Donated itemsDisplay and storageArranged according to aesthetic appearance.Stone ware jars including: ink wells, demijohns, hot water bottles, cordial containers and other large containers.earthen ware jars, household items, commercial itemsearthen ware jars, household items, commercial items

The tin was owned by Jack Grinton No 1043, 38th Batt AIF. This tin held hundreds of his nitrate negative photos for many years that he took during the Great War which remained virtually intact as away from light and air until rediscovered early 21st century. This collection became part of the exhibition “A Camera on the Somme”which was 80 selected photos to make a story with 7 story boards with photos to compliment. A book was also produced to accompany the travelling exhibition. The framed collection are Cat No’s 7100P to 7179P and 7180 to 7187. Part of the Grinton collection.Refer Cat No 1280 for Jacks service details. Refer 1317P, 1320P.Biscuit tin, rectangular with coloured floral arrangement on front. Used by jack Grinton to hold nitrate negative photos taken during WWI. Original biscuit manufacturing label on front in one corner.containers-commercial, domestic items-containers, food storage, metalcraft

Item in the collection re Edwin James Jones No 3511 AIF. Refer 1367.5 for his service history..1) Match box holder, metal with paper covering. Covering has a depiction of a flag and Rising Sun with banner and text "Copyright. British Made." Writing has been scratched into the flag side. .2) Matchbox, complete made of cardboard. Red, black and yellowish face with text "Impregnated Safety Matches." Contains 2 matches..1) “Pte E Jones, 46 BAT-Good Luck"personal effects-smoking accessories, containers-commercial, metalcraft, domestic items-matches, jones

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton apron decorated with machine embroidery and appliqué. The apron is a commercially created item produced in China for the European market. clothing - women's, aprons, fashion & design collection - kew historical society, protective wear, fashion design, fashion -- 1960s

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black silk hostess apron embroidered with sprays of flowers using multi-coloured silk thread. The apron is bordered by black commercial lace. Based on an examination of the embroidery, it has been deemed to be a commercially produced item made in India.clothing - women's, aprons, protective wear, fashion design, fashion -- 1960s

Item to indicate that the person was an authorised Messenger. Possibly a commercially available item. Not know whether the MMTB or The Met used this item though it was donated by a person who worked for both organisations.Demonstrates a method of indicating that the person was acting as a Messenger.Badge - nickel plated or silver finish, rounded with two lugs on rear for clipping onto a cap or a uniform - has the word "Messenger" stamped or engraved. Two copies held, one with a single brass clip.public transport, transport, badges, messenger, uniform

Commercial/ shop equipment, 3 items 156.1 JT Newtons natimuk hotel, 156.2- AM Riefel wine merchants, 156.3- Large Demiton

Various invitations, programmes and other mementos collected from Legacy events held during the early 1960's. These include invitations and tickets to the Annual Demonstrations of 1960 and 1961, the ANZAC eve school children's ceremony, also to the Senior Widows Club Grand concert (18 December 1961). The Senior Widows club also held a Christmas Dinner. Also a lapel tag for the Legacy Mothers Club. There are also mementos for Junior Legatees, such as tickets to attend the Christmas party at Government House and to Operation Float in 1962 and 1963. There are also tokens for ice creams and soft drinks at the events. There is a programme for the 1961 Annual Demonstration.A collection compiled to remember various events held in the early 1960s. It's a good record of the practice of printing invitations and tokens.Brown scrapbook pages with commercially printed items attached. The 6 pages have event invitations, notices and cards glued to the brown paper, 4 pages are double sided. The items include invitations and tickets to Christmas Parties at Government House in the 1960's, Operation Float, School Children's Anzac Eve Ceremony Attendance Card, Senior Widows Club-Christmas Dinner 1961 & Grand Concert 1962, plus a Greeting and Get Well Card. The items were commercially printed.government house party, christmas, annual demonstration, junior legatee outing, senior widows club

This specimen was donated in 1868 by Alfred Selwyn. Olivine is typically found in basic and ultra-basic igneous rocks around the world, in a variety of colours including yellowish green, olive green, greenish black and reddish brown with a transparent to translucent diaphaneity. The luster of the specimen is vitreous, the luminescence non-fluorescent and when fractured the mineral is very brittle producing small, conchoidal fragments. Chromian diopside is normally found in small sizes as the larger the size of the mineral the darker the colour is, almost black rather than green. Chromium is the element that gives chromian diopside and emeralds their rich green colour. Diopside is found across the world in multiple colours however gem-quality chromian diopside is mined in Siberia, Russia and prominent within the jewellery industry as a more affordable substitute to emeralds. Chromium-bearing diopside has been located across Australia. Chromium-bearing Diopside is located across the world found in North America, parts of South America, and across Australia, Africa, Europe and Asia. Chromium-bearing Diopside is mined in Siberia, Russia and is sold as a commercial substitute for emeralds. The stone is often turned into jewellery. This item is one of many geological and mineral specimens that constitute a broader collection obtained from various regions across Australia (as well as some international locales) and generously contributed to the Burke Museum between 1868 and 1880. A significant portion of these specimens originated from Victoria and were acquired as a result of the Geological Survey of Victoria, initiated in 1852 during the Gold Rush era. The primary objective of this survey was to investigate and chart the geological characteristics of Victoria. The procurement of geological specimens played a vital role in advancing our comprehension of the Earth's scientific composition and was instrumental in supporting research and educational institutions throughout Australia, including the Burke Museum, in their efforts to foster further exploration and study. A solid mineral specimen in shades of green, grey and brownburke museum, beechworth, geological, geological specimen

Chiltern Pharmacy, now called Dow's Pharmacy, opened in 1859 at a time when the township of Chiltern was experiencing a second-wave gold rush that redistributed the balance of commercial and social activity in the region. David McEwan, father of Prime Minister John McEwan, was one of the first pharmacists practicing at the business. It was purchased in 1929 by pharmacist Hilda Dow who ran the business with her apprentice and husband, Roy Dow, until they closed the business in 1968. In 1988, after founding the North East branch of the National Trust, the Dows donated the premises with its entire fittings and stock. Some of the more than 4,000 items in stock at the time of closure in 1968 were present in the shop when the Dows took charge in 1929 and date to the late Nineteenth Century (around the time this image was taken). Hilda Dow (nee Grey) was born in 1897, the daughter of a police magistrate. She enrolled to study at the Victorian College of Pharmacy in 1919 and worked initially for Poynton's Pharmacy in Morwell before purchasing the Chiltern Pharmacy that was later named after her. She was a member of the Pharmaceutical Society of Victoria, a hospital committee and Board, the Red Cross and the Infant Welfare Association and held office for the Chiltern branch of the Country Women's Association. Her sister Helene Grey received an OBE for her work as Lady Superintendent of the Royal Melbourne Hospital. Although Hilda Dow was not Australia's first female pharmacist (this was Caroline Copp in 1880) the preservation of the pharmacy and the stories it presents sheds light on the general issue of recognition for female medical pioneers in Australia. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This image is significant as it provides insight into social and commercial infrastructure available in the North-East region of Victoria in the late Nineteenth and early Twentieth Centuries. The business pictured is also associated with a Prime Minister of Victoria and some of Victoria's first female medical and pharmaceutical practitioners. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, hilda dow, roy dow, chiltern pharmacy, dow's pharmacy, chiltern, indigo shire, north east victoria, history of pharmacies, women in pharmacy, women in medicine, women in business, david mcewan, john mcewan, national trust, national trust victoria, north-east victoria national trust, heritage buildings, industrial heritage, helene grey, pharmaceutical society of victoria, victorian college of pharmacy, country women's association, caroline copp, royal melbourne hospital, red cross, infant welfare association

Before the invention of spin driers around the 1950's most households had a mangle. A mangle or wringer is a mechanical laundry aid. This one is powered by a hand crank and used to wring water from wet laundry and seems to be a commercial one. This mangle is from the Orbost Club Hotel. It was used in the Club Hotel and later by Bronwen Di Bari in her art workshop.This item was used by the Orbost Club Hotel, the first hotel in the Orbost district.It was built in 1884 by Mr J.A. Petterson with the licence in the name of Mr Thomas Maguire, Mr Petterson's step-son (more information in Deborak Hall's In Times Gone By).A large commercial wooden and cast iron laundry mangle. It has two wooden trays and two wooden rollers. It was originally painted green. There are four metal casters on the bottom. It has a metal spring to adjust the tension with two tap handles.On side - EWBANK On turning wheel - 511 On wood at top - 24 X 5 1/4 (size of rollers) EMERALD laundry mangle wringer

Bulk orders were made of these windcheaters in various sizes for students and staff at the school. They were worn as part of the sports uniform and also the school uniform.Orbost High School / Orbost Secondary College has played a significant role in the education of senior students in the district. It is the sole institution for secondary education. This item is representative of its history.A commercially manufactured navy blue long-sleeved jumper with Orbost High School badge embroidered on the front in yellow/gold colouring.Orbost High School - Acti Labores Iucundiuniform orbost-high-school

This item was worn by Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made manyof Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Nylon is a thermoplastic silky material, first used commercially in a nylon-bristled toothbrush (1938), followed more famously by women's stockings ("nylons"; 1940) after being introduced as a fabric at the 1939 New York World's Fair. It was the world's first totally man-made fibre. Nylon fabric became important as a synthetic substitute for silk in the manufacture of parachutes when silk became scarce during WWII.This item is an example of one of the first pieces of women's clothing to be made commercially using nylon fabric.A white nylon slip with lace trim at the hemline, straps and middle front. It has yellow ribbons wheer straps attach at the front and at the bottom front opening.Label sewn to inside - Made from 100% B NYLON S 1272women's-clothing underwear nylon burton-marjorie

Albert Jaime Grassby, AM was an Australian politician who served as Minister for Immigration in the Labor Whitlam Government. He completed reforms in immigration and human rights, and is often known as the father of Australian "multiculturalism". Prior to this Grassby worked as a journalist and information officer for the CSIRO in Griffith, New South Wales.This item is a useful reference tool on the history of Griffith in New South Wales.A 46 pp paper back book titled, " Griffith of the Four Faces". on the front cover is a coloured aerial photograph of Griffith, New South Wales. The book contains coloured photographs and a history of the area.on front cover hand-written in blue pen - "M. Gilbert"griffith-new-south-wales griffith-history

This ledger was used in Orbost as many of the names written inside are locals. It may have been used at a haberdashery store or by a local person who made items in a private business.This appears to be a record of a small commercial enterprise conducted by an Orbost local. It would have been used in a time when the needlework / knitting skills of women were important for the economy of the family.A buff coloured cardboard covered ledger book. On the front cover is a white rectangular sticker with "LEDGER" in black print. It contains accounts for sewing and knitting items. The hand - written entries are in pencil and blue pen.On front cover - hand -written is "...ANNE MUM's WORK BOOK FOR SEWING & KNITTING". There are some calculations in pen.haberdashery sewing knitting

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A squat clear glass ink bottle which is square-shaped. It has threaded top and is seamed on both sides.on base - AGM F823 M P50container bottle ink-bottle

This refillable ink bottle would have been used extensively in the early 1900's before ballpoint pens were introduced.Ink bottles are rarely used today. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A clear glass ink bottle. It would have had a cork stopper. It is seamed on both sides and the shoulders are tiered.on front - 402 SWAN INK on base - indecipherable markingsink-bottle container glass-bottle

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A small, round, clear glass ink bottle. It has a screw thread at the top.15543 5ink-bottle glass-container stationery

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A cylindrical brown glazed ceramic ink bottle with the neck narrowing to a pouring lip.Below the pouring lip - ANGUS & CO INK COMMERCIALcontainer ink-bottle ceramic angus-&-co writing-materials

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. 'Stephens' Ink' was invented by the British physician, Dr Henry Stephens (1796-1864), who in 1832 first developed his indelible "blue-black writing fluid" that became the basis of a successful manufacturing enterprise lasting over 130 years. Stephens' ink revolutionised office life in the latter half of the 19th century saving clerical workers much time previously spent mixing powdered inks and cleaning nibs. It was indelible and non-fading. After changes to the Australian import duties on inks, a local manufacturing works was established in the early 1930s by Stephens Inks (Australia) Ltd.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises. A cylindrical brown glazed ceramic bottle with a pourer lip. This would have contained ink and had a cork seal. It would have had a paper label.Near base - This bottle is the property of Stephens' Inks Aust. Ltdcontainer ceramic stephens'-inks writing-equipment communication bottle stationery

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A clear glass ink bottle with flat sloping shoulders.On the base- AGM F1173 Mbottle ink stationery personal-effects glass container

An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.Small, squat, brown, salt-glazed ceramic inkwell with small opening at top. It has a short neck and a round squat body. This type of inkwell is also known as a penny ink well.container ink-bottle penny-inkwell stationery writing

Inkwells were generally more decorative than ink bottles and designed to be more permanent.We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.Three glass inkwells. .1-blue tinted with broken top. .2 green tinted broken at top. .3 clear glass with symmetrical design.inkwell writing-equipment glass domestic-item

Could have been used at home or business. An ink wellwas made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink wells were often decorativeWe have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used in schools, households and commercial enterprises.A clear glass inkwell which is quite heavy and not easily upset. It has a concave hole in the top. ink-well writing penmanship

A jack plane (or fore plane) is a general-purpose woodworking bench plane, used for dressing timber down to the correct size in preparation for truing and/or edge jointing. It is usually the first plane used on rough stock, but in exceptional cases can be preceded by the scrub plane. Jack planes are 300–460 mm long and 64–76 mm wide, with wooden-stocked planes sometimes being slightly wider. The blade is 44–57 mm wide that is often slightly convex (or ground with rounded corners) to prevent digging in to or marking the work. The cut is generally set deeper than on most other planes as the plane's purpose is to remove stock rather than to gain a good finish (smoothing planes are used for that). In preparing stock, the jack plane is used after the scrub plane and before the joiner plane and smoothing plane. The carpenters' name for the plane is related to the saying "jack of all trades" as jack planes can be made to perform some of the work of both smoothing and joiner planes, especially on smaller pieces of work. Its other name of the fore plane is more generally used by joiners and may come from the fact that it "is used before you come to work either with the Smooth Plane or with the Joiner". Early planes were all wood, except for the cutter, or combined a wood base with a metal blade holder and adjustment system on top. Although there were earlier all-metal planes, Leonard Bailey patented many all-metal planes and improvements in the late 19th century. A jack plane came to be referred to as a "No. 5" plane or a "Bailey pattern No. 5" at the end of the 19th century. A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could remove large amounts of timber. These jack or dressing planes came in various shapes and sizes to achieve a flat and even finish to timber surfaces before the use of smoothing planes and came in many sizes. A significant tool from the mid to late 19th century that is still in use today with early models sought after by collectors. It gives us a snapshot of how furniture and other finishes were created on timber by the use of cutting edged hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative or even finish that was needed for the finishing of timber items. Jack Plane handle is attached by large screw there is a round piece of wood tacked to front. noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jack plane

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. The subject planes blade is designed to cut a groove and it's blade maker (M Gilmour) is not listed by collectors of vintage planes as a known plane makers of the 19th or 20th century.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals who worked in wood and needed a tool that could produce an ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve the required decorative finish. This item is a significant tool from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Grooving PlaneM Gilmour stamped on bladewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, moulding plane, groove plane, joiners tools, hand plane, carpenters tools

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use to produce a decorative moulding for a piece of furniture, door trims etc, or other timber items that had to be accomplished by using hand tools and in particular one of these types of planes. Profiled planes came in various shapes and sizes to achieve the required decorative finish. A significant tool from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Rebate Moulding plane Size 1/2"Maker R Routledge Birmingham also marked Owner Jas Burdenflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use to produce a decorative moulding for a piece of furniture, door trims etc. or other timber items that had to be accomplished by using hand tools and in particular one of these types of planes. Profiled planes came in various shapes and sizes to achieve the required decorative finish. A significant tool from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Plane Moulding type size 1/8" Maker stamped R Routledge & JAS Burden (owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village