This exercise book was owned by Audrey Sack and was donated by David Sack at the same time as a typewriter in its case plus accessories (refer to RN 3087). It has hand written notes of Commercial Principles class lessons from Warrnambool High School, written by Audrey Sack including pages dated 1938 and 1939. Audrey was the daughter of William Sack, owner of the business Sacks Jewellers at 115 Liebig Street, Warrnambool. William commenced trading in the early 1900’s; and the typewriter was used by Audrey in the business from the late 1930’s through to about 1996 when the business was sold. William and his wife June had three children, Eric, Audrey and David. The children were owners/partners of Sack’s Jewellers after William’s passing in 1976. Eric and David were ‘owners of the business’, with Audrey carrying out much of the clerical work. Eric died in about 1984 and David sold the practise in 1996. During the 65 years of business the typewriter was used for all the normal applications of a jeweller’s; preparing invoices, guarantees, taxation records. But in addition the four members of the Sack family were very involved in Church activities, particularly in lay administration and lay preaching in the Baptist Church, and the typewriter gained a lot of after-hours use. The family actively supported overseas Missions in India, SE Asia, and Africa. After the sale of the business in 1996, Audrey took the typewriter home for her community activities (David got a computer). In the 1980’s David volunteered as the Clock Repairer at Flagstaff Hill for the historical instruments. In the early days this took some long hours to get the clocks working, but in recent years he has just been ‘on call’ if needed. He is an alert 85 year old and just in the last 12 months has given up a busy schedule of Sunday Lay Preaching around the district. (2015)The exercise book is associated with a typewriter and text book, which is of local significance, being previously owned and used in a local business established for about 100 years.Book, student's exercise book with brown paper cover over soft cover. White pages have printed blue lines. Notes written in script with nib pen. Correction marks are on some pages. The book has entries from front to just past the centre pages, the turned upside down and written from back to almost centre pages. It belong to Autrey Sack, who was a Commercial Practices student at Warrnambool High School. Handwritten ink pen inscriptions are on the front cover and within the book. Notes are dated as 1938 and 1939."Commercial Principles" "Audrey Sack /. Commercial / W.H.S."flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, commercial principles, warrnambool high school, sack’s jewellers warrnambool, william sack, david sack, audrey sack, sack’s jewellers, exercise book, student notes, business education

Two catalogues of goods to sell, from Ringwood Timber & TradingEditorial of 15201b includes a short history of the company. In 1937, Mr S Coopersmith and son, Frank (the present Managing Director) started a fruit case manufacturing business in North Melbourne under the name of The Cooper Case Co. The business flourished, and in 1940, recognising the possibilities in and around Ringwood, an old bush sawmill and an area of land on the Maroondah Highway, were secured. Subsequent purchases have since increased this area to approximately 15 acres. It was decided to widen the activities and scope of the business and two new firms were formed. Cooper Sawmilling Co., which operated a modern sawmill, and Ringwood Timber & Trading Co., which handled the output of the sawmill and introduced builders' and general hardware lines to meet the demands of this rapidly expanding area. As Ringwood grew, so too did the organisation which was created to serve it. The principals studied timber and hardware merchandising trends overseas, and after considerable investigation the new building on Maroondah Highway was completed in 1956. Today, acclaimed as one of the most modern mills and hardware stores in the Southern Hemisphere, combining up to date machinery and handling equipment together with unique drive-in facilities and a self-selection centre. Ringwood Timber & Trading Co. are proud to offer a service unparallelled to home builders. In conformity with modern commercial practice the various firms have since been incorporated under the Victorian Companies Act and the latest accounting methods and office equipment have been installed to provide an efficient and virile administration to control the entire manufacturing and trading activities. We have a staff of over 220 personnel, each trained in their particular field to provide you, our valued client, with expert advice, quality merchandise and second-to-none service to enable you to fulfil every need in and around your home.

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

This is a pair of vintage DePuy wire mesh splints made to support a broken leg while the bone mended. The design was in use before and during WWI. It replaced the wooden splints previously used to reset bones in the late nineteenth to early 20th century. This new splint was invented by a traveling pharmaceutical salesman, Revra DePuy. He began manufacturing in his Warsaw, Indiana in 1895; the first commercial manufacture of orthopaedic equipment in the world . The company eventually became Johnson & Johnson. This pair of splints was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. These splints would have belonged to Dr Tom Ryan before being passed onto Dr. W.R. Angus. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The pair of splints was made by the world’s oldest orthopedic company, founded in 1895. The splint was a part of Dr. Tom Ryan’s equipment that was passed onto Dr W.R. Angus. It is part of the collection of historical medical equipment used in Western Victoria in the late 19th and early 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Splint, (pair of 2) from the W.R. Angus Collection. Stiff wire mesh with a hard metal border around the edges, shaped as a food and half leg, with printed paper labels attached to the top. Labels show manufacturer and instructions. Made for supporting Tibia and Fibula bones. Label attached to one split reads "DePuy Adjustable Wire / PATENTED / Tibia and Fibula Splint / No. 32 Medium Posterior / DePuy Manufacturing Co. / Warsaw, Indiana""DePuy Adjustable Wire / PATENTED / Tibia and Fibula Splint / No. 32 Medium Posterior / DePuy Manufacturing Co. / Warsaw, Indiana"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, medical history, medical education, medical text book, wire mesh splint, wire mesh cast, orthopaedic medical equipment, bone setting equipment, 1910’s medical equipment, medical artefact

This certificate stub book contains the subject certificates of the graduates of the School of Mines and Indutsries, Ballarat, a predecessor of Federation University Australia.This item highlights the subjects studied and graduates of the School of Mines between 1938 to 1964. It also records the change of cursive over that time.This book includes stubs of subject certificates from the School of Mines and Industries, Ballarat. This also contains a number of uncollected certificates. It is a brown hardback book with black binding. Its contents covers certificates between 1938 to 1964. Names of recipients include: Charles Holt, Henry Elford, Irvin Singleton, J. H. Hughes, John Morcom, Alfred Amor, John Wastell, John Rudwick, Jared Hines, Harry Allan, L. F. J. Hillman, Arthur Davies, Letitia Stanley, Victor Wright,Raymond Ball, Mary O'Callaghan, Ethna Burke, Alec Foyster, James Duggan, Leonard Auchettl, Reeves Collins, James Patterson, Stanley Douglas Webb, Oswald Lyle, Marvis Orr, Eric Roberts, Jack Clennell, A. R. Millar, Heith Smyth, Walter Hines, Harold Leslie, Joseph Fisher, Geoffry Burns, Alick Dait, George Hill, Raymond Wines, Robert Manson, Albert O'Neill, Thomas Green, William Stargatt, William Harrison, Reginald Allen, Albert Wilson, Allan Curtis, Arthur Donald, John Wynn, Sydney Robinson, John Blackic, Percy Elsdon, Hubert Jenkins, Kingsley Callister, Douglas Hall, Norman Lawson, Winfield Tonkin, Artuhur Williams, Allan Curtis, Ernest, Billinge, John Daelon, Harold Bunting, Stanley Wilton, Robert Sugden, Heith Foster, Winsome Stevens, Herbert Stanbridge, Robert Pittard, Henry Brew, Ernest Berriman, Carlyle West-Onley, William Blackic, Lorna Dunstan, Cedric Pike, Stanley Jephson, Hugh Hendrick, Joseph Fisher, Ernest Grove, Ronald Fisher, Heith Halsall, Henry Harris, Maxwell Silvey, Stanley Trengove, Donald Trescowthick, Harold Tolliday, Russell Lucas, John Boyd, John Keys, Stanley Betteridge, Ernest Betteridge, Michael Ross, Robert Stewart, Joseph Beasley, William Beasley, Ray Deveson, George Hennessy, Charles Matthews, Maxwell Silvey, Ian Creek, Geoffrey Moorhouse, Hector Tonks, John Donald, Hugh Hendrick, Stanley Jephson, Ian McIntosh, Robert Nice, Ralph Scott, Walter Martin, Grant Coutts, Lindsay Hannah, John Tainsh, Hubert Robinson, John Donald, George Beaton, Heather Harris, Brian McCarthy, Samuel Perry, Valentine Pascoe, Philip McLean, Geoffrey Hewish, Hubert Robinson, John Borch, Frederick Gale, Ian Grundell, Albert Perry, Frank Hutchinson, Horace Shuttleworth, Kenneth Mason, David Hatt, Malcom Foster, George Jones, Graham McKinnon, Ronald Newton, John Betts, Leonard Wade, Robert McClure, David Beaumont, Leslie Powell, Samuel Perry, Donald Treweek, Edgar McArthur, Russell Fraser, Edgar McArthur Bartrop, Clive Carmichael, Leslie Fuhrmeister, Lindsay Coon, Zigurds Plavina, Victor Gingell, Rupert McKenna, Graham McKinnon, David Fairley, Johannes Meennen, Ronald Murphy, Johannes Naus, John McConville, Graham Melonie, William Cutter, Thomas Chalkley, Kenneth Morton, Stanley Shears, Robert Auld, Donald Campbell, John Cofield, Brian Whykes, William Milford, Noel Richards, Stewart Jacobs, James Robertson, Clement Rose, Eric Brown, Allan Raworth, Ernest Salter, Neville Cartledge, Peter Stacey, Robert McClure, Antonius Goossens, Rodney Cartledge, Rodney Hayes, Bevan Grigsby, James Robertson, Neil Stephens, John Riddle, Andreas Aaus, Bruce Fletcher, Keith Pedler, Allen Flavell, Robert Cartledge, Ronald Shaw, Kenneth Hibberd, William Lockland, Percival Bilney and Petrus Damen. Uncollected certificates for James Patterson, Robert Sugden, Ernest Berriman, Stanley Jephson, Henry Harris, Maxwell Silvey, Joseph Beasley, Charles Matthews, Maxwell Silvey, Ian Creek, Geoffrey Hewish, Robert McClure, Kingsley Callister, Winfield Tonkin, Raymond Wines, Oswald Wilde and Kenneth Mason are included within. The subjects covered include: Printing, mining, geology, metallurgy, mining geology, mine surveying, mechanics applied to mining, electric welding, machine shop practice, algebra, trigonometry, mechanics and heat, applied mechanics, heat treatment, graphics, oxywelding, engineering drawing, blacksmithing, shorthand theory advanced, shorthand speed, commercial English, intermediate English, plain dressmaking, dressmaking advanced, electric wiring, physics, electric technology, carpentry, machine shop, plumbing, trade science, carpentry and joinery, building construction, heat treatment, wiring, oxyacetylene welding, foremanship, turning and fitting, electric wiring, arithmetic, social studies, commercial correspondence, office routine, bookkeeping, typewriting, shorthand, electric refrigerator servicing, refrigeration, radio mechanics, trade maths, sheetmetal, wool sorting, motor mechanics, human relations in management and industrial supervision. Many of the stubbs are signed by principal Dick Richards. Each certificate is signed by the current principal of the School of Mines and Industries, Ballarat, and a number have also been signed by the students.school of mines, school of mines andindustries, certificate, richard w. richards, horace william shuttleworth, dick richards, charles holt, henry elford, irvin singleton, j. h. hughes, john morcom, alfred amor, john wastell, john rudwick, jared hines, harry allan, l. f. j. hillman, arthur davies, letitia stanley, victor wright, raymond ball, mary o'callaghan, ethna burke, alec foyster, james duggan, leonard auchettl, reeves collins, james patterson, stanley douglas webb, oswald lyle, marvis orr, eric roberts, jack clennell, a. r. millar, heith smyth, walter hines, harold leslie, joseph fisher, geoffry burns, alick dait, george hill, raymond wines, robert manson, albert o'neill, thomas green, william stargatt, william harrison, reginald allen, albert wilson, allan curtis, arthur donald, john wynn, sydney robinson, john blackic, percy elsdon, hubert jenkins, kingsley callister, douglas hall, norman lawson, winfield tonkin, artuhur williams, allan curtis, ernest billinge, john daelon, harold bunting, stanley wilton, robert sugden, winsome stevens, herbert stanbridge, robert pittard, henry bre, ernest berriman, carlyle west-onley, william blackic, lorna dunstan, cedric pike, stanley jephson, hugh hendrick, joseph fisher, ernest grove, ronald fisher, heith halsall, henry harris, maxwell silvey, stanley trengove, donald trescowthick, harold tolliday, russell lucas, john boyd, john keys, stanley betteridge, ernest betteridge, michael ross, robert stewart, joseph beasley, william beasley, ray deveson, george hennessy, charles matthews, maxwell silvey, ian creek, geoffrey moorhouse, hector tonks, john donald, hugh hendrick, stanley jephson, ian mcintosh, robert nice, ralph scott, walter martin, grant coutts, lindsay hannah, john tainsh, hubert robinson, john donald, george beaton, heather harris, brian mccarthy, samuel perry, valentine pascoe, philip mclean, geoffrey hewish, hubert robinson, john borch, frederick gale, ian grundell, albert perry, frank hutchinson, horace shuttleworth, kenneth mason, david hatt, malcom foster, george jones, graham mckinnon, ronald newton, john betts, leonard wade, robert mcclure, david beaumont, leslie powell, samuel perry, donald treweek, edgar mcarthur, russell fraser, edgar mcarthur bartrop, clive carmichael, leslie fuhrmeister, lindsay coon, zigurds plavina, zig plavina, victor gingell, rupert mckenna, graham mckinnon, david fairley, johannes meennen, ronald murphy, johannes naus, john mcconville, graham melonie, william cutter, thomas chalkley, kenneth morton, stanley shears, robert auld, donald campbell, john cofield, brian whykes, william milford, noel richards, stewart jacobs, james robertson, clement rose, eric brown, allan raworth, ernest salter, neville cartledge, peter stacey, robert mcclure, antonius goossens, rodney cartledge, rodney hayes, bevan grigsby, james robertson, neil stephens, john riddle, andreas aaus, bruce fletcher, keith pedler, allen flavell, robert cartledge, ronald shaw, kenneth hibberd, william lockland, percival bilney, petrus damen, james patterson, robert sugden, ernest berriman, stanley jephson, henry harris, maxwell silvey, joseph beasley, charles matthews, maxwell silvey, ian creek, geoffrey hewish, robert mcclure, kingsley callister, winfield tonkin, raymond wines, oswald wilde, kenneth mason, trades

Chiltern Pharmacy, now called Dow's Pharmacy, opened in 1859 at a time when the township of Chiltern was experiencing a second-wave gold rush that redistributed the balance of commercial and social activity in the region. David McEwan, father of Prime Minister John McEwan, was one of the first pharmacists practicing at the business. It was purchased in 1929 by pharmacist Hilda Dow who ran the business with her apprentice and husband, Roy Dow, until they closed the business in 1968. In 1988, after founding the North East branch of the National Trust, the Dows donated the premises with its entire fittings and stock. Some of the more than 4,000 items in stock at the time of closure in 1968 were present in the shop when the Dows took charge in 1929 and date to the late Nineteenth Century (around the time this image was taken). Hilda Dow (nee Grey) was born in 1897, the daughter of a police magistrate. She enrolled to study at the Victorian College of Pharmacy in 1919 and worked initially for Poynton's Pharmacy in Morwell before purchasing the Chiltern Pharmacy that was later named after her. She was a member of the Pharmaceutical Society of Victoria, a hospital committee and Board, the Red Cross and the Infant Welfare Association and held office for the Chiltern branch of the Country Women's Association. Her sister Helene Grey received an OBE for her work as Lady Superintendent of the Royal Melbourne Hospital. Although Hilda Dow was not Australia's first female pharmacist (this was Caroline Copp in 1880) the preservation of the pharmacy and the stories it presents sheds light on the general issue of recognition for female medical pioneers in Australia. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This image is significant as it provides insight into social and commercial infrastructure available in the North-East region of Victoria in the late Nineteenth and early Twentieth Centuries. The business pictured is also associated with a Prime Minister of Victoria and some of Victoria's first female medical and pharmaceutical practitioners. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, hilda dow, roy dow, chiltern pharmacy, dow's pharmacy, chiltern, indigo shire, north east victoria, history of pharmacies, women in pharmacy, women in medicine, women in business, david mcewan, john mcewan, national trust, national trust victoria, north-east victoria national trust, heritage buildings, industrial heritage, helene grey, pharmaceutical society of victoria, victorian college of pharmacy, country women's association, caroline copp, royal melbourne hospital, red cross, infant welfare association

Commercial artist, Keith Edwin Rash (1910-1985), studied at the Ballarat Technical Art School between 1923 and 1929. These artefacts are from his professional practice. Sign writing and ticket-writing bridged art and trade, with hand lettering applied to long-term signage and short-term promotional materials. At the Ballarat Technical Art School, sign writing, ticket writing, and house decoration were overseen by Thomas Raisbeck (1884-1970) from 1915. Classes were then successively taught by former students William Kenneth (Ken) Moss (1889-1921) from 1920 until his untimely death, Albert E. Williams (1899-1986) until 1928, followed by experienced, practising sign writer, Charles Emrys (Angus) Henderson (1899-1976), who had trained under Raisbeck. A number of brushes and sponges used by Ballarat sign writer, Keith Rash, who studied sign writing at the Ballarat School of Mines. signwriting, keith rash, ballarat school of mines, brushes, ballarat technical art school, sign writing, ticket writing

Used at the Ballarat School of Mines and the Ballarat Technical Art SchoolThis collection of examinations is significant because of its completeness with the full range of examinations between 1914 and 1950.Large leather bound books, with leather spine, containing all examinations held at the Ballarat School of Mines (including the Ballarat Technical Art School and Ballarat Junior Technical School). The examination papers were supplied and printed by the Education Department, Victoria. Examinations include: Agriculture, Algebra, Architecture, Arithmetic, Applied Mechanics, Assaying, Biology, Botany, Boilermaking, Building Design, Blacksmithing, Bricklaying, Carpentry and Joinery, Coachbuilding, Cabinet Making, Civil Engineering, Cabinet Making, Commercial, Chemistry, Engineering Drawing, Economics, English, Electrical technology, Electricity and Magnetism, Electric Wiring, Electric Welding, Electrical Fitting, Electrical Trades, Food Analysis, Geology, Geological Mapping, Graphics, Geometry, Heat Engines, Heat Treatment, Hydraulics, Hand Railing, Instrument Making, Millinery, Milling and Gearouting, Machine Shop Practice. Metal Founding, Mining, Metallurgy, Mineralogy, Mathematics, Motor Mechanics, Mine Surveying, Mining Mechanics, Petrology, Physics, Painting and Decorating, Pattern Making, Plastering, Plumbing and Gasfitting, Printing, Refrigeration, Spelling, Science , Shorthand, Surveying. Signwriting. Sheet Metalwork, Toolmaking, Ladies Tailoring, Trigonometry, Typewriting, Welding, Commercial Geography. Millinery, Dressmaking, Needlework, Decorative Needlework, Architecture, Building Design and Construction, Art (Composition in Form and Colour), Art (Casting Clay MOdels) Art (Drapery), Art (Drawing the Human Figure From Casts), Art (Drawing the Antique from Memory), Art (Drawing from Memory); Art (Drawing Plant Forms from Nature, Art (Drawing Plant Forms From Memory), Art (Drawing from Models and Objects), (Drawing From a Flat Example). Art (Drawing in Light and Shade from a Cast of Ornament or Lower Nature), Art (Drawing Ornament from the Cast), Art (Drawing from Models or Objects), Art (Drawing fro Dressmakers' and Milliners' Fashions), Art (Drawing With the Brush), Art (Drawing from a Flat Example); Art (Modelled Design), Art (General Design), Art (Embossed Leatherwork), Art (Practical Plane Geometry), Art (Practical Solid Geometry), Art (Geometrical Drawing), Carpentry and Joinery, Art (Human Anatomy), Art (Historic Ornament), Art (House Decoration), Art (LEttering), Signwriting, Art (Light Metalwork), Art (Modelling), Art (Modelling the Human Figure from a Life), Art (Stencilling); Art (Wood Carving) Refrigeration, Teaching, Boilermaking, Blacksmithing, Carpentry and Joinery, Coachbuilding and Carriage Drafting, Electric Wiring, Electrical Fitting, Graining and Marbling, Instrument Making , Machine Shop Practice, Metal Founding, Milling and Gear Cutting, Motor Mechanics, Painting and Decorating, Sheet Metalwork, Toolmaking, Printing, Pattern Making, Plumbing and gasfitting, examinations, ballarat school of mines, ballarat technical art school, trades, education department victoria, agriculture, algebra, architecture, arithmetic, applied mechanics, assaying, biology, botany, boilermaking, building design, blacksmithing, bricklaying, carpentry and joinery, coachbuilding, cabinet making, civil engineering, commercial, chemistry, engineering drawing, economics, english, electrical technology, electricity and magnetism, electric wiring, electric welding, electrical fitting, electrical trades, food analysis, geology, geological mapping, graphics, geometry, heat engines, heat treatment, hydraulics, hand railing, instrument making, millinery, milling and gearouting, machine shop practice, metal founding, mining, metallurgy, mineralogy, mathematics, motor mechanics, mine surveying, mining mechanics, petrology, physics, painting and decorating, pattern making, plastering, plumbing and gasfitting, printing, refrigeration, spelling, science, shorthand, surveying, signwriting, sheet metalwork, toolmaking, ladies tailoring, trigonometry, typewriting, welding., dressmaking, needlework, decorative needlework, architecture, building design and construction, art (composition in form and colour), art (casting clay models), art (drapery), art (drawing the human figure from casts), art (drawing the antique from memory), art (drawing from memory), art (drawing plant forms from nature, art (drawing plant forms from memory), art (drawing from models and objects), (drawing from a flat example), art (drawing in light and shade from a cast of ornament or lower nature), art (drawing ornament from the cast), art (drawing from models or objects), art (drawing for dressmakers' and milliners' fashions), art (drawing with the brush), art (drawing from a flat example), art (modelled design), art (general design), art (embossed leatherwork), art (practical plane geometry), art (practical solid geometry), art (geometrical drawing), art (human anatomy), art (historic ornament), art (house decoration), art (lettering), art (light metalwork), art (modelling), art (modelling the human figure from a life, art (stencilling), art (wood carving), teaching, coachbuilding and carriage drafting, graining and marbling, milling and gear cutting, commercial geography, exams, examination book

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft

This copy book is for the practice of copperplate handwriting and was used at the Orbost School. It was not until the mid-20th century that Australian schools were investigating the modern cursive styles being taught overseas. Writing slates and slate pencils had been a commonplace item of everyday life in colonial Australia. Slates were generally only used by school children in the most junior grades By Class III, however, school children in Victoria had normally passed beyond the need for slates in shaping letters and used ink and copybooks instead. Writing slates often continued to be used for arithmetic exercises. the use of slates was discontinued mainly because paper became cheaper and writing on paper was deemed to be more hygienic.This item is an example of a school text book commonly used for the practice of handwriting in most primary schools in Australia. It shows a style of handwriting not commonly used today. The Cameron family is significaant in the history of Orbost.A school handwriting copy book. It contains examples of copperplate writing for copying and practice. On the front cover there are drawings of a kangaroo, emu, platypus and echidna in each corner. The book is titled "AUSTRALIAN COPY BOOK FIFTH GRADE No. 4". It is designed for use in all states and New Zealand. Inside a banner is "small hand proverbs geography commercial terms". All print is black.on front cover: Jean Cameron Inside front cover: Jean Cameron 1924, J.M. Ralston 1924handwriting education cameron

.1 Cream cover with black and green floral design and leather spine with gilt patterns. The pages have a gilt edging and the spine is partly detached. The pages contain printed material and handwritten entries .2 Black cover with yellow and green floral design. The spine is leather and has gold printing and lines. The pages have a gilt edging and contain printed material and handwritten entriesnon-fictionTwo birthday books with entries of birthdates 19th century warrnambool people, beattie family warrnambool, beattie and phillips funeral directors

This clock was over the door of the shop of Sambell’s pharmacy at 90 Fairy Street. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous experience in Great Britain and Victoria. His shop had been conducted by Edward Griffiths in the 1880s. By 1919 John Sambell’s son, Herbert, had joined the business, trading as Sambell and Son, though John Sambell had died in 1906. This shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s the Sambell business moved to 90 Fairy Street and the business was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. This Sambell clock had previously been at the shops of Brocks and Mainlands, both jewellers. This clock is of considerable importance as it was connected to the pharmacy business of the Sambell family, a business that was prominent in Warrnambool for many years. It is an example of the 19th and early 20th centuries practice of placing a large clock outside a business. This is a large oval clock with a gilded wooden frame and a metal face. The hour and second hands and the Roman figures are made of metal. The clock is designed to be placed on a wall or frame of some sort and to be used outside on a shop or other commercial building. The outside frame is somewhat dented.sambell pharmacy, warrnambool

The Commercial Egg Producers' Association of Victoria was active by the 1930s, engaging in industry management and lobbying.The Commercial Egg Producer's Association (CEPA) had branches in Bendigo, South Bendigo, Eaglehawk, Wedderburn, Murrabit and Euroa.CEPA Commercial Egg Producer's Association (Bendigo Region) correspondence, for the year 1986. This item includes the following documents: 8504.42a Egg Farmers of Victoria annual Report 1985-1986, 30 pages 8504.42b This document is a formal letter from Michael John, M.P., State Member for Bendigo East and Secretary to the Shadow Cabinet, addressed to Mr. Kevin Fitzgibbon of the Commercial Egg Producers Association of Victoria. Acknowledgement of Correspondence: 8504.42c This document is a formal correspondence from John Brumby, the Federal Member of Parliament representing Bendigo, Australia; Press Relase from Paul Keating the Australian Treasurer; inquiry into the table chicken industry. 8504.42d The document is a letter from Ken Wright, a Legislative Council member, addressing concerns raised by the Commercial Egg Producers' Association of Victoria regarding the Victorian Egg Marketing Board. 8504.42e The document discusses reducing the quota/levy age for hens from 26 weeks to 18 or 22 weeks, as considered by various Australian states.South Australia has already moved to a 22-week quota age; New South Wales is considering 18 weeks. 8504.42f This document outlines proposed changes by the Victorian Egg Marketing Board regarding producer agent contracts and related marketing administration arrangements. 8504.42g Paper on the industry. Egg Production Practices. Only about 6% of Victorian hens are housed in controlled environment sheds; most producers use high-rise sheds with blinds.Controlled environment farms keep hens under artificial lighting, stacked four layers high, which poses challenges for monitoring all hens and raises animal welfare concerns.The document argues against being forced into this type of shedding system. 8504.42h To the Victorian Egg Marketing Board. The document is a protest letter from the Commercial Egg Producers' Association of Victoria addressing proposed regulations for egg receival locations. 8504.42i To the Victorian Egg Marketing Board. Letter regarding proposed regulations to amend egg weights to three grades 8504.42j The document is a formal letter from the Commercial Egg Producers Association expressing concerns about the South Australian Government's decision to phase out the South Australian Egg Board. 8504.42k To the Minister of Agriculture and Rural Affairs. Protest letter regarding the Prices Commissioner's Report on Victoria Egg Prices 8504.42l This document is a thank-you letter from the Central Council of the Commercial Egg Producers Association of Victoria to Mr. Greg Parkinson. The Council thanks Mr. Parkinson for his support and interest during his tenure at the Bendigo Diagnostic Centre. 8504.42m This document is a formal letter from K. Fitzgibbon, Secretary of CEPA, addressed to Mr. David Kennedy, M.L.A. The association has sent a letter to Mr. Walker, Minister of Agriculture and Rural Affairs, regarding industry price changes.The Secretary is requesting Mr. Kennedy to arrange a deputation with the Labour Party Rural Committee to discuss these price changes.The request for the deputation is considered urgent and the association would appreciate it being arranged as soon as possible. 8504.42n This letter to the Egg Farmers of Victoria addresses concerns about discrimination against country egg producers and its impact on their business viability. 8504.42o To John Cain Premier of Victoria. Points outline the main concerns regarding egg levies, regional financial impacts, and the perceived inequity in charges for Victorian egg producers. 8504.42p This document is a formal letter from K. Fitzgibbon, Secretary of CPA, addressed to Mr. David Kennedy, M.L.A. The Association requests Mr. Kennedy to arrange a meeting (deputation) with Mr. Cain during his visit to Bendigo on June 18, 1986. 8504.42q The document is a letter from the Commercial Egg Producers Association of Victoria to the Premier of New South Wales, highlighting concerns about illegal egg sales and price undercutting by a producer 8504.42r This document is a formal letter from K. Fitzgibbon, Secretary of CEPA, addressed to Mr. C. L. Jefferson, Secretary of Egg Farmers of Victoria. The letter serves to clarify communication and ensure all relevant correspondence is shared for Board consideration. 8504.42s This document is a formal letter from the Commercial Egg Producers Association of Victoria addressed to Mr. David Kennedy, M.L.A. The Association is requesting Mr. Kennedy to arrange a meeting between the Rural Committee of the Labour Party and their Association as soon as possible. 8504.42t This letter is to Ken Wright, National Party Offices, Kerang, from the association's secretary, The association met with the Victorian Egg Marketing Board to present their submission, but found the meeting unsatisfactory as they failed to convince the Board.The main concern is the potential withdrawal of the Dockage scheme, which the association believes would have a disastrous effect on country egg producers. 8504.42u The document is a formal notice regarding the Annual Meeting of the Central Council of the Commercial Egg Producers' Association of Victoria. The Annual Meeting will be held at the R.S.L. Hall, Kangaroo Flat on Thursday, 19th June, 1986 at 6:00 p.m. 8504.42v This document is a formal letter from K. Fitzgibbon, Secretary of CEPA, addressed to Mr. C. L. Jefferson, Secretary of Egg Farmers of Victoria. Expression of gratitude for the invitation to attend a Board Meeting. The association appreciates being invited to the meeting scheduled for Wednesday, 7th May, 1986. 8504.42w The document is a formal letter from the Commercial Egg Producers' Association of Victoria, highlighting several key concerns. The Association asks the Public Bodies Review Committee for an interim report on evidence regarding the operations of the Victorian Egg Marketing Board. 8504.42x The letter nominates three candidates for the position of Producer Member on the Victorian Egg Marketing Board. Contact the BHS for more information. 8504.42y The Association's secretary formally requests an interim report from the Public Bodies Review Committee regarding evidence about changes to the Victorian Egg Marketing Board 8504.42z The document is a formal letter from the Secretary of the Commercial Egg Producers' Association of Victoria addressed to the Minister of Agriculture and Rural Affairs. The Association is seeking a deputation with the Minister to discuss urgent issues affecting the egg industry. 8504.42aa Producers Association of Victoria's Central Council submission to the Public Bodies Review Committee regarding egg industry management 8504.42ab Newspaper Article. Concerns about Market Dominance. The poultry industry is dominated by two major companies: Amatil and Inghams. These companies control almost 80% of the dressed chicken market through vertical integration. 8504.42ac The document is a letter from the Commercial Egg Producers Association to the Liberal Party Rural Committee, expressing concerns about potential changes to the Australian egg industry policy. 8504.42ad The document advocates for maintaining poultry extension services in northern Victoria, was sent to tge Director General, Department of Agriculture and Rural affairs. 8504.42ae CEPA Annual Conference Minutes July 1986 8504.42af CEPA Executive Meeting Minutes April 1986 8504.42ag This document details official correspondence and decisions regarding poultry industry operations and the phasing out of egg transport subsidies in the Bendigo area of Victoria, Australia. Relocation and Operations of Allied Poultry BreedersAllied. Poultry Breeders relocated their breeding stock from Melbourne to Huntly, replacing an existing facility. The Huntly farm operates under a breeder permit, producing fertile eggs for sale as cross-bred chicks to commercial egg producers. 8504.42ah CEPA Application for membership Form 1986 8504.42ai Notice of Annual Meeting June 1986 8504.42aj The document outlines the Victorian Farmers & Graziers Association's (VFGA) position regarding the inclusion of sensitive information, specifically about chemical use, in the Agricultural Census. The VFGA recognizes that some individuals are concerned about Section 16 of the Agricultural Census, which requests information that could potentially be used to criticize agricultural practices. 8504.42ak Second reading speech in Parliament (Egg Industry Report) 8504.42al This document outlines the Victorian Egg Marketing Board's position on proposed changes to dockage charges and the phased removal of transport subsidies for egg producers in Victoria. 8504.42am Nine page report. This document is an official report detailing the operations and activities of the Poultry Farmer Licensing Committee for the financial year ending June 30, 1985. It was prepared in compliance with Section 57 of the Egg Industry Stabilization Act 1983 and presented to both Houses of Parliament in Victoria. The report provides an overview of the committee's regulatory and administrative functions related to poultry farmer licensing during that period. 8504.42an This document is a formal letter from the Victorian Ministry of Transport addressed to Mr. J Heard regarding the Road Safety Bill. 8504.42ao Notice of Annual Conference June 1986egg producer's information, correspondence, cepa, commercial egg producers' association

The Commercial Egg Producers' Association of Victoria was active by the 1930s, engaging in industry management and lobbying.The Commercial Egg Producer's Association (CEPA) had branches in Bendigo, South Bendigo, Eaglehawk, Wedderburn, Murrabit and Euroa.CEPA Commercial Egg Producer's Association (Bendigo Region) correspondence, for the year 1988. This item includes the following documents: 8504.44a Egg Farmers of Victoria Newsletter Volume 6 No 7 July 1988 - four pages 8504.44b Egg Farmers of Victoria Newsletter Volume 6 No 6 June 1988 - four pages 8504.44c Egg Farmers of Victoria Newsletter Volume 6 No 8 Aug 1988 - four pages 8504.44d Egg Farmers of Victoria Newsletter Volume 6 No 9 Sept 1988 - five pages 8504.44e Farmers of Victoria Newsletter Volume 6 No 11 Nov 1988 - four pages 8504.44f Farmers of Victoria Newsletter Volume 6 No 12 Dec 1988 - six pages 8504.44g Australian Quarantine - Looking to the Future, a Government policy statement, circulated by the Hon. Peter Cook Minister for Resources, December 1988 - 55 page booklet 8504.44h Egg Farmers of Victoria Annual Report 1987 to 1988 - 40 pages 8504.44i 29th Victorian random sample laying test 1986-88 by Loris Mason, Ivan Smith, Keath Pattern, Poultry Industry Services.Final Report. 18 pages. 8504.44j This document is a formal acknowledgment from the Department of Agriculture and Rural Affairs to the Commercial Egg Producers' Association of Victoria. The Department received a letter from the Association, dated 22 July, containing comments on the Minister's statement about egg marketing.The Minister expresses gratitude for the feedback provided by the Association. The comments from the Association have been noted and will be considered in relation to egg marketing policies or decisions. 8504.44k This document is a formal notification regarding appointments to the Egg Board for a term ending June 30, 1989. 8504.44l From Ron Best MLC. Key Points of the NSW Egg Industry Reform Document. The NSW egg industry must shift from heavy regulation to a more market-oriented approach to improve efficiency and competitiveness. Current arrangements are complex, controversial, and unsustainable; managed change is preferred over abrupt deregulation or maintaining the status quo. 8504.44m David Kennedy, MLA, expresses his support for the request to have a representative from Northern Victoria on the Victorian Egg Marketing Board, aligning with the Commercial Egg Producers' Association of Victoria's advocacy. 8504.44n This document is a formal response from the Minister for Agriculture and Rural Affairs to a letter from the Commercial Egg Producers' Association of Victoria regarding changes to the Egg Marketing Act. 8504.44o This document is a formal letter from the Victorian Department of Premier and Cabinet addressed to the Commercial Egg Producers' Association of Victoria. The Department confirms receipt of a letter from the Association regarding egg marketing arrangements. 8504.44p The Poultry Farmer Licensing Committee's key activities during the 1987-1988 financial year included overseeing licensing operations for poultry farmers, ensuring compliance with the Egg Industry Stabilization Act 1983, and reporting to Parliament. 8504.44q National Social Science Survey Volume 1, No 1 Report Aug 1988 8504.44r This document is a professional letter from Policy Consultants to the Commercial Egg Producers Association, highlighting the following key points: Policy Consultants specialize in policy analysis, development, representation, and implementation. The firm has been operating for over 18 months and has built a credible record of achievements for its clients.They have established an excellent reputation for the quality of their work 8504.44s Newsletter "Eggbeat" Spring 1988. Includes: Deregulation in the New Zealand egg industry, as discussed at the 8th Annual Egg Industry Conference, involved significant changes from a previously controlled market. 8504.44t Agrimark News, the Australian Agribusiness Newsletter Issue 3. This document emphasizes the importance of marketing research and strong customer relationships in Australian agribusiness. 8504.44u Jaques Martin Hewitt International May Economic Statement July 1988 - 4 pages. The document provides detailed analysis of changes to superannuation from the May Economic Statement, focusing on impacts for funds, employers, and trustees. 8504.44v Producer Meeting Summary at Crystal Egg July 1988. Record attendance at the meeting reflected widespread concern among producers about low returns in the egg industry. 8504.44w This document is a formal letter from Ron Best, a Victorian legislator, addressed to Kevin Fitzgibbon, Secretary of the Commercial Egg Producers Association of Victoria. Ron Best is monitoring developments regarding a report on the New South Wales (NSW) egg industry and related issues faced by the NSW Government, particularly concerning Mr. Paul Galea. 8504.44x Invitation to Victorian Egg ProducersThe Poultry Research Council is inviting Victorian egg producers to an informal meeting on the evening of March 8th, 1987, at the VEMB auditorium in Keysborough. 8504.44y From the Poultry Research Council. The Poultry Research Council manages levy funds from egg producers and taxpayers to benefit the egg industry and consumers.Levy collection changed as of July 1: 3.25 cents per hen quota, deducted monthly by State Egg Corporations and Boards. 8504.44z From the Poultry Research Council. The Council is reviewing fifty applications for funding new and ongoing projects, as well as travel grants for the 1988/89 financial year. 8504.44aa This document is a formal letter from the Department of Agriculture and Rural Affairs to the Commercial Egg Producers' Association of Victoria, requesting nominations for the Victorian Egg Marketing Board. 8504.44ab The document is a formal letter from the Department of Agriculture and Rural Affairs in Victoria, addressed to the Commercial Egg Producers Association of Victoria. The Department thanks the Association for submitting comments on the Public Bodies Review Committee's report concerning the Victorian Egg Marketing Board. 8504.44ac Key Points of the 1988 Australian Primary Industries and Resources Reforms 8504.44ad This document is a transcript from a 1988 egg industry meeting, highlighting key challenges and concerns regarding egg pricing and industry regulation:There is significant frustration among producers due to poor communication between the government, the Prices Commissioner, the Egg Board, and producers themselves. 8504.44ae This document is a formal letter from the Commercial Egg Producers Association (CEPA) dated December 5, 1988, addressed to Mrs. Jean Vipadi of the Egg Farmers of Victoria. CEPA requests the names of all egg producers supplying the Crystal Egg Company in Bendigo. 8504.44af To the Department of Agriculture and Rural affairs. The Commercial Egg Producers' Association of Victoria formally requests: Copies of all papers presented at a poultry seminar held in Melbourne on June 21, 1988. Organization of a poultry industry seminar in Bendigo or Northern Victoria to facilitate attendance by local producers who find it difficult to travel to Melbourne. 8504.44ag To the Department of Agriculture and Rural affairs. The document is a letter from the Commercial Egg Producers' Association of Victoria addressing concerns about proposed changes to the Egg Marketing Act. 8504.44ah Annual Supplement in the Bendigo Advertiser. The document outlines the challenges and developments in the egg industry in the Bendigo region, focusing on the period up to 1988. 8504.44ai The document is a formal letter from the Central Council of the Commercial Egg Producers' Association of Victoria to the Minister of Agriculture & Rural Affairs. The Association urges the appointment of a representative from northern Victoria poultry producers to the Egg Board, highlighting that country producers have lacked representation for the past 10 years. 8504.44aj To International Public Relations, Melbourne. These points highlight ongoing dissatisfaction with current egg pricing governance and the need for internal resolution before further action. 8504.44ak This document is a formal letter from K. Fitzgibbon, Secretary of an association, addressed to Mr. Kevin Brinkkotter, President of the Poultry Section of the Victorian Farmers Union (V.F.U.).Key Points:The association is requesting clarification on the V.F.U.'s policy regarding Professor Alan Fels and egg pricing. 8504.44al The document is a formal letter from the Commercial Egg Producers Association to the Victorian Egg Marketing Board, dated May 10, 1988. The Association is requesting an increase in the price of all grades of eggs due to rising costs, including upcoming increases in S.E.C. charges.The letter emphasizes the need for a reasonable return to ensure the viability of egg producers. 8504.44am To the Egg Marketing Working Party. Submission from CEPA. 8504.44an This document is a nomination letter proposing candidates for the position of Producer Member on the Victorian Egg Marketing Board. The letter submits a panel of names for consideration for the Producer Member position on the Victorian Egg Marketing Board.Primary Nominee:Ron Robins (born 20th July, 1924) is the first choice. He has 37 years of experience in the egg industry.He operates a farm with his son, managing 10,500 birds, which allows him the flexibility to serve on the Board. 8504.44ao This document is a formal letter from the Commercial Egg Producers Association of Victoria, addressed to Mr. David Kennedy, M.L.A. The Association is requesting a meeting (deputation) with the Labour Party Rural Committee. 8504.44ap To the Labour Party working Committee. CEPA requests a meeting with them. 8504.44aq To the Minister of Agricultura and Rural affairs. Disagreement with the results of a meeting with the Crystal Egg Company. 8504.44ar To the Labour Party Rural Committee requesting a deputation meeting. 8504.44as To the Egg farmers of Victoria. CEPA requests a rise in egg prices. 8504.44at The submission is from Bendigo egg producers to the Victorian Egg Marketing Board, following discussions about establishing an egg washing facility at Crystal Egg Co. in Bendigo.A Board sub-committee (Messrs. Foster and Peacock) was formed to investigate options. 8504.44au Industry Super Update Newletter No 11. Discusses Confusion Over Superannuation Tax Changes. 8504.44av The document presents a review of Victorian egg prices conducted by the Prices Commissioner in March 1988. The review was led by Professor Allan Fels, serving as the Prices Commissioner for Victoria.The focus was on evaluating the pricing structure and market conditions for eggs in Victoria at that time.The review aimed to ensure fair pricing practices and assess any regulatory or economic factors influencing egg prices. 8504.44aw Promotional letter regarding re Industrial Relations. Recipients receive a special update with important changes in the industrial relations system. The Index is a comprehensive guide (over 400 pages) to major and minor players in industrial relations.It contains practical, up-to-date information. 8504.44ax This document is a formal letter from the Victorian Egg Marketing Board to the Commercial Egg Producers Association. The Board previously agreed in 1984 to provide financial assistance to the Victorian College of Agriculture and Horticulture for facility development, but the College did not proceed at that time. The College has now submitted a similar request for financial assistance. 8504.44ay News circulars issued by the Victorian Egg Marketing Board (Egg Farmers of Victoria) during 1988 8504.44az From the Egg Farmers of Victoria disussion of various points which reflect operational changes, pricing adjustments, quality improvements, and future marketing plans for the Victorian egg industry. 8504.44aaa From the Egg Farmers of Victoria. Key Points of the Victorian Egg Marketing Board Regulatory Changes 8504.44aab News circulars issued by the Victorian Egg Marketing Board (Egg Farmers of Victoria) during 1988 8504.44aac The document is a letter from Bernie Dunn, Leader of the National Party (Council), addressing concerns about deregulation in the egg industry. 8504.44aad The letter is from David Kennedy, a member of the Legislative Assembly, addressed to Kevin Fitzgibbons, Secretary of the Commercial Egg Producer's Association.Kennedy encloses a reply from the Minister for Agriculture and Rural Affairs, Mr. Evan Walker, regarding representations made on behalf of the Association about a submission to the Public Bodies Review Committee Report. 8504.44aae From David Kennedy MP - Ministerial Statement on Egg Marketing. 8504.44aaf This document is a formal response from the Legislative Council's Agriculture & Rural Affairs Caucus Committee to a request from the Commercial Egg Producers' Association of Victoria for a meeting. The Committee acknowledges receipt of the Association's request for a meeting regarding concerns in the poultry industry. 8504.44aag This document is a formal letter from Michael John, M.P., Member for Bendigo East, addressed to Mr. Kevin Fitzgibbon, Secretary of C.E.P.A. Acknowledgement of Correspondence:Michael John thanks Mr. Fitzgibbon for his letter dated December 28, 1988, which included a copy of a letter sent to the Minister for Agriculture & Rural Affairs.The correspondence concerns the Public Bodies Review Committee Report on the Victorian Egg Marketing Board. 8504.44aah This document is a letter from Senator Shirley Walters advocating for legislative reform regarding the Australian Heritage Commission Act 1975. Private property can be added to the National Estate register without owners being notified or aware. This process can impose severe restrictions on property use, affecting all types of property (residential, commercial, industrial, rural).Proposed Solution 8504.44aai This document outlines the agenda and contact details for an upcoming meeting of the Coliban Water Investigation Committee. 8504.44aaj Submission for Protest Meeting 1988. Victorian egg producers in 1988 faced significant financial and regulatory challenges 8504.44aak CEPA Minutes of Annual Conference June 1988 8504.44aal Envelope with Crystal Indistries Logo and Address, 37cent Stamp with Queen Elizabeth Australia 8504.44aam Envelope addressed to All Members of CEPA, Card of thanks 8504.44aan Minutes of CEPA Annual Conference June 1988 8504.44aao Newsletter "The Rural Scene" from the Primary Industry and Energy Minister John Kerin. This document outlines the Australian Federal Government's approach to supporting rural industries and communities, emphasizing the interconnectedness of industry and community life in country areas. 8504.44aap From the Department of Agriculture and Rural Affairs. The Department of Agriculture and Rural Affairs is coordinating with the Commercial Egg Producers' Association regarding HPSA seminars at the Egg Board in Keysborough.Greg Parkinson, the main speaker, will reach out to arrange a suitable meeting date. 8504.44aaq Handwritten letter from Murray Oakes re meeting at Roberstsons' 8504.44aar This document is a formal letter from the Victorian Egg Marketing Board (trading as Egg Farmers of Victoria) to the Victorian College of Agriculture & Horticulture. The key points are:Interest-Free Loan OfferThe Board is providing a five-year, interest-free loan of $50,000 to the College. 8504.44aas This document is a formal response from the Crystal Egg Company to Mrs. Joan Heard of CEPA, addressing concerns about the effectiveness of a recent meeting and clarifying issues related to egg industry costs and pricing. 8504.44aat This document is a formal letter from the Department of Agriculture and Rural Affairs regarding the organization of educational poultry seminars in Bendigo. The letter thanks Mrs. Joan Heard for her interest in poultry seminars previously conducted in Melbourne by the World Poultry Science Association (WPSA). 8504.44aau This document is a formal letter from the Minister for Agriculture and Rural Affairs, dated July 27, 1988, addressed to G J Hilson, Secretary of the Commercial Egg Producers Association. 8504.44aav This document is a formal letter from the South Bendigo Branch of egg producers in Victoria, expressing concerns to the Egg Farmers of Victoria about the delayed operation of an egg washer at Crystal. The egg washer, expected to be operational by August, is still not usable, causing concern among small producers.egg producer's information, correspondence, cepa, commercial egg producers' association

The Commercial Egg Producers' Association of Victoria was active by the 1930s, engaging in industry management and lobbying.The Commercial Egg Producer's Association (CEPA) had branches in Bendigo, South Bendigo, Eaglehawk, Wedderburn, Murrabit and Euroa.CEPA Commercial Egg Producer's Association (Bendigo Region) correspondence, for the year 1990. This item includes the following documents: 8504.46a The Victorian Egg Marketing Board Annual Report 1989 to 1990 29 pages 8504.46b Coliban Water Regional Study - Six pages. This document provides an overview of water management and infrastructure planning in the Coliban region. 8504.46c The document is a formal notice from Crystal Egg Company to egg producers regarding changes in cartage and dockage rates due to rising fuel prices. 8504.46d Crystal Egg Company notice of meeting Oct 1990 8504.46e Crystal Egg Company letter to producers. These points highlight changes in payment ratios, market conditions, industry trends, and operational impacts due to rising fuel costs. 8504.46f Crystal Egg Company. The document announces a change in the pricing and payment structure for eggs delivered to the Victorian Egg Marketing Board, effective October 8, 1990. 8504.46g News Circulars - 3 off 8504.46h Four pages Victorian Egg Marketing Board Newsletter "Egg Report" Vol 8 No 12 8504.46i Four pages Victorian Egg Marketing Board Newsletter "Egg Report" Vol 8 No 9/10/11 8504.46j Four pages Egg Farmer of Victoria Newsletter Vol 8 No 5/6 8504.46k Six pages Egg Industry Research and Development Council Newsletter Dec 1990 8504.46l Three pages "Agnote" Code of accepted practice for the domestic fowl Nov 1985 8504.46m The document is a formal letter from the Victorian Egg Marketing Board to the Commercial Egg Producers Association, addressing industry concerns and regulatory requirements regarding egg pricing. 8504.46n The document is a formal letter from the Victorian Egg Marketing Board to a stakeholder, addressing concerns about the Code of Practice for egg producers. 8504.46o 22 pages various news circulars from the Egg Farmers of Victoria 8504.46p The document is a letter from Richard A. Guy, Managing Director of the Crystal Egg Company, addressed to Ron Robins of CEPA. Richard attended a Board marketing meeting with managers and franchise holders. He noted disappointment at the lack of input from local producers, despite a 2% sales increase and near shortages.Proposal to Adopt DARA Code of Practice. 8504.46q Crystal Egg Company is notifying egg producers about rate changes for cartage, dockage, and grading services starting July 2, 1990. 8504.46r This document is a receipt issued by Corporate Affairs Victoria for a payment related to the Victorian Commercial Egg Producers Association 8504.46s This document is a formal communication from the Registrar of Incorporated Associations regarding the processing of an association's annual general meeting and accounting reports 8504.46t Minutes of the CEPA Central Council Executive Meeting Nov 1990 8504.46u Minutes of the CEPA Central Council Annual Conference July 1990 8504.46v Circular 44/90 from Egg Farmers of Victoria re Victorian Farmers Federation Levyegg producer's information, correspondence, cepa, commercial egg producers' association

The Commercial Egg Producers' Association of Victoria was active by the 1930s, engaging in industry management and lobbying.The Commercial Egg Producer's Association (CEPA) had branches in Bendigo, South Bendigo, Eaglehawk, Wedderburn, Murrabit and Euroa.CEPA Commercial Egg Producer's Association (Bendigo Region) Commercial Egg Producers' Association of Victoria (CEPA) State Rivers and Water Supply Commission 69 Page Report on the Drought Problem and Irrigation. This document is an investigation report focused on the Coliban Waterworks system, specifically addressing the drought problems encountered in 1958. The key points include: 1. Purpose: The report aims to analyze the impact of drought on the Coliban Waterworks system and its irrigation operations. 2. Scope: It provides a progress update, excluding charts, on the system's performance and challenges during the drought period. 3. Focus Areas: 3a.Assessment of water supply and distribution issues caused by drought. 3b. Examination of irrigation practices and their effectiveness under drought conditions. 3c. Identification of operational difficulties and potential solutions for water management during dry periods. The report serves as a foundational document for understanding the drought-related challenges faced by the Coliban Waterworks system in 1958 and sets the stage for further investigation and recommendations.egg producer's information, correspondence, cepa, commercial egg producers' association

Three Pale blue 1883 The Commercial Bank of Australia, Limited, Sandhurst, pay-in slips. Handwritten names difficult to interpret. Varying amounts paid to the credit of recipients.commerce, banking, the commercial bank of australia, sandhurst. 19th century banking practice

Illustrated textbook. bound with beige textured cloth cover. Title and authors stamped in black on front cover and spine. Also stamped on spine 'with illustrations' , edition and publishernon-fictionVintage illustrated textbook providing information to nurses on the principles and practice of 'modern' surgery as far as they directly concern them.nursing - study and teaching, surgical nursing - history

Safeway carpark, Commercial Place, Eltham Fred Mitchell 1988 Entrant No. 5 Ref: Series 34, Items 3, 4, 46-49 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, arthur street, commercial place, eltham shopping centre, eltham village, film - kodak ga 100 5095, fred mitchell, safeway carpark, scan - 35mm negative

Safeway carpark, Commercial Place, Eltham Fred Mitchell 1988 Entrant No. 5 Ref: Series 34, Items 3, 4, 46-49 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 35, arthur street, commercial place, eltham shopping centre, eltham village, film - kodak ga 100 5095, fred mitchell, safeway carpark, scan - 35mm negative

This box contains maintenance equipment for a Remington typewriter. The Remington company was founded in U.S.A. and it produced the world’s first typewriter for commercial use in 1873. In 1886 the Remington family business was sold but the name was retained and typewriters with the Remington Rand brand name were sold from 1927 on. Typewriters have now been replaced by computers. This box of equipment belonged to Dr Horace Holmes who would have used a typewriter in his medical practice in Warrnambool in the first half of the 20th century and perhaps would also have used a typewriter in the activities of the many community groups with which he was associated. Horace Iles Holmes (1877-1959) was born and educated in Tasmania and he completed a medical degree at the University of Melbourne. He commenced a practice in Warrnambool in 1906 and was the honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’ at the corner of Spence and Kepler Streets. He was an early member of the Royal Australian College of Surgeons and was prominent in community affairs (foundation President of Warrnambool Rotary Club, a member of the Warrnambool Masonic Lodge for over 50 years, a Warrnambool Hospital Committee member, a long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee. Dr Holmes also had agricultural interests and enjoyed fishing, bowls and golf. This box of typewriter equipment is of interest as an item in the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for over 50 years. This is a rectangular-shaped black cardboard box with a detachable lid. The box contains eight items used for typewriter maintenance. They are a glass bottle containing typewriter oil, a round metal oil dispenser, a small metal hook, a small metal spanner, a metal wire brush, and three bristle brushes, one with a bone handle and one with a wooden handle enclosed in cellophane. The box is somewhat stained inside. On a brush: ‘Made in U.S.A. bristle’ On the glass bottle: ‘Specially refined typewriter oil, Chartres Pty Ltd 375 Collins St. Melbourne Australian Built Remington Typewriters Phone 9100 (8 lines)’ typewriters, remington, dr horace holmes, warrnambool, history of warrnambool, office equipment

This box contains typewriter equipment for a Remington typewriter. The Remington company was founded in U.S.A. and it produced the first typewriter for commercial use in 1873. In 1886 the Remington family business was sold but the name was retained and typewriters with the Remington Rand brand name were sold from 1927 on. Typewriters have now been replaced by computers. This box of equipment belonged to Dr Horace Holmes who would have used a typewriter in his medical practice in Warrnambool in the first half of the 20th century and perhaps would also have used a typewriter in the activities of the many community groups with which he was associated. Horace Iles Holmes (1877-1959) was born and educated in Tasmania and completed a medical degree at the University of Melbourne. He commenced a practice at Warrnambool in 1906 and was the honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’, at the corner of Spence and Kepler Streets. He was an early member of the Royal Australian College of Surgeons and was prominent in community affairs (foundation President of the Warrnambool Rotary Club, a member of the Warrnambool Masonic Lodge for over 50 years, a Warrnambool Hospital Committee member, a long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee. Dr Holmes also had agricultural interests and enjoyed fishing, bowls and golf. This box of typewriter equipment is of interest as an item in the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for over 50 years. This is a rectangular-shaped black cardboard box with the name ‘Remington’ on it. It is heavily stained inside. The box contains nine objects, most identified as relevant to typewriter maintenance and cleaning:- a paint brush with a wooden handle and bristles – perhaps used for dusting the typewriter keys, two glass bottles which once contained typewriter oil but which are now empty, a red and black typewriter ribbon in a metal container, another metal container with a plunge mechanism for ejecting oil, a metal stick with a sharp end, possibly for cleaning the typewriter keys and three other unidentified small metal objects.Remingtonremington, typewriters, office equipment, dr horace holmes, warrnambool, warrnambool history, typewriter accessories

These items, 1930s bank books belonging to Michael Toohey, a Woodford farmer, come from the estates of the Ardlie family of Warrnambool and appear to have been stored amongst the office material of the prominent Warrnambool lawyer, William Ardlie (1843-1933). He was the son of pioneer Warrnambool settlers, John and Mary Ardlie. William Ardlie established a legal practice in Warrnambool in 1867, initially in partnership with George Barber. Ardlie was a dominant figure in legal and community circles in Warrnambool and continued with his legal practice until the early 1930s. The bank books were issued by the Commercial Banking Company of Sydney. A Warrnambool branch of this bank was established in 1927 when it acquired the Bank of Victoria. The Warrnambool branch of the Bank of Victoria at 92 Liebig Street then became the Commercial Bank of Sydney. In 1958 the bank building was demolished and new premises were built. In 1981 the Commercial Bank of Sydney merged with the National Bank of Australia and traded as the National Bank in the building at 92 Liebig Street until the premises were closed in 1985.These items are of minor interest as mementoes of the Warrnambool branch of the Commercial Banking Company of Sydney..1 A bank book with a hard black cover and pages containing ruled black lines. The cover has a white label pasted on. This has black printing and handwriting. The pages contain handwritten debit and credit entries. .2 A bank book with a soft black cover and a white label pasted on. This label has black printing and handwriting. The pages have ruled red lines, some entries in black handwriting and some bank stamps. Most of the pages are unused. Mr M. Toohey Michael Toohey Woodford commercial banking co of sydney, warrnambool branch, michael toohey,, woodford farmer, history of warrnambool

Minutes of the Ordinary Meeting of Council Held on 11th July 1978 Report of the Town Clerk's Department Report of the Town Clerk Local Government Finance Commonwealth Funds Land Transfer Discontinued Road Between Verdun Street and Mitchell Street Drain Construction Agreement Plantation Street and The Esplanade Maribyrnong 2 - 4 Burton Crescent Report of the Co-Ordinator of Welfare Services Community Youth Support Scheme Early Childhood Development Complex Accommodation For Adolescents Child Care Centres 45 Warmington Road and 56 Tallintyre Road Sunshine West Multipipe Sclerosis Society of Victoria Report International Year of the Child Report of the Acting Chief Health Inspector Health Act Registration Applications for Transfer of Proprietorship of Premise Under the Health Act Council Own Properties Duke Street North End of Butler Street and on the Bank of the Maribyrnong River Melbourne & Metropolitan Board of Works Land on Maribyrnong River below D. F. Thompson Reserve Maribyrnong Immunisation Basic Microbiology for Health Services Course Health, Hygiene and History Course Poliomyelitis Immunisation Amusement Parlours Sanitary Closets Municipal Saleyards Association Report of Inspector of Weights & Measures Report of the Medical Officer Report of the Chief By-Laws Officer Court Proceedings Parking Infringements Extension of Limited Parking George Street Report of the Municipal Recreation Officer Future of The Hub and the Indoor Heated Swimming Pool Use of the Marching Girls' Hall Kinder Smith Reserve Lily Street Braybrook by Sunshine East Primary School Holiday Programme Report May Holidays 1978 Report of the City Engineer Town planning Compensation The Gobbo Report Lower Maribyrnong River Draft Action Statement Planning Permit Application Extension to Secondary School Marian College Lots 590 & 591 Glengala Road Planning Permit Application Office & Advertising Sign Shop 1B Princess Street St. Albans Planning Permit Application Flats 52B Forrest Street Town Planning Appeal Planning Permit Application Cafe Lot 4 Glengala Road Sunshine West Planning Permit Application Car Sales Yard Ballarat Road South West Corner Hampshire Road Planning Permit Application Sky Sign Lots 58, 59, 60, Part Lots 93, 94 & 95 392 Ballarat Road North West Corner of Alford Street Sunshine North Melbourne Metropolitan Planning Scheme Amendment Planning Permit Application Take Away Food Premise Lot 300 McIntyre Road Sunshine North Planning Permit Application Factory & Office Gee Street Sunshine North Plan of Subdivision Warr's Road Drainage Easement Consolidation of Title Ballarat Road, Alford Street & Victor Street Shell Co. Strata Subdivision Washington Street and Kodre Street Strata Subdivision 28 Middle Road Child Care Centre Orama Road Tender Acceptance and Consolidation of Title Lots 281, 282 & 283 Orama Street Property for Road Widening and Drainage Purposes for the Ultimate Construction of Somerville Road westwards from Market Road to the Proposed Freeeway Wright Street Bridge over Kororoit Creek Load Limit on road Tottenham Area Sunshine Avenue McIntyre Road to Main Road East Construction Declaration of Sewage area no 3496 Planning & Service Boring Operations M.M.B.W. Bayliss Road Area (Bon Thomas Reserve) & Market Road East Side at Somerville Road for Monsanto Complex Sewerage Facilities to Premise St. Albans bounded by Protea Crescent, Larkspur Drive, Chestnut Drive & Oleander Drive Re-Roofing of Dempster Park Day Care Centre, Infant Welfare Centre & Pre-School Centre Phoenix street Sunshine North Alterations to Granstand Skinner Reserve Garaging of Meals on Wheels Vehicles at Maidstone Hall Thomson Street Maidstone Fairbairn Road Double Unit Pre-School Centre Alterations The Hub Willis Street Pre-School Centre More Park Pavilion Report of the Building Surveyor Installation of Underground Tanks lots 1 & 2 Duke Street Sunshine & Lot 27 St. Albans Road St. Albans Report of the Director of parks & Recreation Errington Reserve Cricket Practice Enclosure for St. Albans Cricket Club Orders of the Day Accounts Submitted for Payment 21st June 1978 & 30th June 1978 Purchase of Second Bookmobile Extraordinarily Business Planning Permit Application Commercial Centre and Associated Car Parking Neale Road Bi-Annual Conference Australian Road Research Board city of sunshine, alexander "alex" george gillon, verdun street, mitchell street, maidstone, plantation street, the esplanade maribyrnong, burton crescent, maribyrnong, warmington road, tallintyre road, sunshine west, warmington road child care centre, tallintyre road child care centre, duke street, butler street, maribyrnong river, d. f. thompson reserve, george street, sunshine, the hub, sun crescent, kinder smith reserve, lily street, sunshine east primary school, marian college, glengala road, princess street, st. albans, forrest street, albion, ballarat road, hampshire road, alford street, sunshine north, mcintyre road, gee street, washington street, kodre street, middle road, orama road child care centre, orama road, somerville road, market road, wright street, kororoit creek, brooklyn, tottenham, main road east, bon thomas reserve, quinn street, deer park, monsanto, protea crescent, larkspur drive, chestnut drive, oleander drive, dempster park day care centre, dempster park infant welfare care centre, dempster park children's and community centre, phoenix street, skinner reserve, churchill avenue, maidstone hall, thomson street, fairbairn road, fairbairn road pre-school centre, willis street pre-school centre, willis street, more park, esmond street, ardeer, st. albans road, errington reserve, st. albans cricket club, neale road

The Wreck of Hope (Long-nosed Common Dolphin skeleton, Delphinus delphis) featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. This knitted dolphin skeleton was the start of Beevor's interest in comparative anatomy. Beevors recalls viewing a dolphin, one of many skeletons alongside a mouse and a lion in the Australian Museum's collection during a school visit in the 1970s. At the time, school children watched TV reruns of 'Flipper', which portrayed dolphins as intelligent and noble animals. Elsewhere, the conservation movement was growing, and appeals to protect marine mammals were gaining momentum through the 'Save the Whales' campaign. The fascination with live dolphin shows had grown throughout the 1960s and 1970s and the ethics began to be questioned. Some believe they played an important role in raising public awareness of cetaceans and their welfare. Others argued the performances glorified the dominance of heroic trainers over the subordinate dolphin, and offered little education about the dolphins' natural characteristics nor prioritised their welfare. Many of these facilities are now closed and all dolphin species are protected by international accords aimed at conserving wild populations. Despite this dolphins are still at risk of swallowing plastic waste, mercury toxicity, toxoplasmosis, boat impacts and being bycatch in commercial fishing operations. Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Life sized knitted skeleton of a dolphin, with white wool and internal steel, foam and wire frame. The dolphin is mounted on a wooden base, made from a desk, with books placed under the desk lid. The books and desk are painted black.knitting, art, dolphin, conservation, sculpture, skeletons, anatomy lessons, michele beevors