on the royal palaces by A.L. Rowse.modern australian history, british royalty, queen elizabeth ii, coronation of queen elizabeth ii, australia's "mother country" -
Kiewa Valley Historical SocietyTowel Tea CWA, circa mid to late 1900's
... COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above. This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours ...This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association -
Bendigo Military MuseumCertificate - SHIRE OF MARONG, FRAMED, 1.4.1946
... country & Empire and extend to you the grateful thanks of this Municipality. Desmond Basil Pocock No VX66853 enlisted in the 2nd AIF on 3.12.1941 age 21 years. At discharge on 30.1.1945 he was a Pte in 6th Aust Hospial laundry. certificates Shire Marong Presented to "DESMOND B POCOCK" Printed Certificate in colours of yellow, red, pale green on white background with Rising Sun emblem, British & Australian flags & red seal of Shire of Marong. ...The President, Councillors & Ratepayers of The Shire of Marong desire you to accept this Certificate in appreciation of your services for our country & Empire and extend to you the grateful thanks of this Municipality. Desmond Basil Pocock No VX66853 enlisted in the 2nd AIF on 3.12.1941 age 21 years. At discharge on 30.1.1945 he was a Pte in 6th Aust Hospial laundry. Printed Certificate in colours of yellow, red, pale green on white background with Rising Sun emblem, British & Australian flags & red seal of Shire of Marong. Glass & gold coloured frame. Waxed paper on back of frame.Presented to "DESMOND B POCOCK"certificates, shire, marong, -
Bendigo Military MuseumMap - INVASION MAP, H.E.C Robinson PTY LTD, Post 1945
... Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsons...Maps invasion europe Robinsons Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsons Map INVASION MAP H.E.C Robinson PTY LTD ...Map, Robinsons Invasion Map of part of Europe rectangular shape, countries in seperate colours and boundaries in red, when folded has a front piece in blue showing planes, parachutes, boats and Cities, rear of the fold has a list of maps by Robinsonsmaps, invasion europe, robinsons -
4th/19th Prince of Wales's Light Horse Regiment Unit History RoomFlag - Regimental Colour, Kyneton District Mounted Rifles, 1861 (exact)
... colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country...colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country ...Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton District Mounted Rifles. A double-sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back-to-back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton -
Kiewa Valley Historical SocietyBook - Country Women's Association of Victoria, Warworkers Woolcraft - Compiled by the CWA of Victoria, c1940's
... country women's association of victoria. woolcraft. australian wool board. c.w.a. Cover: Warworkers Woolcraft / Compiled by the CWA / Knitting Spinning / Sponsored by the Australian Wool Board Small brown book with black writing. 32 pages held by 2 rusty staples.The book gives patterns and instructions for making woolcraft (knitting & spinning) eg. socks & scarves, for the Airforce, Navy and Army with specific colours, thickness of wool and notes eg. no frills. ...Tawonga CWA branch commenced on 7th Feb. 1946. Prior to this the ladies would have been involved in supporting the war effort with knitted and spun items as described in this book. The branch often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Getting together for the war effort would have succeeded in this aim perhaps encouraging the women to continue meeting under the banner of C.W.A.The Tawonga ladies would have been involved in assisting the war effort from home. Most of the ladies lived on remote farms so they may have got together, learnt together and felt happier while contributing to the war effort and supporting the men fighting overseas. Wool was available and easily made into useful items that could be shipped overseas. After the war, the ladies may have wanted to continue meeting and hence decided to form a C.W.A. branch.Small brown book with black writing. 32 pages held by 2 rusty staples.The book gives patterns and instructions for making woolcraft (knitting & spinning) eg. socks & scarves, for the Airforce, Navy and Army with specific colours, thickness of wool and notes eg. no frills. Price 3d. posted 4d. Sponsored by the Australian Wool BoardCover: Warworkers Woolcraft / Compiled by the CWA / Knitting Spinning / Sponsored by the Australian Wool Boardww11. warworkers. tawonga. country women's association of victoria. woolcraft. australian wool board. c.w.a. -
Kiewa Valley Historical SocietyBook - Country Women's Association of Victoria, Handbook of Country Crafts, 1973
... Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children. tawonga. country woman's association of australia. crafts. plant crafts.c.w.a. The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. ...The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The members achieved these aims by being involved in handcrafts of all kinds.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. It has 47 pages bound by 2 staples. The crafts involve the use of plants in creating decorations.tawonga. country woman's association of australia. crafts. plant crafts.c.w.a. -
Frankston RSL Sub BranchPatriotic Rosette
... colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. ...colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. ...Patriotic rosette made of cotton ribbon in various colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. There are coloured ribbons representing Britain, France, Netherlands, Belgium. The centrepiece of the rosette represents the United States of America and there is a piece of ribbon featuring the flags of the United Kingdom, France, The Netherlands and Belgium. The rosette has a small safety pin sewn to the rear for attachment to the wearers clothing. Some of the ribbon colours have faded noticeably. -
Geoffrey Kaye Museum of Anaesthetic HistoryEquipment - Cylinder, Medical Compressed Air
... countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours...countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours ...Early cylinders were coloured as their maker saw fit, usually black, perhaps with a white top for oxygen. The Americans first achieved standardisation, but other countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours may appear on the body, but indicate technical points of cylinder-design and do not concern the anaesthetist. (Penn catalogue entry)Empty small pale green painted cylinder with rounded base and attached outflow valve with circular 'On-Off' knob.Handwritten in red paint across the main body of the cylinder: ST. VINCENTS 32510 Printed on manufacturer's label: 'KEEP CYLINDER COOL / CIG [logo] / MADE IN AUSTRALIA / MEDICAL AIR COMPRESSED / DO NOT ALLOW OIL OR GREASE ON VALVE / OPEN VALVE SLOWLY CLOSE AFTER USEcompressed air, cylinder, colour standardisation
